They walked out past the shed and Rufus lifted a nail out of the hasp-staple on the smokehouse door and entered and reappeared with a hank of coarse rope. They went on along a fence patched up from scraps of board and tin. Something scuttled off among the weeds. A hog grunted in the dark. Rufus held the lantern up and in the light Suttree saw the dog's eyes.
Yonder he is.
Suttree took the lantern and approached the dog. A sodden hound with wet bread hanging from his head, stogged to the neck in a slopdrum. He had his forepaws on the rim of the drum and as Suttree approached he bared his teeth in the lamplight.
Cant he get out? said Suttree.
He dont appear able. I see him rear up a time or two but he caint get pulled loose enough from that slop to jump.
Well hand me that rope.
Watch you dont get too close. He'll growl and make at ye.
Hold the lantern.
You watch him now.
Suttree fetched an empty drum and stood it bottom up alongside the dog and stood on it. The dog turned to face him. He made a noose in the rope and dropped it over the dog's head and the dog's teeth closed on the air with a dull wet chop. When he felt the rope tighten about his neck he began to moan.
Suttree doubled the rope in his fist and began to haul on the dog. The dog's eyes rolled wildly and it began to scrabble at the drum.
Great God this son of a bitch is heavy.
It rose strangled and dripping from the barrel and slid over the side and collapsed in a foul wet mass on the ground.
They stood watching it, Suttree on the drum holding the lantern. It looked like some strange medieval beast lying there gasping and stinking. Suttree steered the rope off the hound's neck and after a while it rose and shook itself and staggered off heavily through the honeysuckles.
Suttree coiled the rope save for the fouled noose of it and dragging this behind they went back up the path and sat on the porch. Rufus snuffed the lantern and leaned back against the post and closed his eyes. Then he opened them and patted his pocket where the bottle lay and then he closed them again. You caint see his lights now, growed up like it is, he said.
Whose lights?
The city mouse. When it's growed up thisaway you caint see over yonder. I dont know if he been there or not.
I dont believe he was there last night.
He might of got off drunk with Cleo and them. They gives him whiskey all the time.
Suttree nodded. Across the gut the lights of the city lay staggered on the night. You know any caves around here? he said.
Rufus opened his eyes. Caves? he said.
Do you know any?
They's a big cave yon side of the river. Cherokee cave.
I mean on this side.
They's caves all in under Knoxville.
Do you know how to get into them?
You dont want to mess around in no caves. What you wants to mess around down in under the ground for?
If you dont tell me how to get in those caves I'm going to get that dog and put him back in your slopbarrel.
Rufus grinned. He straightened out one leg across the porch and reached in his pocket for the bottle. Sheeit, he said.
I may get two dogs.
Harrogate wounded and covered in shit found in his pocket a pennybox of matches and a candlestub and made a light. The slender flame leaned and fluttered. He groped in the sewage for his flashlight, up and down the passage. When he found it he fetched it up and shook it and worked the button back and forth but it would not light. He knelt there looking about at the stone walls surrounding. Hot wax ran on his hand and he scratched at it absently. He began to clamber back up the tunnel toward higher ground.
He bathed himself in a black pool while the candle grew squat. Checked his injuries. Dismantled and put back the flashlight and tried it. Unscrewed the bezel that held the lens, took out the bulb and held it to the candlelight but he could not see wires or no wires. He watched the candle. It wasnt dripping. It just looked as if it were being sucked down through the stone.
He left it burning there and went as far as the edge of the light, his small shadow swallowed up finally in the greater dark beyond. He turned and came back. He squatted and watched the flame totter. The dank stone room grew smaller, drew in about him. He crouched in the smallest cup of light with his hands joined at the back of the flame as if he would gather it to him. Hot oil ran on the stones. The wick toppled and dropped with a thin hiss and dark closed over him so absolute that he became without boundary to himself, as large as all the universe and small as anything that was.
Suttree went by a wellrope down a dry brick cistern. Odor of earth and moss, the old brick dark and crumblesome. The floor of the cistern had fallen in and he went down a tailing of rubble and broken brick into a hole in the earth. He turned on the flashlight he carried and stepped down into the darkness.
He followed a narrow passage where the floor was mud and strewn with old bottleglass. The walls inscribed with names and dates scratched in the soft wet stone. The corridor narrowed and gave onto a drafty blackness where his light went from wall to far wall, an enormous and slaggy tureen traversed by plumbing. Great jointed runs of sewerpipe and tubes of cable cold and wet. He entered warily. No sound but a distant timeless dripping. He listened for any faint sound of traffic in the streets above but that world seemed gone altogether. The grotto lay like a sea cave, smooth and curving, a thing shaped to hold the wind where no wind was. He turned, his light going along the walls, the muddy flowstone and the high domed roof where hung stone teeth and tongues of wet black slag. He crossed the room, patches of dark sludge in the floor like pools of tar. At the far side a round tunnel went on through the rock and Suttree stooping followed after.
He searched the underground until he thought it must be evening and when he emerged again at the foot of the cistern he was surprised to find the day hardly half spent. He looked back down the cistern but he had no heart for going there again.
That evening he visited Harrogate's diggings under the bridge but there was no sign he'd been there. He ran his trotlines before daybreak in the morning and went again to search for him.
He checked out narrow side passages and he watched the little mudspits in the cave's stone floors for footprints but there seemed to have been no travelers here for years. The names and dates on the stone grew old. Cimmerians passed on without progeny. Some lack of adventure in the souls of newer folk or want of the love of darkness. His light ran over the ceilings, the carinated domes, stone scallopings and random hanging spires. The ribbed palate of a stone monster comatose, a great uvula dripping rust. Blades of false cuspidine. Hematite deep burgundy and loded with iron, clotted in the shape of stone offal. Or malachite in green coprolitic stools like small stone turds becrept a brassy green.
He found pale newts with enormous eyes and held them cold and quailing in his palm and watched their tiny hearts hammer under the blue and visible bones of their thimblesized briskets. They gripped his finger childlike with their tiny spatulate palps.
At the end of the day he came upon pieces of light in an upper wall of the tunnel and he squatted and listened and he thought he heard very faint and far the cries of children. He switched off the light and sat in the dark. He sat there for some time. The children's voices went away. The three shapes of light on the floor of the cavern began to climb the farther wall. After a while he rose and went with his own light back the way he'd come.
On the fourth day he found footprints in a patch of gray loam. Tennis shoe tracks and big ones at that. He set his own shoe inside. A little further he found a fresh candybar wrapper. He passed through a large cavern where bats lined the roof, their leather elbows jostling in their sleep, a constant reedy murmuring of squeaks like those numberless cries that Bishop Hatto must have heard in his tower prior to being consumed by mice. Suttree pressed on, down the carious undersides of the city, through black and slaverous cavities where foul liquors seeped. He had not known how hollow the city was.
The air was becoming more tainted, a rising sulphur reek of sewage. Where this smell thickened worst he found the city mouse crouching. He was leaning against a wall and looking back down the tunnel toward the beam of light approaching. He looked like something that might leap up and scurry off down a hole. Suttree squatted in front of him and looked him over.
How about gettin that light out of my eyes, said Harrogate.
Suttree lowered the light. Their faces were blackened like miners or minstrels and the city mouse wore only shreds of clothing and he was covered with dried sewage. True news of man here below. He was looking down at the pool of light.
I thought I was dead. I thought I'd die in this place.
Are you all right?
There was people down here.
What?
There was people down here.
You were seeing things.
I talked to em.
Let's go.
I hate for anybody to see me like this.
Suttree shook his head.
I'd give ten dollars for a glass of icewater, said the city mouse. Cash money.
Suttree would see her in the street, dawn hours before the world's about. A hookbacked crone going darkly and bent in a shapeless frock of sacking dyed dead black with logwood chips and fustic mordant. Her spider hands clutching up a shawl of morling lamb. Gimpen granddam hobbling through the gloom with your knobbly cane go by, go by. Over the bridge in the last hours of night to gather herbs from the bluff on the river's south shore.
He saw Jones all these summer evenings. Sat with friends under a caged windscrew the size of a plane's prop and in the howling wind drank dripping beers and watched the cardplayers in their wet shirts mutter and smoke and deal. Jones spoke no more of the witch. Then one evening he leaned toward Suttree where he sat at the small marble table. Say she wont come down here? He said.
Who.
He snuffled. His eyes shifted but he seemed to be watching the cardtable. That old nigger witch, he said.
Ah, said Suttree. That's what she says.
The black nodded.
Why dont you go up and see her?
He shrugged.
She said it wasnt yourself you wanted to see her about.
He looked at Suttree and looked back to the table again. Who she say I want to see her about.
Your enemies.
Ah, said Jones.
They went in the evening through the locust wood, insects so named screaming in the greenery, beneath great blooms of newsprint and into the steaming sink.
She was tending her garden, stooped with a hoe, a figure the size of a child. The homedyed black of her gown fugitive at back and shoulders from the sun. When she saw them she raised up and went into the house. They crossed the yard. Past the little rows of tomato plants and late runner beans. Suttree tapped at the door and they stood looking out at the little glade. After a while he tapped again.
When she came to the door she was bareheaded and she wore her spectacles. She stood aside for them to enter as if they'd been expected.
They followed her down the little hall in all but darkness toward an open door beyond which stood a table and a lamp burning. Jones stooped to enter, Suttree followed. They stood in the kitchen. Suttree looked about. The walls were hung with pictures, the pictureglass all dull with grease. He bent to study a clan of blacks, some thirty or more all formally aligned, old patriarchs and men and women and small children peering out and in the center seated and shawled what appeared to be a scorched rhesus monkey.
She was standing across the room and the light was poor and she could not have rightly known which photograph among the many he was looking at and yet she said: She was born in seventeen and eighty-seven.
Who is she?
My grandmama. She was a hunnerd and two when she died.
She looks almost that old in the picture.
She's dead in the picture.
Suttree looked at her. The goldwire frames catching the light, the little round panes of glass. He leaned to see the picture again. Someone in the photograph behind the grandmother was holding her head up and her eyes were glazed and sightless. Suttree could not stop looking at this cracked and lacquered scene from times so fabled. The hands at the neck of the creature seemed to be forcing her to look at something she had rather not see and was it Suttree himself these sixty-odd years hence?
Are you in the picture? he said.
I aint in it. That was in Fayette County Kentucky. They kep her in a rootcellar till they could fetch the man to come and take the picture. Her children set with her down there of a night with candles.
Was that before you were born?
No. I was there. I never come out in the picture. I was there when it was took but I never come out.
Where were you in the picture?
Right yonder in that dead place.
He bent to see. On the far right there was a grayed-out patch, a ghost in the photo among her pellagrous predecessors. Here? he said.
She nodded, the little spectacles winking in the lamplight. Set down, she said.
Suttree sat beneath the picture. Jones was still standing almost in the middle of the little room and he seemed suddenly mindless, a great tottering zombie that she must take by one elbow and steer to the table although he has been here before. She's sewn him up like a hound with carpetthread and the blood beading very fine and bright from the pursings of black flesh, stanching lesser holes with cataplasms of cobweb, binding him in bedlinen. With him drunk at the door two days later demanding to be undone and sewn looser because he could not bend. Eyes raddled with blood, reeking of splo whiskey.
He sat. The crowned tooth of flame shifted and reshaped within the glass. Her neckware winked, tin amulets, a toadstone, an ebon baal that hung from a necklace of braided hair. She spread her hands. Under the black and dusky skin you could see how the fingerhinges were fashioned, the lean and jointed bonepipes. She said: I dont know which of these two souls is the worst troubled. Let me see your hand.
Jones laid his hand on the table. Fingers like old bananas, that fat, that brown. She sat slowly and took the hand palm up in her dark little claws and shut her eyes. Then she looked down at it. She bent closer. What's that? she said.
Jones looked. That aint nothin. Just where I took a knife off of some fool.
She pressed his seamy palm with her fingertips. She leaned back. Suttree was studying a photograph above the table to his right. A black boy in uniform who has watched the camera with some suspicion of his own expendability. The old woman said: You wants him here?
The youngblood? The youngblood can stay.
She bent forward and her eyes opened and her mouth made a little popping noise like a turtle's. Gimme five dollah, she said.
Jones raised one hip and reached into his pocket. He brought out a large roll of bills fastened with a rubber band and he dealt a five onto the tabletop. She took it and folded it and it disappeared somewhere about her person and she took his hand again. She began to recount for him aspects of his past. Legends of violence, affrays with police, bleeding in concrete rooms and anonymous coughing and groans and delirium in the dark.
Jones looked up. I aint interested in all that, he said. I just dont want to leave Quinn here and me gone.
You caint buy that.
I caint buy it with five dollar.
A flickering look of impatience in her blueblack face. She told a tale of retribution, silver seals but cannot buy such powers.
She has bored a keep in a treebole and hid therein the dung of her enemy and plugged it shut with an oakwood bung. She leans to them in terrible confidence: His guts swoll like a blowed dog. He couldnt get no relief. His stool riz up in his neck till he choken on it and he turn black in the face and his guts bust open and he die a horrible death a screamin and floppin in his own mess.
Jones nodded. He said that that would suit him fine. Suttree smiled against the back of his hand but the ogress waggled a finger before them b
oth. She rose and went to a cupboard above the cookstove, climbing with surprising agility from a chair to the top of the stove and reaching up and taking down a small and moldy leather poke. She brought it with her to the table and she spread over the naked boards a cloth of black damask, smoothing the creases with hands as black, more deeply creased. She sat with her hands folded so and she rolled her soapy old eyes at them. She took up the pouch and held it and closed her eyes. Her fingers undid the mouth of the little bag and when the strings hung loose she held it clenched by the neck as if what crouched inside might otherwise out. She began to sway lightly back and forth and she was holding her head up very stiffly and something was moving in the black folds of her throatskin as if she were swallowing repeatedly. Suddenly she opened her eyes and looked about and with a motion almost violent raised the leather bag and upended it over the table. Out clattered toad and bird bones, yellow teeth, frail shapes of ivory strange or nameless, a small black heart dried hard as stone. A joint from a snake's spine, the ribs curved like claws. A bat's skull with needleteeth agrin, the little pterodactyl wingbones. Tiny pestles of polished riverstone. These things lay shapen still and final upon the black damask and the dark gospeler of their constellation who would in moments now postulate the denial of the old lie that beholder and beheld are ever more than one, this dusky fugitive of the pyre with whom they trafficked studied the figures briefly and looked away. Looked away, let shut the seamy doors of her eyes. They sat in silence.
Jones spoke. He said: What do it say?
About you it dont.
About Quinn then.
It dont say. It aint you nor Quinn neither. It's him.
Suttree felt the skin on his scalp pucker.
Why aint it me? said Jones.
I caint make it be if it aint.
Do it again.
No.
Jones blinked heavily.
You should of come alone, she said. She still had her eyes shut and Suttree thought that she was talking to Jones but when she opened them she was looking at him.
He did not go back. He passed her in the street one evening toward the summer's end but she might have been any black crone at all, stooped and shawled and silent save for the shuffling of her feet in the gutter. She did not look up nor did she speak and he could smell her on the night wind, lank harridan, a stale musty odor, dust dry. She passed in a light creaking of bones, dried bulb ends grating in their cups. Stranger yet he saw her a final time that year in the streets uptown in the full light of noon and she did look at him. Suttree shunned those adder's eyes in which the sun lay split. She has borne her wares in a catskin bag through the brick alleyways and tarpaper lanes. Something moved her mouth very like a smile. The antique teeth like seedcorn. An odor of violated graves. Her small shadow fell against him like a bird and she passed on. He stood looking after. Five fingers to five pressing he constructed a tactile plate of glass between his fingertips. Then he turned and went on. Give over, Graymalkin, there are horsemen on the road with horns of fire, with withy roods. He ran among the crowds dodging and veering. The jar of his heels on the pavement kept stopping the fans that spun above the shop doors.
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