The Language Inside

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The Language Inside Page 10

by Holly Thompson


  Mom picks him up at Logan

  and they are both there

  waiting for me, then for Toby

  to get home from school

  and when we’re finally all together

  we do a big goofy group hug

  then Toby goes off to play soccer

  like it’s the most normal day of the year

  Mom and Dad and I

  go for a walk as the sun sets

  and Mom picks up leaves

  crimson, russet and gold

  and the cold settles down upon us

  as I update Dad

  on school

  Model UN

  and Zena

  skipping right over

  Samnang

  neither of them mentions dinner at Chris and Beth’s

  though Mom has probably filled him in

  and maybe mentioned to him

  something about Samnang

  about Samnang and me

  and what she might have thought

                 was

  but actually

                 is not

  Dad brought ingredients

  for okonomiyaki

  so when we get back to the house

  he and I chop cabbage and scallions

  peel and devein shrimp

  mix the batter and cook

  the big pancakes in a skillet

  after we’ve started eating

  Mom shuts her eyes as she chews

  and tells us she could swear

  she was back in Japan

  but then a neighbor’s car alarm goes off

  she opens her eyes, says guess not!

  Toby says wait—close your eyes again

  and he whispers for us to make Japan sounds

  so we do—

  train crossing gates

  temple bells

  ambulances

  min-min cicadas

  musical trash trucks

  motorcycle gangs

  whistling kites

  five-o’clock chimes

  train announcements

  lost-elderly announcements . . .

  all in a crazy messy sequence

  that has us cracking up

  and YiaYia shaking her head

  until Toby decides to throw in

  some farts and burps and

  that’s the end of that

  after dinner we go out for ice cream cones

  because that’s what Mom wants—

  peppermint stick with chocolate sprinkles

  or jimmies as YiaYia and Dad call them

  but when we get home

  suddenly it’s not fun anymore

  it’s time for going over all the details

  of tomorrow

                 Mom’s bag for the hospital

                 the forms

                 the instructions for YiaYia

  I go upstairs to the room I share with Toby

  sit on the bed with a pillow and atlas for a desk

  but instead of homework

  I take out the notebook

  I use with Zena

  stare at a blank page

  and finally write

  the word I’ve been

  avoiding

      fear

  and I think of other times

  I’ve felt it

  and write

      floors and walls

      ceilings and lights moving

      when they shouldn’t

  I turn the page

  and stare at the paper

  and think

  and write

      hope

  then

      outside repaired homes

      Madoka’s cousins roll a ball

      for a snowman

  I think some more

  and write

      a missing breast

      on a running woman

      is hardly noticed

  I’m about to turn the page

  when my phone buzzes

  and there’s a text

  from Samnang

  good luck to your mom tomorrow

  will call after school to check

                 with no apology or explanation

                 about that girl Serey

  and I suppose I’m glad at least

  to have this much from him

  I text back

  39

  Dad comes into the bedroom with Toby

  and they sit down on the edge of my bed

  and I put the phone

  and notebook away

  Dad holds us close

  one on each side

  kisses us in turn

  tells us not to worry

  we have a tough mother

  and it’s a tiny bit of abnormality

  that they want to remove so it doesn’t spread

  and the prognosis is good, good, good

  and we need to hold on to that word

  good

  the next morning we’re up early

  Mom is wearing her bead necklace

  and clutching the amulet

  from Madoka’s mother

  and she is smiling

  and looking tough

  like she’s headed out

  for a road race

  in the kitchen I hug her

  Toby hugs her

  YiaYia hugs her

  then Mom doesn’t want any more of that, says

  okay, let’s get this over with

  Toby and I go out in our slippers

  our fleeces over our pajamas

  and wave as Mom and Dad

  drive away in the dark

  till the car’s rear lights

  turn out of sight

  and even a little after

  Japan-style

  then we go inside and start to wait

  even though it’s not really time

  to wait

  we eat breakfast

  watch TV

  make tea

  Gram and Gramps arrive

  bake oatmeal raisin bars

  and time crawls

  finally I go for a run

  around the hour

  surgery is beginning

  my cell phone in a pocket

  the first mile or so

  I feel wooden

  like I should give this up

  I slow my pace

  nearly walk

  but then my body clicks in

  and I pick up speed

  breathing

  stepping

  steady

  thinking of Zena’s words—

      but like eyes

      even one

      is better

      than none

  back at the house

  I shower

  get dressed

  sit on the bed

  and wait

  I take out my notebook

  picture Zena

  in the Newall Center

  every day

  waiting

  I write

      a mermaid swims

      through seaweeds wondering where

      her legs went

  then I can’t focus

  so I stand

  try pirouettes

  later I open my notebook again

  and write

      barking dog

      rides the wave to shore

      then barks for more

  and

      Samnang!

      so, who is this girl Serey and how long have

      you been seeing her and what do you share

      b
esides Khmer heritage and dance?!

  because I realize suddenly Serey is probably

  that girl who was dancing opposite Hanuman

  I close my journal

  try kanji practice

                 writing characters

                 in columns of fifteen boxes

                 column after column

                 to fill a page

                 then another . . .

  until the phone rings

  I drop the workbook

  fly downstairs

  and it’s Dad

  saying Mom’s in recovery

  all went well

  with the surgery

  and he’ll call again

  in an hour or two

  after she’s been transferred

  from ICU to her room

  I don’t know what to do for the next hour

  so I open my dresser drawers

  refold clothes

  arrange my earrings in pairs

  then go downstairs for lunch

  which is moussaka

  that YiaYia has made from scratch

  the cinnamon

  the meat

  the potatoes

  the eggplant

  the topping

  just right

  finally we get another call

  and Dad says Mom’s in her room

  not quite herself but doing well

  and she said she might even be up

  for a visitor or two

  late afternoon or early evening

  after she sleeps

  a visitor or two?

  how can you remove

  a significant part of a person’s body

  and they can be talking

                 talking!

  about having a visitor or two?

  I think

                 there is something fundamental

                 I don’t understand about surgery

  but suddenly I can breathe again

  stop hunching my shoulders

  and gritting my teeth

  and I can’t help it

  even though I know he’s in class

  and won’t get the message till later

  I take out my phone to text Samnang

  and tell him

  all good, surgery done

  and I email Madoka

  and tell her the surgery went smoothly

  okagesamade—thankfully

  Samnang calls as soon as classes are done

  hey he says

  but now I know

  not to read too much

  into that hey

  hi I say

  I share what we heard from Dad

  and Samnang asks how I’m doing

  much better I say

  so, what do you think he says

  you want to go see Zena?

  I can pick you up on my way

  and though I hadn’t planned on it

  and I haven’t prepared poems

  when he says this I realize

  I’d love to see Zena today

  I tell him okay if I can get home

  in time to go to the hospital

  in Boston with Gram and Gramps

  they could meet us at that gas station

  near the highway ramp he says

  the one with the donuts—

  we could get you there by 5:15

  and in the back of my mind

  I’m wondering why

  he’s being quite this nice to me

  if he has a girlfriend

  YiaYia, Gram and Gramps

  are all opposed to the idea

  of me going anywhere

  and of Samnang driving me

  but I think that’s not fair

  we call Dad

  who consults groggy Mom

  then Dad’s back on the phone saying fine

  telling me to thank Samnang for his trouble

  and warning me to make sure he drives carefully

  and I’m glad I never shared

  about Samnang’s drinking past—

                 this is enough

                 of the third degree

  about half an hour later

  Samnang pulls up

  but when I go out to his car

  I see there’s another person inside

  up front

                 a girl

  hi I say as I get in the back

  and Samnang introduces me

                 to Serey

  Serey’s going to help two women

  at the Newall Center today

  while I work with Lok Ta Leap

  I nod

  stunned to be in the car

  with the two of them

  Serey turns to me

  Samnang told me about your mom

  I’m sorry—I hope she recovers fast

  I gulp some air

  and say thanks

  her presence

  having taken me aback

  and suddenly I’m so not wanting to be in that car

  having so wanted a few minutes

  alone with Samnang

  even if he is

  taken

  then I ask

  are you the dancer in that video

  opposite Hanuman?

  are you the mermaid?

  you saw that? she says, surprised

  and I say yeah, Samnang showed me

  and I can see what seems like a flash of startle

  as she glances at Samnang

  I add quickly

  you’re an amazing dancer

  when did you start?

  when I was five she says

  and for the rest of the ride I keep her talking

  about how at first she liked dancing

  just for the friends and performances

  but now she’s really committed to the troupe

  and learning new dances, both folk and classical

  especially after visiting Cambodia two years ago

  and dancing for relatives who’d never seen the royal dancing

  and after studying with master teachers who come to Lowell

  from the Royal University of Fine Arts in Phnom Penh

  I’m actually glad to be hearing Serey’s words

  not just because it’s a relief

  to know this girl of Samnang’s is interesting

  but also because I’m too fragile

  to say anything about myself today

  maybe it wasn’t a good idea

  to come after all

  I want to curl up

  take a nap

  and I half wish

  for a migraine

  but when the car stops

  I unbuckle, get out

  and follow them inside

  the Newall Center

  where

  as we go our separate ways

  Serey seems to know her way around

  when I get to room 448

  Zena is in her chair

  and she does this funny thing

  looking up again and again and again

  like hooray! hooray! hooray!

  when I tell her the surgery was successful

  and they didn’t find anything unusual

  of course I say

  there’s still the pathology report

  and they took samples from the other breast

  so we’ll have to see about that

                 which is something I haven’t told anyone else

  I ask Zena if she has an incident poem

  and she looks up

  but then she points with he
r eyes

  not at the letter board

  but at what I realize is a screen

  attached to her chair

  and I move around so I can see it

  and gasp to realize it’s a computer

  with eye tracking? oh my God!

  have you used it?

  a l-i-t-t-l-e she spells slowly

  moving her eyes

  blinking to select letters

  on the screen

  l-e-a-r-n-i-n-g

  cool! I say but be patient, okay?

  new computers can be a pain

  and I’m sure this is way more complicated

  Zena looks up

  then Zena spells that she’s t-i-r-e-d

  and indicates she wants to use the letter board

  so I follow the rows of colors

  and write down her poem

  picking up on the pattern

  saving her having to spell

  the same phrases over and over

  Zena spells:

      My Sister

      my sister said isn’t she still in there?

      the doctor said no

      my sister said isn’t it possible her brain is fine?

      the doctor said no

      my sister said I think she’s crying

      the doctor said no

      my sister said I think she’s angry

      the doctor said no

 

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