“It is the last virus,” said Lacey. “The one he gave to Amy. He made it from her blood.”
He searched her face to see the truth registered there. But he already knew the truth; more than that, he felt the truth.
“The empty one. That’s you, isn’t it? The one Lear gave you.”
Lacey nodded. “I believe that it is.”
He closed the lid, which sealed with a solid click. He slid off his backpack and pulled out a blanket, which he used to wrap the box, then placed it all inside. From the counter he retrieved a handful of the sealed syringes and put these in the pack as well. Their best chance was to make it through till dawn, then get down the mountain. After that, he didn’t know. He turned to Amy.
“How long do we have?”
She shook her head: not long. “He’s close.”
“Can he get through that door, Lacey?”
The woman said nothing.
“Lacey?”
“It is my hope that he will,” she said.
They were in the field now, high above the river. Peter’s and Amy’s trail had disappeared, covered by the blowing snow. Alicia had ridden ahead. It should have been dawn by now, thought Michael. But all he saw was the same gray softening they’d been riding toward for what seemed like hours.
“So where the hell are they?” said Hollis.
Michael didn’t know if he meant Peter and Amy or the virals. The thought occurred to him, with a vague acceptance, that they were all going to die up here, that none of them would ever leave this frozen, barren place. Sara and Greer were silent—thinking the same thing, Michael thought, or maybe they were just too cold to speak. His hands were so stiff he doubted he could fire, much less reload, his rifle. He tried to take a drink from his canteen to steady himself, but it was frozen solid.
From out of the darkness they heard the sound of Alicia’s horse, riding back at a trot. She pulled up beside them.
“Tracks,” she said, gesturing with a quick tip of her head. “There’s an opening in the fence.”
She heeled her mount, not waiting for them, and barreled back the way she’d come. Without a word Greer followed, the others bringing up the rear. They were in the trees again. Alicia was riding faster now, galloping through the snow. Michael heeled his mount, urging the animal forward. Beside him, Sara bent her neck low over her mount as the branches skimmed past.
Something was moving above them, in the trees.
Michael lifted his face in time to hear a gun go off behind him. No sooner had this happened than a violent force slapped him from the rear, shoving the air from his lungs and catapulting him headfirst over the horse’s neck, his rifle swinging out from his hand like a whip. For a single instant he felt himself suspended painlessly over the earth—part of his mind paused to register this surprising fact—but the sensation didn’t last; he hit the ground with a jolt, landing on his back in the snow, and now there were other things to think about. He had, he saw, come to rest directly in the path of his own horse. He rolled over on his side, covering the back of his head with his hands as if this might actually help; he felt the wild torrent of air as the panicked animal bounded over him, followed by the concussion of its hooves, one impacting just inches from his ear.
Then it was gone. Everyone was gone.
Michael saw the viral—the same one, he surmised, that had knocked him from his horse—as soon as he drew up to his knees. It was crouched just a few meters from him, poised on its folded haunches like a frog. Its forearms were buried in the snow, which glowed with the organic light of its bioluminescence, as if the creature were partially immersed in a pool of blue-green water. More snow clung to its chest and arms, a glistening dust; rivulets of moisture were running down its face. Michael realized that he was hearing gunshots, an echoing spatter over the ridge and, mixed with this, like the words of a song, voices calling his name. But these sounds might have been signals from a distant star. Like the vast expanse of darkness around him—for that, too, had faded from his mind, dispersing like the molecules of an expanding gas—they might have pertained to some other person entirely. The viral was clicking now, rocking the muscles of its jaw. With a cock of its head it gave a lazy-seeming snap of teeth, as if it were in no hurry—as if the two of them had all the time in the world. And in that moment Michael realized that the place where he kept his fear was empty. He, Michael the Circuit, wasn’t afraid. What he felt was more like anger—a huge, weary irritation, such as he might have felt for a fly that had been buzzing around his face too long. Goddamnit, he thought, guiding his hand to the sheath on his belt. I am so tired of these fucking things. Maybe there are forty million of you and maybe there aren’t. In the next two seconds, there’s going to be one less.
As Michael rose the viral shot forward, its arms and legs extending like the fingers of an open hand; he barely had enough time to shove the blade out in front of him, his eyes closing reflexively. He felt the bite of metal as the viral slammed into him, folding over Michael’s body as he tumbled backward.
He rolled to see the viral lying face-up on the snow. His blade was buried in its chest. Its arms and legs were making a kind of paddling motion, clawing at the air. A pair of figures were standing above the body. Peter and, beside him, Amy. Where had they come from? Amy was holding a rifle—Michael’s rifle, covered in snow. At their feet, the creature made a sound that could have been a sigh or a groan. Amy drew the stock of the gun to her shoulder, lowered the barrel, and pushed it into the viral’s open mouth.
“I’m sorry,” she said, and pulled the trigger.
Michael rose to his feet. The viral was motionless now, its agonal twitchings ceased. A broad spray of blood lay on the snow. Amy passed the gun to Peter.
“Take this.”
“Are you okay?” Peter asked Michael.
Only then did Michael realize he was shaking. He nodded.
“Come on.”
They heard more gunfire over the ridge. They ran.
It wasn’t fair, Lacey knew, what she had done. Allowing Peter and Amy to think that she would be going with them. Setting the bomb’s timer and leading them to the door to the tunnel, then directing them to stand on the far side. Pulling the door closed as they watched, then dropping the bolts in place.
She could hear them banging on the other side. Could hear Amy’s voice, a final time, ringing in her mind.
Lacey, Lacey, don’t go!
Run now. He will be here any minute.
Lacey, please!
You must help them. They’ll be afraid. They won’t know what is happening. Help them, Amy.
All that had happened here, in this place, needed to be wiped away. As God had wiped the earth away in the days of Noah, so that the great ship could sail and make the world again.
She would be His waters.
Such a terrible thing, the bomb. It was small, Jonas had explained, just half a kiloton—large enough to destroy the Chalet itself, all its underground floors, to hide the evidence of what they had done—but not so large as to register on any satellites. A fail-safe, in case the virals had ever broken out. But then the power had failed on the upper levels, and Sykes was gone, or dead; and though Jonas could have detonated it himself, he could not bring himself to do this, not with Amy there.
With Peter and Amy watching, Lacey had knelt before it: a small, suitcase-shaped object, with the dull finish of all military things. Jonas had shown her the steps. She pressed a small indent on the side, and a panel dropped down, revealing a keyboard with a small screen, large enough for a single line of text. She typed:
ELIZABETH
The screen flickered to life.
ARM? Y N
She pressed Y.
TIME?
For a moment she paused. Then she typed 5.
5:00 CONFIRM? Y N
She pressed Y once more. On the screen, a clock began to run.
4:59
4:58
4:57
She sealed the panel and rose.
Then she’d locked them out.
Lacey, please! I don’t know what to do! Tell me what to do!
You will, Amy, when the moment comes. You will know what is inside you then. You will know how to set them free, to make their final passage.
Now she was alone. Her work was nearly done. When she was certain Peter and Amy were gone, she freed the bolts and opened the door wide.
Come to me, she thought. Standing in the doorway, she breathed deeply, composing herself, sending out her mind. Come to the place where you were made.
Lacey waited. Five minutes: after so many years, it seemed like nothing, because it really was.
Dawn was breaking over the mountain.
The three of them were racing toward the shots. They crested a ridge; below them, Michael saw a house, the horses outside. Sara and Alicia were waving to them from the door.
The creatures were behind them now, in the trees. They tore down the embankment and dashed inside. Greer and Hollis appeared from behind a curtain, carrying a tall chest of drawers.
“They’re right behind us,” Michael said.
They wedged the bureau against the door. A hopeless gesture, thought Michael, but it might buy them a second or two.
“What about these windows?” Alicia was saying. “Anything we can use?”
They tried to move the cupboard, but it was too heavy. “Forget it,” Alicia said. She drew a pistol from her waistband and pressed it into Michael’s hands. “Greer, you and Hollis take the window in the bedroom. Everyone else stays here. Two on the door, one on each window, front and back. Circuit, you watch the chimney. They’ll go for the horses first.”
Everyone took their positions.
From the bedroom, Hollis shouted, “Here they come!”
Something was wrong, Lacey thought. They should have been here by now. She could feel them, everywhere around her, filling her mind with their hunger, their hunger and the question.
Who am I?
Who am I?
Who am I?
She stepped into the tunnel.
Come to me, she answered. Come to me. Come to me.
She moved quickly down its length; she could make out the opening, a circle of softening gray, the elongated dawn of the mountain. The first true light of sunrise would hit them from the west, reflecting off the far side of the valley, its fields of snow and ice.
She reached the tunnel’s mouth and stepped out. She could see, below her, the tracks and debris of the virals’ ascent up the icy slope. A thousand thousand strong, and more.
They had gone right past.
Despair gripped her. Where are you, she thought, and then she said it, hearing the fury in her voice as it echoed over the valley: “Where are you?” But there was silence from heaven.
Then, from the stillness, she heard it.
I am here.
The virals hit the doors and windows at once, a furious crash of breaking glass and splintering wood. Peter, bracing the bureau with his shoulder, was blown backward, into Amy. He could hear Hollis and Greer shooting from the bedroom, Alicia and Michael and Sara and Amy, too, everyone firing.
“Fall back!” Alicia was yelling. “The door’s collapsing!”
Peter grabbed Amy by the arm and pulled her into the bedroom. Hollis was at the window. Greer was on the ground beside the bed, bleeding from a deep gash in his head.
“It’s glass!” he yelled over the report of Hollis’s weapon. “It’s just glass!”
Alicia: “Hollis, stay on that window!” She dropped her empty clip and slammed a new one into place and pulled the bolt. Here they would make their stand. “Everyone, get ready!”
They heard the front door give way. Alicia, closest to the bedroom curtain, spun around and began to fire.
The one that got her wasn’t the first, or the second, or even the third. It was the fourth. By then her gun was drained. Later, Peter would recall the scene as a sequence of discrete details. The sound of her last shell casings ricocheting on the floor. The swirl of gunpowder smoke in the air and the descent of Alicia’s empty clip as she reached to pull a new one from her vest; the viral hurling itself toward her through the tattered curtain, the pitiless smoothness of its face and the flash of its eyes and open jaws; the barrel of her useless gun lifting, and the dart of her hand to draw her blade, too late; the moment of impact, cruel and unstoppable, Alicia falling backward to the floor, the viral’s burrowing jaws finding the curve of her neck.
It was Hollis who took the shot, stepping forward as the viral lifted its face and spearing the barrel of his rifle into its mouth and firing, spraying the back of its head against the wall of the bedroom. Peter scrabbled forward and grabbed Alicia under the arms, dragging her away from the door. The blood was running freely from her neck, a deep crimson, soaking her vest. Someone was yelling, saying her name over and over, but maybe that was him. Braced against the wall, he hugged Alicia to his chest, holding her upright between his legs, reflexively putting his hands over the wound to try to stop the bleeding. Amy and Sara were on the floor now, too, huddled against the wall. Another creature came through the curtain and Peter lifted his pistol and fired, his last two rounds. The first one missed but not the second. In his arms, Alicia was breathing strangely, all hiccups and gasps. There was blood, so much blood.
He closed his eyes and pulled her tightly against him.
• • •
Lacey turned; Babcock was perched above her, at the top of the tunnel’s mouth. As great and terrible a thing as God had ever made. Lacey felt no fear, only wonder at the magnificent workings of God. That He should make a being so perfect in his design, fit to devour a world. And as she gazed upon him glowing with his great and terrible radiance—a hallowed light, like the light of angels—Lacey’s heart swelled with the knowledge that she had not been wrong, that the long night of her vigil would end as she’d forseen. A vigil begun so many years ago on a damp spring morning when she had opened the door of the Convent of the Sisters of Mercy in Memphis, Tennessee, and beheld a little girl.
Jonas, she thought, do you see that I was right? All is forgiven; all that has been lost can be found again. Jonas, I am coming to tell you. I am practically with you now.
She darted back into the tunnel.
Come to me. Come to me come to me come to me.
She ran. She was in that place but also another; she was running down the tunnel, drawing Babcock inside; but she was also a little girl again, in the field. She could smell the sweetness of the earth, feel the cool night air on her cheeks; she could hear her sisters and her mother’s voice, calling from the doorway: Run, children, run as fast as you can.
She hit the door and kept on going, down the hall with its buzzing lights, into the room with its gurney and beakers and batteries, all the little things of the old world and its terrible dreams of blood.
She stopped, pivoting to face the doorway. And there he was.
I am Babcock. One of Twelve.
As am I, thought Sister Lacey, as, behind her, the bomb’s timer reached 0:00, the atoms of its core collapsed into themselves, and her mind filled up forever with the pure white light of heaven.
SIXTY-NINE
She was Amy, and she was forever. She was one of Twelve and also the other, the one above and behind, the Zero. She was the Girl from Nowhere, the One Who Walked In, who lived a thousand years; Amy of Multitudes, the Girl with the Souls Inside Her.
She was Amy. She was Amy. She was Amy.
She was the first to rise. After the thunder and the shaking, the trembling and the roaring. Lacey’s little house bucking and rocking like a horse, like a tiny boat at sea. Everyone yelling and screaming, huddled against the wall and holding on.
But then it was over. The earth below them came to rest. The air was full of dust. Everyone coughing and choking, amazed to be alive.
They were alive
.
She led Peter and the others out, past the bodies of the dead ones, into the light of dawn where the Many waited. The Many of Babcock no more.
They were everywhere and all around. A sea of faces, eyes. They moved toward her in the vastness of their number, into the dawning sunlight. She could feel the empty space inside them where the dream had been, the dream of Babcock, and in its place the question, fierce and burning:
Who am I who am I who am I?
And she knew. Amy knew. She knew them all, each to a one; she knew them all at last. She was the ship, just as Lacey had said; she carried their souls inside her. She had kept these all along, waiting for this day, when she would return what was rightfully theirs—the stories of who they were. The day when they would make their passage.
Come to me, she thought. Come to me come to me come to me.
They came. From out of the trees, from across the snowy fields, from all the hidden places. She moved among them, touching and caressing, and told them what they longed to know.
You are … Smith.
You are … Tate.
You are … Duprey.
You are Erie you are Ramos you are Ward you are Cho you are Singh Atkinson Johnson Montefusco Cohen Murrey Nguyen Elberson Lazaro Torres Wright Winborne Pratt Scalamonti Mendoza Ford Chung Frost Vandyne Carlin Park Diego Murphy Parsons Richini O’Neil Myers Zapata Young Scheer Tanaka Lee White Gupta Solnik Jessup Rile Nichols Maharana Rayburn Kennedy Mueller Doerr Goldman Pooley Price Kahn Cordell Ivanov Simpson Wong Palumbo Kim Rao Montgomery Busse Mitchell Walsh McEvoy Bodine Olson Jaworksi Ferguson Zachos Spenser Ruscher …
The sun was lifting over the mountain, a blinding brightness. Come, thought Amy. Come into the light and remember.
You are Cross you are Flores you are Haskell Vasquez Andrews McCall Barbash Sullivan Shapiro Jablonski Choi Zeidner Clark Huston Rossi Culhane Baxter Nunez Athanasian King Higbee Jensen Lombardo Anderson James Sasso Lindquist Masters Hakeemzedah Levander Tsujimoto Michie Osther Doody Bell Morales Lenzi Andriyakhova Watkins Bonilla Fitzgerald Tinti Asmundson Aiello Daley Harper Brewer Klein Weatherall Griffin Petrova Kates Hadad Riley MacLeod Wood Patterson …
The Passage: A Novel Page 92