Zombies

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by Otto Penzler


  And this was the last rational talk the mother and daughter ever had. What subsequently occurred up there on the fatal night of their first wedding anniversary they pieced together from the half-lucid intervals of a terrorised, cowering, hysterical creature, who finally went stark, raving mad. But what she had gone through was indelibly stamped on her brain; there were early periods when she seemed quite sane, and the sequential tragedy was gradually evolved.

  On the evening of their anniversary Toussel had ridden away, telling her not to sit up for him, and she had assumed that in his preoccupation he had forgotten the date, which hurt her and made her silent. She went away to bed early, and finally fell asleep.

  Near midnight she was awakened by her husband, who stood at the bedside, holding a lamp. He must have been some time returned, for he was fully dressed now in formal evening clothes.

  “Put on your wedding dress and make yourself beautiful,” he said; “we are going to a party.” She was sleepy and dazed, but innocently pleased, imagining that a belated recollection of the date had caused him to plan a surprise for her. She supposed he was taking her to a late supper-dance down at the club by the seaside, where people often appeared long after midnight. “Take your time,” he said, “and make yourself as beautiful as you can—there is no hurry.”

  An hour later when she joined him on the verandah, she said, “But where is the car?”

  “No,” he replied, “the party is to take place here.” She noticed that there were lights in the outbuilding, the “office” across the garden. He gave her no time to question or protest. He seized her arm, led her through the dark garden, and opened the door. The office, if it had ever been one, was transformed into a dining room, softly lighted with tall candles. There was a big old-fashioned buffet with a mirror and cut-glass bowls, plates of cold meats and salads, bottles of wine and decanters of rum.

  In the centre of the room was an elegantly set table with damask cloth, flowers, glittering silver. Four men, also in evening clothes, but badly fitting, were already seated at this table. There were two vacant chairs at its head and foot. The seated men did not rise when the girl in her bride-clothes entered on her husband’s arm. They sat slumped down in their chairs and did not even turn their heads to greet her. There were wine-glasses partly filled before them, and she thought they were already drunk.

  As she sat down mechanically in the chair to which Toussel led her, seating himself facing her, with the four guests ranged between them, two on either side, he said, in an unnatural, strained way, the stress increasing as he spoke: “I beg you . . . to forgive my guests their . . . seeming rudeness. It has been a long time . . . since . . . they have . . . tasted wine . . . sat like this at table . . . with . . . so fair a hostess . . . But, ah, presently . . . they will drink with you, yes . . . lift . . . their arms, as I lift mine . . . clink glasses with you . . . more . . . they will arise and . . . dance with you . . . more . . . they will . . .”

  Near her, the black fingers of one silent guest were clutched rigidly around the fragile stem of a wine-glass, tilted, spilling. The horror pent up in her overflowed. She seized a candle, thrust it close to the slumped, bowed face, and saw the man was dead. She was sitting at a banquet table with four propped-up corpses!

  Breathless for an instant, then screaming, she leaped to her feet and ran. Toussel reached the door too late to seize her. He was heavy and more than twice her age. She ran still screaming across the dark garden, flashing white among the trees, out through the gate. Youth and utter terror lent wings to her feet, and she escaped . . .

  A procession of early market-women, with their laden baskets and donkeys, winding down the mountainside at dawn, found her lying unconscious far below, at the point where the jungle trail emerged into the road. Her flimsy dress was ripped and torn, her little white satin bride-slippers were scuffed and stained, one of the high heels ripped off where she had caught it in a vine and fallen.

  They bathed her face to revive her, bundled her on a pack-donkey, walking beside her, holding her. She was only half-conscious, incoherent, and they began disputing among themselves as peasants do. Some thought she was a French lady who had been thrown or fallen from a motor car; others thought she was a Dominicaine, which has been synonymous in Creole from earliest colonial days with “fancy prostitute.” None recognised her as Madame Toussel; perhaps none of them had ever seen her. They were discussing and disputing whether to leave her at a hospital of Catholic sisters on the outskirts of the city, which they were approaching, or whether it would be safer—for them—to take her directly to police headquarters and tell their story. Their loud disputing seemed to rouse her; she seemed partially to recover her senses and understand what they were saying. She told them her name, her maiden family name, and begged them to take her to her father’s house.

  There, put to bed and with doctors summoned, the family were able to gather from the girl’s hysterical utterances a partial comprehension of what had happened. They sent up that same day to confront Toussel if they could—to search his habitation. But Toussel was gone, and all the servants were gone except one old man, who said that Toussel was in Santo Domingo. They broke into the so-called office, and found there the table still set for six people, wine spilled on the table-cloth, a bottle overturned, chairs knocked over, the platters of food still untouched on the sideboard, but beyond that they found nothing.

  Toussel never returned to Haiti. It is said that he is living now in Cuba. Criminal pursuit was useless. What reasonable hope could they have had of convicting him on the unsupported evidence of a wife of unsound mind?

  And there, as it was related to me, the story trailed off to a shrugging of the shoulders, to mysterious inconclusion.

  What had this Toussel been planning—what sinister, perhaps criminal necromancy in which his bride was to be the victim or the instrument? What would have happened if she had not escaped?

  I asked these questions, but got no convincing explanation or even theory in reply. There are tales of rather ghastly abominations, unprintable, practised by certain sorcerers who claim to raise the dead, but so far as I know they are only tales. And as for what actually did happen that night, credibility depends on the evidence of a demented girl.

  So what is left?

  What is left may be stated in a single sentence:

  Matthieu Toussel arranged a wedding anniversary supper for his bride at which six plates were laid, and when she looked into the faces of his four other guests, she went mad.

  IN ADDITION TO writing fantasy, horror, and science fiction, David A. Riley (1951– ) works for a law firm as a legal cashier and runs a charming bookshop in Lancashire, England, the eponymous Riley’s Books, which specializes in the genres in which he writes, but also carries first editions and out-of-print books in numerous other fields, as well as folio art and photographic books.

  He is currently the editor of Prism, the magazine of the British Fantasy Society. In 1995, he coedited, with his wife, Linden, the fantasy and science fiction magazine Beyond. His first novel, Goblin Mire, was published as an original electronic book by Renaissance. Riley has also written under the pseudonym Allan Redfern (a story titled “Gwargens”). His first short-story collection, The Lurkers in the Abyss (2010), includes the title story and such other frequently anthologized tales as “The Farmhouse,” “The Urn,” “The Satyr’s Head,” “Out of Corruption,” and “After Nightfall,” of which Hugh Lamb, in The Penguin Encyclopedia of Horror and the Supernatural, wrote, “. . . the nearest literature has yet come to creating George Romero’s cinematic effects in words.”

  “After Nightfall” was first published in Weird Window (1970), then in The Year’s Best Horror Stories, edited by Richard Davis (London: Sphere, 1971).

  I

  ELIOT WILDERMAN NEVER struck anyone as a person possessing that necessary instability of character which makes men in a sudden fit of despair commit suicide. Even Mrs. Jowitt, his landlady, never had even the vaguest suspicions that he
would ever do anything like this. Why should she? Indeed, Wilderman was certainly not poor, he was in good health, was amiable and well liked in the old-fashioned village of Heron. And in such an isolated hamlet as this it took a singularly easygoing and pleasant type of person to be able to get on with its definitely backward, and in many cases decadent, population.

  Civilisation had barely made an impression here for the past two hundred years. Elsewhere such houses as were common here and lived in by those not fully sunken into depraved bestiality were thought of as the slums, ancient edifices supporting overhangs, gables, high peaked roofs, bizarrely raised pavements three feet above the streets and tottering chimneys that towered like warped fingers into the eternally bleak sky.

  Despite the repellant aspect of the village Wilderman had been enthusiastic enough when he arrived early in September. Taking a previously reserved room on the third floor of the solitary inn he soon settled down and became a familiar sight wandering about the wind-ravaged hills which emerged from the woods in barren immensities of bracken and hardy grass, or visiting various people, asking them in his tactful and unobtrusive manner about their local folklore. In no way was he disappointed and the volume he was writing on anthropology soon had an abundance of facts and information. And yet in some strangely elusive way he felt the shadow of dissatisfaction. It was not severe enough to worry him or even impede his creative abilities and cheerfulness, but all the same it was there. Like some “imp of the perverse” it nagged at him, hinting that something was wrong.

  After having been here a month his steadily growing hoard of data had almost achieved saturation point and little more was really needed. Having done far better than he had expected prior to his arrival he decided that he could now afford to relax more, investigating the harsh but strangely attractive countryside and the curious dwellings about it, something he had only been able to do on a few brief occasions before.

  As he had heard from many of his antiquarian friends Heron itself was a veritable store of seventeenth and early eighteenth century buildings, with only a few from later periods. Except for the ramshackle huts. Even these, though, were perversely fascinating. None exhibited any features suggesting comfort; sanitation and ventilation were blatantly disregarded and hampered to an unbelievable extent. Roughly constructed from wood veneered with mould, with murky insides infested with the humid and sickening stench of sweat, they were merely dwellings to sleep and shelter in, nothing more.

  In fact the only feature which he noticed in common with the other buildings was that each had heavy wooden doors reinforced from outside with rusted strips of iron, barred by bolts or fastened with old Yale locks from within. Apart from the plainly obvious fact that there was nothing inside them to steal Wilderman was puzzled at such troublesome if not expensive precautions against intruders.

  Finally when an opportunity presented itself Wilderman asked Abel Wilton, one of the degenerates inhabiting these huts, a thick set man with a matted beard and cunningly suspicious eyes, why such precautions were taken. But, despite his fairly close acquaintance with this man, for whom he had previously bought liquor and shared tobacco with for information about local legends, all the response he got was a flustered reply that they were to keep out the wild animals that “run ’n’ ’ide in th’ ’ills where none but those pohzessed go, where they wait for us, comin’ down ’ere at night, a ’untin’ ”; or so Wilton claimed. But his suddenly narrowed eyes and obvious dislike of the subject belied him, though Wilderman tactfully decided to accept this explanation for the moment. After all it would do him no good, he reasoned, to go around accusing people of being liars. It could only result in his drawing onto himself the animosity of Wilton’s kinfolk who, ignorant though they were, were extremely susceptible to insult.

  However, after having noticed this point about the clustered huts on the outskirts of Heron, Wilderman realised that all the other houses that he had entered also had unusually sturdy locks. Not only on their doors; most had padlocks or bolts across the shutters on their windows, too, though they were already protected by bars. But, when he questioned someone about this, he again received a muttered reply about wild beasts, as well as the danger of thieves, and again he did not believe it. He could have been convinced of the possibility of thieves, even in the worthless huts, but how could he accept the wild animals, when he had never seen a sign of them during his now frequent rambles across the hills? Certainly none that were of any danger at all to man. And so, realising then that any further approaches on this subject would probably only bring similar results he did not pursue it any further, though he fully intended to keep it in mind. Perhaps, he thought, this was what had been troubling him all along.

  It was at this time in late October, when he was beginning to pay closer attention to his surroundings, that he first realised that no one ever left their houses after dusk. Even he himself had never gone out after nightfall since he had first arrived. He had not been particularly conscious of this before since it had kept light until late, but as the nights became longer, creeping remorselessly into the dwindling days, this universal peculiarity in Heron became apparent to him, adding yet another mystery to be solved.

  The first time he had this brought to his attention was one evening when he tried to leave the inn and failed, both the front and back doors being locked. Irritably he strode up to Mrs. Jowitt, an elderly woman, grey of face and hair with needle-like fingers and brown teeth that seemed to blend in with the gloom of the sitting-room where she sat knitting a shawl. Without preamble he asked why the inn had been locked at so early an hour.

  For a moment she seemed to have been stunned into silence by his outburst and immediately stopped her work to turn towards him. In that brief instant her face had paled into a waxen mask, her eyes, like Wilton’s, narrowing menacingly—or were they, Wilderman conjectured in surprise, hooded to hide the barely concealed fear he felt he could glimpse between the quivering lids?

  “We always lock up at night, Mr. Wilderman,” she drawled at length. “Always ’ave an’ always will do. It’s one of our ways. P’raps it’s foolish—you might think so—but that’s our custom. Any’ow, there’s no reason to go out when it’s dark, is there? There’s nowt ’ere i’ the way of entertainment. Besides, can’t be too careful. More goes on than you’d suspect, or want to. Not only is there animals that’d kill us in our sleep, but some o’ them in the ’uts—I’m not sayin’ who, mind you—wouldn’t think twice o’ breakin’ in an’ takin’ all I’ve got if I didn’t lock ’em out.”

  Her reply left little with which Wilderman could legitimately argue, without seeming to do so solely for the sake of argument: and he was loath to antagonise her. Always he was aware that he was here only on the townspeople’s toleration; they could very easily snub him or even do him physical damage and get away with it. Justice, a dubious word here, was at best rudimentary, depending for a large part on family connections and as good as open bribery; or at its worst and most frequent on personal revenge, reminding Wilderman distastefully of the outdated duelling system of latter day Europe, though with less notice here taken of honour.

  Convinced that fear of wild animals was not the reason for Mrs. Jowitt’s locking of the doors after dusk Wilderman became determined to delve further into this aggravating mystery.

  The next morning, rising deliberately at dawn, he hurried noiselessly down the staircase to find his landlady busy unlocking the front door. So engrossed was she in the seemingly arduous task that she did not notice his presence.

  Finally succeeding in turning the last of the keys she cautiously prised the door open and peered uneasily outside. Evidently seeing nothing to alarm her she threw the door open and knelt down to pick up an enamel dish from the worn doorstep outside. Filled with curiosity Wilderman tried to see what was on it but could only glimpse a faint red smear that might have been a reflection of the sun now rising liquescently above the hills.

  Before Mrs. Jowitt could turn and see him he retraced
his steps to the second floor, walking back down again loudly and calling a greeting to her. After a few brief but necessary comments about the weather he left, stepping out into the cold but refreshing early morning air to see the narrow streets still half obscured by mists through which beams of sunlight shone against the newly unshuttered windows like drops of molten gold.

  As he slowly made his way down the winding street he could not help but notice the plates and dishes left on many of the doorsteps. Some others had been shattered and left on the stagnant gutter that ran down the centre of the street to a mud-clogged grate at the end.

  It was immediately obvious to Wilderman that these dishes had contained meat, raw meat, as shown by the watery stains of blood still on them. But why should the villagers leave food out like this, he asked himself, every one of them, including those in the fetid huts, though they themselves had little enough to eat at the best of times? Such behaviour as was evident here seemed ludicrous to him. Why, indeed, should they have left food out like this, presumably for animals, when they dared not go out after nightfall for fear of those very creatures which the meat would only attract? It didn’t make sense! That people in Heron were not exceptionally kind and generous to animals he knew; quite the opposite, in fact. Already he had seen what remained of one dog—a wolf hound with Alsatian blood in its savage veins—that made a nuisance of itself one Saturday on Market Street. Its mangled carcass, gory and flayed to the bone, had almost defied description after some ten or so heavy boots backed by resentful legs had crushed it writhing into the cobbles. Then why, if they had no other feelings but contempt for their own animals, should they be so unnaturally benevolent to dangerous and anonymous beasts?

 

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