by Simon Brett
Carole looked at her watch. “Is Zofia at the Crown and Anchor?”
“No, she’s having a lie-down. We had some lunch together. She’s exhausted. I think the reality of what’s happened to her is beginning to hit home.”
“Yes. I’m surprised to hear that Ted would take on a foreigner. He seems to be getting more right-wing with every passing day.”
“I kind of put him in a position where it was difficult for him to refuse. Give him a few days with Zosia and I bet he’ll come round.”
“Zosia? I thought her name was Zofia.”
“Her friends call her Zosia. Apparently most people in Poland have kind of pet names. Like Tadek.”
“Ah.” A sudden thought came to Garole. “I say, you don’t think that what you heard the boy say, that ‘Fifi’…could be a reference to his sister? Zofia?”
“I asked her. No. He’d only ever called her Zosia.”
“Well, maybe ‘Fifi’ means something in Polish?”
“I asked her that too. She said it could be the beginning of certain Polish words, you know, that he was trying to get out, but she couldn’t think of any that had any potential relevance.”
“Ah,” said Carole, disappointed.
Her disappointment, however, was short-lived, as Zofia came rushing down the stairs, holding her mobile phone.
“Jude! Oh, hello, Carole. Listen, I have just had a call from Mafek!”
“Is he back in Brighton?”
“No, not yet, but they did give him the message to call me when he rang the restaurant.”
“And had he seen Tadek since he’d been in England?”
“Oh yes. They were in contact, but Marek did not know about what happened to my brother.”
“How could he avoid knowing?” asked Carole. “It’s been all over the national newspapers and on television.”
“Marek has been off travelling with a girlfriend the last week. He does not see any television.”
“When did he last see Tadek?” asked Jude.
“Round Christmas they meet and drink, but—and this is the interesting part—he fix to see Tadek on the day he die.”
“But he didn’t see him?”
“No.”
“Where were they going to meet?”
“At Tadek’s room in Littlehampton. The door is left open, in case Tadek is not there when Marek arrive. They are both not good with being on time. Marek gets to the room, he waits an hour, two hours, Tadek does not come. Marek goes back to Brighton. He has a shift to be at work.”
“So he was probably in your brother’s room,” asked Carole, “at the time the murder took place?”
“Yes, I think so.”
“Did he say what he did while he was waiting?”
“He sat around, being bored, he tell me. Then he find Tadek has a bottle of vodka, so he drinks some. He wants to play music, but there is nothing there.”
“No CDs, no nothing?”
Zofia shook her head so vigorously that the pigtails slapped against her face. “No. And that is not like Tadek. Wherever Tadek is, he always has his music.”
“And his guitar.”
“Yes, and his guitar. So someone must have been into the room to steal those things. And I do not know why anyone would do that.”
Jude pieced her thoughts together slowly. “You said your brother always wrote songs about the women he was in love with…?”
“Yes.”
“So his songs, if he’d recorded them, would probably have identified the woman he was in love with?” Zofia nodded. “And if that person had something to do with his murder, then she would try to remove anything in his room that might make the connection between them?”
“Certainly.”
“Then I think that must be the explanation. It becomes even more imperative that we find the woman your brother was in love with.”
“We may be closer to that than we were before,” Carole interposed with renewed pride. And she told Zofia of the advances they had made in tracking down Melanie Newton.
“This is good. There must be a way we can contact the woman.”
“I’ve tried the number a few more times. Still just get the voicemail.”
“But you will keep trying?”
“Yes, of course,” replied Carole, slightly affronted by Zofia’s question.
“Mind you,” said Jude, uncharacteristically sceptical, “we don’t know for sure that a woman was the reason why your brother came over here.”
Zofia beamed. “Yes, this we do know. This is another thing Marek tell me. When Tadek first contact him, he say that he has come to England because he has met a woman with whom he has fallen in love and she lives in England.”
“He didn’t volunteer her name?”
“No. He say no more than that he is madly in love, and that this is different from every other time he has been in love. Mind you,” Zofia concluded sadly, “that is what he say every time he meet a new woman.”
“And your brother hadn’t been to England before last summer? He couldn’t have met the woman over here?” asked Carole.
The girl shook her head firmly. “Tadek has travelled a lot in Europe. But this is the first time he come to England.”
“So we’re looking for a woman who has been to Europe relatively recently.”
“Giles Newton told me his wife had been travelling in Europe,” said Carole with some satisfaction.
“Yes, we must talk to her.” Jude had another thought. “Have the police spoken to Marek? Have they been in touch with him?”
“I ask him this and he tell me no. But the police might not know the connection between my brother and Marek. It is a long time ago they play in Twarz together.”
Carole looked bemused, but then had the name of the band explained to her. “Well,” she announced, full of Home Office sternness, “what you must do immediately is ring Marek back and tell him to phone the police in charge of the investigation.”
“But I cannot do that. As Marek was talking to me, the power on his phone run out. The battery needs recharging. And Marek tell me he will not be able to do this recharging until he is back in Brighton.”
“Oh, good,” said Jude.
Later that Sunday the phone rang in Woodside Cottage. Jude answered it, and was not wholly surprised to hear Andy Constant’s voice.
“Listen, I’m sorry, I was a bit churlish on Friday.” Though this was undoubtedly true, she made no comment. “Sorry, I was preoccupied with the show. You know, I get like that when I’m in production. A kind of creative tunnel vision, if you know what I mean.” Oh yes, I know what you mean, thought Jude. You’re full of pretentious self-importance. “Anyway, now the show’s finished…” .
“Did last night go well?”
“Bloody brilliant. Though I say it myself. Wish you’d seen last night, in fact, rather than Friday. It really gelled. The kids made me bloody proud of them, they kind of realized my vision.”
“I thought it was their vision that was meant to be realized.”
“Well, yeah, but, you know, Rumours of Wars was meant to be, kind of, an ensemble piece. A mutual vision, if you like.”
“OK.”
“But the reason I was ringing was…I wonder if my churlishness put you off too much…” He paused, but she wasn’t about to put him out of his suspense “…or if maybe we could meet up again?”
“What are you suggesting?”
“Just a drink. I mean, not some heavy date or anything like that. I just thought, we got on all right, be nice to, you know, chat further about this and that.” His voice was by now so laid-back as almost to be comatose.
“When had you in mind?”
“After work tomorrow? Sixish?”
“I might not be able to do tomorrow.” Caution dictated that she shouldn’t sound too available.
“Tuesday then, same sort of time…?”
“Might be possible. Where were you thinking of? As you know, I live in Fethering.”
“Yeah
. Bit difficult for me to get down there…you know, what with my commitments at the college. But we could meet up in the Bull again. At least you know where that is…”
“Yes.” The lazy, arrogant, mean bastard, not prepared to make the effort to stray off his own patch, not even inviting her out to dinner.
“So, what do you say? Shall we meet up at the Bull at six on Tuesday?”
Against her better judgement, Jude said, “Yes.” And once again she tried, without much success, to convince herself she’d only agreed to the meeting to further her murder investigation.
Twenty-three
“Is that Carole Seddon?”
“Yes.”
“Are you feeling lucky?”
“I’m sorry, who is this speaking?”
“It’s Gerald. Gerald Hume.”
“Oh, I’m so sorry. I didn’t recognize your voice.” She should have done. Those precise, clipped tones were very distinctive. “How nice to hear from you.”
“Have you finished the Times crossword?”
“I did most of it over breakfast. About three clues left. But please don’t—”
“Carole.” He sounded aggrieved by the imputation. “There is honour among crossword-solvers. I would never give away an answer to a fellow cruciverbalist, unless specifically asked to do so. And if someone did ask me for an answer, I have to confess that I wouldn’t regard that person as a proper cruciverbalist.”
“Good. We understand each other.”
“So I revert to my original question. Are you feeling lucky?”
“I don’t think I ever feel lucky,” Carole responded with rather dispiriting honesty.
“I was referring to the likelihood of your being successful on the horses today.”
“I don’t think I’m ever likely to be successful on the horses.”
“Why not? You have a keen analytical mind.”
“That’s as may be. The fact remains that the only way of being successful on the horses is by putting bets on them, and since I never put bets on them, my chances of success in that arena are correspondingly diminished.” Strange, she thought, how whenever she spoke to Gerald, her locutions became as mandarin as his own.
“But if you were to come down to the betting shop and make some investments, your chances would be correspondingly increased.”
“But why should I come down to the betting shop?”
“Because you might enjoy it.”
“I don’t think that’s a good enough reason.” For anything, her puritan upbringing might have added.
“Then a better reason might be that I have some information regarding the woman about whom you questioned me during our last encounter.”
“Melanie Newton?”
“The very same.”
“I’ll be down there straight away.”
He was sitting in his usual seat, in pin-striped suit and tie, his briefcase at his side and ledger open on the table in front of him. “Ah, Carole,” he said, rising politely to greet her. “I am so glad you could make it.”
The environment still felt alien to her. The walls covered with newspaper spreads, the banks of television screens, the eternal pinging of the games machines, Chinese waiters chattering in one corner. The only other women in the place were the girl behind the counter and the woman Jude had identified as Pauline.
“Well, what is it you have to tell me?” she asked, rather brusquely.
“Before we do that, I would appreciate your input into the knotty problem of the two-ten at Towcester.”
“Toaster?” Carole echoed in bewilderment, thinking of a kitchen appliance.
“Towcester as in the Northamptonshire town, whose racecourse is set in the Easton Neston Estate. Towcester being one of those English place names which so charmingly befuddle foreign visitors. In the same way that Leominster and Bicester can confuse the unwary. And indeed with British surnames there are many whose pronunciation is similarly at odds with their spelling. One need only mention ‘Chumley’ spelt ‘Cholmondley’, “Dee-ell’ spelt ‘Dalziel’ and ‘Fanshaw’ spelt ‘Fetherstonehaugh’…though there is further confusion with the last, because some owners of that surname do insist on pronouncing it ‘Feather-stone-haugh’”
Carole couldn’t help smiling. “Yes, Gerald, I think I’ve got your point.”
“I am delighted to hear it. So, the two-ten at Towcester…a treat for lovers of alliteration everywhere.”
“I’d really rather you’d just told me—”
He raised a hand that was at once deferential and commanding. “After the two-ten at Towcester.” He held out a copy of The Times, folded back to show the relevant runners and riders. “Because of the recent frost, the going will be quite hard, which factor I am sure will affect your assessment of the race, Carole.”
“Gerald, I know nothing about horse racing.”
“Perhaps you don’t have a great deal of education in the matter of horse racing, but you do have an instinct for the sport.”
“I don’t. It doesn’t interest me.”
“Carole, would you do me the kindness of approaching this race as if it were a crossword puzzle?”
“I would, if a horse race had any features in common with a crossword puzzle.”
“It has many. In a horse race there are many variables, but only one answer.”
“Yes, but—”
“And one reaches that answer by a process of deduction and elimination.”
She couldn’t help being intrigued as well as amused. “Could you spell that out to me a little?”
“Very well.” He pointed down to the list of runners. “Here we have twelve horses, only one of whom is going to win the race.”
“Yes.”
“So, before we commence on the process of deduction, let us deploy our skills of elimination.”
“Remove from consideration the ones that have no chance?”
“Exactly. And to do this we look at the recent form.”
“Where is that?”
“In front of the horse’s name. The position in which they finished in their previous races. You see, that list of numbers.”
“So that one with ‘4-6-5-6-0’…?”
“In its last race it was unplaced—that’s the nought. In the previous one it came sixth, the one before that fifth, the one before that sixth again, the one before that fourth.”
“Not much of a prospect then?”
“No.”
“And what about this one? This has got letters too. Look…” She spelt them out. “‘0-F-F-P-0-P’.”
“That, Carole, is an even worse prospect. The zeros, as you know, mean that the horse was unplaced. And ‘F’ stands for ‘fell’.”
“The horse fell?”
“Yes. And ‘P’ means ‘pulled up’.”
“Sorry, I don’t know what that means.”
“The horse was doing so badly that the jockey pulled it up. In other words, it didn’t complete the course.”
“Ah. So in the form, letters are bad news?”
“Yes. ‘OFFPOP’…” He spoke the word as an acronym “…is not the horse to back. And there’s another letter to watch out for, which is ‘U’.”
“What does that mean?”
“‘Unseated rider’.”
“Again bad news?”
“Very.”
“So this one, Conjuror’s Rabbit, whose form is ‘33211’, is a much better bet.”
“Which is why it’s the odds-on favourite. Look, it’s down to thirteen to eight on.”
“All right, well, looking at the form, I would say there are seven of these horses that can be ruled out completely.”
“Excellent. You’re catching on to the idea.”
“In fact, I’d say that Conjuror’s Rabbit is definitely going to win.”
“Maybe.”
“Why maybe? It’s obvious, Gerald. Look at the form.”
“Ah, but because of that form, because of those two recent wins in particular, the handicapper
is making the horse carry more weight.”
“What, a heavier jockey?”
“More likely weights put into the saddle.”
“That seems rather a dirty trick. It’s punishing success, isn’t it? A horse wins and immediately something’s done to make it less likely to win next time.”
“That’s how it works, yes. But if one didn’t have some compensatory system of that kind, the same horses would win all the time.”
“Well, that’d be fairer.”
“It might be fairer, but it would remove the excitement from the racing. The thrill of the unpredictable.”
“Generally speaking, I don’t find unpredictability thrilling.”
“Oh, Carole, I’m sure you do.”
“I don’t. So, anyway, this poor Conjuror’s Rabbit is now carrying too much weight to have a chance of winning?”
“No, no, it has a very good chance of winning. That’s why it’s favourite. And the ground’s in its favour.”
“I’m sorry?”
“Back to what I was saying about the going. The overnight frost has made the ground hard, so it’s easier for a heavy horse to move over it. If it were muddy, the weight would make a bigger difference.”
“Oh. I see what you mean about variables. Having to think not just about the horse’s recent form, but also the weight it’s carrying, not to mention the weather.”
Gerald Hume chuckled. “And that’s just the start of it. There’s also to be considered the horse’s breeding, the length of the race, which jockey’s up on him, the horse’s state of health, how well the trainer’s yard is currently doing…I could go on.”
“I think I get the point. But I’m not sure that your crossword analogy is quite valid. There the only real variables are the number of words in the English language.”
“Yes, but you narrow those down in the same way. No, it can’t be this word because the second letter’s got to be an ‘m’. No, it can’t be that one, because the seventh letter isn’t a ‘j’. And so you go on till you reach the one, inevitable solution.”
Carole smiled at her new friend. “I can see why it appeals to you, Gerald. And I can see why photography appeals too.”
“Ah, do you want me to start on the variables that have to be considered when taking the perfect photograph? There’s the shutter speed, the light, the—”