by Manil Suri
A few doors down, we enter a room piled ceiling-high with coconuts. Guddi has to run down the corridor to retrieve several that roll out. “Who authorized this?” Chitra fumes. “Somebody’s going to have to do some explaining.” She strides into the corners of the room and yanks off the sheets covering mounds of trinkets, pyramids of fabric, boxes of molding sweets. Even the bathtub is filled with fruit, much of it brown and rotting. “All the gifts people bring Devi ma—those lazy attendants stuff them into any room that’s free.”
As we prepare to leave, Sarita emerges elatedly from the bathroom. “Look what I found! To replace the one Devi ma tossed off the terrace.” She triumphantly holds up a pomegranate. “It’s still perfectly good—not even a mark on its skin.” I nod my felicitations at her, though in truth, I’m mystified by this karmic cycle of adopting and losing pomegranates she seems to be embroiled in. (And why pomegranates, why this obsession with them in particular? Why not apples or pears or better still cherries, which would be so much easier to tote along?) Chitra raises an eyebrow at this pilferage from Devi ma’s wares, but remains silent as Sarita ties the fruit into her sari.
Somewhere between the college Superdevi groupies colonizing Room 332 and the chanteuse singing a hymn to Mumbadevi for the cement tycoon in Room 334, it strikes me I’m not going about this search in the most intelligent way. What if we do come upon Karun? With Sarita at my side, how might I expect him to behave? If history is any indicator, he’ll keep his true desires firmly bridled, allow spousal loyalty to canter to an easy victory again. I need to ditch Sarita, in the hope I’ll discover Karun while searching alone—the only way to give myself a fighting chance with him.
Not that I expect to find Karun in these rooms. The occupants are too carefree, the atmosphere too festive, the smattering of Khakis don’t even pretend to be guarding anything. If someone forced Karun here at gunpoint, wouldn’t they keep him more tightly under lock and key? Otherwise, why wouldn’t he simply sneak out and try once more to return to the south part of the city? Surveillance at the gates of people leaving seems pretty lax—after all, didn’t Guddi decamp with an entire elephant?
What I therefore need to hunt around for (without Sarita) are areas of enhanced security. “I think we should split up. Devi ma might call us back at any time—we need to get through the rooms much more quickly.” Chitra rises in opposition to this idea but I hold firm, invoking the authority granted me by the Devi. She then tries to pair up with me—perhaps to keep me subtly off track, as I suspect she’s been doing. “Oh, but you and Sarita form such a great team,” I say. “Let Guddi accompany me.” Chitra’s eyes narrow when I ask for her swipe card—she silently fishes another one out from her pocket and hands it to me.
About to part, Sarita stops me. “How will you recognize Karun when you’ve never even met him?”
I look at her stupefied. How, indeed? How could the Jazter have missed something so obvious? “I guess I’ll just have to ask,” I reply weakly. Sarita’s mouth tightens—she has noted my blunder, added it to the tally.
Before anything else can crop up to scuttle my escape, I promise to regroup later in Devi ma’s suite, and cut out with Guddi.
AS A FIRST STEP, we visit the remaining floors in the wing to verify they are equally unguarded. I have to keep shushing Guddi, for whom stealth and unobtrusiveness seem like entirely alien concepts. “We’re looking for his friend,” she announces to everyone we encounter: cleaning staff, guests, Khakis. “We have permission from Devi ma herself.” She frisks through the hotel as if it were a giant amusement park—swinging down corridors, bouncing on the landing sofas, darting into every nook and corner on her eternal quest for cell phones. The escalator to the ground level fascinates her, though she’s unnerved by the floor swallowing its endless diet of steps.
By the time we’ve finished with the wing, Guddi is bored—she suggests we go pay Shyamu a visit. “I’m afraid he might have caught a cold from that dip in the swimming pool.” When I inform her that elephant stables are not on our list, she gets downcast. “Can we at least catch the last part of the Devi pooja then?”
I block out her voice and concentrate on Karun. Ensconced in this hotel somewhere. The premise I must keep reinforcing in my mind, since without it (as any shikari knows) there can be no game. As far as this wing goes, though, Karun’s trail feels completely dead. The clerks took justified umbrage when I questioned their ledgers—the Devi and he seem to have never met.
Who ordered his kidnapping then? Clearly the same person who runs the show here: this sprawling temple to the Devi, the fireworks, the electricity, the elephants. With such a vast enterprise, it has to be Bhim. The great white Hindu hope, as deft at multitasking as Vishnu himself—whether it’s Muslims in need of massacring or the nation in need of saving. Though what he might want with a vanful of physicists, I can’t guess.
Why haven’t I discerned more evidence of Bhim’s presence at the hotel? Does he maintain a low profile to keep the limelight focused solely on the Devi? Is he holed up in a secret section along with his armory and his men? Wouldn’t locating him lead me to Karun as well?
I make a mental inventory of the parts of the hotel I haven’t explored: the guestroom floors in the towering front wing, the arcade of onetime salons and boutiques next to the lobby, the disco dormitory in the basement. Then there’s the half-complete annex behind the garden enclosure, which Chitra says has remained unoccupied ever since one of the shoddily built floors collapsed inside. A small conference center stands near the badminton courts, along with a shorter building, perhaps a gym, by its side. More structures under construction loom hazily in the rear—to check everything, my parole would have to last well into the night.
But perhaps I needn’t go down my list. Perhaps Bhim’s Khakis can lead me to him. They’re sprinkled rather sparsely throughout the hotel, with the exception of the restaurant coffee bar, where they swarm around the food like insects. Like ants, more precisely, I think—why not track them to get to their anthill?
A little reconnaissance reveals a good number of them peeling off towards the annex. So I take Guddi past the garden for a little stroll in that direction as well. The building is drab, almost ascetically plain, as if to atone for the Indica’s over-the-top excesses. Dark windows with stingy panes of glass more befitting an office complex stare out from between concrete strips. Even the side facing the sea has no balconies. The project, announced in the first few flush days of the hotel opening, looks like it stalled even before the war started. Spikes of metal pierce through the unfinished top—after all this time, only three and a half floors stand completed. Belying Chitra’s claims of tottering construction, these floors look quite sturdy, well-fortified.
The entrance actually lies on the other side of the wall enclosing the pool and garden courtyard, which further perks my interest. The barrier means that annex occupants can be kept quarantined, away from hotel residents. The locked metal grille built into this wall is unguarded—a swipe with Chitra’s card opens it. Ahead, though, two Khakis slouch against the building doorway, engaged in casual conversation. As we near, they briskly pick up their rifles. “Where are you going?” they demand in unison, clearly annoyed we have caught them chatting.
Neither my “open sesame” card nor my Devi-level security clearance impresses them. “You need special authorization to enter this building.” When I ask them from whom, they simply glare, as if this will clarify what they’ve said.
Guddi steps in with such a spirited try that I feel ashamed at underestimating her. “If you think Devi ma is going to forgive you two pups for disobeying her command, you have another thought coming. Just yesterday, she had an attendant’s ears cut off—he didn’t hear her order, that’s all.” She snips at a guard with scissor-like fingers, so close to his ear, he backs away.
“I’m sorry, sister. What to do? Nobody is allowed in without permission—the order comes from Bhim kaka himself.”
“So if Devi ma herself came, you wo
uldn’t let her in either? What if I fetch her now and see what your Bhim kaka says?”
The guards look down sheepishly. Although they hold their ground, Bhim’s name confirms this is his den. “Devi ma would burn you to ashes if we reported you for this,” Guddi calls out as I pull her away.
GUDDI WANTS TO GO complain to Devi ma and return with reinforcements, but I nix this idea, since it would alert Sarita about my lead. “Devi ma’s already been so generous, let’s not trouble her anymore. Let’s try to get in ourselves.”
So instead of returning through the metal gate, we duck behind a hedge and circle back to the annex. The entire ground floor is wrapped in concrete, with the occasional window, sealed and brooding, embedded as an afterthought. I’m struck by the bunker-like look of the building—hardly a design to appeal to tourists. A recessed side entryway leads to a door which, in addition to a card reader, bears a sturdy, old-fashioned padlock. We discover two more doors in the rear, similarly secured.
I’m wondering how we can create a diversion and slip in past the guards when I realize there has to be another entrance: the doors we’ve seen are all much too narrow to get beds and other large furniture through. Could there be another level beneath us? I draw Guddi back to the rear of the building and pull myself up chin-high to peer over the wall that runs past. Sure enough, we’re at an elevation—a driveway down below cuts toward us through a small compound. Unfortunately, I don’t see any steps—jumping seems the only way down.
What to do about Guddi? Certainly, I don’t want her by my side when I find Karun. But leaving her behind presents its own danger, since she might go back and report my whereabouts. The wall decides for us: raised on a diet of village parathas since birth, Guddi is unable to hoist her four-foot-ten body to the top. “Stay here until I return,” I tell her, hoping she’ll obey for at least an hour. I jack myself up all the way on my arms, then swing a leg over to straddle the wall.
“Gaurav bhaiyya,” Guddi yells, just as I lower myself on the other side and hang by my fingertips. “Gaurav bhaiyya, Gaurav bhaiyya, we should have brought Shyamu along. Then he could have lifted me up in his trunk and sat me on the wall.” She pauses for a second. “Would you mind if I go check how he’s doing? I promise to return by two.”
What an excellent idea to keep her out of trouble! I assure her there’s no need to hurry back, she can spend as much time with Shyamu as she wants. “In fact, why don’t you try to sneak him out to the beach again?—I’m sure he’d like that.” As Guddi squeals in appreciation, I yell goodbye and release my grip on the wall.
14
I ONCE READ A BOOK CONSISTING SOLELY OF A CHARACTER’S thoughts as he fell from a cliff. Apparently, in the time it takes to hit the ground, an entire lifetime can be relived. Being airborne reminds me of my own unlaunched memoir—what a perfect interlude to dissect my childhood this would have been! I could lay bare the vulnerability of the Jazter soul, recap my great and poignant love for Karun. The last primarily for my own benefit—to remember again why I’m so witlessly hurtling down to my doom.
So here I am, moonstruck lover turned action hero—Superman plunging through the air, Jaz Bond dropping into the villain’s lair. (Perhaps I could write my Jazternama as a comic strip, ensure the first bestseller after the apocalypse.) For a moment, I lie stunned on the ground. Not from the fall, but from the sight of the two vans parked in a bay under the wall. The first has its back door open—a stack of boxes lies beside it on a pallet. It’s the second one, though, that leaves me agape: white and compact, a blue stripe runs across its side, as sharp as a laser ray.
Ever since Colaba, I’ve had to keep my doubts tightly bottled, accept the notion of finding Karun as an article of faith. I allow myself a moment of jubilation at this evidence I’m closing in. More good fortune: wooden crates prop open the large metal doors of the loading bay. I slip inside—almost immediately, another door blocks my way. This one isn’t padlocked, it just bears the familiar electronic locking mechanism. Will the Devi’s powers work so far from her domain?
I swipe the card through the slot. Not much happens. The lock makes an anemic whirring noise, which quickly fades.
I try again, with a silent prayer to my Laddoo Queen, showering her with all the sweets in the world. This time, the lock whirs more enthusiastically and opens with a click.
A bare bulb illuminates the passage. Boxes of supplies line the walls—I tear a few open, and find bottles of water, tins of baked beans, tomato soup, fruit cocktail. There’s no can opener, so I take some deep swigs of water to try to cure my sudden hunger pangs. (All I’ve been offered since morning is the glass of “nectar” I turned down.) A large chamber ahead houses even more boxes, containing not only foodstuff, but also such essentials as blankets and medical kits. I count at least a dozen small doors, all identical, built into the walls—metal-forged and tightly sealed, they resemble the hatches in a ship. The one I try opens when I pull down and twist the lever handle, which is fortunate, since just then, the sound of someone wheeling a cart comes from the corridor ahead. I barely have enough time to scoot through the door and squeeze it shut.
Groping around the wall, I find a light switch, which turns another naked bulb on. The room around me, little more than an alcove, is crammed with so many boxes that I almost don’t notice the steps leading down. The level below turns out to be much more rugged, like a cave shoveled out of the ground. Chunks of rock protrude right through the roughly slapped-on plaster in spots. A central opening leads to a multitude of peripheral pods, ones in which any attempt at finish or décor has been abandoned, and a burrowing animal might feel quite at home. Most contain cots, complete with mattresses and pillows, a few the odd table or chair. In one, I even spot a television set sitting unplugged on the ground.
Could this be a post-apocalyptic colony, for survivors to wait out the nuclear winter? A fine crush of dirt drizzles down on me as I walk around. I try not to make too much noise, lest I bring the whole place (and with it mankind’s future) crumbling down.
I retreat to the safety of the upper alcove. There’s no way to tell if the person I heard still lurks outside the heavy steel door. I turn the lever, count to three, and cautiously poke my head out. The chamber is deserted. I hop out, then continue along the passageway, until it ends a short way down at the double doors of an elevator. I blow on my card and rub it between my palms, hoping the Devi’s magic hasn’t been all used up. I’m in luck—a single swipe, and the doors part, as if the elevator has been waiting patiently for me on this floor all along.
Judging by the buttons numbered all the way up to twenty, the construction has an ambitious way to go. The “G” level surely swarms with Khakis, so the choice is between the numbered floors. I decide to start at the top and push four (will the elevator pop out of its sleeve since the building ends at three and a half floors?). The doors close and we begin to rise—how ironic that I was falling into danger just a few minutes ago. I try to channel the steeliness of Superman, the sangfroid of Bond. If only I’d made some excuse to stop by Guddi’s room and retrieve my gun.
The doors open without warning on “1.” To reveal not a battery of leering trigger-happy Khakis, but a waiter manning the entrance to a banquet hall. The strums of a sitar invite me out, lulling away any notions of danger lurking around. After the concrete and bare earth in the basement, I’m surprised by the feel of carpet under my feet, the sight of green and gold birds (peacocks, I think) taking flight on tapestries. The lushly planted garden visible through the large picture window seems particularly incongruous, given the building’s fortress-like exterior. It takes me a moment to realize I’m gazing at a blown-up photograph.
“You’re just in time, sahib,” the waiter says with a bow. His turban tilts towards me, as flamboyantly plumed as a cockatoo’s comb. “We were wondering if anyone else would make it for lunch.” He unhooks a metal-detecting wand from the wall. “I hope you don’t mind, but we have to check anyone new.” He scans my body—I guess I w
ouldn’t have gotten away with the gun after all.
Inside, more peacocks adorn the walls. I half expect a posse of Khakis to leap out from behind them and surround me with weapons drawn. Instead, I notice some of the diners are women—even a few children run around. However, I can’t spot Karun—at least not in my quick visual sweep of the room. “This way, sir,” the waiter says, and ushers me to an empty place at a round table. “They’ve already cleared the buffet, but I can bring your food here if you tell me what you’d prefer.”
“Dosas,” the man seated next to me recommends, pointing at the remnants on his plate. “The chutney’s fresh and spicy today—Devi ma must have decided to donate some of the coconuts she gets.” I nod to the waiter, who closes his eyes to convey the astuteness of my choice, then gracefully withdraws.
“You’re new here,” my neighbor remarks. “I didn’t realize the van was still bringing people in.” He introduces himself as Professor Das, from the microbiology department at Kalina. “I’ve been here almost since the beginning, so I can answer any questions you might have. For instance, in case you’re wondering, the food here is great, as you’ll discover in a minute.”
The dosa is very good, the potatoes redolent with tamarind and curry leaf, the wrapping crisp enough to shatter into pieces as I dig in. So good, in fact, that I wonder if this could all be a meticulously arranged setup—the Khakis masquerading as diners, the potatoes drugged to knock me out. Will I wake up in Bhim’s lair, my body stretched on a rack, my digits clamped in thumbscrews? There’s little recourse if that’s to be my fate, except to eat up.