"Da, that's enough!" said Frau Kellermann.
We marched en masse along the station road. It was a very warm afternoon, and continuous parties of "cure guests", who were giving their digestions a quiet airing in pension gardens, called after us, asked if we were going for a walk, and cried "Herr Gott—happy journey" with immense ill-concealed relish when we mentioned Schlingen.
"But that is eight kilometres," shouted one old man with a white beard, who leaned against a fence, fanning himself with a yellow handkerchief.
"Seven and a half," answered Herr Erchardt shortly.
"Eight," bellowed the sage.
"Seven and a half!"
"Eight!"
"The man is mad," said Herr Erchardt.
"Well, please let him be mad in peace," said I, putting my hands over my ears.
"Such ignorance must not be allowed to go uncontradicted," said he, and turning his back on us, too exhausted to cry out any longer, he held up seven and a half fingers.
"Eight!" thundered the greybeard, with pristine freshness.
We felt very sobered, and did not recover until we reached a white signpost which entreated us to leave the road and walk through the field path—without trampling down more of the grass than was necessary. Being interpreted, it meant "single file", which was distressing for Elsa and Fritz. Karl, like a happy child, gambolled ahead, and cut down as many flowers as possible with the stick of his mother's parasol—followed the three others—then myself—and the lovers in the rear. And above the conversation of the advance party I had the privilege of hearing these delicious whispers.
Fritz: "Do you love me?" Elsa: "Nu—yes." Fritz passionately: "But how much?" To which Elsa never replied—except with "How much do YOU love ME?"
Fritz escaped that truly Christian trap by saying, "I asked you first."
It grew so confusing that I slipped in front of Frau Kellermann—and walked in the peaceful knowledge that she was blossoming and I was under no obligation to inform even my nearest and dearest as to the precise capacity of my affections. "What right have they to ask each other such questions the day after letters of blessing have been received?" I reflected. "What right have they even to question each other? Love which becomes engaged and married is a purely affirmative affair—they are usurping the privileges of their betters and wisers!"
The edges of the field frilled over into an immense pine forest—very pleasant and cool it looked. Another signpost begged us to keep to the broad path for Schlingen and deposit waste paper and fruit peelings in wire receptacles attached to the benches for the purpose. We sat down on the first bench, and Karl with great curiosity explored the wire receptacle.
"I love woods," said the Advanced Lady, smiling pitifully into the air. "In a wood my hair already seems to stir and remember something of its savage origin."
"But speaking literally," said Frau Kellermann, after an appreciative pause, "there is really nothing better than the air of pine-trees for the scalp."
"Oh, Frau Kellermann, please don't break the spell," said Elsa.
The Advanced Lady looked at her very sympathetically. "Have you, too, found the magic heart of Nature?" she said.
That was Herr Langen's cue. "Nature has no heart," said he, very bitterly and readily, as people do who are over-philosophised and underfed. "She creates that she may destroy. She eats that she may spew up and she spews up that she may eat. That is why we, who are forced to eke out an existence at her trampling feet, consider the world mad, and realise the deadly vulgarity of production."
"Young man," interrupted Herr Erchardt, "you have never lived and you have never suffered!"
"Oh, excuse me—how can you know?"
"I know because you have told me, and there's an end of it. Come back to this bench in ten years' time and repeat those words to me," said Frau Kellermann, with an eye upon Fritz, who was engaged in counting Elsa's fingers with passionate fervour—"and bring with you your young wife, Herr Langen, and watch, perhaps, your little child playing with—" She turned towards Karl, who had rooted an old illustrated paper out of the receptacle and was spelling over an advertisement for the enlargement of Beautiful Breasts.
The sentence remained unfinished. We decided to move on. As we plunged more deeply into the wood our spirits rose—reaching a point where they burst into song—on the part of the three men—"O Welt, wie bist du wunderbar!"—the lower part of which was piercingly sustained by Herr Langen, who attempted quite unsuccessfully to infuse satire into it in accordance with his—"world outlook". They strode ahead and left us to trail after them—hot and happy.
"Now is the opportunity," said Frau Kellermann. "Dear Frau Professor, do tell us a little about your book."
"Ach, how did you know I was writing one?" she cried playfully.
"Elsa, here, had it from Lisa. And never before have I personally known a woman who was writing a book. How do you manage to find enough to write down?"
"That is never the trouble," said the Advanced Lady—she took Elsa's arm and leaned on it gently. "The trouble is to know where to stop. My brain has been a hive for years, and about three months ago the pent-up waters burst over my soul, and since then I am writing all day until late into the night, still ever finding fresh inspirations and thoughts which beat impatient wings about my heart."
"Is it a novel?" asked Elsa shyly.
"Of course it is a novel," said I.
"How can you be so positive?" said Frau Kellermann, eyeing me severely.
"Because nothing but a novel could produce an effect like that."
"Ach, don't quarrel," said the Advanced Lady sweetly. "Yes, it is a novel—upon the Modern Woman. For this seems to me the woman's hour. It is mysterious and almost prophetic, it is the symbol of the true advanced woman: not one of those violent creatures who deny their sex and smother their frail wings under... under—"
"The English tailor-made?" from Frau Kellermann.
"I was not going to put it like that. Rather, under the lying garb of false masculinity!"
"Such a subtle distinction!" I murmured.
"Whom then," asked Fraulein Elsa, looking adoringly at the Advanced Lady—"whom then do you consider the true woman?"
"She is the incarnation of comprehending Love!"
"But my dear Frau Professor," protested Frau Kellermann, "you must remember that one has so few opportunities for exhibiting Love within the family circle nowadays. One's husband is at business all day, and naturally desires to sleep when he returns home—one's children are out of the lap and in at the university before one can lavish anything at all upon them!"
"But Love is not a question of lavishing," said the Advanced Lady. "It is the lamp carried in the bosom touching with serene rays all the heights and depths of—"
"Darkest Africa," I murmured flippantly.
She did not hear.
"The mistake we have made in the past—as a sex," said she, "is in not realising that our gifts of giving are for the whole world—we are the glad sacrifice of ourselves!"
"Oh!" cried Elsa rapturously, and almost bursting into gifts as she breathed—"how I know that! You know ever since Fritz and I have been engaged, I share the desire to give to everybody, to share everything!"
"How extremely dangerous," said I.
"It is only the beauty of danger, or the danger of beauty" said the Advanced Lady—"and there you have the ideal of my book—that woman is nothing but a gift."
I smiled at her very sweetly. "Do you know," I said, "I, too, would like to write a book, on the advisability of caring for daughters, and taking them for airings and keeping them out of kitchens!"
I think the masculine element must have felt these angry vibrations: they ceased from singing, and together we climbed out of the wood, to see Schlingen below us, tucked in a circle of hills, the white houses shining in the sunlight, "for all the world like eggs in a bird's nest", as Herr Erchardt declared. We descended upon Schlingen and demanded sour milk with fresh cream and bread at the Inn of
the Golden Stag, a most friendly place, with tables in a rose-garden where hens and chickens ran riot—even flopping upon the disused tables and pecking at the red checks on the cloths. We broke the bread into the bowls, added the cream, and stirred it round with flat wooden spoons, the landlord and his wife standing by.
"Splendid weather!" said Herr Erchardt, waving his spoon at the landlord, who shrugged his shoulders.
"What! you don't call it splendid!"
"As you please," said the landlord, obviously scorning us.
"Such a beautiful walk," said Fraulein Elsa, making a free gift of her most charming smile to the landlady.
"I never walk," said the landlady; "when I go to Mindelbau my man drives me—I've more important things to do with my legs than walk them through the dust!"
"I like these people," confessed Herr Langen to me. "I like them very, very much. I think I shall take a room here for the whole summer."
"Why?"
"Oh, because they live close to the earth, and therefore despise it."
He pushed away his bowl of sour milk and lit a cigarette. We ate, solidly and seriously, until those seven and a half kilometres to Mindelbau stretched before us like an eternity. Even Karl's activity became so full fed that he lay on the ground and removed his leather waistbelt. Elsa suddenly leaned over to Fritz and whispered, who on hearing her to the end and asking her if she loved him, got up and made a little speech.
"We—we wish to celebrate our betrothal by—by—asking you all to drive back with us in the landlord's cart—if—it will hold us!"
"Oh, what a beautiful, noble idea!" said Frau Kellermann, heaving a sigh of relief that audibly burst two hooks.
"It is my little gift," said Elsa to the Advanced Lady, who by virtue of three portions almost wept tears of gratitude.
Squeezed into the peasant cart and driven by the landlord, who showed his contempt for mother earth by spitting savagely every now and again, we jolted home again, and the nearer we came to Mindelbau the more we loved it and one another.
"We must have many excursions like this," said Herr Erchardt to me, "for one surely gets to know a person in the simple surroundings of the open air—one SHARES the same joys—one feels friendship. What is it your Shakespeare says? One moment, I have it. The friends thou hast, and their adoption tried—grapple them to thy soul with hoops of steel!"
"But," said I, feeling very friendly towards him, "the bother about my soul is that it refuses to grapple anybody at all—and I am sure that the dead weight of a friend whose adoption it had tried would kill it immediately. Never yet has it shown the slightest sign of a hoop!"
He bumped against my knees and excused himself and the cart.
"My dear little lady, you must not take the quotation literally. Naturally, one is not physically conscious of the hoops; but hoops there are in the soul of him or her who loves his fellow-men... Take this afternoon, for instance. How did we start out? As strangers you might almost say, and yet—all of us—how have we come home?"
"In a cart," said the only remaining joy, who sat upon his mother's lap and felt sick.
We skirted the field that we had passed through, going round by the cemetery. Herr Langen leaned over the edge of the seat and greeted the graves. He was sitting next to the Advanced Lady—inside the shelter of her shoulder. I heard her murmur: "You look like a little boy with your hair blowing about in the wind." Herr Langen, slightly less bitter—watched the last graves disappear. And I heard her murmur: "Why are you so sad? I too am very sad sometimes—but—you look young enough for me to dare to say this—I—too—know of much joy!"
"What do you know?" said he.
I leaned over and touched the Advanced Lady's hand. "Hasn't it been a nice afternoon?" I said questioningly. "But you know, that theory of yours about women and Love—it's as old as the hills—oh, older!"
From the road a sudden shout of triumph. Yes, there he was again—white beard, silk handkerchief and undaunted enthusiasm.
"What did I say? Eight kilometres—it is!"
"Seven and a half!" shrieked Herr Erchardt.
"Why, then, do you return in carts? Eight kilometres it must be."
Herr Erchardt made a cup of his hands and stood up in the jolting cart while Frau Kellermann clung to his knees. "Seven and a half!"
"Ignorance must not go uncontradicted!" I said to the Advanced Lady.
12. THE SWING OF THE PENDULUM.
The landlady knocked at the door.
"Come in," said Viola.
"There is a letter for you," said the landlady, "a special letter"—she held the green envelope in a corner of her dingy apron.
"Thanks." Viola, kneeling on the floor, poking at the little dusty stove, stretched out her hand. "Any answer?"
"No; the messenger has gone."
"Oh, all right!" She did not look the landlady in the face; she was ashamed of not having paid her rent, and wondered grimly, without any hope, if the woman would begin to bluster again.
"About this money owing to me—" said the landlady.
"Oh, the Lord—off she goes!" thought Viola, turning her back on the woman and making a grimace at the stove.
"It's settle—or it's go!" The landlady raised her voice; she began to bawl. "I'm a landlady, I am, and a respectable woman, I'll have you know. I'll have no lice in my house, sneaking their way into the furniture and eating up everything. It's cash—or out you go before twelve o'clock to-morrow."
Viola felt rather than saw the woman's gesture. She shot out her arm in a stupid helpless way, as though a dirty pigeon had suddenly flown at her face. "Filthy old beast! Ugh! And the smell of her—like stale cheese and damp washing."
"Very well!" she answered shortly; "it's cash down or I leave to-morrow. All right: don't shout."
It was extraordinary—always before this woman came near her she trembled in her shoes—even the sound of those flat feet stumping up the stairs made her feel sick, but once they were face to face she felt immensely calm and indifferent, and could not understand why she even worried about money, nor why she sneaked out of the house on tiptoe, not even daring to shut the door after her in case the landlady should hear and shout something terrible, nor why she spent nights pacing up and down her room—drawing up sharply before the mirror and saying to a tragic reflection: "Money, money, money!" When she was alone her poverty was like a huge dream-mountain on which her feet were fast rooted—aching with the ache of the size of the thing—but if it came to definite action, with no time for imaginings, her dream-mountain dwindled into a beastly "hold-your-nose" affair, to be passed as quickly as possible, with anger and a strong sense of superiority.
The landlady bounced out of the room, banging the door, so that it shook and rattled as though it had listened to the conversation and fully sympathised with the old hag.
Squatting on her heels, Viola opened the letter. It was from Casimir:
"I shall be with you at three o'clock this afternoon—and must be off again this evening. All news when we meet. I hope you are happier than I.—CASIMIR."
"Huh! how kind!" she sneered; "how condescending. Too good of you, really!" She sprang to her feet, crumbling the letter in her hands. "And how are you to know that I shall stick here awaiting your pleasure until three o'clock this afternoon?" But she knew she would; her rage was only half sincere. She longed to see Casimir, for she was confident that this time she would make him understand the situation... "For, as it is, it's intolerable—intolerable!" she muttered.
It was ten o'clock in the morning of a grey day curiously lighted by pale flashes of sunshine. Searched by these flashes her room looked tumbled and grimed. She pulled down the window-blinds—but they gave a persistent, whitish glare which was just as bad. The only thing of life in the room was a jar of hyacinths given her by the landlady's daughter: it stood on the table exuding a sickly perfume from its plump petals; there were even rich buds unfolding, and the leaves shone like oil.
Viola went over to the washstand, po
ured some water into the enamel basin, and sponged her face and neck. She dipped her face into the water, opened her eyes, and shook her head from side to side—it was exhilarating. She did it three times. "I suppose I could drown myself if I stayed under long enough," she thought. "I wonder how long it takes to become unconscious?... Often read of women drowning in a bucket. I wonder if any air enters by the ears—if the basin would have to be as deep as a bucket?" She experimented—gripped the washstand with both hands and slowly sank her head into the water, when again there was a knock on the door. Not the landlady this time—it must be Casimir. With her face and hair dripping, with her petticoat bodice unbuttoned, she ran and opened it.
A strange man stood against the lintel—seeing her, he opened his eyes very wide and smiled delightfully. "Excuse me—does Fraulein Schafer live here?"
"No; never heard of her." His smile was so infectious, she wanted to smile too—and the water had made her feel so fresh and rosy.
The strange man appeared overwhelmed with astonishment. "She doesn't?" he cried. "She is out, you mean!"
"No, she's not living here," answered Viola.
"But—pardon—one moment." He moved from the door lintel, standing squarely in front of her. He unbuttoned his greatcoat and drew a slip of paper from the breast pocket, smoothing it in his gloved fingers before handing it to her.
"Yes, that's the address, right enough, but there must be a mistake in the number. So many lodging-houses in this street, you know, and so big."
Drops of water fell from her hair on to the paper. She burst out laughing. "Oh, HOW dreadful I must look—one moment!" She ran back to the washstand and caught up a towel. The door was still open... After all, there was nothing more to be said. Why on earth had she asked him to wait a moment? She folded the towel round her shoulders, and returned to the door, suddenly grave. "I'm sorry; I know no such name" in a sharp voice.
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