Runaway

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by Alice Munro


  My Dear Carla,

  I have been thinking about the (rather dramatic) events of the last few days and I find myself talking to myself but really to you, so often that I thought I must speak to you, even if—the best way I can do now—only in a letter. And don’t worry—you do not have to answer me.

  Mrs. Jamieson went on to say that she was afraid that she had involved herself too closely in Carla’s life and had made the mistake of thinking somehow that Carla’s happiness and freedom were the same thing. All she cared for was Carla’s happiness and she saw now that she—Carla—must find that in her marriage. All she could hope was that perhaps Carla’s flight and turbulent emotions had brought her true feelings to the surface and perhaps a recognition in her husband of his true feelings as well.

  She said that she would perfectly understand if Carla had a wish to avoid her in the future and that she would always be grateful for Carla’s presence in her life during such a difficult time.

  The strangest and most wonderful thing in this whole string of events seems to me the reappearance of Flora. In fact it seems rather like a miracle. Where had she been all the time and why did she choose just that moment for her reappearance? I am sure your husband has described it to you. We were talking at the patio door and I—facing out—was the first to see this white something—descending on us out of the night. Of course it was the effect of the ground fog. But truly terrifying. I think I shrieked out loud. I had never in my life felt such bewitchment, in the true sense. I suppose I should be honest and say fear. There we were, two adults, frozen, and then out of the fog comes little lost Flora.

  There has to be something special about this. I know of course that Flora is an ordinary little animal and that she probably spent her time away in getting herself pregnant. In a sense her return has no connection at all with our human lives. Yet her appearance at that moment did have a profound effect on your husband and me. When two human beings divided by hostility are both, at the same time, mystified—no, frightened—by the same apparition, there is a bond that springs up between them, and they find themselves united in the most unexpected way. United in their humanity—that is the only way I can describe it. We parted almost as friends. So Flora has her place as a good angel in my life and perhaps also in your husband’s life and yours.

  With all my good wishes, Sylvia Jamieson

  As soon as Carla had read this letter she crumpled it up. Then she burned it in the sink. The flames leapt up alarmingly and she turned on the tap, then scooped up the soft disgusting black stuff and put it down the toilet as she should have done in the first place.

  She was busy for the rest of that day, and the next, and the next. During that time she had to take two parties out on the trails, she had to give lessons to children, individually and in groups. At night when Clark put his arms around her—busy as he was now, he was never too tired, never cross—she did not find it hard to be cooperative.

  It was as if she had a murderous needle somewhere in her lungs, and by breathing carefully, she could avoid feeling it. But every once in a while she had to take a deep breath, and it was still there.

  Sylvia had taken an apartment in the college town where she taught. The house was not up for sale—or at least there wasn’t a sign out in front of it. Leon Jamieson had got some kind of posthumous award—news of this was in the papers. There was no mention this time of any money.

  As the dry golden days of fall came on—an encouraging and profitable season—Carla found that she had got used to the sharp thought that had lodged in her. It wasn’t so sharp anymore—in fact, it no longer surprised her. And she was inhabited now by an almost seductive notion, a constant lowlying temptation.

  She had only to raise her eyes, she had only to look in one direction, to know where she might go. An evening walk, once her chores for the day were finished. To the edge of the woods, and the bare tree where the vultures had held their party.

  And then the little dirty bones in the grass. The skull with perhaps some shreds of bloodied skin clinging to it. A skull that she could hold like a teacup in one hand. Knowledge in one hand.

  Or perhaps not. Nothing there.

  Other things could have happened. He could have chased Flora away. Or tied her in the back of the truck and driven some distance and set her loose. Taken her back to the place they’d got her from. Not to have her around, reminding them.

  She might be free.

  The days passed and Carla didn’t go near that place. She held out against the temptation.

  CHANCE

  Halfway through June, in 1965, the term at Torrance House is over. Juliet has not been offered a permanent job—the teacher she replaced has recovered—and she could now be on her way home. But she is taking what she has described as a little detour. A little detour to see a friend who lives up the coast.

  About a month ago, she went with another teacher—Juanita, who was the only person on the staff near her age, and her only friend—to see a revival of a movie called Hiroshima Mon Amour. Juanita confessed afterwards that she herself, like the woman in the picture, was in love with a married man—the father of a student. Then Juliet said that she had found herself in somewhat the same situation but had not allowed things to go on because of the tragic plight of his wife. His wife was a total invalid, more or less brain-dead. Juanita said that she wished her lover’s wife was brain-dead but she was not—she was vigorous and powerful and could get Juanita fired.

  And shortly after that, as if conjured by such unworthy lies or half-lies, came a letter. The envelope looked dingy, as if it had spent some time in a pocket, and it was addressed only to “Juliet (Teacher), Torrance House, 1482 Mark St., Vancouver, B.C.” The headmistress gave it to Juliet, saying, “I assume this is for you. It’s strange there’s no surname but they’ve got the address right. I suppose they could look that up.”

  Dear Juliet, I forgot which school it was that you’re teaching at but the other day I remembered, out of the blue, so it seemed to me a sign that I should write to you. I hope you are still there but the job would have to be pretty awful for you to quit before the term is up and anyway you didn’t strike me as a quitter.

  How do you like our west coast weather? If you think you have got a lot of rain in Vancouver, then imagine twice as much, and that’s what we get up here.

  I often think of you sitting up looking at the stairs stars. You see I wrote stairs, it’s late at night and time I was in bed.

  Ann is about the same. When I got back from my trip I thought she had failed a good deal, but that was mostly because I was able to see all at once how she had gone downhill in the last two or three years. I had not noticed her decline when I saw her every day.

  I don’t think I told you that I was stopping off in Regina to see my son, who is now eleven years old. He lives there with his mother. I noticed a big change in him too.

  I’m glad I finally remembered the name of the school but I am awfully afraid now that I can’t remember your last name. I will seal this anyway and hope the name comes to me.

  I often think of you.

  I often think of you

  I often think of you ZZZZZZ

  The bus takes Juliet from downtown Vancouver to Horseshoe Bay and then onto a ferry. Then across a mainland peninsula and onto another ferry and onto the mainland again and so to the town where the man who wrote the letter lives. Whale Bay. And how quickly—even before Horseshoe Bay—you pass from city to wilderness. All this term she has been living amongst the lawns and gardens of Kerrisdale, with the north shore mountains coming into view like a stage curtain whenever the weather cleared. The grounds of the school were sheltered and civilized, enclosed by a stone wall, with something in bloom at every season of the year. And the grounds of the houses around it were the same. Such trim abundance—rhododendrons, holly, laurel, and wisteria. But before you get even so far as Horseshoe Bay, real forest, not park forest, closes in. And from then on—water and rocks, dark trees, hanging moss. Occasiona
lly a trail of smoke from some damp and battered-looking little house, with a yard full of firewood, lumber and tires, cars and parts of cars, broken or usable bikes, toys, all the things that have to sit outside when people are lacking garages or basements.

  The towns where the bus stops are not organized towns at all. In some places a few repetitive houses—company houses—are built close together, but most of the houses are like those in the woods, each one in its own wide cluttered yard, as if they have been built within sight of each other only accidentally. No paved streets, except the highway that goes through, no sidewalks. No big solid buildings to house Post Offices or Municipal Offices, no ornamented blocks of stores, built to be noticed. No war monuments, drinking fountains, flowery little parks. Sometimes a hotel, which looks as if it is only a pub. Sometimes a modern school or hospital—decent, but low and plain as a shed.

  And at some time—noticeably on the second ferry—she begins to have stomach-turning doubts about the whole business.

  I often think of you

  I often think of you

  That is only the sort of thing people say to be comforting, or out of a mild desire to keep somebody on the string.

  But there will have to be a hotel, or tourist cabins at least, at Whale Bay. She will go there. She has left her big suitcase at the school, to be picked up later. She has only her travelling bag slung over her shoulder, she won’t be conspicuous. She will stay one night. Maybe phone him.

  And say what?

  That she happens to be up this way to visit a friend. Her friend Juanita, from the school, who has a summer place—where? Juanita has a cabin in the woods, she is a fearless outdoor sort of woman (quite different from the real Juanita, who is seldom out of high heels). And the cabin has turned out to be not far south of Whale Bay. The visit to the cabin and Juanita being over, Juliet has thought—she has thought—since she was nearly there already—she has thought she might as well …

  Rocks, trees, water, snow. These things, constantly rearranged, made up the scene six months ago, outside the train window on a morning between Christmas and New Year’s. The rocks were large, sometimes jutting out, sometimes smoothed like boulders, dark gray or quite black. The trees were mostly evergreens, pine or spruce or cedar. The spruce trees—black spruce—had what looked like little extra trees, miniatures of themselves, stuck right on top. The trees that were not evergreens were spindly and bare—they might be poplar or tamarack or alder. Some of them had spotty trunks. Snow sat in thick caps on top of the rocks and was plastered to the windward side of the trees. It lay in a soft smooth cover over the surface of many big or small frozen lakes. Water was free of ice only in an occasional fast-flowing, dark and narrow stream.

  Juliet had a book open on her lap, but she was not reading. She did not take her eyes from what was going by. She was alone in a double seat and there was an empty double seat across from her. This was the space in which her bed was made up at night. The porter was busy in this sleeping car at the moment, dismantling the nighttime arrangements. In some places the dark-green, zippered shrouds still hung down to the floor. There was a smell of that cloth, like tent cloth, and maybe a slight smell of nightclothes and toilets. A blast of fresh winter air whenever anyone opened the doors at either end of the car. The last people were going to breakfast, other people coming back.

  There were tracks in the snow, small animal tracks. Strings of beads, looping, vanishing.

  Juliet was twenty-one years old and already the possessor of a B.A. and an M.A. in Classics. She was working on her Ph.D. thesis, but had taken time out to teach Latin at a girls’ private school in Vancouver. She had no training as a teacher, but an unexpected vacancy at half-term had made the school willing to hire her. Probably no one else had answered the ad. The salary was less than any qualified teacher would be likely to accept. But Juliet was happy to be earning any money at all, after her years on mingy scholarships.

  She was a tall girl, fair-skinned and fine-boned, with light-brown hair that even when sprayed did not retain a bouffant style. She had the look of an alert schoolgirl. Head held high, a neat rounded chin, wide thin-lipped mouth, snub nose, bright eyes, and a forehead that was often flushed with effort or appreciation. Her professors were delighted with her—they were grateful these days for anybody who took up ancient languages, and particularly for someone so gifted—but they were worried, as well. The problem was that she was a girl. If she got married—which might happen, as she was not bad-looking for a scholarship girl, she was not bad-looking at all—she would waste all her hard work and theirs, and if she did not get married she would probably become bleak and isolated, losing out on promotions to men (who needed them more, as they had to support families). And she would not be able to defend the oddity of her choice of Classics, to accept what people would see as its irrelevance, or dreariness, to slough that off the way a man could. Odd choices were simply easier for men, most of whom would find women glad to marry them. Not so the other way around.

  When the teaching offer came they urged her to take it. Good for you. Get out into the world a bit. See some real life.

  Juliet was used to this sort of advice, though disappointed to hear it coming from these men who did not look or sound as if they had knocked about in the real world very eagerly themselves. In the town where she grew up her sort of intelligence was often put in the same category as a limp or an extra thumb, and people had been quick to point out the expected accompanying drawbacks—her inability to run a sewing machine or tie up a neat parcel, or notice that her slip was showing. What would become of her, was the question.

  That occurred even to her mother and father, who were proud of her. Her mother wanted her to be popular, and to that end had urged her to learn to skate and to play the piano. She did neither willingly, or well. Her father just wanted her to fit in. You have to fit in, he told her, otherwise people will make your life hell. (This ignored the fact that he, and particularly Juliet’s mother, did not fit in so very well themselves, and were not miserable. Perhaps he doubted Juliet could be so lucky.)

  I do, said Juliet once she got away to college. In the Classics Department I fit in. I am extremely okay.

  But here came the same message, from her teachers, who had seemed to value and rejoice in her. Their joviality did not hide their concern. Get out into the world, they had said. As if where she had been till now was nowhere.

  Nevertheless, on the train, she was happy.

  Taiga, she thought. She did not know whether that was the right word for what she was looking at. She might have had, at some level, the idea of herself as a young woman in a Russian novel, going out into an unfamiliar, terrifying, and exhilarating landscape where the wolves would howl at night and where she would meet her fate. She did not care that this fate—in a Russian novel—would likely turn out to be dreary, or tragic, or both.

  Personal fate was not the point, anyway. What drew her in—enchanted her, actually—was the very indifference, the repetition, the carelessness and contempt for harmony, to be found on the scrambled surface of the Precambrian shield.

  A shadow appeared in the corner of her eye. Then a trousered leg, moving in.

  “Is this seat taken?”

  Of course it wasn’t. What could she say?

  Tasselled loafers, tan slacks, tan and brown checked jacket with pencil lines of maroon, dark-blue shirt, maroon tie with flecks of blue and gold. All brand-new and all—except for the shoes—looking slightly too large, as if the body inside had shrunk somewhat since the purchase.

  He was a man perhaps in his fifties, with strands of bright golden-brown hair plastered across his scalp. (It couldn’t be dyed, could it, who would dye such a scanty crop of hair?) His eyebrows darker, reddish, peaked and bushy. The skin of his face all rather lumpy, thickened like the surface of sour milk.

  Was he ugly? Yes, of course. He was ugly, but so in her opinion were many, many men of around his age. She would not have said, afterwards, that he was remarkably ugly.<
br />
  His eyebrows went up, his light-colored, leaky eyes widened, as if to project conviviality. He settled down opposite her. He said, “Not much to see out there.”

  “No.” She lowered her eyes to her book.

  “Ah,” he said, as if things were opening up in a comfortable way. “And how far are you going?”

  “Vancouver.”

  “Me too. All the way across the country. May as well see it all while you’re at it, isn’t that right?”

  “Mm.”

  But he persisted.

  “Did you get on at Toronto too?”

  “Yes.”

  “That’s my home, Toronto. I lived there all my life. Your home there too?”

  “No,” said Juliet, looking at her book again and trying hard to prolong the pause. But something—her upbringing, her embarrassment, God knows perhaps her pity, was too strong for her, and she dealt out the name of her hometown, then placed it for him by giving its distance from various larger towns, its position as regarded Lake Huron, Georgian Bay.

  “I’ve got a cousin in Collingwood. That’s nice country, up there. I went up to see her and her family, a couple of times. You travelling on your own? Like me?”

  He kept flapping his hands one over the other.

  “Yes.” No more, she thinks. No more.

  “This is the first time I went on a major trip anywhere. Quite a trip, all on your own.”

  Juliet said nothing.

  “I just saw you there reading your book all by yourself and I thought, maybe she’s all by herself and got a long way to go too, so maybe we could just sort of chum around together?”

  At those words, chum around, a cold turbulence rose in Juliet. She understood that he was not trying to pick her up. One of the demoralizing things that sometimes happened was that rather awkward and lonely and unattractive men would make a bald bid for her, implying that she had to be in the same boat as they were. But he wasn’t doing that. He wanted a friend, not a girlfriend. He wanted a chum.

 

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