by Ed Lacy
She even smiled as she said, “I've been thinking about the killing of Tutt... Thomas.”
Steve flicked his cigarette ash into a glass. “What kind of a show can be made out of that?”
“That's what I'm asking you,” Kay said softly, staring up at him. “Came to me that only three people knew about the publicity angle on Thomas—myself, B.H., and you.”
Steve was a cool one too. “And one more—that private eye you hired. The black eye, if you'll excuse the pun, or did I crack that once before? What has the publicity stunt to do with Thomas' death?”
“I don't know, but it hit me that maybe it has some connection. That's why I was thinking about Thomas— although the police think Touie did it, what possible motive could he have?”
Steve made his eyes big. “Dear, if you've cut into my work just to play detective... Who knows why Moore did it? Perhaps Thomas caught him snooping and put up a fight. In a moment of anger anything can happen.”
“What can happen in a moment of truth?”
“Darling, you're far too deep for me tonight. What's this all about?”
“That fight bit doesn't fit, Steve. That's been worrying me because I told Touie he didn't have to keep a tight tab on Thomas until after the program was aired, so...”
“Kay, have you heard from your Othello?”
“Of course not, but I suppose we're all detectives at heart, so I've been doing some thinking about it tonight. Certainly B.H. didn't have a reason to kill Thomas; he wasn't even in town. I know I didn't.”
The big eyes again, mocking her. “And then there was one little Indian left... me?”
She giggled. “It did seem odd he should be killed on the very day you were let in on the publicity secret.”
Steve laughed, real deep laughter. “Lord, why should I kill Tutt. He was the best break I've ever had.”
“Exactly, Steve. I remembered how you came up with a script on Thomas overnight. How did you do the research so quickly? The local newspaper morgues would be useless.”
“All women have lousy memories. Did you forget that I had a similar show in mind, that I'd already done a rough audition script on Tutt?” He flashed his big eyes at her again, as if proving something.
My right foot was so numb I shifted my weight slightly to the foot resting on the fire-escape railing. When I put weight back on the right foot the damn air-conditioning box groaned and my heart froze.
But Steve was too steamed to hear it. “I don't mind a gag. However I resent this ridiculous accusation, this scummy knife in the back. Now get out of here!”
“Stevie, don't make a speech. I did more than kick this around in my bird brain.... I made a few calls to Kentucky.”
I could feel the heavy silence of the room out on the fire escape; then he split it with a thin scream. “You bitch!” His long thin face flushed a deep pink, then went deadly white.
Kay didn't even jump; she was enjoying this. She made her tight smile, then said, “My, that cut through the veneer of coolness, didn't it? Now suppose you cut the dramatics and in basic English tell me about Cousin Thomas.”
He didn't say a word, stood there very straight, his face a mixture of pain and anger.
She put the knife in deeper, turned it. “Stevie, you don't understand the bit. I'm giving you a break. For the sake of the show I'm giving you a chance to talk to me—before I talk to the police.”
“How... how... did you find out?” His voice was in hoarse pieces now.
“It's too late for how. You're always so glib, do some fast talking now. Why did you kill him?”
He fell back against a table, seemed actually to shrink and wrinkle up. Then he pulled himself together, took a deep breath, and was under control again. Even made his big eyes as he walked over and sat on the edge of his desk, relit his cigarette. “Of course I'll talk—it's a story you can understand. I killed him. But wait till—”
There was another scream, a tiny muffled scream of joy and relief that stayed in my throat.
“—you hear it all. It wasn't murder. Thomas is a distant cousin of mine, the family black sheep, our skeleton in the closet. He was a lump, his mother a common slut. You see my situation; I wrote my novel and nothing happened. I had to make it as a writer or be stuck in a goddamn hick store the rest of my life, a drunken failure. I gassed around Hollywood for a time, couldn't get in. I returned to New York and tried TV. I worked like a dog. For two lousy years I wrote on spec, was in on a dozen package deals that ended in nothing. I was desperate—I'm thirty-six years old. I can't keep asking my sick Dad for eating money!”
“And then you heard about You—Detective!” Kay added, reaching over to the table for one of his cigarettes.
He lit it for her as he said, “I'd been stooging around Central for a long time. This was my in. While I'd only seen Porky a few—”
“Porky?”
“Bob Thomas' nickname. He had the manners of a pig, I suppose. As I was saying, I'd only seen him a few times when we were kids, but family gossip gave me a rundown of his crimes. Frankly, I'd forgotten all about him until I saw him in Times Square, going to work. I didn't let him see me. It would only have meant a touch. I was thinking of doing a fast paperback on him... when I heard about the show. It was a snap for me to bat out a script during the night. It worked, flung the doors wide open for me.... Suddenly I was a success boy. The world was bright and sunny. I figured there was little chance of Porky being caught as a result of the show. It would be forgotten with the next twist of the dial. Anyway, he was a nobody, didn't matter. Sooner or later he'd end up in jail again. It was perfect for me.”
Kay nodded, puffing on her cigarette slowly. She either was a fine actress or actually thought all this was the most normal thinking in the world.
Steve crushed his cigarette and lit another—all in one practised motion. “When you told me Porky had been picked for the publicity bit, I panicked. Offhand, the chances were a thousand to one that he'd even see the show, much less catch the titles—see my name. But once he was arrested, all the publicity and news stories, well, he'd have to know about me. He had nothing to lose. He'd be angry, and he'd most certainly tell of our family relationship. My TV career would have been kaput. I went down to see him that night, told him what the play was, offered him five hundred dollars to take a powder. He blew his lid, there was a fight.... Then I was holding a bloody pair of pliers in my hand and he was dead. If I hadn't killed him, he would have done me in.”
“Self-defense,” Kay said, almost sympathetically.
“Obviously. Of course now there would certainly be a scandal and... I don't have to repeat the old saw about the law of survival. I had to think damn fast. I went out and disguising my voice phoned your black dick, said I was you. A simple thing; I've done a little acting. Had a bad moment when he wasn't home, but whoever answered was positive he could contact Moore. The rest was a matter of timing, phoning the police the moment I saw Moore enter the house. I was watching from a corner store. For what it's worth, I didn't enjoy it, but he fitted so nicely into things, and I had little choice. What the devil, I had my life's work in the balance, he would get a few years for manslaughter. What's a few years out of a nigger's life? So, now you have my story, the final installment, all up to date, my sweet.”
“Aha.”
He stood up, made his comical big eyes. “I'm sorry it has to be this way, Kay, because you're a lot of mixed-up fun. I sincerely mean that. And of course, it means getting in deeper, but again, I have no choice. Every action has a reaction—I have to kill you.”
“I'm glad you said you did a little acting; you enjoy hammy dramatics, Stevie.”
I heard three nervous blasts of the horn from the other side of the house.
He shrugged. “Dear, don't give me the business about I can trust you, that you'll never, never talk. I can't trust you.”
“You're so right.” Kay was terrific, not even a nervous twinge. Steve stepped out of character; like any other street-corner pun
k he whipped a large switch blade from his back pocket like an expert, the knife snapping open with the motion.
Kay's eyes were on the knife, but she still seemed to be enjoying things. He said, “As you know, I've never lacked ideas. This will fit: we had an unsatisfactory affair, which I'm sure isn't exactly a secret around the office, and now you've come up for another try. Certainly dressed for it. Again it didn't come off, you feel it's your fault, upset. I shall get drunk and pass out while you take an overdose of sleeping pills. Messy headlines, but otherwise safe.”
I started to go into action, but Kay's calm voice asking, “That cheese sticker is going to make me do all this?” held me back. She seemed so cool, as if she hadn't finished playing out her role.
Steve nodded. “Come, my sweet, you're aware of the many... eh... parts... of a woman that can be slashed. I'm offering you a painless out. I can change the script— you slashed yourself before taking the pills. Fits in with the suicide bit.”
“Stevie, you should have stayed at poppa's crossroads store; you're still a hick. This is all on tape. The joint is surrounded by detectives.”
He laughed, short shrill laughter. “You can come up with better than that, Kay. I thought you were going to bluff me with a gun-in-my-bag routine.”
“Steve, drop that knife, you're only making matters worse for yourself. There's a tiny transmitter pinned to the bottom of this chair. I placed it there myself. Look.” She raised and opened her legs—a flash of silver skirt and stockinged thighs—so the bug was visible.
I stepped off the fire-escape railing. With my full weight on the air-conditioning box for a second, it started to sag.
I felt myself going backward. With a frantic lunge, hands in front of my face, I pitched forward, crashing through the window. I hit the floor with a thud that jarred me dizzy, cut in a dozen places.
Shrieking, Steve turned and charged at me. I rolled over, jumped to my feet, slipping in my blood. I feinted with my right. He slashed at the forearm— I was cut in so many places I didn't know if he'd knicked me or not. I had a solid left winging toward his gut. It landed high, on his chest, and he stood stock-still, then crumpled to the floor.
“Are you all right?” I asked Kay. She nodded and I said, “You heard his confession. Of course that... self-defense is out. Thomas' blood was still wet when I got there.... Steve killed him after he phoned me. Probably stunned him, then finished him when— Where are you going?” Outside I could hear Ted pounding up the stairs.
Kay was at the phone. “Calling that reporter before— Touie, look out!”
Steve, this skinny, rugged slob, was back on his feet, without the knife. As I turned to face him this bag of bones nailed me on the chin with a wild right that sent my legs into a rubbery dance. If he'd clouted me again I might have gone out. Instead, he came at me, clawing, knees digging into my thighs. I put my arms around him in a bear hug and squeezed. His face went sallow white, the eyes really popped. When I let go he slid to the floor—no trouble for a lot of minutes.
Either because of the punch, or from loss of blood, after that things moved fast and jerky, like in an old-time movie. Ted and Bobby came busting in when I finally got the door unlocked—and Ted's two-pants suit seemed the only real thing in sight, somehow made me think of that farm back in Bingston.
In a matter of seconds, or so it seemed, there were a fat reporter and a young kid photographer, and a dozen cops filled up the room. I was getting blood over one of Steve's plush chairs, trying to answer a million questions and not saying anything clearly. Finally I simply sat there and watched the others talking and rushing about. A little runty ambulance doc appeared and ripped off what remained of my clothes, gave me a shot of something that left me hovering in midair. I knew he was cleaning my cuts, stitching here and there, and then I was insisting I could stand okay and a cop gave me a blanket to wear.
Maybe I dozed. Now we were in the local precinct house, with the police brass and more reporters, flash bulbs going off in salvos. Steve must have decided to go for insane; he was gibbering and screaming until they carried him out of the room. I was watching things like a spectator, but two things I remember clearly.
Kay—the photographers had a holiday with her dress —was the busiest person in the police station, but she got me off in a corner and shoved a piece of paper and a pen in my bandaged hands, said, “Sign this, Touie. We're going to re-enact everything on film, to show after You — Detective! premieres with the Thomas episode. Lord, Lord, there will never be a publicity splash like this! I couldn't do more with a million-dollar budget... it's a river and I'm squeezing every drop....”
Her face suddenly looked old and hard. “What's the paper about?” I asked, my voice thick from the dope shot.
“You're to act out your real-life role on film—for two thousand. Best I could get. Sign, Touie, I have a thousand things to—”
I signed, asking, “Am I still on salary, on the case?”
“Certainly.” She pointed to a box in one corner of the drab detective squad room. “I brought you a suit and shirt from wardrobe—biggest I could find. Put your torn clothes down on your expense sheet.”
“Thanks. Jeez, my shoes are still out on that fire escape. My wallet must be around someplace. I'll cab home and—”
“Yes, yes. Be at my office tomorrow—today—at two sharp. Now I have to get back on my horse.... Oh, you have no idea how big this will be.”
The other thing I remember was a beefy cop with captain's gold bars on his shoulders, a hard-featured face and eyes that said they hated my brown skin, telling me, “Don't think you were such a hot-shot detective, Moore. The papers will make you a hero and you'll be big time on Lenox Avenue, but we knew all about you, boy.”
“You mean you knew I was down in Bingston?” The “man” was talking; I was “boy” again.
“We didn't bother looking. A wino down the hall heard this stiff argument in Thomas' room, saw a white man leaving. His wine put him to sleep but in the morning he told us. We weren't looking for you—for murder. I ain't doing anything about you kneeing that beat cop.... But I'll give you some free advice: don't ever get into trouble, not even a traffic ticket. Because I ain't doing anything about you kicking a cop doesn't mean we're forgetting it.”
“What was I supposed to do, let him bust my head open?” I asked, but the captain had walked away.
As it turned light outside, Ted, who had been smiling and handing out his cards as if he'd been elected mayor, told me, “Come on, Toussaint, I'll drive you home.”
I finally got my wallet and stuff, and outside as I got into his car I said, “Let's get coffee. I'm empty-hungry.”
“You haven't any shoes on.”
“I don't drink with my shoes,” I mumbled, full of tiredness.
Ted actually doubled up with stupid laughter.
10
WE STOPPED in a cafeteria on Eighty-sixth Street that was jumping with sleepy people drinking a fast cup of coffee before taking off for work. My stockinged feet didn't attract any attention, although the suit Kay got me should have been a crowd-stopper—it was made of a dark blue stiff material that simply hung on me. It was either a gag suit or custom made for a giant. The shot the doc had given me was wearing off, I was starting to feel pain, and very tired.
Ted was just the opposite. Although his eyes were bloodshot with strain and the bags under them dark as storm clouds, he was full of pep and on a talking jag. He was going to be in on the re-enacting of the McDonald capture, of course, and he kept chattering about what a break this was for his agency. After a couple of hot buttered bagels washed down with several glasses of orange juice and milk, I felt better; maybe the liquids were already replacing the blood I'd lost. But I was still blue and beat.
Ted dashed out and got the morning papers. I was all over the front page of most of them, even a small column in the Times. The News had a full-page picture of me standing in Steve's apartment, the busted window in the background. I looked out of this wo
rld—my clothes ripped and hanging in places, blood all over them and my shirt. My eyes seemed glassy, perhaps from the belt Steve gave me on the chin. Crazy the way a slim guy could punch like that. There were more pictures inside; of Kay, of Steve being led up the police-station steps, and one of Ted pointing to the recorder in the back of his car. Ted even had his coat open, showing his shoulder holster. I tried reading a few paragraphs and lost interest.
Ted read everything in a hoarse whisper, grunting with joy whenever his name was mentioned. He said, “I'm going to buy a couple dozen papers. This is worth a thousand bucks in advertising to me.”
“You couldn't buy it for ten times a grand. Tell me, Ted, are you going to stop wearing two-pants suits now?”
“What's wrong with this suit? Needs pressing but—”