I'm Your Man: The Life of Leonard Cohen

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I'm Your Man: The Life of Leonard Cohen Page 57

by Sylvie Simmons


  16. Susan Nunziata, Billboard, November 28, 1998.

  17. Katherine Macklem, Charlie Gillis and Brian D. Johnson, Maclean’s, August 22, 2005.

  Twenty-two: Taxes, Children, Lost Pussy

  Author interviews with: Leonard Cohen, Robert Kory, Anjani Thomas, Hal Willner, Nick Cave, Rufus Wainwright, Julie Christensen, Perla Batalla, John Lissauer, Rabbi Mordecai Finley

  Chapter heading: Leonard Cohen, self-portrait in Book of Longing, 2006.

  1. Ann Diamond, “Whatever Happened to Kelley Lynch,” riverdeepbook.blogspot.com, July 3, 2008.

  2. J. Kelly Nestruck, National Post, February 7, 2006.

  3. Ibid.

  4. Cohen, speech at induction into the Canadian Songwriters Hall of Fame, February 5, 2006.

  5. Angela Pacienza, Toronto Canadian Press, February 4, 2006.

  6. Christine Langlois, CARP, June 2006.

  7. Ibid.

  8. Phoebe Hoban, New York, May 14, 2006.

  9. Sean Murphy, Tricycle: The Buddhist Review, August 2007.

  10. Biba Kopf, NME, March 1987.

  Twenty-three: The Future of Rock ’n’ Roll

  Author interviews with: Leonard Cohen, Philip Glass, Robert Faggen, Hal Willner, Anjani Thomas, Robert Kory, Steven Machat, Rob Hallett, Sharon Robinson, Roscoe Beck, Charley Webb, Hattie Webb

  Chapter heading: John Landau, Rolling Stone, 1974.

  1. SS, 2011.

  2. Greg Quill, Toronto Star, June 3, 2007.

  3. Mireille Silcott, Saturday Night, 2001.

  4. Leonard Cohen Files, April 29, 2002.

  5. Mireille Silcott, Saturday Night, 2001.

  6. Neil McCormick, Telegraph, May 26, 2007.

  7. Sarah Hampson, Shambhala Sun, November 2007.

  8. SS, 2011.

  9. Lou Reed, Rock and Roll Hall of Fame speech introducing Cohen, March 10, 2008.

  10. Cohen, Rock and Roll Hall of Fame induction speech, March 10, 2008.

  11. Alec Dubro, Rolling Stone, May 17, 1969.

  12. Arthur Schmidt, Rolling Stone, September 2, 1971.

  13. Geoff Boucher, Los Angeles Times, February 27, 2009.

  Twenty-four: Here I Stand, I’m Your Man

  Author interviews with: Leonard Cohen, Sharon Robinson, Tony Palmer, Robert Kory, Rob Hallett, Anjani Thomas, Hal Willner, Roscoe Beck, Charley Webb, Hattie Webb, Henry Zemel

  Chapter heading: Leonard Cohen, “I’m Your Man,” I’m Your Man, Columbia, 1988.

  1. SS, 2011.

  2. Ibid.

  3. Ben Rayner, Toronto Star, June 7, 2008.

  4. Andy Greene, Rolling Stone, June 9, 2008.

  5. Brian D. Johnson, Maclean’s, June 11, 2008.

  6. Johnny Black, Audience, September 2008.

  7. Ibid.

  8. John Aizlewood, London Evening Standard, July 18, 2008.

  9. Johnson, Maclean’s.

  10. Andy Greene, Rolling Stone, February 20, 2009.

  11. Lavinia Jones Wright, Billboard, February 20, 2009.

  12. Leonard Cohen, “Now and Then.”

  13. Patrick Doyle, Rolling Stone, June 18, 2010.

  14. Cohen, interview with Jian Ghomeshi, CBC TV, April 16, 2009.

  Twenty-five: A Manual for Living with Defeat

  Author interviews with: Leonard Cohen, Robert Kory

  Chapter heading: Leonard Cohen, “Going Home,” Old Ideas, Sony, 2012.

  1. Simon Houpt, Globe and Mail, February 27, 2009.

  2. Paul Zollo, Songwriters on Songwriting, 1992, revised edition, Da Capo, 2003.

  3. Cohen to Jarvis Cocker, Guardian, January 19, 2012.

  4. SS, 2011.

  5. Cohen onstage, Las Vegas, December 11, 2010.

  6. Cohen, press conference, Paris, January 16, 2012.

  7. SS, 2011.

  8. Ibid.

  9. James Adams, Globe and Mail, April 1, 2011.

  10. SS, 2011.

  11. Adam Cohen, interviewed by Rebecca Ecker, Maclean’s, October 6, 2011.

  12. Ibid.

  13. SS, 2011.

  14. Ibid.

  15. Greg Kot, Chicago Tribune, January 24, 2012.

  16. Kitty Empire, Observer, January 21, 2012.

  17. Jon Dolan, Rolling Stone, December 7, 2011.

  18. Andy Gill, Independent, January 20, 2012.

  19. Cohen to Jarvis Cocker, press conference, London, January 2012.

  20. Cohen, press conference, Paris, January 16, 2012.

  21. SS, 2011.

  Epilogue

  Author interview with: Leonard Cohen

  1. Leonard Cohen, calligraphy, liner note artwork, Old Ideas, 2012.

  Index

  The pagination of this electronic edition does not match the edition from which it was created. To locate a specific passage, please use the search feature of your e-book reader.

  Academy Awards, 383–84

  “Ain’t No Cure for Love,” 350, 351, 359–60

  Aix Festival, 233–35

  “Alexander Trocchi,” 101–2

  “Alexandra Leaving,” 435

  Altman, Robert, 251–52, 300

  “Always,” 388, 391

  “Amen,” 521–22

  American Idol, 348, 484, 494

  Amiel, Barbara, 141, 314–15

  Amorós, Andrés, 518–19

  Amos, Stanley, 208

  Angel, 143

  “Angel Eyes,” 346

  Anjani. See Thomas, Anjani

  “Anthem,” 341, 384–85, 388, 389, 391–92, 397, 437

  Appleyard, Bryan, 347–48

  Arjatsalo, Jarkko, 414–15, 444–45

  Arnon, Mordechai “Pupik,” 272–73

  “As the Mist Leaves No Scar,” 99, 300, 466

  Atwood, Margaret, 76, 415, 496–97

  “Avalanche,” 144, 210, 247, 248, 351, 359, 382, 394, 505

  Bacal, Nancy, 25, 69, 73–76, 101, 106–8, 176, 315–16, 393–94, 424

  Baez, Joan, 147, 165, 241, 243

  “Ballad of the Absent Mare,” 220, 319

  Ballet of Lepers, 61, 66

  Balsekar, Ramesh, 418–26, 434, 449, 498

  Bard, Stanley, 163

  Bardot, Brigitte, 140, 199, 261, 383

  Barnes, Cheryl, 291

  Barrios, Gregory, 182

  Basquiat, Jean-Michel, 181, 348n

  Batalla, Perla, 364–67, 385, 387, 392, 395–97, 403–4, 437–38

  Beach, Mary, 208

  Beatty, Warren, 251

  Beautiful Losers, 63, 104, 131–34, 137–41, 144, 157, 198, 205

  Beauty at Close Quarters, 75, 91–92

  “Beauty Salon,” 287, 298

  “Because Of,” 442

  Beck, 499n, 505

  Beck, Roscoe, 317–18, 322–24, 349–51, 357–59, 364–67, 402, 426, 481–86, 489–90, 492

  “Be for Real,” 388

  “Beneath My Hands,” 98

  Berger, E. Judith, 164

  Berlin, Brigid, 180–82

  Bernstein, Leonard, 225

  Berry, Chuck, 523

  Bhaktivedanta, Swami, 185–86

  Biderman, Peggy, 208

  Bilezikjian, John, 318–19, 322–24, 357–58, 364–67, 433

  Bindiger, Emily, 283–84

  Bird on a Wire (documentary), 195n, 269–70, 275, 506, 507

  “Bird on the Wire” (song), 201–2, 216–17, 218, 237, 238, 252, 264, 323, 380, 437–38, 496, 499

  Blaine, Hal, 299–302

  Blakley, Ronee, 290, 300–301, 305–6

  “Blessed Is the Memory,” 186, 498–99

  Blitz, Thelma, 163, 209–11

  Blue, Peggy, 387

  Blue Alert, 454, 465–69, 514
r />   Body, Paul, 285–86

  Bonds of the Past, 254

  Bono, 410, 457, 469

  “Boogie Street,” 435–36, 490

  Book of Longing (book), 409, 412n, 418n, 445, 454–55, 460–62, 465–71, 474, 476

  Book of Longing (production), 474–77

  Book of Mercy, 327, 330–35

  Boorman, John, 176

  “Born in Chains,” 505, 513–14

  “Born to Lose,” 395

  Boyd, Joe, 251

  Branigan, Laura, 291

  “Breakdown,” 213

  Breier, Morton, 185–86

  Brittain, Donald, 135–36

  Bromige, David, 99–100

  Brother Sun, Sister Moon, 225

  Brotman, Stuart, 319

  Brown, Marian, 113

  Brown, Mick, 304

  Browne, Jackson, 158–60, 188, 376, 482

  Bruce, Bobby, 305

  Brusq, Armelle, 413

  Bryant, Boudleaux, 202–3, 219–21

  Buber, Martin, 205–6

  Buckley, Jeff, 347, 348, 484, 494

  Buckley, Tim, 158

  Buckmaster, Paul, 247

  Buckskin Boys, 38–39, 142

  Bukowski, Charles, 285, 519

  “Bunch of Lonesome Heroes,” 99, 218–19

  Burke, Alexandra, 348

  Burroughs, William, 253

  “Butcher, The,” 218, 321

  Byers, Joy, 202

  Byrds, 200, 201–2

  “By the Rivers Dark,” 435

  Cage, John, 125, 142, 316

  Calderon, Jorge, 394–96

  Cale, John, 309, 347, 348n, 382

  Came So Far for Beauty (production), 437–38, 439–40, 456–58, 469, 476–77

  “Came So Far for Beauty” (song), 287, 321

  Campbell, David, 387, 430

  Campbell, Glen, 522

  “Captain, The,” 337, 513

  Cash, Johnny, 202, 211, 213, 218, 235, 237, 522

  Caspi, Matti, 272–73

  Castro, Fidel, 92–93, 95

  Castro, Jason, 484

  Cavafy, Constantine P., 435

  Cave, Nick, 351, 381–82, 438, 456, 457, 469

  “Celebration,” 98, 200, 232

  “Ceremonies,” 12–13, 15

  Chagall, Marc, 98

  “Chant,” 141

  Charles, Ray, 132, 145, 388, 395, 506

  Chase, Jeff, 176–77

  Chelsea Girl (album), 188

  Chelsea Girls (movie), 157, 162, 180

  Chelsea Hotel, 161–65, 180–74, 199–200, 205–10, 225, 264–65, 497

  “Chelsea Hotel #1,” 199–200

  “Chelsea Hotel #2,” 199–200, 221, 238, 274, 283, 329, 335, 368, 495

  “Chelsea Morning,” 174

  Cholst, Sheldon, 84–85

  Christensen, Julie, 364–67, 387, 392, 395–97, 403–4, 437–38, 457, 469

  Christie, Julie, 251

  Clarkson, Adrienne, 459

  Clarkson, Lana, 439

  Clift, Charmian, 81–82, 84, 88, 89, 113, 226

  “Closing Time,” 388–89, 392, 466

  Cocker, Jarvis, 456, 523–24

  Cocker, Joe, 257, 349

  Coe, Terese, 207–8

  Cogswell, Fred, 47, 489

  Cohen, Adam, 264–65, 283, 314–15, 327, 379–80, 412–13, 482, 490–91, 515–16

  Cohen, Cassius Lyon, 472, 514–15

  Cohen, David, 10–11, 12, 30, 35, 64, 224

  Cohen, Edgar H., 11

  Cohen, Esther, 4, 12–13, 15, 41, 76, 411, 497

  Cohen, Horace, 8, 13, 15, 63

  Cohen, Larry, 165, 177

  Cohen, Lawrence, 62

  Cohen, Lazarus, 6–7, 11, 27, 503

  Cohen, Lorca, 281, 314–15, 377, 427, 433, 445, 449–50, 514–15, 516

  Cohen, Lyon, 6–8, 9, 35

  Cohen, Mrs. Lyon, 6, 10–11, 83, 97

  Cohen, Masha: attachment to son, 46–47, 58; background of, 8–9; birth of son, 4–5; Cuba trip, 94–95; death of husband, 12–13; family life, 10–12, 20, 37, 58, 61; hospitalization, 69–70; in Hydra, 108–9; leukemia and death of, 307, 310–11, 313, 319; parties, 41, 49, 96; remarriage of, 30; warning to son, 176–77, 446; women in son’s life, 91, 108–9, 116, 226–27

  Cohen, Nathan, 4–15, 52, 58, 78

  Cohen, Phil, 62, 63

  Cohen, Tzvi Hirsch, 7

  Cohen, Viva Katherine Wainwright, 514–15

  Cohen Live, 395

  Cole, Lloyd, 382

  Collins, Judy, 126, 146–51, 159, 163–66, 171–73, 225, 252, 350, 397, 504

  Collins, Phil, 410

  “Come On, Marianne,” 170–71

  Cooper, Mark, 362

  Coppola, Francis Ford, 376

  Cornelius, Ron, 213–14, 216, 220, 221, 228, 231–33, 236, 239, 247, 257, 260, 274–75, 335

  Corso, Gregory, 85

  Cowell, Simon, 348

  “Crazy to Love You,” 514, 520

  “Credo,” 98

  Crill, Chester, 188–92, 252

  Crooks, Richard, 336, 344–45

  Crosby, David, 147n, 174, 175, 200–202, 499

  Crowder, John, 336, 344–45

  Cuba, 92–96

  Cullman, Brian, 253, 257–58

  Dabrowski, Stina, 413–14

  Daley, Sandy, 208

  Dallas, Karl, 195

  “Dance Me to the End of Love,” 335, 337, 343, 485, 489

  Daniels, Charlie, 211–12, 214, 215, 228, 230, 242, 247, 256, 257

  “Darkness, The,” 499, 514, 520, 521

  Darrow, Chris, 189–92, 251–52, 410

  Davis, Clive, 167–68, 349

  Davis, Dean, 39

  Davis, Janet, 39

  Davis, Miles, 170

  Davis, Terry, 38–39

  “Days of Kindness,” 396

  Deal, Kim, 381

  Dear Heather, 440–45, 454, 460, 467, 468–69

  Death of a Ladies’ Man (album), 296–309, 312, 315, 319, 322, 371, 439

  “Death of a Ladies’ Man” (song), 306

  Death of a Lady’s Man (book), 252, 271n, 307, 310–12

  “Death to This Book,” 271n, 312

  DeCurtis, Anthony, 195

  Delon, Alain, 157

  “Democracy,” 379, 390–91

  De Mornay, Rebecca, 375–79, 383–90, 392–94, 395, 404–6, 435

  Denselow, Robin, 230

  Deval, Jacques, 33–34

  Dexter, Jeff, 242

  “Diamonds in the Mine,” 248, 287, 289

  Dickins, Erin, 283–84, 339–40

  “Different Sides,” 513, 520

  Dixon, Humphrey, 269–70

  Dixon, Sean, 372–73

  Djwa, Sandra, 121–22

  Doddman, Mike, 38–39

  “Do I Have to Dance All Night,” 321

  Donaldson, Allan, 53

  Donovan, Bill, 221, 235–39, 241, 257, 261–62, 275

  “Don’t Go Home with Your Hard-On,” 298, 302, 438, 456, 470

  “Dress Rehearsal Rag,” 149, 176, 248, 249, 499

  Dubro, Alec, 218–19

  Dudek, Louis, 37–38, 41–42, 44, 45, 47, 51, 53, 54, 70, 99, 397

  Dylan, Bob, 141–42, 285, 289–90, 316, 522; comparisons with Leonard, 192, 193–94, 201, 215, 218, 283; Johnston and, 202; meetings with Leonard, 286, 289–90, 302, 338–39, 340; Nico and, 156–57, 188

  Eavis, Michael, 493–94

  Egoyan, Atom, 515

  Ellen, Mark, 174–75

  Elrod, Suzanne, 224–27; “divorce” from Leonard, 313, 320; family life, 259, 264, 267, 281; on Hydra, 225–26, 270–71, 2
87–88, 291–92, 314–15; in L.A., 292, 296–97, 308–9, 313; in Montreal, 226–27, 249–50, 252, 264, 267, 275, 290–91, 310, 315; as muse, 126–28, 231; in NYC, 285; in Roussillon, 315, 327–28

  Empire, Kitty, 522

  Energy of Slaves, The, 208, 221–22, 254–56, 261, 268–69

  Erlich, Nancy, 233

  Essential Leonard Cohen, 440, 498

  Esther, 7

  “Everybody Knows,” 357–58, 360, 380, 515

  Faggen, Robert, 476

  Faith, Crissie, 339–40

  “Faith, The,” 441

  Famous Blue Raincoat (album), 349–51, 361

  “Famous Blue Raincoat” (song), 238, 247, 248, 252, 351

  Famous Havana Diary, 93, 111

  Faris, Robert E., 67

  Fass, Bob, 149–50, 165

  Fassbinder, Rainer Werner, 252

  Faulkner, William, 53

  Favorite Game, The (book), 11, 13–14, 17–18, 22, 37, 49n, 60, 61, 69, 109, 110–13, 119, 131, 139, 368

  Favorite Game, The (movie), 113, 440

  “Feels So Good,” 499, 514

  Feldman, Rona, 20, 21, 22

  Feldman, Sam, 458

  Feldthouse, Solomon, 188–92

  Fellini, Federico, 156

  Field, Hazel, 321, 325

  Field Commander Cohen (album), 323–24, 433, 435

  “Field Commander Cohen” (song), 93, 275

  Fields, Danny, 158, 160, 160n, 161, 172, 180–81, 184, 228, 252, 285, 392

  “Final Examination,” 312

  “Fingerprints,” 305, 306

  Finley, Mordecai, 332–33, 463–65

  “First We Take Manhattan,” 350, 357, 360, 361, 382

  Flack, Roberta, 326

  Flowers for Hitler, 93, 101–2, 117–23, 144

  “Folk Song,” 45

  Fonda, Jane, 181

  “For Anne,” 60, 98

  “For Wilf and His House,” 45–46, 55

  Fowler, Elkin “Bubba,” 213–14, 228, 231, 256–57, 257n

  Freedman Company, 4, 8, 13, 63, 70, 224

  Freud, Sigmund, 79

  Fry, Stephen, 515

  Frye, H. N., 97

  Fulford, Robert, 175

  Furey, Lewis, 276, 278, 328–29, 346

  Furgo, Bob, 364–67, 394–96

  Future, The (album), 341, 378–79, 386–92, 394–96, 397, 402–4, 437, 478–79

  “Future, The” (song), 390, 392, 492, 500

  Gabriel, Peter, 366, 410

  Gainsbourg, Serge, 156, 383, 443

  Gallagher, Bill, 164–65

  Gayol, Rafael, 483

  George, Wally, 375

  Gesser, Sam, 54

  Getman, Ron, 336, 344–45

  Ghomeshi, Jian, 504–5

  “Gift, The,” 64–65

 

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