Goddu, Teresa. Gothic America: Narrative, History, and Nation. New York: Columbia University Press, 1997.
Halliburton, David. Edgar Allan Poe: A Phenomenological View. Princeton: Princeton University Press, 1973.
Hayes, Kevin, ed. Cambridge Companion to Edgar Allan Poe. Cambridge: Cambridge University Press, 2002.
Hoffman, Daniel. Poe Poe Poe Poe Poe Poe Poe. Garden City, NY: Doubleday, 1972.
Howarth, William L., ed. Twentieth Century Interpretations of Poe’s Tales: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, 1971.
Irwin, John. American Hieroglyphics: The Symbol of the Egyptian Hieroglyphics in the American Renaissance. New Haven: Yale University Press, 1980.
———. The Mystery to a Solution: Poe, Borges, and the Analytical Detective Story. Baltimore: Johns Hopkins University Press, 1994.
Jacobs, Robert D. Poe: Journalist and Critic. Baton Rouge: Louisiana State University Press, 1969.
Kennedy, J. Gerald, ed. A Historical Guide to Edgar Allan Poe. New York: Oxford University Press, 2001.
———. The Narrative of Arthur Gordon Pym and the Abyss of Interpretation . New York: Twayne Publishers, 1995.
———. Poe, Death, and the Life of Writing. New Haven: Yale University Press, 1987.
Ketterer, David. The Rationale of Deception in Poe. Baton Rouge: Louisiana State University Press, 1979.
Kopley, Richard, ed. Poe’s Pym: Critical Explorations. Durham: Duke University Press, 1992.
Levin, Harry. The Power of Blackness: Hawthorne, Poe, Melville. New York: Vintage, 1958.
Levine, Stuart. Edgar Allan Poe: Seer and Craftsman. Deland, FL: Everett/Edwards, 1972.
May, Charles. Edgar Allan Poe: A Study of the Short Fiction. Boston: Twayne, 1991.
McGill, Meredith. American Literature and the Culture of Reprinting, 1834-1853. Philadelphia: University of Pennsylvania Press, 2002.
Miller, Perry. The Raven and the Whale: The War of Words and Wits in the Era of Poe and Melville. New York: Harcourt, Brace, 1956.
Moss, Sidney. Poe’s Literary Battles. Durham: Duke University Press, 1963.
Muller, John P., and William J. Richardson. The Purloined Poe: Lacan, Derrida, and Psychoanalytic Reading. Baltimore: Johns Hopkins University Press, 1988.
Nelson, Dana. National Manhood: Capitalist Citizenship and the Imagined Fraternity of White Men. Durham: Duke University Press, 1998.
———. The Word in Black and White. New York: Oxford University Press, 1992.
Peeples, Scott. The Afterlife of Edgar Allan Poe. Rochester: Camden House, 2004.
———. Edgar Allan Poe Revisited. New York: Twayne, 1998.
Person, Leland S. Aesthetic Headaches: Women and a Masculine Poetics in Poe, Melville, and Hawthorne. Athens: University of Georgia Press, 1988.
Pollin, Burton R. Discoveries in Poe. Notre Dame: University of Notre Dame Press, 1970.
Porte, Joel. The Romance in America: Studies in Cooper, Poe, Hawthorne, Melville, and James. Middletown, CT: Wesleyan University Press, 1969.
Quinn, Patrick F. The French Face of Edgar Allan Poe. Carbondale, IL: Southern Illinois University Press, 1957.
Regan, Robert, ed. Poe: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, 1967.
Renza, Louis A. Edgar Allan Poe, Wallace Stevens, and the Poetics of American Privacy. Baton Rouge: Louisiana State University Press, 2002.
Reynolds, David. Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville. Cambridge: Harvard University Press, 1988.
Rosenheim, Shawn. The Cryptographic Imagination: Secret Writing from Edgar Poe to the Internet. Baltimore: Johns Hopkins University Press, 1997.
———, and Stephen Rachman, eds. The American Face of Edgar Allan Poe. Baltimore: Johns Hopkins University Press, 1995.
Rowe, John Carlos. Through the Custom-House: Nineteenth-Century American Fiction and Modern Theory. Baltimore: Johns Hopkins University Press, 1982.
Silverman, Kenneth, ed. New Essays on Poe’s Major Tales. New York: Cambridge University Press, 1993.
Stovall, Floyd. Edgar Poe the Poet: Essays Old and New on the Man and his Work. Charlottesville: University Press of Virginia, 1969.
Thompson, G. R. Poe’s Fiction: Romantic Irony in the Gothic Tales. Madison: University of Wisconsin Press, 1973.
Vines, Lois Davis, ed. Poe Abroad: Influence, Reputation, Affinities. Iowa City: University of Iowa Press, 1999.
Walker, I. M. Edgar Allan Poe: The Critical Heritage. London: Rout-ledge, 1986.
Whalen, Terence. Edgar Allan Poe and the Masses: The Political Economy of Literature in Antebellum America. Princeton: Princeton University Press, 1999.
Wilbur, Richard. Responses. Prose Pieces: 1953-1976. New York: Harcourt, Brace, Jovanovich, 1976.
Williams, Michael J. S. A World of Words: Language and Displacement in the Fiction of Edgar Allan Poe. Durham: Duke University Press, 1988.
CRITICISM: ESSAYS
Barthes, Roland. “Textual Analysis of a Tale of Poe.” In On Signs, ed. Marshall Blonsky. Baltimore: Johns Hopkins University Press; 1985:84-97.
Dayan, Joan. “Amorous Bondage: Poe, Ladies, and Slaves.” American Literature 66 (1994):239-73.
———. “From Romance to Modernity: Poe and the Work of Poetry.” Studies in Romanticism 29 (1990):413-37.
Eakin, Paul John. “Poe’s Sense of an Ending.” American Literature 45 (1973):1-22.
Gargano, James. “The Question of Poe’s Narrators.” College English 25 (1963):177-81.
Hovey, Kenneth. “ ‘These Many Pieces Are Yet One Book’: The Book-Unity of Poe’s Tale Collections.” Poe Studies 31 (1998):1-16.
Jackson, Leon. “ ‘Behold Our Literary Mohawk, Poe’: Literary Nationalism and the ‘Indianation’ of Antebellum American Culture.” ESQ: A Journal of the American Renaissance 48 (2002):97-133.
Jay, Gregory S. “Poe: Writing and the Unconscious.” Bucknell Review 28 (1983):144-69.
Jordan, Cynthia S. “Poe’s Re-Vision: The Recovery of the Second Story.” American Literature 59 (1987):1-19.
Kennedy, J. Gerald. “ ‘A Mania for Composition’: Poe’s Annus Mirabilis and the Violence of Nation Building.” American Literary History 17 (2005):1-35.
Moldenhauer, Joseph. “Murder as a Fine Art: Basic Connections between Poe’s Aesthetics, Psychology, and Moral Vision.” PMLA 83 (1968):284-97.
Smith, Dave. “Edgar Allan Poe and the Nightmare Ode.” Southern Humanities Review 29 (1995):1-10
Tate, Allen. “The Poetry of Edgar Allan Poe.” Sewanee Review 76 (1968):214-25.
FOR THE BEST IN PAPERBACKS, LOOK FOR THE
In every corner of the world, on every subject under the sun, Penguin represents quality and variety—the very best in publishing today.
For complete information about books available from Penguin—including Penguin Classics, Penguin Compass, and Puffins—and how to order them, write to us at the appropriate address below. Please note that for copyright reasons the selection of books varies from country to country.
In the United States: Please write to Penguin Group (USA), P.O. Box 12289 Dept. B, Newark, New Jersey 07101-5289 or call 1-800-788-6262.
In the United Kingdom: Please write to Dept. EP, Penguin Books Ltd, Bath Road, Harmondsworth, West Drayton, Middlesex UB7 0DA.
In Canada: Please write to Penguin Books Canada Ltd, 90 Eglinton Avenue East, Suite 700,Toronto, Ontario M4P 2Y3.
In Australia: Please write to Penguin Books Australia Ltd, P.O. Box 257, Ringwood, Victoria 3134.
In New Zealand: Please write to Penguin Books (NZ) Ltd, Private Bag 102902, North Shore Mail Centre, Auckland 10.
In India: Please write to Penguin Books India Pvt Ltd, 11 Panchsheel Shopping Centre, Panchsheel Park, New Delhi 110 017.
In the Netherlands: Please write to Penguin Books Netherlands bv, Postbus 3507, NL-1001 AH Amsterdam.
In Germany: Please write to Penguin Books Deutschland GmbH, Metzlers
trasse 26, 60594 Frankfurt am Main.
In Spain: Please write to Penguin Books S. A., Bravo Murillo 19, 1° B, 28015 Madrid.
In Italy: Please write to Penguin Italia s.r.l., Via Benedetto Croce 2, 20094 Corsico, Milano.
In France: Please write to Penguin France, Le Carré Wilson, 62 rue Benjamin Bail-laud, 3 1500 Toulouse.
In Japan: Please write to Penguin Books Japan Ltd, Kaneko Building, 2-3-25 Ko-raku, Bunkyo-Ku,Tokyo 112.
In South Africa: Please write to Penguin Books South Africa (Pty) Ltd, Private Bag X14, Parkview, 2122 Johannesburg.
a See Archimedes, “De Incidentibus in Fluido.”—lib. 2.
b The “Hortulus Animœ cum Oratiunculis Aliquibus Superadditis” of Grünninger. 4 [Poe’s note]
c And the angel Israfel, whose heart-strings are a lute, and who has the sweetest voice of all God’s creatures.—KORAN [Poe’s note]
d Spoudiotaton kai philosophikotaton genos. [Poe’s note]1
e Note—The pain of the consideration that we shall lose our individual identity, ceases at once when we reflect that the process, as above described, is, neither more nor less than that of the absorption, by each individual intelligence, of all other intelligences (that is, of the Universe) into its own. That God may be all in all, each must become God. [Poe’s note]
The Portable Edgar Allan Poe Page 69