by Luke Delaney
He inserted the slim hook wrench into the last remaining lock and once more slid the pick through the lock’s barrel until within only a few seconds he felt the pins drop into their holes and allow him to turn the barrel and open the lock, the door falling open just a few millimetres. He replaced the tools in their suede case along with the other dozen or so lock-picking items, rolled it up and put it into the small plastic sports holdall he’d brought with him. He added the headlamp, then paused for a second before taking out the item that he knew was so precious to the little boy who waited inside – the one thing that would virtually guarantee the boy’s cooperation – even his happiness.
He eased the door open and stepped inside, closing it behind him and silently returning the latch to its locked position. He waited for the sounds of an intruder alarm to begin its countdown to the wailing of sirens, but there was none, just as he all but knew there wouldn’t be.
The house was warm inside, the cold of outside quickly fading in his mind as he stepped deeper into the family’s home, heading for the staircase, his way lit by the street light pouring through the windows. Their curtains had been left open and lights strategically left on in case little feet went wandering in the night. He felt safe in the house, almost like a child himself once more – no longer alone and unloved. As he walked slowly towards the stairs that would lead him to the boy, he noted the order of the things within – neat and tidy, everything in its place except for the occasional toy scattered on the hallway floor, abandoned by the children of the house and left by parents too tired to care anymore. He breathed in the smells of the family – the food they had had for dinner mixing with the mother’s perfume and bath time creams and soaps, air fresheners and polish.
He listened to the sounds of the house – the bubbling of a fish-tank filter coming from the children’s playroom and the ticking of electronic devices that seemed to inhabit every modern family’s home, accompanied by blinking green and red lights. All the time he thought of the parents rushing the children to their beds, too preoccupied with making it to that first glass of wine to even read them a bedtime story or stroke their hair until sleep took them. Parents who had children as a matter of course – to keep them as possessions and a sign of wealth, mere extensions of the expensive houses they lived in and exotic cars they drove. Children they would educate privately as another show of wealth and influence – bought educations that minimized the need for parental input while guaranteeing they never had to step out of their own social confines – even at the school gate.
More discarded toys lay on the occasional step as he began to climb towards the boy’s room, careful not to step on the floorboards that he already knew would creak, his gloved hands carrying the bag and the thing so precious to the boy. His footsteps were silent on the carpet as he glided past the parents’ bedroom on the first floor, the door almost wide open in case of a child in distress. He could sense only the mother in the room – no odours or sounds of a man. He left her sleeping in the semi-darkness and climbed the next flight of stairs to where the children slept – George and his older sister Sophia, each in their own bedrooms. If they hadn’t been, he wouldn’t be here.
He reached the second-floor landing and stood still for a few seconds, looking above to the third floor where he knew the guest bedrooms were, listening for any faint sounds of life, unsure whether the family had a late-arriving guest staying. He only moved forward along the hallway when he was sure the floor above held nothing but emptiness.
Pink and blue light from the children’s night-lamps seeped through their partially opened doors – the blueness guiding him towards George, his grip on the special thing tightening. He was only seconds away from what he’d come for. He passed the girl’s room without looking inside and moved slowly, carefully, silently to the boy’s room, easing the door open, knowing the hinges wouldn’t make a noise. He crossed the room to the boy’s bed that was pushed up under the window, momentarily stopping to look around at the blue wallpaper with white clouds, periodically broken up by childish paintings in the boy’s own hand; the mobile of trains with smiling faces above the boy’s head and the seemingly dozens of teddy bears of all kinds spread across his bed and beyond. He felt both tears of joy and sadness rising from deep inside himself and swelling behind his eyes, but he knew he had to do what he’d come to do: a greater power than he or any man had guided him this far and would protect him the rest of the way.
He knelt next to the boy’s bed and placed the bag on the floor, his face only inches away from the child’s, their breath intertwining in the space between them and becoming one as he gently began to whisper. ‘George … sssh … George.’ The boy stirred under his duvet, his slight four-year-old body wriggling as it fought to stay asleep. ‘George … sssh … open your eyes, George. There’s nothing to be afraid of. I have something for you, George. Something very precious.’ The boy rolled over slowly, blinking sleep from his narrow eyes – eyes that suddenly grew large with excitement and confusion, a smile spreading across his face, his green eyes sparkling with joy as he saw what the man had brought him – reaching out for the precious gift as the man’s still gloved hand stroked his straight blond hair. ‘Do you want to come to a magic place with me, George? A special place with special things?’ he whispered. ‘If you do, we need to go now and we need to be very, very quiet. Do you understand?’ he asked smiling.
‘A magic place?’ the boy asked, yawning and stretching in his pale blue pyjamas, making the pictures of dinosaurs printed on them come to life.
‘Yes,’ the man assured him. ‘A place just for the best, nicest children to see.’
‘Do we have to go now?’ the boy asked.
‘Yes, George,’ the man told him, taking him by the hand and lifting his bag at the same time. ‘We have to go now. We have to go right now.’
Detective Inspector Sean Corrigan sat in his small goldfish bowl of an office at Peckham Police Station reading through CPS reports and reviews of the last case he and his team had dealt with – over six months ago now. Initially they’d all been glad of the lull in the number of murder investigations coming their way, but after six months, and with the paperwork for the last case already tidied away, they were growing bored and restless. They watched and waited as the other murder teams across south-east London continued to work on the everyday, run-of-the-mill murders that kept them in the overtime that meant they could pay their mortgages on time and maybe even save enough for an inexpensive family holiday. Sean’s team were beginning to feel the pinch and even old, experienced hands like Detective Sergeant Dave Donnelly were struggling to find increasingly creative ways to justify the need for them to work overtime.
Sean momentarily glanced up and looked into the main office where half his team casually sat at desks and computer screens, the usual sense of urgency plainly not there. He knew he and they were being kept for something special, but if this went on any longer he’d have to speak to Detective Superintendent Featherstone and ask him to toss his team something, even just a domestic murder – anything to keep them gainfully employed. He gave his head a little shake and looked back down at the report on his desk from the CPS detailing the case against Thomas Keller – kidnapper and murderer of women, and the man who’d so nearly taken Sean’s life. He rubbed his shoulder. It still ached, even after three separate operations to try and remove all the shotgun pellets Keller’s gun had put there.
As he read the psychological report that detailed some of the abuse Keller had suffered as a boy, abuse that occasionally mirrored his own childhood, he struggled to work out how he felt about the man. He knew he didn’t hate him or even resent him, and decided he just felt overwhelmingly sorry for him. But he felt sorry for his victims too. No one had come out of the Keller case a winner.
Despite being completely immersed in the report, he still sensed a change in the atmosphere of the main office that made him look up and see Featherstone striding across the office, all smiles and waves, as if he was on
an American presidential campaign. Sean puffed out his cheeks and waited for Featherstone’s inevitable arrival, his large frame soon filling the doorway as for some reason he bothered to knock on the open door before entering without being invited and slumping heavily into the chair opposite Sean.
‘Fuck me. Freeze brass monkeys out there,’ was his opening gambit. ‘Nice and warm in here though. Wouldn’t want to be stuck at an outside murder scene too long today.’
‘Morning, boss,’ Sean replied, his voice heavy with disinterest once he realized Featherstone wasn’t about to hand him a much-needed murder investigation. ‘Anything happening out there?’
‘Nah!’ Featherstone answered. ‘Just thought I’d drop by and tell you myself.’
Sean frowned. ‘Tell me what?’
‘Now don’t get too pissed off, but I had a call from the Assistant Commissioner a couple of hours ago.’
‘And?’
‘One of the top bods at the CPS called him and told him they wouldn’t be trying to get any convictions for rape or murder against Thomas Keller or any other type of conviction for that matter. They’re going to accept a plea of manslaughter on grounds of diminished responsibility and then he’s off to Broadmoor for the rest of his natural. I thought it best if I tell you personally. I know what he did to you.’ Sean involuntarily grabbed his shoulder. ‘How is the old shoulder, anyway?’
‘It’s fine,’ Sean lied, ‘and I’m neither pissed off nor surprised. Keller is what he is. I don’t care how he ends up behind bars just so long as he does.’
‘He can talk to all the other nutters in there.’ Featherstone smiled, but stopped when he realized Sean wasn’t returning the sentiment. ‘Anyway, that’s that job put to bed, so I suppose you’ll be needing something to keep the troops busy. Idle hands and all that.’
‘Right now I’ll take anything,’ Sean told him.
‘Can’t allow that, I’m afraid,’ Featherstone said. ‘Assistant Commissioner Addis is adamant you and yours are to be saved for the more … well, you know.’
‘Yeah, but this is south-east London, not Washington State. It could be years before another Keller comes along.’
‘Indeed,’ Featherstone agreed. ‘But what if you covered the whole of London and, sometimes, if the case merited it, beyond?’
‘How can we investigate a murder in deepest-darkest north London if we’re based in Peckham?’
‘Which rather neatly brings us on to my next bit of news – you’re moving.’
‘What?’ Sean almost shouted, drawing concerned looks from the detectives eavesdropping in the main office. ‘Where to?’
‘Where else? The Yard, of course.’
‘Scotland Yard?’ Sean asked, incredulous. ‘Most of my team live in Kent or the borders of. How they supposed to get to the Yard every day?’
‘Same way everyone else does,’ Featherstone told him. ‘Train, bus – you can even drive if you have to. The Assistant Commissioner’s bagged you a few parking places in the underground car park there. Best you pull rank and reserve yourself one.’
‘This is not going to go down well,’ Sean warned him.
‘Nothing I can do about it, and nothing you can do about it,’ Featherstone replied, his voice hushed now, as if Addis could somehow overhear him from his office high in the tower that was New Scotland Yard. ‘Mr Addis is determined to keep you for the special ones: murders with strong sexual elements, especially ones involving children; murders showing excessive violence and body mutilation, and missing person cases where there are strong grounds to believe a predatory offender may be involved. You get the drift. Addis put the proposal to the Commissioner and he agreed it, so that’s that. They feel we’ve been getting caught out by not having a specialist team to investigate these types of cases, so they decided to create one and you’re it.’
‘Meaning,’ Sean offered, ‘when these high-interest, media-attracting cases don’t go quite to plan they’ve got someone ready-made and in place to blame?’
‘You may think that, but I couldn’t possibly comment,’ Featherstone replied. ‘Let’s just say you don’t get to be the Assistant Commissioner of the Metropolitan Police without learning how to cover your arse.’ Sean just pursed his lips. ‘Anyway, your new home’s on the seventh floor, room 714. Used to be the Arts and Antiques Team’s, until Addis decided they weren’t offering value for money anymore and sent them back to division – half of them back to uniform. Wonder how they’re feeling this morning – walking the beat in some khazi somewhere freezing their nuts or tits off. A warning to the wise – Addis is not a man to piss off.’
‘What if I say no?’ Sean suddenly asked. ‘What if I say I don’t want to do it?’ Images of his wife, Kate, flashed in his mind, smiling and clutching her chest with relief as he told her he’d quit the Murder Team.
‘And what else would you do?’ Featherstone answered. ‘Go back to division and rubber-stamp search warrants, oversee endless dodgy rape allegations? Come on, Sean – it would kill you.’
‘Flying Squad? Anti-Terrorist?’
‘They’re plum jobs, Sean. You know the score: everyone leaving a central or area posting has to go back and serve time on division before getting another off-division posting. And like I said – just in case you weren’t listening – Addis is not a man to piss off.’ Kate’s smiling face faded to nothing. ‘Besides, this is where you belong. I’m not blowing smoke up your arse, but seriously, Sean, you’re the best I’ve got at doing this – the best I’ve ever seen, always one step ahead of everyone else, sometimes two steps, three steps. I don’t know how you do what you do, but I know you can use it to catch some very bad people, and maybe save a few lives along the way.’ Sean said nothing. ‘What’s done is done. Now get yourself and your team over to NSY and set up shop. Your new home awaits you.’
The discussion over, Featherstone stood and walked backwards towards the door. ‘We’re done here. I’ll drop in and see you in a couple of days, see how the move’s going. Who knows, you might have a special case by then. Just what your troops need to take their minds of being moved – and you too. Good luck, and remember, when you make it to the Yard be careful: Addis has eyes and ears everywhere. Loose lips sink ships.’
With that he turned on his heels and was gone, leaving Sean alone, staring at the space he’d left. A special case, Sean thought to himself. Such a neat, sterile way to describe what he had seen and would see again: women and men mutilated and abused before death finally claimed them. What would be next?
Click here to buy The Toy Taker
If you’re a DI Sean Corrigan fan, try the first in the series:
A KILLER WHO’LL NEVER STOP.
A DETECTIVE WHO’LL NEVER GIVE UP.
Click here to buy Cold Killing
If you’re a DI Sean Corrigan fan, try the second in the series:
HE’S GOING TO SAVE HER.
WHETHER SHE LIKES IT OR NOT.
Click here to buy The Keeper
COMING IN FEBRUARY 2014
THE NEW DI SEAN CORRIGAN NOVEL
HE SEES YOU WHEN YOU’RE SLEEPING.
Click here to buy The Toy Taker
About the Author
Luke Delaney joined the Metropolitan Police Service in the late 1980s and his first posting was to an inner city area of South East London notorious for high levels of crime and extreme violence. He later joined CID where he investigated murders ranging from those committed by fledgling serial killers to gangland assassinations.
Also By Luke Delaney
Cold Killing
The Keeper
Copyright
Harper
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First published in Great Britain by HarperCollinsPublishers 2014
Copyright © Luke Delaney 2014
Cover layout design © HarperCollinsPublishers 2014
/> Cover photographs © Henry Steadman
Luke Delaney asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This is entirely a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.
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