Piston, Walter, 281
Pittaluga, Gustavo, 196, 219n83
Plantada, Mercè, 216n45, 217n48
Plato, 217n54
Playboy, 320
Pleyel piano factory, 41–42, 44, 59n85, n86, n92
Plisetskaya, Maya, 77n74
Plotinus, 121
Podosenov, Nikolay, 68
Ponce, Manuel, 161
Popov, Gavriil, 258, 322
Popular Front, 219n78
Posledniye novosti, 28–30
Poulenc, Francis, 22, 53n6, 54n25, n26, 56n48, n49, n51, 57n52, n55, 59n97, 187, 275; “About Igor Stravinsky’s Mavra,” 33–34; Les Biches, 216n34; Concerto for Two Pianos and Orchestra, 219n83
Pound, Ezra, 342, 348n97
Poussin, Nicolas, 9, 170
Prague Manifesto, 276, 309n20
Pravda, 277, 308n8
Pro Arte (Santiago), 210–14
Prokofiev, Lina, 299, 301, 306, 316n137
Prokofiev, Sergey, 42, 59n89, 66, 187, 256, 257, 259, 269n18; Scythian Suite, 258
Proust, Marcel, 188; Swann’s Way, 322
Puccini, Giacomo, 299; Tosca, 37
Pushkin, Alexander, 27, 31, 32, 36, 39, 40, 67–68, 189, 262, 267, 283, 310n39, 312n68, n69, 337, 341, 347n73; “Domik v Kolomnè” (“The Little House in Kolomna”), 27, 40, 47, 67; Eugene Onegin, 337, 342; “Flowers of Autumn,” 316n159; The Stone Guest, 119; “Tucha,” 67
Querol, Leopoldo, 219n83
Quesada, Ernesto de, 219n85, 221n108
Rachmaninoff, Sergey, 127, 262, 304, 325; Isle of the Dead, 41, 59n84.
Radiguet, Raymond, 58n80
Ramuz, Charles-Ferdinand, 149, 189
Ravel, Maurice, 22, 55n36, 56n45, 57–58n69, 58n70, 149, 180, 198, 216n33, n36, 219n89; Daphnis et Chloé, 13; Le Tombeau de Couperin, 111
RCA Victor Mexicana, 141
realism, 47, 327–29, 333, 338, 345n30; literary, 326–27, 329, 341, 343; socialist, 309n20, 322
Reiner, Fritz, 189, 217n51
Remizov, Aleksey, 69, 76n53, 287, 313n95; Tristan i Isol'da, 69, 70
Renaissance, 135, 213
Renzin, Isai, 258
Residencia de Estudiantes, 152, 153, 158, 161, 214n12, 219n83
Respighi, Ottorino; La Boutique fantastique, 57n58
Révész, André, 57n69, 178, 216n30, n33, n36, n40; “Igor Stravinsky and Modern Music,” 186–89
Revista de Occidente, 148, 173n28
Revista de Revistas, 161, 206–8, 207, 221n113
Revue hebdomadaire, 33
Revueltas, Silvestre, 182
Revue musicale, La, 42, 54n17, 59n90; Le Tombeau de Debussy, 111
Reyes, Alfonso, 158, 161, 179–81, 200, 203–5, 214n7, 202n96; La Visión de Anáhuac, 179, 202, 204
Reznikoff, Natalie, 76n53
Ribemont-Dessaignes, Georges, 41, 55n27, 58n79
Rieti, Vittorio, 198; Barabau, 219n88
Rigaud, André, 52n1, 274
Rigaut, Jacques, 55n27
Rimsky-Korsakov, Andrey, 65, 261, 270n38, 274
Rimsky-Korsakov, Nikolay, 31, 41, 48, 57n53, 64, 149, 211, 232, 261, 268n1, 312n65, 326–28; national-ethnographic aesthetics of, 27, 29, 46, 53n15, 178; Stravinsky’s studies with, 23, 44, 187, 205, 213, 216n36, 255; works: Capriccio espagnol, 216n32; Handbook of Instrumentation, 39; Kitezh, 258; Scheherazade, 146, 216n32; Snegurochka, 52n1, 264
Rio de Janeiro, 153
Rivera, Diego, 144, 209, 222n126
Robbe-Grillet, Alain, 290, 314n113
Robeson, Paul, 276
Rodés Baldrich, Felipe, 189, 217n49
Rodríguez, Antonio, 222n120, 222nn123–25; “Stravinsky Says That the OSM Is Magnificent,” 208–10
Rodríguez, Carlos, 199
Rodzinski, Artur, 274
Roerich, Nicholas, 327
Rogers, Ginger, 222n134
Rojas, A., 158
Roland-Manuel, 6, 22, 25, 31–32, 56n45, 66, 130; collaboration on Poétique musicale, 225–28, 234n, 235n, 237nn, 238, 242n, 243, 247–51, 252n9, 253n29, 253n32, 254n42; “Igor Stravinsky’s Mavra at the Opéra,” 31–32
Roland-Manuel, Claude, 247
Rolland, Romain, 339
Romanticism, 35, 37, 43, 45, 50, 59n92, 128, 176n89, 323, 326–28, 341, 342
Rome, 190
Rosenthal, Manuel, 275
Rossini, Gioachino, 34, 43, 198
Rouché, Jacques, 124n26
Rousseau, Henri, 58n75; The Snake Charmer, 58n72
Roussel, Albert, 56n45
Roux, Jean-Louis, 275
Rozanov, Vasily, 119
Rozhdestvensky, Gennady, 259, 299, 302, 314n105
Rozovskaya, Zoya, 30, 32, 52n1
Rubinstein, Arthur, 73n7
Rubinstein, Ida, 162
Rublev, Andrey, 301, 306, 317n168; Museum of Ancient Russian Art, 316n148
Ruch Muzycny (journal), 306
Rudneva, Anna, 270n46
Ruff, Pilar, 217n62
Russia, 4, 7–9, 12, 16, 17, 22, 41, 61, 63, 73, 79, 127, 132–33, 159, 172n17, 205, 322, 323–24, 330; Communist, see Soviet Union; culture of, 45, 51, 112, 124n29, 265–66; during World War I, 4, 11, 13, 35, 63, 111, 146, 149, 154, 206, 219n79, 339; folklore of, 260–64; music of, 8, 11, 22–24, 29, 45–46, 59n98, 66, 184, 186, 187, 198, 267 (see also names of composers); 1917 Revolution, 8, 12, 63, 68, 128, 310n39; opera in, 45–46, 48, 50, 205; reception of Stravinsky’s music in, 255–57; State Archive, 312n61; see also cities and towns
Russian Opera Company, 218n64
Russian Orthodox Church, 18n13, 68, 127, 196, 261, 263, 270n33, 273, 278, 310n39, 322; memorial service of (Vechnaya pamyat'), 112–13, 113
Saab, A. Joan, 144
Sadoven, Yelena, 30, 32, 52n1
Said, Edward, 12–13
St. Petersburg, 40, 61, 106–7, 109, 118, 222n115, 255, 266, 268n1, 274; Conservatory, 63, 73n7, 187, 223n141, 257, 278; Court Orchestra, 255; Imperial Opera, 205, 211; Theatre School, 257; during Soviet era, see Leningrad
Sakharov, Ivan, 74n13; Pesni russkogo naroda, 63–65, 73n8; Skazaniya russkogo naroda, 63
Salado Alvarez, Ana, 221nn103–5, n110; “‘Art Would Not Be Art Were It Not Done for the Glory of God,’” 203–6
Salado Alvarez, Victoriano, 221n103
Salamanca, marquise of, 216n32
Salazar, Adolfo, 146–48, 152, 158, 161, 164, 165, 173n28, n30, 181, 182, 203, 214n12, 215n16
Salgado Luis, 189, 217n49
Salle Gaveau (Paris), 220n92
Salmanov, Vadim, 298
Sancellemoz, 225, 227, 233, 247, 249, 252n6, n8, n9, 253n18
Sanchez-Juan, Sebastià, 217n62
Sanromá, Jesús María, 141
Sapiro, Aaron, 309n23
Sarraute, Nathalie, 290, 314n113
Satie, Erik, 22, 24, 40–41, 57n52, n53, 58n77, n79, 130, 165; Parade, 24, 33, 35, 37, 39, 57n63, 219n89; Paul et Virginie, 41, 58n80
Sauguet, Henri, 229; La Chartreuse de Parme, 229n
Savenko, Svetlana, 68, 74n19, 310n36, 312n66, n67, n76, 315n118
Savitsky, Pyotr, 127, 128
Schaeffer, Pierre, 170
Schaeffner, André, 275–77, 286
Schlesinger, Arthur, 289, 314n111
Schloezer, Boris de, 22, 24, 28–30, 56n40, n43, 57n69, 58n70, 59n95, 108; “Mavra,” 28–30
Schmelz, Peter, 278
Schneider, Louis, 53n14
Schnittke, Alfred, 260
Schoenberg, Arnold, 8, 146, 170, 196, 275, 277, 291, 303, 304, 310n39, 313n92, 343; Die glückliche Hand, 281; “The Relationship to the Text,” 340; Serenade, 286, 293
Schönberger, Elmer, 330: The Apollonian Clockwork, 105, 117, 118, 123
Schott publishing house, 18n12, 242n
Schubert, Franz, 57n53, 66, 184, 201, 202, 320, 321
Schumann, Robert, 66, 240; Carnaval, 56n44
Schwarz, Boris, 278, 310n35
Scriabin, Alexander, 29, 56n40, 120, 121, 126n63, 131, 185, 215n24, 232, 242, 324, 327, 332
Scythianism, 128
&n
bsp; Second Viennese School, 219n79, 310n35
Segura, Guadalupe, 221n113
Semichastny, Vladimir, 313n87
serialism, 143, 275, 277, 278, 298, 310n35, 325, 342
Severini, Gino, 125n30
Seville, 164, 178, 185, 291n90
Shakespeare, William, 323, 331
Shakhovskoy, Ioann, 68, 76n51
Shaporin, Yuri, 283, 284, 312n75
Shaporina, Lyubov, 303, 316n162
Shchedrin, Rodion, Concerto for Orchestra no. 1 (Naughty Limericks), 260
Shebalin, Alissa, 258
Shebalin, Vissarion, 258
Shostakovich, Dmitry, 75n46, 181, 209, 222n128, 258–59, 269n26, 274, 276–80, 282–84, 297–98, 300, 304, 312n67, n76, 313n78, n80, 314n144, 322; Lady Macbeth of the Mtsensk District, 198, 274, 277, 308n7; Piano Quintet in G Minor, 259; Piano Trio no. 2 in E Minor, 259; Symphony no. 5, 259, 274, 277; Symphony no. 6, 259, 274; Symphony no. 7 in C Major (Leningrad), 4, 222n127; Symphony no. 13, 303, 304
Sibelius, Jean, 288
Siloti, Alexander, 256
simultanisme, 32, 54n25, 58n76
Siqueiros, David Alfaro, 144, 145
Six, Les, 22, 24, 41, 53n6, 54n24, 59n97, 180, 219n83
Slobodskaya, Oda, 30, 32, 52n1, 58n75
Slonimsky, Sergey, 298
Smallens, Alexander, 55n34
Sociedad Nacional de Música, 173n30
Société privée de musique de chambre, 275
Sol, El, 148
Soldevila, Pedro, 189, 217n49
Sollertinsky, Ivan, 68, 75n46
Solovyov, Vladimir, 110, 119, 191, 217n60
Sophocles, 104n11, 240; Antigone, 240n
Sorbonne, 67
Soumagnac, Myriam, 225–27, 247, 251, 253n32, 254n39, n40, n42
Soupault, Philippe, 55n27, 58n79
Souris, André, 54n26
South Africa, 54n18, 295, 315n125
Sovetskaya kul'tura, 281
Soviet Union, 3, 58n81, n82, 63, 68, 73, 75n45, n46, 107, 108, 136, 154, 170, 181, 196, 220n91, 257, 269n17, 276, 283, 304, 312n67, 313n80, n88, n93, 314n96, 315n136, 316n160, 324, 329, 343; ballet in, 77n71, 314n103; Cold War between U.S. and, 273–81, 299; Communist Party of, 3, 259, 312n78, 313n86; and émigrés, 108, 127–28; musical tastes in, 181, 183, 232, 242, 243, 310n35; reception of Stravinsky’s music in, 257–60, 268n12, 269n17, n27, 278; Stalinist, 109, 278, 322 (see also Stalin, Joseph); Stravinsky’s visit, 4, 8, 17, 18n5, n6, 69, 71, 273, 278, 279, 286, 290, 291, 297–300, 306, 310n35, 314n108; see also cities and towns
Spain, 27, 162, 175n58, 177–79, 214n3, 216n30, 217n49, 220n96; aristocracy in, 159, 189; civil war in, 153, 154; concert tours in, 143, 146–48, 152–53, 183, 215n17, 217n48; Republic, 161, 180, 181, 198, 219n90, 220n91; see also cities and towns
Spratling, William, 144, 145
Sprout, Leslie, 309n17
Stalin, Joseph, 72, 75n31, 259, 274, 278, 280, 281, 287, 308n8, 313n87, 323
Stasov, Vladimir, 56n42
Steinberg, Maximilian, 212, 314n104
Steiner, George, 12, 19n25, 65
Steinway pianos, 190, 217n52
Stiedry, Fritz, 257, 258, 268n12
Stockhausen, Karlheinz, 278, 285, 294, 302, 313n80
Stokowski, Leopold, 212
Straight, Michael Whitney, 3
Strauss, Richard, 37, 48, 313n91, 348n104; An Alpine Symphony, 328; Sinfonica Domestica, 240, 328
Stravinsky, Anna Krillovna (mother), 4, 17, 63, 123n9
Stravinsky, Fyodor (father), 61, 62, 63–67, 71, 73n7, 211, 290, 296, 298, 321
Stravinsky, Gury (brother), 149, 150, 167
Stravinsky, Igor: in Argentina, 153–60, 175n58, n67, 179–80, 182, 197–200, 214n8, n10, 219n85, n87, 220n91; birth and childhood of, 4, 149, 316n155; in Chile, 179, 181, 210–14, 222n130; and Cold War politics, 275–78, 309n22, n23, 310n35; at conservatory, 23, 44, 187, 205, 213, 216n36, 223n141, 255; death of, 3; deaths of family members and relatives of, 4, 17, 19n24; declining health of, 73, 313n90; in England, 152, 173n20; family background of, 4, 61, 149; first marriage of, 61, 68, 148; in France, 149, 152, 176n98, 215n26, 216n29, n38, 217n60, 220n92, n100, 222n119, 273, 275–77, 309n32, n33, 320, 321; in Germany, 152, 219n88, 312n71; Harvard lectures of, 6, 141, 220n95, 247, 319, 322, 324; in Israel, 293, 315n116; in Italy, 152; library of, 61–77; in Los Angeles, 61, 142, 143, 146, 170–71, 176n93, n98, 210–14, 222n131, 311n46; in Mexico, 141–45, 161–65, 172n15, 173n22, 175n78, 177, 179, 181–82, 200–210, 214n7, n12, 220n94, n97, 221n103, n104, n113, 222n116, n121, 285, 313n85; Nabokov on, 319–20; neoclassicism of, 8, 9, 12, 26, 55n32, 59, 79, 83, 105–26, 150, 267, 275, 277, 309n17, 322 (see also Index of Works); and New York, 326; photo albums of, 148–50; and religion, 68, 129, 131, 191, 196, 215n23, 322, 339; second marriage of, 4, 17, 148, 109, 308n1; during Second World War, 4, 19n23, 161, 324; in South Africa, 295, 315n125; Soviet reception of, 257–60, 268n12, 269n17, n27, 278; in Spain, 143, 146–48, 152–53, 177–80, 183–96, 214n1, n3, n6, n12, 215n17, n24, 216nn30–33, n41, n45, 217n48, n53, n55, n56, 218n66, 219n78, 223n137; Suvchinsky’s correspondence with, 69, 226, 267, 271n64, 278–87, 289–91, 293–95, 308n8, 312n70, 313n82, 315n117, n124; in Switzerland, 4, 7, 63, 321; travel companions of, 148–49, 151–53, 174n44; in United States, 141, 152, 170, 189, 190, 217n51, 218n68, 222n116, 274, 308n10, 320, 324; visit to Soviet Union of, 4, 8, 17, 18n5, n6, 69, 71, 259–60, 273, 278, 279, 286, 290, 291, 297–300, 306, 310n35, 312n76, 314n108, 315n117, n136; on Tchaikovsky, 56n43; at White House, 289, 314n111; Yudina’s correspondence with, 69, 71, 76n58, n60, 278, 279, 284, 290, 311n50, n51, 314n114, 315n135, 317n168, n175
Stravinsky, Lyudmila (Mika; daughter), 4, 17, 61, 67, 68, 148
Stravinsky, Maria Milena (daughter), 148, 303, 316n163
Stravinsky, Soulima (son), 55n31, 155–57, 157, 176n89, 211, 219n87, 223n138, 316n163; concert tours with, 148–49, 153–54, 174n44, 195, 196, 199, 200, 218n64, n72, 219n83, n85, n88, 220n92; Suvchinsky and, 228, 253n18
Stravinsky, Théodore (son), 109, 148, 200, 211, 223n138, 303, 313n90, 316n163
Stravinsky, Vera Arturovna (Vera Sudeikina; second wife of Stravinsky), 3, 61, 68, 148, 149, 215n13, 221n113, 223n138, 277, 279, 283, 287, 289, 296–97, 305, 307, 317n175; in Los Angeles, 141, 170, 211, 212; Lourié and, 107–9; marriage of Igor and, 4, 17, 109, 308n1; in Mexico, 142, 161, 163, 164, 181, 220n97, 221n103; in Soviet Union, 299, 301, 302
Stravinsky, Xenia Yuryevna (niece), 8, 71, 299, 301, 305, 315n130, 316n147
Stravinsky, Yekaterina (first wife), 4, 17, 61, 68, 75n43, 148, 223n138
Stravinsky, Yury (brother), 4, 63, 71, 73n7, 75n43, 299
Strecker, Willi, 242
Sudeikin, Olga, 107
Sudeikin, Sergey, 107
Sur publishing house, 180, 205, 219n81
Surrealism, 25–26, 54n26, 58n75, n78, n79, 181, 195–96, 223n137.
Survage, Léopold, 25, 30, 32–33, 36, 40, 53n2, 54n25
Suvchinsky, Marianna, 280, 285, 288, 296, 297, 300, 304, 306, 311n52, 317n175
Suvchinsky, Pyotr, 61, 107, 109, 138n9, 217n60, 226, 274, 276–97, 309n20, n33, 310n38, 311n45, n48, n52, 312n67, 313n96, 316n151, 333; collaboration on Poétique musicale, 6, 66, 120, 225–46, 251, 252n6, n9, 254n35, 274; Lourié and, 127–29; Stravinsky’s correspondence with, 69, 226, 267, 271n64, 278–87, 289–91, 293–95, 308n8, 312n70, 313n82, 315n117, n124; Yudina’s correspondence with, 66, 71, 76n58, 278, 279, 281, 283, 287, 288, 292, 294–97, 300–307, 310n36, n39, 311nn47–49, 314n104, 315nn121–23, n127, n128, 317n175
Sviatopolk-Mirsky, Dmitry (D.S. Mirsky), 127, 287, 313–14n96, 341
Sviridov, Georgy, 298
Sweden, 312n71
Switzerland, 4, 7, 12–13, 55n34, 63, 172n15, 282, 312n71, 313n90, 321, 326
Symbolism, 128, 265–66, 328, 330
Tagliavini, Heidi, 310n35
Tahiti, 285, 312n71
Tailleferre, Germaine, 53n6
Tanguy, Yves, 211, 223n137
Tansman, Alexandre, 176n99
Tar
uskin, Richard, 18n13, 21, 59n97, 64, 74n12, n24, 169, 179, 261, 262, 270n46, 326, 327, 330.
Taxco (Mexico), 144, 163, 164
Tchaikovsky, Modest, 66
Tchaikovsky, Pyotr, 43, 51, 61, 65, 66, 73n7, 68–69, 178, 183, 209, 216n36, 240, 242, 259, 261, 324, 326, 328; Belyayev circle and, 268n1; homosexuality of, 167–68; Mavra and, 22–23, 27, 29, 30, 34, 36, 46–47, 54n17, n21, 189, 341; Stravinsky on, 56n13; Stravinsky’s use of his melodies, 8, 162–65; works: Aurora’s Wedding (Le Marriage de la belle au bois dormant), 22, 39, 56n44, 58n72, 187; 1812 Overture, 187; Eugene Onegin, 45, 46, 187, 342; Humoresque, 163, 165; The Nutcracker, 187, 216n36; Queen of Spades, 46, 187; Réverie du soir, 163–65; Serenade for Strings, 258; Sleeping Beauty, 14, 22, 56n43, 164; Symphony no. 2, 141, 182, 220n94; Symphony no. 4, 236n; Symphony no. 5, 231n
Tchaikovsky Competition, 288, 313n81, 314n100
Tcherepnin, Alexander, Prelude to The Distant Princess, 216n32
Teatro Colón (Buenos Aires), 153, 180, 197, 199, 205, 219n85, 221n111
Teatro Real (Madrid), 146, 148, 183, 189, 215n17, 216n32, n41
Tenroc, Charles, 56n45
Tepotzotlán, 162
Terapiano, Irina, 67
Teresa of Avila, St., 191, 217n58
Tereshchenko, Alexander, 74n8
Theresa of Child Jesus, St., 191
Thomas Aquinas, St., 122, 130, 191
Thomson, Virgil, 325
Time magazine, 4
Times (London), The, 22
Tishchenko, Boris, 298
Toledo (Spain), 147
Tolstoy, Leo, 66, 73n7, 283, 312n70, 327–29, 341
Toltec, 214n7
Torre, Guillermo de, 219n81
Toscanini, Arturo, 4, 109
Trubetskoy, Nikolay, 127
Trutovsky, Vasily, 51, 59n98
Tsvetaeva, Marina, 127–28
Tudor, David, 313n80
Turgenev, Ivan, 324
Turina, Joaquín, 148, 173n22
Turku Philharmonic Orchestra, 312n64
Tzara, Tristan, 22, 24, 39, 54n25, 58n72, n73, nn75–79, 59n91; “News of the Seven Arts in Europe,” 39–41
Uglov, Anton, 257
Ukraine, 232, 242, 274, 310n39; National Chorus, 205, 221n110
Ultimas noticias (Mexico City), 208–10
Union of Soviet Composers, 281–84, 293, 298, 300, 311n56, 312n66, n76, 313n80, n81, 315n124
United States, 22, 54n18, 111, 144, 154, 159, 200, 204, 208, 218n68, 222n127, 281, 309n21; Chávez in, 181–82; Cold War between Soviet Union and, 273–81, 299; House Committee on Un-American Activities, 309n25; Lourié in, 107, 109, 110; Nabokov in, 320, 325–26, 343; National Endowment for the Arts, 3; orchestras in, 210 (see also specific orchestras); Russian Orthodox Church in, 68; State Department, 289; Stravinsky’s immigration to, 142, 143, 170, 172n9; Stravinsky in, 4, 8, 12, 17, 19n23, 61, 67, 74, 109, 189–90, 217n51, 269n17, 274–75, 308n10, 325; in World War II, 348n104; see also cities and towns
Stravinsky and His World Page 54