He enjoyed all he saw. He grinned to himself at the sight of a minute general store housed in a shabby caravan in a parking space. Even the scenic area, which had used to infuriate him, only amused him now: the benches that commanded a view of caged saplings, children’s deserted swings, a few low humps of grassy earth, all walled around by Cantril Farm barracks. There must be somewhere he could enjoy himself more fully. Where could he go?
He’d join the library. He hadn’t borrowed a book for years. He ought to do more reading – there were few enough people left who could read. He climbed the ramp to the library. Women passed him, carrying baskets full of books. Perhaps that showed there was still hope for them, if only they wouldn’t delude themselves with fiction.
The fish-eyed man was hogging the newspapers. Now the tables were turned: he’d achieved far less than Horridge. Horridge grinned openly at him, but the man looked quickly away. Hadn’t he the courage to acknowledge his feelings? That was a weakness Horridge need no longer fear in himself.
He scanned the shelves. He would choose his books, then join. Fiction, fiction, fiction. Adventure and horror were mixed on the shelves, as though one might be a consequence of the other. Detective stories displayed fingerprints on their spines. He grunted low with mirth. That was the one way the police might have caught him, since they already had his fingerprints, but he’d left none on Craig. He’d touched only Craig’s coat, and they couldn’t take fingerprints from cloth. There must be hundreds of fingerprints on the outer doors; they’d never distinguish his. Apart from that -
All at once his face grew cold as plastic. Sweat coated his forehead. He was sure he must have turned pale. His fist clenched in his pocket, and he heard the razor click shut. He hadn’t realised it was ajar; he might have cut his fingers. He could lop them all off without releasing himself from the trap into which he had fallen.
He’d left his fingerprints all over the painter’s flat.
***
Chapter XV
As Peter and Cathy emerged from the van two women strolled by, humming tunelessly. Everyone around here in Childwall hummed defensively as they passed you, Cathy had noticed. They glanced at Peter, then at her. They resembled birds: brightly feathered heads, sharp intolerant faces. They seemed to be thinking: what did this young couple mean by cluttering this street of snugly paired houses with their tatty van, with Peter’s cartoon on the side like a faded bloom of flower power left over from the sixties? What right had they to invade this tidy garden, with its family of gnomes, its viny trellises, its carriage-lamp beside the front door?
Peter rang the bell and leaned against the lamplit wall. He looked as though he were waiting on a stage set, bored with the part he was to play. Cathy was thinking that perhaps his parents hadn’t heard about Craig’s death. If they had, surely they would know not to seem too anxious; it would only harden Peter’s stubbornness.
His father opened the door. She could see that he’d heard: he looked both determined and faintly embarrassed, like someone bearing his urine specimen through a hospital. He said only “Some of your mother’s friends are here.”
He took Cathy’s coat, but Peter kept on his old denim jacket. A delicately painted plaster saint watched over the hall table from a shelf. “Has the paper come?” Peter’s mother called.
“ No,” his father said, adding to Cathy “You used to be able to rely on people.”
“ Is that Peter?”
“ Yes,” Cathy called. It wasn’t worth feeling annoyed.
In the living-room, Peter’s mother and an elderly couple sat neatly as a window display in their trim suits. His father took his place on the sofa beside his mother, symmetrically. Their conversation seemed light and fragile as the best china, from which they were sipping. They were discussing the Royal Family. “Didn’t Princess Anne look lovely?” the elderly woman said to Cathy.
On television, or in a newspaper? “Oh yes,” Cathy said agreeably. You shouldn’t attack other people’s beliefs without good reason. About her only thought on royalty was that, in being constantly surrounded by a false environment – royal toilets that were built for their coming and then, once they’d used them, torn down – they had something in common with schizophrenics.
The discussion petered out. To Cathy it sounded like chat about characters in a television series. The elderly woman set down her teacup delicately and said “So this is Peter and his wife. Hasn’t he grown, Gerald?”
“ He has,” said her husband.
“ Tell Mr and Mrs Dutton what you’re studying, Peter,” his mother said.
“ Conspiracy Theory and Applied Paranoia.”
Cathy’s toes curled up; her nails slid within her shoes. But Mrs Dutton said “Are you? You must need to be clever for that. Mustn’t he, Gerald?”
“ He must. Very nice.”
Peter’s father was silent. Clearly he wanted the elderly couple to leave so that he could come to the point. Peter was on edge with the careful politeness that limited the conversation. Both tensions worried her nerves.
God, no! She grabbed Peter’s wrist, but Mrs Dutton said “That’s a funny-looking cigarette. Is it a new brand?”
“ I roll my own. Herbal tobacco. Not addictive like cancer sticks.”
“ Oh, why do you want to smoke?” his mother complained. “You never used to. Please don’t smoke now, at any rate. Your father’s getting a cold.”
Reluctantly he put it away. Cathy dug her nails into his wrist. The four were too deep in a new discussion to notice. “Mrs Wright said she thought a jumble sale was a good idea,” Mrs Dutton said. “But do you know what she said? She said she didn’t want any old books. I said some old books are very good books. We shouldn’t sniff at books that are going to take a child to Lourdes, I said.”
“ I had to sit through that film once, with Jennifer Jones,” Peter muttered. “I had to go with the school. It was supposed to be a treat.”
“ Jennifer Jones?” his father said, cupping his ear. “I saw it during the war. Lovely.”
At last the Duttons left. Peter’s parents marched back into the room. At once his father said “What’s this we hear about someone’s being murdered in your road?”
Don’t correct him! Cathy pleaded with Peter. But he seemed determined to liven up the conversation, for he said “In our house, you mean.”
“ Oh no,” his mother said. Her anguish sounded close to hysteria.
His father held up one hand, to hear all the evidence. “Exactly what happened?”
“ He was queer. Someone caught him in the hall and cut him up. Zz-it! Skatch! Ss-kack!” he said like one of his comics, and brandished an invisible razor. “Well, you did say exactly.”
His parents frowned at him, as though someone had made him up or perhaps as though they were imagining his excesses, which would fade away for lack of attention.
“ We weren’t aware you were living among homosexuals,” his father said.
“ Oh, he was a very warm and wonderful human being.”
“ If they weren’t making everything legal these days there’d be less trouble.”
“ You reckon if you make something illegal people don’t do it?”
Peter was reaching in his pocket. Cathy made to grab his wrist. His mother said plaintively “You’re going to move, Peter, aren’t you?”
His hand emerged empty, since the argument had changed. “What for? It’s a good flat, and the rent’s low. We wouldn’t get another like that.”
“ Yes, and now we can see why the rent’s low,” his mother said.
“ You could live here until you found somewhere decent, if money’s the problem. We’d look after you.”
Was it an accident of words, or was she criticising Cathy? Peter glanced at Cathy as he said “We’re all right where we are.”
“ You do what you think best,” his father said. (Rather than consulting Cathy?)
“ But it can’t be doing you any good to live there, among all these drug-takers that we
read about.”
Peter stood up. His grimace might have been a suppressed grin. “Where are you off?” his mother said mechanically.
His footsteps clumped upstairs. “You can see we’re right, can’t you,” his mother told Cathy. Not that Cathy disagreed – but if she had, they would have blamed her for his obstinacy. She was beginning to glimpse their view of her.
His mother took framed photographs from the sideboard, where they interrupted ranks of plates. “That’s Peter when he was little.” Cathy hadn’t seen these before; his mother must have a large stock, so as to be able to change the display. She was treating Cathy as she might have treated any visitor – in order to avoid hearing her thoughts about the argument?
Peter’s childish face beamed smugly out of its frame. Did his parents cling to this image of him so as not to see what he’d become? Perhaps they still saw this image in him – perhaps they ignored the rest of him, as they’d ignored his living with Cathy before they were married. If they suspected anything about him, no doubt they blamed her for it.
Peter reappeared, and saw the photographs. “Oh Jesus, put that stuff away.”
Cathy tugged his beard playfully. “We’re just delving into your guilty past.” His mother frowned as though that were an insult.
“ Well, don’t,” he snapped, and turned to his father. “Anyway, what’s wrong with people taking drugs? Just because they aren’t legal yet – ”
“ Subject closed,” his father said: refusing to be distracted, or determined not to have an argument disturb his home? “I think we’ve made our feelings plain about your living there,” he said. “I hope you’ll take them to heart. In time you’ll see we’re right. I only hope it won’t be too late.”
Silence filled the room, oppressive as humidity. It made Cathy nervous, and she rose. “Where are you off?” said Peter’s mother.
She dawdled in the bathroom, surrounded by the scent of air freshener. A pink fluffy cover disguised the toilet as a large stumpy flower or a toy with a soft head. The room seemed almost intolerably polite.
She trudged downstairs, past miniatures like windows on a better world. Below her in the hall, something fell with a thud. Momentarily the stairs were steep and dizzying. Then she saw it was the newspaper, delivered at last. She hurried down and grabbed it; it might help break the awkward silence. “Here’s the paper,” she called.
RAZOR KILLER CAUGHT
At first she hardly dared read on. She hadn’t been able to read any of the reports of Mr Craig’s death. But if the headline meant what it seemed to mean – Her gaze snatched nervously at the words. By the time she reached the living-room she was smiling. “They’ve caught him,” she said.
All three stared silently. “The man who did the killings,” she stammered, excited. “The police have got him. They’re sure he’s the one.”
“ Well, fine. About time,” Peter said.
His parents were less easily convinced. They read the report together, frowning. Eventually his father looked up. “That does seem satisfactory, I’ll admit.” His relief prompted him to say “Shall we have a game of whist?”
Peter’s mother shook her head at her son; her forehead stayed pinched. “It still isn’t a nice area. I don’t like to think of you living there.”
“ We aren’t going to stay there forever. But Christ, nothing else is going to happen.” He grimaced at her, annoyed by her concern. “Nobody else is going to be killed.”
***
Chapter XVI
RAZOR KILLER CAUGHT
The man responsible for the slashing to death of three Liverpool men has been caught, police announced today.
They gave his name as Harold Nickelby (28) of Toxteth, Liverpool.
Confession
According to a police spokesman, Nickelby was seen by a young policeman loitering near a public lavatory known to be frequented by homosexuals.
When the policeman, who had noticed his resemblance to the identikit picture recently issued by police, asked Nickelby to accompany him, Nickelby is alleged to have said, “Don’t bother checking. I am the man you want.”
When cautioned, he is alleged to have said, “I’ll be glad when it’s over. I need to be put away.”
Preying
Nickelby is being held by police in connection with the killings of Tommy Hale on 16 November, Norman Roylance on 24 December, and Roy Craig on 9 January.
Nickelby, who is unemployed, is said by police to have a history of unprovoked violence.
According to the police spokesman, Nickelby said he was “glad to be stopped” because the killing of Craig had been “preying on his mind.” He is alleged to have said that he felt compelled to return several items to the house on Aigburth Drive where the murder was committed.
Horridge glared at the newspaper. Twilight was seeping into his flat, insidious as mist; his surroundings grew dim. They thought they could dim his mind so easily, did they? They must think he was mad, to be tricked so simply.
Making out that Craig’s death had been a copy had had no effect – so now they were trying this ruse on him. Had they arrested an innocent man as a scapegoat? They were capable of that, he knew only too well. But no, he was sure that Nickelby didn’t exist – you could tell the book from which they’d borrowed his name.
Their methods were so obvious. If they tried to catch criminals that way, God help the country. Most blatant of all was the purpose of their last line. They wanted to sneak into his mind the idea of returning to Aigburth Drive. Did they really think he’d go back so that they could catch him?
But he had to go back, to wipe away his fingerprints.
Suppose the painter had already shown the police? Like them, she’d tried to suggest he was a homosexual: might they be in league? But then the police would have arrested him by now. No doubt her daubing occupied her time. Besides, why should the police have let her into their secret? She must think Craig’s executioner had been arrested.
She had no cause to go to the police before she went away. But was she going away? Might the words on the card he’d glimpsed have meant that her friends were to visit her?
Babble, babble. He’d watch the house until he saw her leave. But the police might be watching for him. Babble, babble. They couldn’t watch all the time, if they were as undermanned and overworked as they liked people to believe. He’d spot them if they were about: he’d keep an eye open for suspicious characters.
Tomorrow. Wasn’t that when she was going? Surely that was right. His memory wasn’t trying to betray him. He struggled to project the image of the card in his mind. There it was, on the mantelpiece, in the rubbish dump of a flat. But he couldn’t read the end of the line. See you on, on See you on
Twilight brought the walls creeping towards him. They boxed in his mind. Abruptly he stood up, and went walking. The paths were hardly visible. Once he strayed onto a squelching verge. Low fences glimmered like decaying wood in a marsh; the tower blocks looked like tombs – few lights relieved their massiveness. See you on Jan See you on Jan
He wished he could flee to the country. Silhouettes with hollow footsteps tramped overhead on concrete walkways between buildings. Must he live the rest of his life in this prison camp? He thought he remembered where the cottage was, but he dreaded finding out who lived there now – if it hadn’t been pulled down. Besides, he’d once tried walking in the country after his fall. Within an hour he had been near to crying out with the pain in his leg.
Children ran home from school along the dim paths, careless of whom they knocked down. When he lurched aside from one gang they laughed at him as though he were the simpleton whom everyone had mocked when Horridge was a child. Horridge had never been sure that the creature was so simple; he’d known enough to play with himself. Could anyone have made such inhuman sounds in public unless he’d been pretending to be simple? If he had really been so stupid, then he should have been put out of his misery.
They needn’t think Horridge was a simpleton – not t
he children, nor the police. He could see more clearly than any of them, including the housewives who trudged home laden with baskets, trying to look burdened as women in the paddy fields: they didn’t impress him.
A face poked forward from the dimness at him. She lived near his flat. He felt as though she’d punched him in the stomach. She must be wondering why he was strolling; he never did so in Cantril Farm. He mustn’t do anything out of the ordinary. Anyone might be watching.
He hurried home. Not too fast! If he passed her, she would observe that too. He watched dimness engulf her. See you on Jan On Jan On Jan Her door clicked shut. Surely it was too dark for anyone else to see him. He ran like an injured child trying to win a game of hide and seek.
As he switched on the light, he saw it: Jan 15. All at once it was vivid, for he remembered how they hadn’t written 15 ^ th – they didn’t sound English. You couldn’t expect her friends to be worth knowing; one of them had been Craig. See you on Jan 15.
He listened to the radio, to hear whether they were in league with the police. Yes, here came the lies: the fictitious Nickelby was the culprit, killing Craig had been too much for him. Let them play their game if it amused them. The news was followed by weather reports. “Heavy rain,” the newsreader said. “Poor visibility.”
Horridge stumbled to his feet and grabbed the radio as though it had begun ticking. He turned up the volume. Had he misheard? The suave voice read the reports; each one received the same careful false inflections. He switched off the set, almost wrenching the knob loose. The man hadn’t been saying “visibility” at all. He had been saying “disability.”
He managed to douse his fury. He’d more important things to think of than their cheap vicious tricks. He must remember everywhere he’d touched. Then he could go in quickly, wipe away his prints, and go straight out. He’d be too quick for the police.
The Face That Must Die Page 12