The Domino Effect and Other Plays for Teenagers

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The Domino Effect and Other Plays for Teenagers Page 4

by Fin Kennedy

NEVERBORN. Logic dictates

  The lizards await

  Monsters in vermilion

  A trillion reptilians

  Creators of the Multiverse

  Hear

  Them

  ROAR.

  A trillion lizards roar.

  Tongues like a meteorite

  Red in tooth

  Red in claw

  Feel

  Them

  BITE.

  On screen, the lizards prepare to bite.

  MACK. No!

  Suddenly the screen cuts out and the room returns to normal.

  MACK exhales.

  Whoa. That was intense.

  AMELIA. That was just as scary as mine!

  MACK. I didn’t say it wouldn’t be scary, did I?

  JAYDEN. Lizards?

  MACK. Yeah.

  JAYDEN. What the hell?

  ALI. Man, that is deep.

  NASIMA. That made no sense.

  SURAYA. So how does any of that help us work out what’s going on?

  MACK. I’ll tell you how: because that was a dream I sometimes have.

  MADGE. What?

  NASIMA. These are old movies, Mack.

  MACK. No. This – (Points to the projector.) is not a movie projector. It’s a Somnagraph.

  MADGE. A what?

  MACK. I’ve been thinking about it for ages, but I think I’ve worked it out.

  RAPHAEL. Worked what out?

  MACK. Somna means sleep.

  SURAYA. Like insomnia!

  MACK. Exactly. And graph means write.

  AMELIA. Like photograph. To write with light.

  MACK. Right. So this isn’t a film projector. It’s a machine for screening your dreams.

  They all turn to look at the Somnagraph.

  Pause.

  Then:

  ALI. I want a go!

  SURAYA. My turn next!

  NASIMA. I’m going next!

  RAPHAEL. I got my coin ready!

  MADGE. Get away from it!

  They all scramble to get to the Somnagraph. MADGE gets to it first and puts her coin in.

  ALI. Madge!

  SURAYA. I wanted a go!

  AMELIA. Are you mad? It’s horrible.

  MADGE. I wanna see for myself.

  The lights darken, the organ plays, and the projector whirrs. On screen, a version of MADGE fades into view. There is a buzzing, clicking noise.

  Oh my God. It’s me.

  MACK. What’s all that buzzing?

  NEVERBORN. Praying mantis

  Termites

  Ticks

  Legs go scuttle

  Jaws go click.

  On screen, thousands of insects appear.

  Spiders

  Hornets

  Mites and fleas

  Aphids

  Bedbugs

  Beetles

  Bees.

  The insects swarm over MADGE.

  MADGE. This is horrible!

  NEVERBORN. Swarming hordes and flying clouds

  Plagues of locusts overcrowd

  Hair and skin contamination

  Teeming thriving infestation.

  MADGE. Get them off me!

  NASIMA. It’s like I’m a Celebrity!

  MADGE. I don’t care!

  NEVERBORN. Let the amphibians feast!

  Ribbit!

  Let the amphibians feast!

  On screen, a giant frog appears and licks all the insects off MADGE.

  MADGE. Slimy!

  NEVERBORN. Death

  Death

  Death to the frog

  Death

  Death

  Death to the frog.

  A giant insect appears and eats the frog.

  Daddy longlegs has to die

  Mummy frog won’t let this lie.

  An even bigger frog appears and eats the giant insect.

  MADGE. Stop killing each other!!

  The screen flickers off and ‘Insert Coin’ comes back on.

  JAYDEN. That was stupid.

  MACK. No it wasn’t.

  NASIMA. I think you need to give up the zoo job.

  MADGE. Is that what it means?

  NASIMA. Pfff, who the hell knows.

  MACK. It’s a dream, innit.

  ALI. My turn!

  ALI gets to the Somnagraph first and puts in his coin.

  A version of himself appears on screen, sitting on a throne, tossing sweets to the crowd below.

  NEVERBORN. Ali Sugar

  Ali Sugar

  Saccharine king

  Caliph of confectionery

  And every sweet thing

  With a heart of stone

  He rules his candy throne

  Except

  Except

  In this province of plenty

  Famine stalks the land.

  Some NEVERBORN appear to be starving.

  Sweets sweets

  But nothing to eat

  Sweets sweets

  But nothing to eat.

  A female NEVERBORN approaches ALI on his throne.

  ALI. That’s my mum. What’s she doing there?

  NEVERBORN. Ali, Ali, what have you done?

  Ali, Ali, what have you done?

  Another NEVERBORN plays ALI’s brother.

  ALI. That’s my little brother. They’re starving, why are they starving?

  NEVERBORN. Sweets sweets

  But nothing to eat

  Sweets sweets

  But nothing to eat.

  ALI. I thought I made us rich!

  NEVERBORN. There’s nothing inside

  So they died

  Nothing inside

  So they died

  (Fades out.) Nothing inside so they died.

  The screen flickers off. Everyone sits in silence for a moment.

  ALI is trying not to cry.

  MACK. Mate…

  JAYDEN. Yeah…

  RAPHAEL. Are you –

  ALI. I don’t wanna talk about it.

  MACK. But –

  ALI. I DON’T. (Pause.) Alright?

  MACK. Whatever you say, man. Whatever you say.

  Pause.

  AMELIA. This is getting kinda weird.

  MADGE. Yeah.

  AMELIA. I mean maybe we should, you know.

  RAPHAEL. Yeah.

  AMELIA. Get out of here.

  SURAYA. I want a go.

  MADGE. Really?

  SURAYA. Yeah.

  AMELIA. Why?

  SURAYA. I have to know. Have to see.

  MACK. But it doesn’t mean anything.

  SURAYA. It does! Look at Ali.

  ALI is sitting in silence on his own.

  His dream meant something to him, didn’t it? Well, I wanna see mine.

  SURAYA puts her coin in the Somnagraph.

  Underwater sounds begin.

  Some pink blobs fade into view.

  Are those… prawns?

  Music plays.

  On screen, the prawns do a synchronised dance.

  The dance is gentle and soothing.

  The dance ends.

  The prawns take a bow.

  The movie ends, the lights go up and the ‘Insert Coin’ screen comes back on.

  MACK. What, is that it?

  JAYDEN. Yeah, that was rubbish, man.

  MADGE. Oh, I liked it.

  AMELIA. Me too.

  MADGE. They did a little dance.

  NASIMA. Yeah, it was funny.

  ALI. You need to lay off them crisps, Suraya.

  MACK. Too right, they’re messing with your head.

  SURAYA. But I wanna know what it means.

  JAYDEN. Means you’re crazy.

  MADGE. No it don’t.

  RAPHAEL. I thought you said you’d know.

  SURAYA. I thought I would too. But I don’t. Why don’t you have a go?

  RAPHAEL. I don’t really want to.

  NASIMA. I’ll do it.

  JAYDEN. This’ll be good.

  ALI. Yeah, no one knows what’s going
on in Nasima’s head.

  JAYDEN. No one wants to.

  NASIMA. Shut up, mine’s gonna be the best dream ever.

  NASIMA goes over to the Somnagraph and puts her coin in.

  The lights dim and NASIMA’s dream begins.

  On screen, NASIMA is relaxing on a tropical beach.

  NEVERBORN. Queen Nasima

  On the beach

  Sun and sand

  Stress can’t reach.

  NASIMA. Niiiice. Told you.

  ALI. Wait a sec. What’s that?

  NASIMA. Where?

  ALI. Something’s in the water.

  NEVERBORN. Haha

  Heehee

  There’s clowns in the sea

  Haha

  Heehee

  There’s clowns in the sea.

  Clowns walk out of the sea and towards NASIMA.

  NASIMA. I hate clowns!

  NEVERBORN. Shoot them dead

  Shoot them dead

  Shoot them dead with a Fisherman’s Friend.

  On screen, NASIMA takes out a gun and loads it up with Fisherman’s Friends. She fires at the clowns and they crumple. Their clown masks fall off to reveal a woman’s face beneath each.

  But faces fall

  Revealing Auntie Zora.

  NASIMA. Oh my God.

  NEVERBORN. Who’s the clown now, Nasima?

  Who’s the clown now?

  NASIMA. Auntie Zora! I’m sorry.

  As the clown masks hit the sand, they transform into newborn babies.

  Their crying fills the air.

  NEVERBORN. Faces fall

  And babies start to call

  Faces fall

  And babies start to call.

  NASIMA. What?

  NEVERBORN. Babies on the beach

  Too many to reach

  Too many

  Too many

  Too many to reach.

  The movie ends, the lights go up and the ‘Insert Coin’ screen comes back on.

  MACK. That was the weirdest one yet.

  ALI. I know, innit.

  MACK. I mean, clowns?

  ALI. Yeah, and babies?

  RAPHAEL. My heart’s going like the clappers – that’s not good.

  JAYDEN. And why was your auntie in it?

  ALI. I know why.

  NASIMA. Yeah, shut up, Ali.

  JAYDEN. It was like a computer game.

  MACK. Not any game I’ve played.

  JAYDEN. Except for I’d have shot all the babies as well.

  AMELIA. Shut up, Jayden.

  JAYDEN. They were making a horrible noise.

  AMELIA. You’re a horrible noise.

  NASIMA (to JAYDEN). Why don’t you go next then?

  JAYDEN. Nah, man.

  SURAYA. Yeah, you haven’t been yet.

  JAYDEN. Neither has Raphael.

  ALI. Why not you?

  JAYDEN. It’s Raph’s turn.

  AMELIA. Well, I wanna see your dream.

  ALI. Yeah.

  JAYDEN. Well, I don’t.

  RAPHAEL. It’s fine, I know what mine will be.

  RAPHAEL goes to the machine and takes out his coin.

  SURAYA. You sure about this?

  RAPHAEL. Yeah. It’ll be the two boys.

  SURAYA. Two boys?

  RAPHAEL. Twins. In the forest.

  RAPHAEL puts his coin in and the movie starts.

  On screen, two boys appear, both look like RAPHAEL.

  They are walking through a forest.

  NEVERBORN. Sssssh

  Through the silent forest

  The twins go slow

  Where are they headed?

  Nobody knows.

  The twins reach the edge of a lake.

  See them walking

  To the edge of the lake

  One keeps walking

  The other just waits.

  On screen, one of the boys walks into the lake, while the other waits on the bank.

  He watches his brother

  Go up to his waist

  Up to his chest

  And up to his face

  Opens his mouth

  But he can’t make a sound

  Just watches his brother

  Sink down and down

  Sink down and down.

  The twin in the lake disappears from view.

  The movie ends, the lights go up and the ‘Insert Coin’ screen comes back on.

  MACK. How did you know it would be that?

  RAPHAEL. Cos I dream it every night.

  AMELIA. What does it mean?

  RAPHAEL shrugs.

  JAYDEN. We should get out of here.

  MACK. Yeah, it’ll be late.

  AMELIA. Yeah, teachers might notice we’ve gone.

  MADGE. Wait – Jayden hasn’t been yet.

  ALI. Oh yeah.

  SURAYA. Have we all done it except you?

  JAYDEN. I dunno.

  NASIMA. Yeah we have.

  AMELIA. Come on, ninja, we wanna see yours.

  JAYDEN. Well, I don’t.

  MACK. Why not?

  JAYDEN. I just don’t.

  AMELIA. We all did it.

  ALI. Yeah, you scared or something?

  JAYDEN. No.

  SURAYA. What then?

  JAYDEN. I don’t wanna.

  RAPHAEL. Look, if he doesn’t want to, he doesn’t have to.

  NASIMA. It’s cos he’s scared.

  JAYDEN. No it’s not.

  AMELIA. Jayden’s scared!

  ALI. Jayden’s scared!

  MACK. Jayden’s scared!

  JAYDEN. No I’m not!

  AMELIA. Well, why not do it then?

  NASIMA. Yeah, why not?

  ALL (chanting). WHY NOT, WHY NOT, WHY NOT.

  JAYDEN (yells). COS I KNOW WHAT IT’LL BE!

  Pause.

  ALI. Alright, man.

  MACK. Sorry.

  AMELIA. No need to shout.

  JAYDEN. Just leave it, yeah.

  MACK. Right.

  ALI. Alright.

  Pause.

  MACK. Let’s get out of here.

  AMELIA. Yeah.

  They get up.

  JAYDEN. Whoa. Where’s the door gone?

  MADGE. Oh my God.

  ALI. It was right there.

  NEVERBORN (whisper). The screen.

  AMELIA. Did you say something?

  SURAYA. No.

  RAPHAEL. Where the hell is the door?

  NASIMA. Mack?

  MACK. I dunno, let me think.

  MACK consults his PSP.

  The screen shimmers at one end of the room.

  NEVERBORN (whisper). The screen.

  AMELIA. There!

  MADGE. Ssh!

  ALI. Yeah, I definitely heard something then.

  MADGE. SSH! Mack’s thinking.

  MACK. The PSP’s pointing…

  MADGE. Where?

  MACK. Over there.

  MACK points to the screen.

  AMELIA. Oh, man.

  RAPHAEL. Oh no – no way.

  ALI. That’s not out, Mack. That’s in.

  JAYDEN. What choice do we have?

  AMELIA. Jayden’s right. And who knows, maybe we’ll even find out what our crazy dreams were all about.

  NEVERBORN. Yeeessss.

  They take each other’s hands.

  MACK. Then let’s do this. Ready?

  AMELIA/JAYDEN. Yeah.

  MADGE. Not really.

  SURAYA. No.

  RAPHAEL. Ready as I’ll ever be I spose.

  AMELIA. One. Two. Three. Run!

  ALI. Run?

  AMELIA. Run!

  ALL. RUN!

  RUUUUUUUUN!!

  They run through the screen [possibly in slow motion].

  There is a blast of white noise, like static, and the cinema disappears.

  They scream.

  Wind rushes past them.

  They land with a jolt.

  AMELIA. Everyone okay?

  MACK. Yeah.

&
nbsp; MADGE. Think so.

  ALI. Are we alive?

  JAYDEN. What is this place?

  They are in a black-and-white movie studio.

  Everything is in black and white around them – including props, costumes and other objects from the dreams they watched earlier.

  Perhaps there is a director’s chair, clapperboard and old-fashioned camera.

  The NEVERBORN appear. The REAL-WORLD CAST can see them fully now.

  NEVERBORN. Welcome

  Welcome

  Welcome…

  To our world.

  MADGE. It’s the cast! The black-and-white cast from the dreams!

  NEVERBORN. You are us

  And we are you

  We know exactly what

  You’re going to do.

  Each NEVERBORN examines their double.

  JAYDEN. Crazy. Like looking in the mirror.

  The black-and-white cast mirror the movements of the REAL-WORLD CAST exactly.

  [This could become a short movement sequence featuring all sixteen actors, as if the black-and-white cast are hypnotising the REAL-WORLD CAST, shaping and twisting them around like puppets.]

  AMELIA. Wait. They’re hypnotising us. Snap out of it, everyone!

  They snap out of it.

  MACK (to NEVERBORN). What’s going on?

  NASIMA. Where are we?

  AMELIA. Who are you lot?

  MADGE. How come you know our dreams?

  ALI. And how the hell do we get out of here?

  NEVERBORN. Calm yourselves, young ones

  You are beyond dreaming

  This – is Somna City

  Where dreams are made.

  The NEVERBORN smile.

  AMELIA. Who are you then?

  NEVERBORN. We are the Neverborn.

  ALI. The what?

  NEVERBORN. Once, we were just like you

  Young

  Curious

  Ignorant

  Foolish.

  AMELIA. Speak for yourself.

  NEVERBORN. A school group

  Invited by Charles Somna himself

  Into his house

  Into his cinema

  Into his world

  It was 1929.

  SURAYA. No way.

  RAPHAEL. You’re school students?

  NASIMA. From 1929? Get out. That means you’d be about, like, a hundred years old or something.

  NEVERBORN. Yesssss

  But the Neverborn do not grow old.

  AMELIA. Mack, please tell me you understand this.

  MACK. I don’t understand anything.

  ALI. What does your PSP say?

  MACK. It’s blank. We’re totally off the map.

  NEVERBORN. Like you, we were tempted inside

  Like you, we stepped through the screen

  Like you, we disappeared.

  ALI. Uh-oh.

  The NEVERBORN click their fingers and an hourglass appears and starts counting down.

  NEVERBORN. In Somna City

  Memories of you fade

  You become un-missed

  Unknown

  Until all trace of you has gone

  As if you were never born

  Out there – already your families are waking up

  Getting ready

  Going about their day

  Not having noticed

 

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