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Charles Dickens in Love

Page 42

by Robert Garnett


  Drew, John M. L. Dickens the Journalist. New York: Palgrave Macmillan, 2003.

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  Edmonson, John, ed. Dickens on France: Fiction, Journalism and Travel Writing. Northampton, Mass.: Interlink Books, 2007.

  Fields, J. T. Yesterdays with Authors. Boston: James R. Osgood, 1871.

  Fitzgerald, Percy. Memoirs of an Author. 2 vols. London: Richard Bentley, 1895.

  Flower, Sibylla Jane. “Charles Dickens and Edward Bulwer-Lytton.” Dickensian 69 (1973), 79-89.

  Forster, John. The Life of Charles Dickens. 2 vols. London: J. M. Dent, 1927 (Everyman edition).

  Fox, Stephen. Transatlantic: Samuel Cunard, Isambard Brunel, and the Great Atlantic Steamships. New York: HarperCollins, 2003.

  Gollin, Rita K. Annie Adams Fields: Woman of Letters. Amherst: University of Massachusetts Press, 2002.

  Gounod, Charles. Faust: opera in five acts. New York: Schirmer, nd.

  Greene, Graham. Reflections. Ed. Judith Adamson. New York: Reinhardt Books, 1990.

  ——. “The Young Dickens.” Collected Essays. Harmondsworth, Middlesex: Penguin Books, 1970.

  Hanna, Robert C., ed. “Before Boz: The Juvenilia and Early Writings of Charles Dickens, 1820-1833.” Dickens Studies Annual 40 (2009), 231-364.

  Hartley, Jenny. Charles Dickens and the House of Fallen Women. London: Methuen, 2008.

  Hawksley, Lucinda. Katey: The Life and Loves of Dickens’s Artist Daughter. London: Doubleday, 2006.

  [Hogarth, Georgina, and Mamie Dickens]. The Letters of Charles Dickens, Edited by His Sister-in-Law and His Eldest Daughter. 1882; revised edition London: Macmillan, 1893.

  Hollingshead, John. My Lifetime. 2 vols. London: Samson Low, Marston, 1895.

  House, Humphry. The Dickens World. 2nd ed. Oxford: Oxford University Press, 1942.

  Howe, M. A. deWolfe. Memories of a Hostess: A Chronicle of Eminent Friendships. Boston: Atlantic Monthly Press, 1922.

  James, Henry. “Mr. and Mrs. James T. Fields.” Atlantic Monthly 116 (July 1915), 21-31; reprinted in Henry James: Literary Criticism, 160-176. New York: Library of America, 1984.

  Johnson, Edgar. Charles Dickens: His Tragedy and Triumph. 2 vols. New York: Simon and Schuster, 1952.

  Kaplan, Fred. Dickens: A Biography. 1988; Baltimore, Johns Hopkins University Press, 1998.

  ——. Dickens and Mesmerism. Princeton: Princeton University Press, 1975.

  Kitton, Frederic G. Charles Dickens by Pen and Pencil. London: Frank T.Sabin & John Dexter, 1889-90.

  ——. A Supplement to Charles Dickens by Pen and Pencil. London: Frank T. Sabin & John Dexter, 1890.

  Lawrence, Arthur. Sir Arthur Sullivan: Life-Story, Letters, and Reminiscences. London: James Bowden, 1899.

  Lehmann, Rudolf. An Artist’s Reminiscences. London: Smith, Elder, 1894.

  Lehmann, R. C., ed. Memories of Half a Century: A Record of Friendships. London: Smith, Elder & Co., 1908.

  Linton, Eliza Lynn. My Literary Life: Reminiscences of Dickens, Thackeray, George Eliot, etc. London: Hodder & Stoughton, 1899.

  Longley, Katharine M. A Pardoner’s Tale: Charles Dickens and the Ternan Family. Unpublished typescript, Longley Papers, Senate House Library, n.d.

  ——. “The Real Ellen Ternan.” Dickensian 81 (Spring 1985), 26-44.

  Loy, James D. & Kent M. Emma Darwin: A Victorian Life. Gainesville: University Press of Florida, 2010.

  Martens, Britta. “Death as Spectacle: The Paris Morgue in Dickens and Browning.” Dickens Studies Annual 39 (2008), 223-248.

  McAleer, Edward C. Dearest Isa: Robert Browning’s letters to Isabella Blagden. Austin: University of Texas Press, 1951.

  McCombie, Frank. “Sexual Repression in Dombey and Son.” Dickensian 88 (1992), 25-38.

  MacKenzie, Norman and Jeanne. Dickens: A Life. New York: Oxford University Press, 1979.

  Meckier, Jerome. “‘A World Without Dickens!’: James T. to Annie Fields, 10 June 1870.” Huntington Library Quarterly 52 (Summer 1989), 409-14.

  ——. “Some Household Words: Two New Accounts of Dickens’s Conversation.” Dickensian 71 (1975), 5-20.

  Merivale, Herman. “The Last Days of Charles Dickens” [letter to the editor]. The Times, 8 Feb. 1883, 8.

  Monod, Sylvère. Dickens the Novelist. Norman: University of Oklahoma Press, 1967.

  Morley, Malcolm. “The Theatrical Ternans.” Published in ten parts, Dickensian 54-57 (1958-1961).

  Nayder, Lillian. The Other Dickens: A Life of Catherine Dickens. Ithaca: Cornell University Press, 2011.

  Niebuhr, H. Richard. The Kingdom of God in America. 1937; repr. Middletown, CT: Wesleyan University Press, 1988.

  Nisbet, Ada. Dickens and Ellen Ternan. Berkeley: University of California Press, 1952.

  O’Connor, Flannery. The Habit of Being. Sally Fitzgerald, ed. New York: Farrar, Straus & Giroux, 1979.

  Oddie, William. “Dickens and the Indian Mutiny.” Dickensian 68 (1972), 3-15.

  Orwell, George. “Charles Dickens.” Dickens, Dali & Others. New York: Reynal and Hitchcock, 1946.

  [Panton, Jane]. Leaves from a Life. London: George Bell and Sons, 1908.

  Parker, David. The Doughty Street Novels. New York: AMS Press, 2002.

  ——, and Michael Slater. “The Gladys Storey Papers.” Dickensian 76 (1980): 2-16.

  Paroissien, David. “Charles Dickens and the Weller Family,” Dickens Studies Annual 2 (1972), 1-38.

  Patten, Robert. Charles Dickens and His Publishers. Oxford: Oxford University Press, 1978.

  Payne, John Howard. Clari: or, The Maid of Milan, An Opera, in Three Acts, as First Performed at the Theatre Royal, Covent Garden, on Thursday, May 8th, 1823. New York: The Circulating Library and Dramatic Repository, 1823.

  Perugini, Kate. “Edwin Drood and Charles Dickens’s Last days.” Pall Mall Magazine 37 (June 1906), 642-54.

  Peters, Catherine. The King of Inventors: A Life of Wilkie Collins. Princeton: Princeton University Press, 1991.

  Philpotts, Trey. The Companion to Little Dorrit. Mountfield, East Sussex: Helm Information, 2003.

  Richardson, Ruth. “Charles Dickens and the Cleveland Street Workhouse.” Dickens Quarterly 28 (2011), 99-108.

  Ritchie, Anne Thackeray. Journals and Letters. Lillian F. Shankman, Abigail Burnham Bloom, and John Maynard, eds. Columbus: Ohio State University Press, 1994.

  Rosenberg, Edgar. “Launching Great Expectations.” In Great Expectations. Edgar Rosenberg, ed. New York: W. W. Norton, 1999 (Norton Critical Edition), 389-423.

  Ruff, Lillian M. “How Musical was Charles Dickens?” Dickensian 68 (1972), 31-42.

  Ruskin, John. The Bible of Amiens. Vol. 24, The Complete Works of John Ruskin. 30 vols. New York: Thomas P. Crowell, [1905].

  ——. Letters of John Ruskin to Charles Eliot Norton. 2 vols. Boston: Houghton, Mifflin, 1905.

  Sayers, Dorothy. Creed or Chaos. New York: Harcourt, Brace, 1949.

  Schlicke, Paul. Oxford Reader’s Companion to Dickens. Oxford: Oxford University Press, 1999.

  Slater, Michael. Dickens and Women. Stanford: Stanford University Press, 1983.

  ——. Douglas Jerrold: 1803-1857. London: Duckworth, 2002.

  Spielmann, Mabel H. “Florence Dombey’s Tears.” Dickensian 21 (1925), 157.

  Staples, Leslie C. “Ellen Ternan—Some Letters.” Dickensian 61 (1965), 30-35.

  ——. “New Letters of Mary Hogarth and Her Sister Catherine.” Dickensian 63 (1967), 75-80.

  Stokes, M. Veronica. “Charles Dickens: A Customer of Coutts & Co.” Dickensian 68 (1972), 17-30.

  Stone, Harry. The Night Side of Dickens: Cannibalism, Passion, Necessity. Columbus: Ohio State University Press, 1994.

  Stonehouse, John Harrison. Green Leaves: New Chapters in the Life of Charles Dickens. London: Piccadilly Fountain Press, 1931.

  Storey, Gladys. Dickens and Daughter. London: Frederick Muller, [1939].

  Thackeray, William Makepeace. The Letters a
nd Private Papers of William Makepeace Thackeray. 4 vols. Gordon N. Ray, ed. Cambridge: Harvard University Press, 1946.

  Thompson, John R. “Extracts from the Diary of John R. Thompson.” Lippincott’s Monthly Magazine 42 (1888), 697-708.

  Tomalin, Claire. The Invisible Woman. New York: Vintage, 1992.

  Tryon, Warren S. Parnassus Corner: A Life of James T. Fields. Boston: Houghton Mifflin, 1963.

  Walder, Dennis. Dickens and Religion. London: Allen & Unwin, 1981.

  Welty, Eudora. One Writer’s Beginnings. Cambridge: Harvard University Press, 1984.

  Whiffen, Mrs. Thomas. Keeping Off the Shelf. New York: E. P. Dutton, 1928.

  [Wilde, Jane F.]. “The Countess of Blessington.” Dublin University Magazine 45 (1855), 333-353.

  Wilson, Edmund. “The Two Scrooges.” In Eight Essays. Garden City: Doubleday, 1954.

  Wright, Thomas. The Life of Charles Dickens. London: Herbert Jenkins, 1935.

  ——. Thomas Wright of Olney: An Autobiography. London: Herbert Jenkins, 1936.

  NOTES

  Chapter 1

  Our people don’t think: Letters 3:233 (3 May 1842).

  nature’s greatest altar: American Notes, 202.

  It would be hard: Letters 3:210-11 (26 April 1842).

  the presence and influence: Letters 3:35 (29 Jan. 1842).

  When I felt how near: American Notes, 200.

  What would I give: Letters 3:211 (26 April 1842).

  peace of mind: Ibid.

  a very grim place: Letters 12:69 (8 March 1868).

  We have had two brilliant sunny days: Letters 12:73 (16 March 1868).

  All away to the horizon: Letters 12:75 (16 March 1868).

  What I once said: Ibid.

  another letter: Letters 12:76 (16 March 1868).

  the more truly great the man: “Trading in Death,” Journalism 3:98.

  a crazy, tumble-down old house: Forster, Life 1:21.

  a patient and continuous energy: David Copperfield, ch. 42.

  There never existed: Mamie Dickens, My Father As I Recall Him, 7 & 11-13.

  so long as the room: Storey, Dickens and Daughter, 77.

  the fondness of a savage: Arthur Locker, in Kitton, Charles Dickens by Pen and Pencil, 173.

  liked a tidy head: Ibid.

  took out a pocket-comb: Thompson, “Extracts from the Diary,” 703. Similarly, a houseguest at Gad’s Hill was impressed by “the particular care which his host gave to his hair, and how, while the guest would be taking an early stroll out of doors, Dickens would open his window, cheerily salute his friend, and carry on a conversation from above, all the while brushing his still flowing locks with almost savage energy, vigorously wielding a pair of brushes as if he would brush his hair off, working from the back of the head and bringing the lengthy side-locks in curls over the ears” (Kitton, Charles Dickens by Pen and Pencil, 175).

  His punctuality: Storey, Dickens and Daughter, 77.

  The condition of the common people: Letters 4:266 (11 Feb. 1845).

  The country is delightful: Letters 4:561 (?13 or 14 June 1846).

  admirably educated: Letters 4:574 (?28 June 1846).

  taken at hazard: Letters 4:515 (?28 June 1846).

  The Genius of Dullness: Letters 4:597 (5 Aug. 1846).

  The absence of any accessible streets: Letters 4:622 (?20 Sep. 1846).

  giddiness and headache: Letters 4:627-28 (3 Oct. 1846).

  The sight of the rushing Rhone: Letters 4:627 (30 Sep. & 1 Oct. 1846).

  The whole prospect: Pictures from Italy, 420-21.

  beautifully clean: David Copperfield, ch. 3.

  The Bastille!: Tale of Two Cities, ch. 21.

  the great progress: Letters 6:468 (22 Aug. 1851).

  be trained in the spirit: Letters 10:266 (4 July 1863).

  horrible: Letters 3:482 (3 May 1843).

  Dickens was a pure modernist: Ruskin, Letters to Norton 2:5 (19 June 1870).

  chary of shewing my affections: Letters 7:543 (22 Feb. 1855).

  intense dislike: Henry Dickens, Memories, 19-20.

  I am breaking my heart: Letters 2:172 (?22 Dec. 1840).

  I am slowly murdering: Letters 2:180 (?6 Jan. 1841).

  It casts the most horrible shadow: Letters 2:181 (?8 Jan. 1841).

  I am, for the time being: Letters 2:184 (14 Jan. 1841).

  I resolved to try: Letters 2:188 (?17 Jan. 1841).

  who wrote so tenderly: Linton, My Literary Life, 64.

  You know my man Cooper?: Letters 7:319 (20 April 1854).

  Mr. Henry Bradbury: Letters 9:302 (4 Sep. 1860).

  to exterminate the Race: Letters 8:473 (23 Oct. 1857).

  spoke with great vehemence: Meckier, “Some Household Words,” 13.

  brought about by attendant revolutions: Patten, Dickens and His Publishers 343.

  one of the greatest geniuses: Flower, “Charles Dickens and Edward Bulwer-Lytton,” 89.

  found Mr. Dickens very practical: Cross, “Charles Dickens: A Memory,” 396.

  Dickens behaved outrageously: Patten, Dickens and His Publishers, 86.

  I do not regard: Letters 11:289 (27 Dec. 1866).

  I made last week: Letters 8:647 (2 Sep. 1858).

  there was perpetual sunshine: J. T. Fields, Yesterdays with Authors, 241.

  That man is a brute: Panton, Leaves from a Life, 143.

  sexual love: Orwell, “Charles Dickens,” Dickens, Dali & Others, 68.

  weeps eighty-eight times: Spielmann, “Florence Dombey’s Tears,” 157.

  legless angels: Orwell, “Charles Dickens,” Dickens, Dali & Others, 73.

  The sweet scent: Perugini, “Edwin Drood and the Last Days,” 654.

  Chapter 2

  In his youth: Little Dorrit, ch. 1:13.

  Ever since that memorable time: Ibid.

  You open the way: Letters 7:544 (22 Feb. 1855).

  shivered and broke: Little Dorrit, ch. 1:13.

  information about Maria Beadnell: Ackroyd, Life, 1096.

  dark-haired … slightly plump: Ibid., 130.

  blond, petite: Kaplan, Dickens, 51.

  Both Marias—brunette and blonde: In photographs of Maria in middle age she appears to have dark hair; but age or the developing process might have darkened it.

  there used to be a tendency: Letters 7:544 (22 Feb. 1855).

  the place where they grant: “Doctors’ Commons,” Journalism 1:89.

  their address varied: Reckoning up the Dickens family’s residences during Charles’s youth, one researcher “counted seventeen addresses before Dickens left home when he was 22, and thought there were probably some I’d missed” (Richardson, “Charles Dickens and the Cleveland Street Workhouse,” 103).

  vernacular tastes in music: “I have not the least knowledge of music,” Dickens admitted in 1854, “I only love it” (Letters 7:297).

  Are you going out of town: Letters 1:7 (30 July 1832).

  Will you excuse my postponing: Letters 1:13 (5 Jan. 1833).

  Snatches of over 200 popular songs: Ruff, “How Musical was Charles Dickens?” 40.

  I am exceedingly sorry: Letters 1:11 (20 Dec. 1832).

  pocket Venus: Stonehouse, Green Leaves, 39.

  “light butterfly” feelings: Letters 1:25 (16 May 1833).

  seldom dined: “The Steam Excursion,” Journalism 1:369.

  Life has no charms: Hanna, “Before Boz,” 306. Maria’s album is in the Dickens House Museum; Hanna’s “Before Boz” gives reliable transcriptions of Dickens’s contributions to the album.

  He saw at a window: Hanna, “Before Boz,” 308.

  “The Bill of Fare”: Hanna, “Before Boz,” 314-26. Anne Kolle’s album with Dickens’s autograph version of “The Bill of Fare” has disappeared; three copies (in other hands) survive, however. I quote from Hanna’s transcription of the copy in the Dickens House Museum.

  After reporting his last debate: Annie Fields Diaries, Massachusetts Historical Society.

  Mr. Dickin: Letters 7:534 (10 Feb. 1855).r />
  many old kindnesses: Letters 5:626 (19 Oct. 1849).

  The first of his surviving letters: Letters 7:777 (late 1831).

  I once matched a little pair: Letters 7:538 (15 Feb. 1855).

  the epidemic of illustrated annuals: Wilde, “Countess of Blessington,” 342.

  This charming spot: Hanna, “Before Boz,” 312.

  I should not have written it: Letters 1:8 (Summer 1832).

  Dickens was on several occasions: Stonehouse, Green Leaves, 28.

  Situated as we have been once: Letters 1:23 (14 May 1833).

  recollecting what had passed: Letters 1:25 (16 May 1833).

  How it all happened: Letters 7:543 (22 Feb. 1855).

  Mr. Dickens senior had been summoned: London Gazette, 22 November 1831, 2447-48.

  My existence was once: Letters 7:534 (10 Feb. 1855).

  my cold is about as bad: Letters 1:12 (?1832).

  With our friends the Beadnell’s: Letters 1:14 (?Jan. 1833).

  Your handwriting: Letters 6:659 (4 May 1852).

  Do not misunderstand: Letters 7:777 (Late 1831).

  I cannot unless: Letters 7:777 (Late 1831).

  Surely, surely: Ibid.

  When we were falling off: Letters 7:545 (22 Feb. 1855).

  I gave a party: “Birthday Celebrations,” Journalism 4:232.

  The first of these letters: Letters 1:16-17 (18 March 1833).

  with a blue ribbon: Letters 7:539 (15 Feb. 1855).

  expressive of the same sentiments: Letters 1:25 (16 May 1833).

  I know what your feelings: Letters 1:25 (16 May 1833).

  Although unfortunately: Letters 1:19 (?15 April 1833).

  The family are busy: Letters 1:19 (?15 April 1833).

  A father’s curse: Payne, Clari, 52.

  Hence, hence!: Ibid., 53.

  Most extensive: “Mrs Joseph Porter ‘Over the Way,’” Journalism 1:405.

  on the night of the play: Letters 1:24 (16 May 1833).

  by chance that days: Letters 1:22 (14 May 1833).

  I cannot forbear: Letters 1:24 (16 May 1833).

  a very conciliatory note: Letters 1:29 (19 May 1833).

  I am most desirous: Letters 1:28 (19 May 1833).

  I wrote to you: Letters 7:543 (22 Feb. 1855).

  If you had ever felt: Letters 1:25-26 (16 May 1833).

  you never had the stake: Letters 7:544 (22 Feb. 1855).

 

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