The Half Has Never Been Told
Copyright © 2014 by Edward E. Baptist
Published by Basic Books,
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Designed by Timm Bryson
Baptist, Edward E.
The half has never been told: slavery and the making of American capitalism / Edward E. Baptist.
pages cm
Includes bibliographical references and index.
ISBN 978-0-465-04470-2 (e-book)
1.Slavery—United States—History. 2.Slavery—Economic aspects—United States—History. 3.African Americans—Social conditions—History.I. Title.
E441.B337 2014
306.3’620973--dc23
2014012546
10 9 8 7 6 5 4 3 2 1
For Ezra and Lillian
CONTENTS
Introduction: The Heart, 1937
1. FEET
1783–1810
2. HEADS
1791–1815
3. RIGHT HAND
1815–1819
4. LEFT HAND
1805–1861
5. TONGUES
1819–1824
6. BREATH
1824–1835
7. SEED
1829–1837
8. BLOOD
1836–1844
9. BACKS
1839–1850
10. ARMS
1850–1861
11. AFTERWORD: THE CORPSE
1861–1937
Acknowledgments
Abbreviations
Notes
Index
Major US Acquisitions of Cotton Land from Native American Nations, 1814–1840
Source: US Historical States and Territories
Siczewicz, Peter. US Historical States and Territories. Emily Kelley, digital comp. Dataset. Atlas of Historical County Boundaries, ed. John H. Long. Chicago: The Newberry Library, 2011. Available online from http://publications.newberry.org/ahcbp.
Source: US Census, 1840, 1860.
Gray, L. C., and Esther Catherine Thompson, History of Agriculture in the Southern United States to 1860. Washington, DC: The Carnegie Institution of Washington, 1933.
Source: US Historical Counties
Siczewicz, Peter. US Historical Counties. Dataset. Emily Kelley, digital comp. Atlas of Historical County Boundaries, ed. John H. Long.
Chicago: The Newberry Library, 2011. Available online from http://publications.newberry.org/ahcbp.
Source: US Census, 1800, 1840, and 1860.
INTRODUCTION: THE HEART
1937
A BEAUTIFUL LATE APRIL DAY, seventy-two years after slavery ended in the United States. Claude Anderson parks his car on the side of Holbrook Street in Danville. On the porch of number 513, he rearranges the notepads under his arm. Releasing his breath in a rush of decision, he steps up to the door of the handmade house and knocks.
Danville is on the western edge of the Virginia Piedmont. Back in 1865, it had been the last capital of the Confederacy. Or so Jefferson Davis had proclaimed on April 3, after he fled Richmond. Davis stayed a week, but then he had to keep running. The blue-coated soldiers of the Army of the Potomac were hot on his trail. When they got to Danville, they didn’t find the fugitive rebel. But they did discover hundreds of Union prisoners of war locked in the tobacco warehouses downtown. The bluecoats, rescuers and rescued, formed up and paraded through town. Pouring into the streets around them, dancing and singing, came thousands of African Americans. They had been prisoners for far longer.
In the decades after the jubilee year of 1865, Danville, like many other southern villages, had become a cotton factory town. Anderson, an African-American master’s student from Hampton University, would not have been able to work at the segregated mill. But the Works Progress Administration (WPA), a bureau of the federal government created by President Franklin D. Roosevelt’s New Deal, would hire him. To put people back to work after they had lost their jobs in the Great Depression, the WPA organized thousands of projects, hiring construction workers to build schools and artists to paint murals. And many writers and students were hired to interview older Americans—like Lorenzo Ivy, the man painfully shuffling across the pine board floor to answer Anderson’s knock.
Anderson had found Ivy’s name in the Hampton University archives, two hundred miles east of Danville. Back in 1850, when Lorenzo had been born in Danville, there was neither a university nor a city called Hampton—just an American fort named after a slaveholder president. Fortress Monroe stood on Old Point Comfort, a narrow triangle of land that divided the Chesapeake Bay from the James River. Long before the fort was built, in April 1607, the Susan Constant had sailed past the point with a boatload of English settlers. Anchoring a few miles upriver, they had founded Jamestown, the first permanent English-speaking settlement in North America. Twelve years later, the crews of two storm-damaged English privateers also passed, seeking shelter and a place to sell the twenty-odd enslaved Africans (captured from a Portuguese slaver) lying shackled in their holds.
After that first 1619 shipload, some 100,000 more enslaved Africans would sail upriver past Old Point Comfort. Lying in chains in the holds of slave ships, they could not see the land until they were brought up on deck to be sold. After the legal Atlantic slave trade to the United States ended in 1807, hundreds of thousands more enslaved people passed the point. Now they were going the other way, boarding ships at Richmond, the biggest eastern center of the internal slave trade, to go by sea to the Mississippi Valley.
By the time a dark night came in late May 1861, the moon had waxed and waned three thousand times over slavery in the South. To protect slavery, Virginia had just seceded from the United States, choosing a side at last after six months of indecision in the wake of South Carolina’s rude exit from the Union. Fortress Monroe, built to protect the James River from ocean-borne invaders, became the Union’s last toehold in eastern Virginia. Rebel troops entrenched themselves athwart the fort’s landward approaches. Local planters, including one Charles Mallory, detailed enslaved men to build berms to shelter the besiegers’ cannon. But late this night, Union sentries on the fort’s seaward side saw a small skiff emerging slowly from the darkness. Frank Baker and Townshend rowed with muffled oars. Sheppard Mallory held the tiller. They were setting themselves free.
A few days later, Charles Mallory showed up at the gates of the Union fort. He demanded that the commanding federal officer, Benjamin Butler, return his property. Butler, a politician from Massachusetts, was an incompetent battlefield commander, but a clever lawyer. He replied that if the men were Mallory’s property, and he was using them to wage war against the US government, then logically the men were therefore contraband of war.
Those first three “contrabands” struck a crack in slavery’s centuries-old wall. Over the next four years, hundreds of thousands more enslaved people widened the crack into a gaping breach by escaping to Union lines. Their movement weakened the Confederate war effort and made it easier for the United States and its president to avow mass emancipation as a tool of war. Eventually the Union Army began to welcom
e formerly enslaved men into its ranks, turning refugee camps into recruiting stations—and those African-American soldiers would make the difference between victory and defeat for the North, which by late 1863 was exhausted and uncertain.
After the war, Union officer Samuel Armstrong organized literacy programs that had sprung up in the refugee camp at Old Point Comfort to form Hampton Institute. In 1875, Lorenzo Ivy traveled down to study there, on the ground zero of African-American history. At Hampton, he acquired an education that enabled him to return to Danville as a trained schoolteacher. He educated generations of African-American children. He built the house on Holbrook Street with his own Hampton-trained hands, and there he sheltered his father, his brother, his sister-in-law, and his nieces and nephews. In April 1937, Ivy opened the door he’d made with hands and saw and plane, and it swung clear for Claude Anderson without rubbing the frame.1
Anderson’s notepads, however, were accumulating evidence of two very different stories of the American past—halves that did not fit together neatly. And he was about to hear more. Somewhere in the midst of the notepads was a typed list of questions supplied by the WPA. Questions often reveal the desired answer. By the 1930s, most white Americans had been demanding for decades that they hear only a sanitized version of the past into which Lorenzo Ivy had been born. This might seem strange. In the middle of the nineteenth century, white Americans had gone to war with each other over the future of slavery in their country, and slavery had lost. Indeed, for a few years after 1865, many white northerners celebrated emancipation as one of their collective triumphs. Yet whites’ belief in the emancipation made permanent by the Thirteenth Amendment, much less in the race-neutral citizenship that the Fourteenth and Fifteenth Amendments had written into the Constitution, was never that deep. Many northerners had only supported Benjamin Butler and Abraham Lincoln’s moves against slavery because they hated the arrogance of slaveholders like Charles Mallory. And after 1876, northern allies abandoned southern black voters.
Within half a century after Butler sent Charles Mallory away from Fortress Monroe empty-handed, the children of white Union and Confederate soldiers united against African-American political and civil equality. This compact of white supremacy enabled southern whites to impose Jim Crow segregation on public space, disfranchise African-American citizens by barring them from the polls, and use the lynch-mob noose to enforce black compliance. White Americans imposed increased white supremacy outside the South, too. In non-Confederate states, many restaurants wouldn’t serve black customers. Stores and factories refused to hire African Americans. Hundreds of midwestern communities forcibly evicted African-American residents and became “sundown towns” (“Don’t let the sun set on you in this town”). Most whites, meanwhile, believed that science proved that there were biologically distinct human races, and that Europeans were members of the superior one. Anglo-Americans even believed that they were distinct from and superior to the Jews from Russia, Italians, Greeks, Slavs, and others who flooded Ellis Island and changed the culture of northern urban centers.
By the early twentieth century, America’s first generation of professional historians were justifying the exclusions of Jim Crow and disfranchisement by telling a story about the nation’s past of slavery and civil war that seemed to confirm, for many white Americans, that white supremacy was just and necessary. Above all, the historians of a reunified white nation insisted that slavery was a premodern institution that was not committed to profit-seeking. In so doing, historians were to some extent only repeating pre–Civil War debates: abolitionists had depicted slavery not only as a psychopathic realm of whipping, rape, and family separation, but also as a flawed economic system that was inherently less efficient than the free-labor capitalism developing in the North. Proslavery writers disagreed about the psychopathy, but by the 1850s they agreed that enslavers were first and foremost not profit-seekers. For them, planters were caring masters who considered their slaves to be inferior family members. So although anti- and proslavery conclusions about slavery’s morality were different, their premises about slavery-as-a-business-model matched. Both agreed that slavery was inherently unprofitable. It was an old, static system that belonged to an earlier time. Slave labor was inefficient to begin with, slave productivity did not increase to keep pace with industrialization, and enslavers did not act like modern profit-seeking businessmen. As a system, slavery had never adapted or changed to thrive in the new industrial economy—let alone to play a premier role as a driver of economic expansion—and had been little more than a drag on the explosive growth that had built the modern United States. In fact, during the Civil War, northerners were so convinced of these points that they believed that shifting from slave labor to free labor would dramatically increase cotton productivity.
It didn’t. But even though the data of declining productivity over the ensuing three score and ten years suggested that slavery might have been the most efficient way to produce the world’s most important crop, no one let empirical tests change their minds. Instead, historians of Woodrow Wilson’s generation imprinted the stamp of academic research on the idea that slavery was separate from the great economic and social transformations of the Western world during the nineteenth century. After all, it did not rely upon ever-more efficient machine labor. Its unprofitable economic structures supposedly produced antique social arrangements, and the industrializing, urbanizing world looked back toward them with contempt—or, increasingly, nostalgia. Many whites, now proclaiming that science proved that people of African descent were intellectually inferior and congenitally prone to criminal behavior, looked wistfully to a past when African Americans had been governed with whips and chains. Granted, slavery as an economic system was not modern, they said, and had neither changed to adapt to the modern economy nor contributed to economic expansion. But to an openly racist historical profession—and a white history-reading, history-thinking public obsessed with all kinds of race control—the white South’s desire to whitewash slavery in the past, and maintain segregation now and forever, served the purpose of validating control over supposedly premodern, semi-savage black people.
Such stories about slavery shaped the questions Claude Anderson was to ask in the 1930s, because you could find openly racist versions of it baked into the recipe of every American textbook. You could find it in popular novels, politicians’ speeches, plantation-nostalgia advertising, and even the first blockbuster American film: Birth of a Nation. As president, Woodrow Wilson—a southern-born history professor—called this paean to white supremacy “history written with lightning,” and screened it at the White House. Such ideas became soaked into the way America publicly depicted slavery. Even many of those who believed that they rejected overt racism depicted the era before emancipation as a plantation idyll of happy slaves and paternalist masters. Abolitionists were snakes in the garden, responsible for a Civil War in which hundreds of thousands of white people died. Maybe the end of slavery had to come for the South to achieve economic modernity, but it didn’t have to come that way, they said.
The way that Americans remember slavery has changed dramatically since then. In tandem with widespread desegregation of public spaces and the assertion of black cultural power in the years between World War II and the 1990s came a new understanding of the experience of slavery. No longer did academic historians describe slavery as a school in which patient masters and mistresses trained irresponsible savages for futures of perpetual servitude. Slavery’s denial of rights now prefigured Jim Crow, while enslaved people’s resistance predicted the collective self-assertion that developed into first the civil rights movement and later, Black Power.
But perhaps the changes were not so great as they seemed on the surface. The focus on showing African Americans as assertive rebels, for instance, implied an uncomfortable corollary. If one should be impressed by those who rebelled, because they resisted, one should not be proud of those who did not. And there were very few rebellions in the history of sl
avery in the United States. Some scholars tried to backfill against this quandary by arguing that all African Americans together created a culture of resistance, especially in slave quarters and other spaces outside of white observation. Yet the insistence that assertive resistance undermined enslavers’ power, and a focus on the development of an independent black culture, led some to believe that enslaved people actually managed to prevent whites from successfully exploiting their labor. This idea, in turn, created a quasi-symmetry with post–Civil War plantation memoirs that portrayed gentle masters, who maintained slavery as a nonprofit endeavor aimed at civilizing Africans.
Thus, even after historians of the civil rights, Black Power, and multicultural eras rewrote segregationists’ stories about gentlemen and belles and grateful darkies, historians were still telling the half that has ever been told. For some fundamental assumptions about the history of slavery and the history of the United States remain strangely unchanged. The first major assumption is that, as an economic system—a way of producing and trading commodities—American slavery was fundamentally different from the rest of the modern economy and separate from it. Stories about industrialization emphasize white immigrants and clever inventors, but they leave out cotton fields and slave labor. This perspective implies not only that slavery didn’t change, but that slavery and enslaved African Americans had little long-term influence on the rise of the United States during the nineteenth century, a period in which the nation went from being a minor European trading partner to becoming the world’s largest economy—one of the central stories of American history.
The second major assumption is that slavery in the United States was fundamentally in contradiction with the political and economic systems of the liberal republic, and that inevitably that contradiction would be resolved in favor of the free-labor North. Sooner or later, slavery would have ended by the operation of historical forces; thus, slavery is a story without suspense. And a story with a predetermined outcome isn’t a story at all.
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