The Flatshare

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The Flatshare Page 32

by Beth O'Leary


  Mo and Gerty x

  P.S. He asked me to say that he didn’t ask your father’s permission, on account of that being “a bit archaic and patriarchal,” but he feels “fairly confident Brian is on board.”

  I laugh shakily, wiping the tears from my cheeks. My dad adores Leon. He’s been calling him “son” in embarrassing social situations for at least a year.

  My hands tremble as I reach for the cardboard box. The sellotape takes an agonizingly long time to work loose, but when I manage to get the lid off I start crying in earnest.

  There’s a ring inside, nestled in a bundle of rainbow-colored tissue paper. It’s beautiful: vintage, a little wonky, with an oval amber stone in its center.

  And there’s one last note.

  Tiffany Rose Moore of Flat 3, Madeira House, Stockwell,

  Would you like to be my wife?

  Take some time to think about it. If you want to see me, I’m at the Bunny Hop Inn, room 6.

  I love you x

  When I can, when my shoulders have stopped shaking from happy-crying and I’ve wiped my eyes and blown my nose, I head back up the beach to the warm light of the Bunny Hop Inn.

  He’s waiting for me on the bed in room 6, sat cross-legged, fidgeting. He’s nervous.

  I take him at a flying leap. He lets out a happy sort of oof as I roll him back onto the bed.

  “Yes?” he asks after a moment, pushing back my hair so he can look at my face.

  “Leon Twomey,” I say, “only you could find a method of proposing that means you don’t actually have to be there.” I kiss him hard. “Yes. Absolutely, definitely, yes.”

  “Sure?” he asks, pulling back to look at me properly.

  “I’m sure.”

  “Really?”

  “Really really.”

  “It’s not too much?”

  “Bloody hell, Leon!” I say, exasperated. I look round and reach for the hotel stationery on the bedside table.

  YES. I would love to marry you.

  Now it’s written down it is unequivocal and probably binding in a court of law although check with Gerty because I literally just made that up right now. xx

  I wave the note under his nose so he gets the gist, then tuck it in the pocket of his shirt. He pulls me in and presses his lips to the crown of my head. I can feel that he’s doing one of those lopsided smiles, and it all seems too good, like we can’t possibly deserve it, like we’re taking too much happiness and not leaving enough for everyone else.

  “This is the bit where we turn on the telly and a nuclear war has started,” I say, twisting to lie down next to him.

  He smiles. “I don’t think so. Doesn’t work that way. Sometimes the happy thing just happens.”

  “Look at you, with all the sunny optimism! That’s usually my jam, not yours.”

  “Not sure what’s brought it on. Recent betrothal? Bright future? Love-of-life in arms? Hard to say.”

  I chuckle, nuzzling into his chest, breathing him in. “You smell like home,” I tell him after a moment.

  “You are home,” he says simply. “The bed, the flat…”

  He pauses, the way he always does when he’s looking for enough words for something big.

  “It was never home until you were there, Tiffy.”

  ACKNOWLEDGMENTS

  My first thank-you goes to the incredible Tanera Simons, who gave Tiffy and Leon a shot before anybody else, and then kickstarted the craziest, most wonderful time in my life. The next thanks goes to Mary Darby, Emma Winter, Kristina Egan, and Sheila David for everything they’ve done to take The Flatshare out into the world. I am so lucky to have found a home at Darley Anderson Agency.

  You might not believe it after reading about Martin and Hana, but in reality the publishing industry is full of truly wonderful people—and the bunch who’ve brought The Flatshare into the world are particularly incredible. To Emily Yau and Christine Kopprasch, my amazing editors at Quercus and Flatiron: Thank you for making this an infinitely better book with your edits, and for the countless other things you’ve done to make The Flatshare the best it can be. Thanks to Marlena Bittner, Nancy Trypuc, Keith Hayes, Bryn Clark, Steven Seighman, Vincent Stanley, David Lott, Sara Thwaite, and all the people I won’t have ever spoken to, but who I know have done so much to make this book a reality. And thank you to my wonderful international publishers for believing in Tiffy and Leon so early and making this experience even more of a dream.

  My next thank-you’s go to: Libby, for being my muse; Nups, for being my rock, battling toilet mushrooms with me, and telling me (very emphatically) that this book was The One; and Pooja, for being a wonderful, generous friend and giving so much time and expertise. Thank you to Gabby, Helen, Gary, Holly, and Rhys, for the early reads, the bright ideas, and the messy nights at Adventure Bar, and to Rebecca Lewis-Oakes, for giving me a good talking-to when I was too scared to send out queries. Sorry for keeping the name Justin, Rebecca!

  To my wonderful family, and the fabulous Hodgson family, too: Thank you for always being there for me, and for getting so excited about all things “Flatshare.” Mum and Dad, thank you for your endless support and for filling my life with love and books. And Tom, thank you for your help with the details. I love you and think of you every day.

  To Sam. This is the hardest part, because I feel just like Leon—I can’t find the words for something this big. Thank you for your patience, your kindness, your puppylike enthusiasm for everything life brings, and thank you for reading and laughing when it mattered most. This book is dedicated to you, but really it’s not just for you, it’s because of you, too.

  Finally, a huge thank-you to every reader who picked up this book, and to every bookseller who helped make that moment happen. I’m so grateful and honored you did.

  ABOUT THE AUTHOR

  Beth O’Leary worked in children’s publishing before becoming a full-time author. The Flatshare is her debut novel. The idea for The Flatshare came to Beth when her doctor boyfriend was working long night shifts as part of his training and they could go weeks without seeing each other—but she could track his life by how many cups of coffee were left on the counter, by how much he’d eaten, and whether the bookmark in his novel had changed locations. It made her wonder: What could you learn about someone if you lived together but your lives never overlapped?

  Visit her online at betholearyauthor.com, or sign up for email updates here.

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  CONTENTS

  Title Page

  Copyright Notice

  Dedication

  February

  1. Tiffy

  2. Leon

  3. Tiffy

  4. Leon

  5. Tiffy

  6. Leon

  7. Tiffy

  8. Leon

  9. Tiffy

  10. Leon

  11. Tiffy

  12. Leon

  April

  13. Tiffy

  14. Leon

  May

  15. Tiffy

  16. Leon

  July

  17. Tiffy

  18. Leon

  19. Tiffy

  20. Leon

  21. Tiffy

  22. Leon

  23. Tiffy

  August

  24. Leon

  25. Tiffy

  26. Leon

  27. Tiffy

  28. Leon

  29. Tiffy

  30. Leon

  31. Tiffy

  32. Leon

  September

  33. Tiffy

  34. Leon

  35. Tiffy

  36. Leon

  37. Tiffy

  38. Leon


  39. Tiffy

  40. Leon

  41. Tiffy

  42. Leon

  43. Tiffy

  44. Leon

  45. Tiffy

  46. Leon

  47. Tiffy

  48. Leon

  49. Tiffy

  50. Leon

  51. Tiffy

  October

  52. Leon

  53. Tiffy

  54. Leon

  55. Tiffy

  56. Leon

  57. Tiffy

  58. Leon

  59. Tiffy

  60. Leon

  61. Tiffy

  62. Leon

  63. Tiffy

  64. Leon

  65. Tiffy

  66. Leon

  67. Tiffy

  68. Leon

  69. Tiffy

  70. Leon

  71. Tiffy

  72. Leon

  73. Tiffy

  74. Leon

  September, Two Years Later

  Epilogue. Tiffy

  Acknowledgments

  About the Author

  Copyright

  This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.

  THE FLATSHARE. Copyright © 2019 by Beth O’Leary Ltd. All rights reserved. For information, address Flatiron Books, 175 Fifth Avenue, New York, N.Y. 10010.

  www.flatironbooks.com

  Cover design by Leah Goren

  The Library of Congress Cataloging-in-Publication Data is available upon request.

  ISBN 978-1-250-29563-7 (hardcover)

  ISBN 978-1-250-24517-5 (international, sold outside the U.S., subject to rights availability)

  ISBN 978-1-250-29564-4 (ebook)

  eISBN 9781250295644

  Our ebooks may be purchased in bulk for promotional, educational, or business use. Please contact the Macmillan Corporate and Premium Sales Department at 1-800-221-7945, extension 5442, or by email at [email protected].

  First U.S. Edition: May 2019

  First International Edition: May 2019

 

 

 


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