For a moment it didnt move. The tires cried in the grass and smoking clods went rifling off through the dark. Then it settled slightly sideways, dished back again, and in a shower of mud and grass moved out across the field. It went low and fast, the headlights rigid and tilting. It tore across the field and ripped through the willows at the river's edge and went planing out over the water in two great wings of spray that seemed pure white and fanned upward twenty feet into the air. When it came to rest it was far out in the river. The headlights began to wheel about downstream. Then they went out. For a while he could see the dark hump of it in the river and then it slowly subsided and was gone. He squatted in the damp grass and looked out. There was no sound anywhere along the river. After a while he rose and started home.
Jones came to bay with his back to a brick wall, standing widefooted and gasping while the officers approached. A bloody dumbshow and no word spoken. The first policeman swung at him with his club and Jones slapped at it, a dead smack of meat in his palm. He swung again and this time the black's hand folded over the club. The policeman had the leather lanyard looped about his wrist and Jones swung him sideways and slammed him against the bricks. Then he jerked him to his knees and was strangling him when the other officer fell upon him and forced him to give it up. Jones kicked them back and the first officer staggered toward the center of the alley and dropped to his knees groaning. A cry of sirens was nearing in the streets. The able officer stepped back in alarm but Jones seized him like some huge black pervert. He struggled to reach for his revolver. By now a patrol car was coming down the alley in a blinding spray of lights. The seized officer gave up trying to loosen his pistol and was hammering away with his billy at the cropped skull above him and his hand and arm were slick with blood.
Men were running in the alley. Jones turned and started off lumbering and huge in the lights like a movie monster. The revolvers in that narrow space crashed like mortars and the bullets caromed and whined and skittered. But before they could get a true aim his knees went under him and he collapsed flailing among the trashcans at the alley's mouth.
The officer who opened the rear door of the paddywagon just closed his eyes. He had no time to fend or hide. Jones's boot caught him in the throat and he went to the pavement without a cry. The other officers received him with billies and slapsticks, his eyes huge and crazed and his jacket spongy with blood launching himself upon them like some unshackled wild man and taking them to the ground with him.
They dragged him bleeding and senseless down the corridor to the tank, his feet scuffing behind. His bearers were bleeding and torn and they cursed every step they took. They pulled him into the empty iron cage and let him fall face down on the concrete. Tarzan Quinn came from the dayroom with a cup of coffee in one hand. The jailer was locking back the hall door, a great ring of keys fastened to him with a chain.
Duck, said Tarzan.
The jailer turned. Yeah, he said.
You let me know when that son of a bitch wakes up.
Sure will, Tarzan.
Tarzan nodded and sipped his coffee. He worked his right fist open and shut and rubbed his palm on the side of his trousers.
She was a long time coming but when she saw him she opened the door and motioned with her head for him to enter. She had a lamp in her hand and she wore an old chenille robe and she had some sort of a nightcap on her head that looked vaguely orthopedic. She shuffled wearily into a chair and put her face in one hand.
He shut the door and leaned against it, watching her. After a while she raised her head and wiped her eye and her mouth. She was looking at the lampflame.
He aint dead is he? she said.
No. I thought maybe he got away but he must be in jail.
Well.
What do you want to do?
Aint nothin to do. Aint no use in goin over there till in the mornin.
I guess not.
She shook her head. They aint no way, she said. Just aint no way.
Do you have any money?
Some. I dont know. Them bondsmens gets it all, I'll have to look and see.
I've got about thirty dollars if you need it.
That wouldnt get him started.
What will they charge him with?
What wont they. Two year ago they tried to get him for temptin murder. It costed me fourteen hunnerd dollar.
I cant go down there with you.
You dont need to go down there.
They may be looking for me.
Dont let em get on you, she said. They never will get off.
A dull glow of coals showed through the drafthole in the stove door but it was cold in the room. She must have followed his thoughts. Come over here by the stove and warm, she said. You want a beer?
No. I've got to go. I've got to figure out what to do.
She shook her head and looked up. Black shining face, those lunettes of flesh ridging the skin and the one webbed and blinking eye.
He fifty-six year old, she said. You know that?
I knew he was something like that.
He caint carry on like this. They'll kill him. You caint tell him.
Suttree looked at the floor.
Well, she said. I thank ye for stoppin.
Do you want me to try and get hold of Oceanfrog?
No. I'll see him.
Well. I'll come by tomorrow.
She rose from the chair and put both hands on the table. Then she sat down again. Suttree opened the door and went out.
He crossed the cold white tiles of the lobby floor and leaned at the desk. There was no one about. He palmed the little bell. Brass through the nickel plate. After a while Jesse came from the rear and nodded with that expression of constrained contempt with which he beheld all life forms not midnight in color.
He be out in a minute.
The clerk came out and went through the little gate and stood facing Suttree.
You got a room? said Suttree.
He reached and took a card from a slot and slid it across the marble counter and laid a pen across it.
Suttree wrote his name and pushed the card back. The clerk didnt look at it. Is it just you? he said.
Just me.
How long?
I dont know. Couple of weeks.
He laid out a key on its fiberboard fob. Twelve bucks, he said.
For a week?
Right.
I only paid fourteen for a double. Last time I was here.
It's twelve bucks.
Suttree counted out the money and took the key and crossed the lobby to the stairs and climbed upward into the gloom. He found the room and went to put the key in the door but it was already ajar. He pushed it open. The latch was smashed, broken hardware hung from the screws. The whole door was cracked through and wobbled sickly when he pushed it shut. He went back down the stairs and dinged on the bell.
The clerk gave him another room and he went up again. It looked out over the alley in the rear of the hotel. There were enormous holes caved in the walls and patched over with cardboard and masking tape. A small iron bed. An oak veneer dresser on tall castered legs. He lay hammocked in the soft mattress and stared at the ceiling. After a while he got up and turned off the light and kicked off his shoes and stretched out again. Cars passed in the streets below. Already a faint grfcy light from the day to come lay in the eastward windows. He slept.
It was late afternoon when he woke. He shuffled off down the hall to the bathroom. There seemed to be no one about. He went down and got the paper in the lobby and crossed the street and went up to the drugstore where he sat in a back booth and had coffee and doughnuts. He ransacked the paper for news of the night before but there was no word.
With dark he went down to the end of the street and to the river. There was no light at Doll's and no one answered when he rapped at the door. Ab's cat came down from the roof and rubbed against his leg but he had nothing to give it.
It was dark on the river and the only sound was the dripping of th
e oars and the light rasp of the locks. He foundered among the shore brush with his flashlight and finally located the stake where his trotline was fastened and he hooked the line through the lock in the transom and took the oars again, the flashlight propped on the seat and the line coming up very white from the black water. He stripped the bait from the hooks as they came up and when he reached the farther bank he cut the line. It rifled off into the river with a thin sucking sound and disappeared from sight. Then he rowed down and ran the other line and cut it. By the time he came back upriver with his catch in the floor of the skiff it was past midnight. He lit his lamp and sat on the deck and cleaned the fish, pausing from time to time to warm his stained hands at the lampchimney. He wrapped the fish in newsprint and put them in a box and he went down and drew the skiff ashore and turned it over. Then he went in and got his clothes and the few personal things he owned and blew out the lamp and went across the fields toward the town with these things piled atop the fishbox in front of him.
He went down every night but there was no one home. By day he kept off the streets. There was nothing in the papers. He asked for her at Howard Clevinger's but no one knew where she was. As he turned to leave he saw Oceanfrog going along the street.
Hey baby, the frog said.
What's happening, said Suttree. Where's Ab.
The man's in the hospital.
Is he bad?
I dont know. I aint been out there.
Where's Doll?
She out there with him. Frazer turned up his collar and looked off down the street. He turned back to Suttree. You goin out there? he said.
I dont know.
They got a cop on the door.
Ah, said Suttree.
Oceanfrog squinted at him and smiled. He tugged at his collar again and took a step backward preparatory to going on up the street. Thought you ought to know, he said.
Have they been down to my place?
They been there, baby. Hang loose.
He went up the street in his jaunty stride and Suttree looked toward the river and tested the air with his nose in a gesture of some simpler antecedent but the wind and the landscape alike remained cool and without movement.
He'd walk out at night to the end of the bridge and lean on the ironwork and watch the river and the squalor of the life below. He could hear the music from upstairs in the old frame house that Carroll King ran as a nightclub, Paul Jones at the piano full of gin and old offcolor songs. A black girl named Priscilla who worked by day in a laundry.
A few nights later he saw the faintest fall of light on the river from the rear of Jones's place and he descended the little path in the dark.
For a while he thought she wouldnt come to the door. He was almost ready to leave when it swung open.
Her hair lay about her head in greasy black clots as if she were besieged with leeches and her eye was bright and inflamed and swiveled up silently to see him. She crossed her arms and held her shoulders and her breath smoked in the cold.
How is he? said Suttree. Is he here?
She shook her head.
Is he not out of the hospital?
Yes. He's out. The Lord taken him out. She began to cry, standing there in her housecoat and slippers, holding her shoulders. The tears that ran on her pitted cheek looked like ink. She had her eye closed but the lid that covered the naked socket did not work so well anymore and it sagged in the cavity and struggled up and that raw hole seemed to watch him with some ghastly equanimity, an eye for another kind of seeing like the pineal eye in atavistic reptiles watching through time, through conjugations of space and matter to that still center where the living and the dead are one.
That spring he did not go to the river. The shadows of the buildings still harbored a gray chill and the sun sulked smoked and baleful somewhere above the city and in the sparsely weeded clay barrens wasting on the city's perimeter first flowers erupted drunkenly through glass and cinder and came slowly to bloom. The days grew warm and grackles returned, hordes of blue tin birds that weighed the shrieking trees. Small bodies that the cold has kept went soft with rot, a cat's balding hide that tautened and dried cloven to the meatless ribs, an upturned eyesocket filled with rainwater and for all weathers this lipless grin, these bleaching teeth.
He went out seldomer, his money dribbled away. The days grew long and he lay hourlong on his cot. The clerk came and tapped at the door and went away again. One day came an eviction notice.
Then he fell sick. First his nose began to bleed nor could he stop it. The floor lay strewn with wads of wet toiletpaper stained with watered blood. The clerk came and rapped again. Shadow of his shoes in the threshold light. And went away. Things had begun to go peculiar. Grainy underwater singing sounds in his head. He lay on his cot and watched the barren vinework of cracks in the ceiling. Old rags of lace lifted at the window. Cries of children at noon on the Bell House School grounds. Suttree lay naked in fever. Even his eyes were hot. He slept some of the afternoon, waking out of a dream fraught with the odor of a long forgotten blanket whose satin selvedge bore blue ducks. His father's weight tilting the bed, how do you feel son, I dont feel so pretty good. Under the slant ceiling, close by the eaves.
He opened his eyes. The room had a warped look to it. He watched arcana uncoil from out of the rough plaster. Something unseen possessed the troweler's hand. Shapes grimacing in a calcimine moonscape. Record of an old mason long dead it may be. He closed his eyes again. A huge and pulsing thumbwhorl hovered above his swollen lids. He steadied himself with one hand to the wall like a drunk.
The day expired in rose and ashen light. Blue dusk cooled in the room.
He lay in darkness.
After a long time he staggered to the wall and threw the switch. Under the stark bulblight he groped for a towel to wrap his loins and reeled out and down the corridor to the bathroom. There he knelt on the cold white tiles and vomited blood into the toilet. When he came back to his room he sat on the bed and looked at his toes.
Well, he said. You're sick.
A shoe salesman named Thomas E Warren found him shortly after midnight. He thought him drunk. Kneeling, he stirred him by the shoulder. Hey Bud, he said.
Suttree was lying naked on the bathroom floor where he'd come for the cool. Warren got him to his feet and Suttree stared back without comprehension, not having expected anyone from the world of the quick. Down a far wall of his smoking brain withdrew a ghastly company. He disengaged himself from the grip of the living Thomas and tottered to the toilet and sat.
You okay, man?
Yes, said Suttree.
He was alone in the narrow room. Water sluiced down a black pipe past his ear. His head had sagged forward and he was clutching his stomach. He shat a loose and bloody stool.
At the sink he laved cold water over his head. Ahh, he told the drainhole.
I know you're in there, said the clerk from beyond the door.
Suttree opened his eyes. He was lying on his cot and it was day. The door rapping faded. Footsteps in a corridor. He looked toward the window. Are there parades in the street? What is this roaring? Who is this otherbody? I am no otherbody.
He sat. The room reeled. He fell back and laughed briefly into the musty bedding.
All day he lay in a quaintly fevered world, nothing in the room but the sun and himself, making what construction he could of the sounds that carried to him, the hammering of a roofer, the long farting of airbrakes from a truck in the streets, screendoors banging, children called. A blank wall against which to elaborate his pantomimes. A less virulent cast of the grim had come to occupy his mind and there was a time in the early noon when he had hope of his own recovery. But the sounds he heard began to coalesce and rush and he no longer knew if he dreamt or woke.
In the long afternoon he fell prey to strange cravings of the flesh. Out of a pinwheel of brown taffy his medusa beckoned. A gross dancer with a sallow puckered belly, hands cupping a pudendum grown with mossgreen hair, a virid merkin out of which her w
et mauve petals smiled and bared from hiding little rows of rubber teeth like the serried jaws of conchshells.
Suttree groaned in his sleep. He lay in a sexual nightmare, an enormous wattled fundament lowering slowly over his head, in the center a withered brown pig's eye crusted shut and hung with puffy blue and swollen lobes. A white gruel welled. He pressed his face against the cool wall. And who is this Mr Bones rising wreathed in pale and bluegreen gas? He comes about tottering and wooden like a dummy on a track and goes past with a slight smile and a bow. Lights run over his wetlooking bones and the feet of small rodents grip from within the chamfers of his eyesockets and in his pale blue teeth are cores of blackened silver packed. In a rattle and clang of wheels and pulleys Father Bones tilts out through saloon doors and is gone, old varnished funhouse skeleton. Suttree in his sleep smiled at such child's fancies. A gray crust broke at his mouthcorners. His eyes snapped open. He sat and reached for the towel. It fell from him and he went out and down the hall naked.
Clotted gouts of gore stained the water in the toiletbowl. Pink, magenta, burgundy.
He stretched himself on the tiles. A faint tang of urine there. Bird shadows on the whited windowglass. Water dripped in the sink. I saw her in an older dream, an older time, moving in an aura of musk, a breath of stale roses, her languid hands swaying like pale birds and her face chalk and lips pink and her nigh-blue hair upbuckled in combs of tortoise, coming down out of her chamber in my unhealed memory clothed in smoke.
Hey Bud. Hey.
It is my old J-Bone and no other.
What the fuck are you doing?
Sicky sick, James.
What the hell have you done to yourself? Can you get up?
Suttree (1979) Page 50