by Claire Adams
Well, that’s new.
Chapter Six
Turn on, Tune in, Drop In
Ian
“You’re mindfucking yourself out of it, man,” Rob says as we stand at the top of the wall. That’s what it is, it’s a fucking wall with a tiny little curve at the bottom that’s supposed to make everything magically better.
Maybe I am mindfucking myself out of it. I wasn’t exactly sure what he means by the phrase, but whatever it is, I think I’m doing it now.
“Yeah, man, just drop in and let your body react the way it’s going to react. If you have any problems after one run, you can address them on the next. You’ll have this thing down in no time, man,” Nick says.
I take a deep breath and look over at my friends, my skating partners, my comrades in arms. “I really wasn’t expecting you guys to be so cool about this,” I tell them. “It’s kind of nice to know I can come to you when I need help, you know. Thanks.”
“Whatever, shit brick, now let’s get you comfortable dropping in so the third-graders stop making fun of you,” Rob says.
“Oh man, third-graders are mean as shit,” Nick adds.
“Really, the two of you are just spectacular,” I tell them, rolling my eyes.
“All right, so you know where you went wrong last time?” Rob asks.
“Yeah,” I answer. “I panicked as soon as the board started going down the side and I curled into a little ball to lessen the impact.”
“I think you curled into a ball before your second foot was even on the board,” Nick says. “So, what are you going to do this time?”
“I’m going to pretend like I have a pair of balls and I’m going to stop being such a little bitch about it,” I answer.
They’ve made that my personal mantra.
“That’s right,” Nick says. “Now put your front foot on the board and guide your weight forward onto the board. You don’t have to fight gravity, just work with it. You’ve rolled up higher banks than this. Just try to remember what your body does when you’re coming down from that. It’s the same thing, just with a lip at the top. It’s half the work, really.”
“All right,” I answer, and I look down.
I don’t know why I ever look down. I’m actually starting to create a fear of heights where none existed before.
“Don’t think about it, just go,” Rob says, and I try to separate my mind from itself long enough to focus attention on what I’m doing as I put my front foot on the board.
I’m putting more weight on the board and it’s tipping downward. So far, I’m doing all right, but as the front wheels slap against the concrete, I’m back in my head, trying to remember whether I’m supposed to crouch down for the curve or whether I was supposed to have already been doing that, so I end up somewhere in between.
My front wheels come to the curve at the bottom and it looks like I might just pull this—and I’m on my ass.
“You know,” I call up to Rob and Nick, “you don’t have to laugh every single time.”
It takes them a full minute to respond.
“It looked better that time,” Rob wheezes when he can finally manage some modicum of control over himself.
“Yeah,” Nick says. “It was like a building being demolished in slow motion.”
“Do you actually have anything useful to add?” I ask, getting to my feet and stomping the tail of my board, catching the nose in my hand.
I really wish we had the park to ourselves, but I’m doing my best to ignore all of the people getting a bonus to their entertainment by watching me humiliate myself.
I’m clenching my teeth as I climb back up to the top of the wall.
“It’s not a question of skill,” Nick says, still fighting random bursts of chuckling. “You know what you’re supposed to do, you just freeze up when it comes time to do it. You’re in your head, man. You need to get out of it.”
“Yeah,” Rob says, “have you ever considered taking up hard drugs? From what I hear, if you get the right stuff, it’ll take you out of your head and put you in a different reality altogether. Now that I think about it, I don’t know if that would really help you drop in, but you’ve got to try something. The competition’s not that far off and you’re not even to the point of putting together some ideas of what you want to do, you’re still worried about being able to start the fucking round.”
“Thanks,” I tell Rob. “I was in my head before, but I have a feeling that’s going to do wonders for my confidence. Really, you’re a humanitarian,” I tell him.
“Yeah, whatever,” he says. “I’m just trying to get you mad. When you get mad, you get determined, and when you get determined, you stop being such a little bitch about everything. That’s when you get work done.”
“So the only time I’m not a bitch is when I’m mad?” I ask.
“Yeah,” Rob says. “Now go prove me wrong, bitch!”
Not being much for pads or, well, playing with inflatable balls—let that phrase sink in for a second—I’ve never had the big inspirational locker room speech. I still haven’t. At the same time, though, I am feeling a renewed sense of purpose.
I have to get this down, but I’m not going to think about that right now. Right now, I’m just going to see myself doing it in my head.
I visualize putting my front foot on the board and leaning in. I see the board coming down onto the concrete and rolling down the side of the incline. I see the board coming to the curve and, right where I usually bail, I see myself hurtling toward the cement, unable to do anything to stop the impact, and my imagination goes dark.
“Well, that’s disturbing,” I mutter.
“What was that?” Rob asks.
I don’t answer. I just focus on the sound of my own breath, controlled, purposeful.
I’m out of my head.
It doesn’t even bother me when Nick nudges my arm and whispers in my ear, “You know, I’ve seen Hawk dropping into a halfpipe with his kid standing on the board between his feet.”
I am my foot coming down on the front half of the board, and I am the board as it tilts downward once more. The wheels roll between the wood and the hard surface beneath it, and I am all of these as I come up to the curve at the bottom.
I am my body crouching down to better facilitate the transition from vertical motion to horizontal motion, and I am the trucks responding to the changing angle of the obstacle, and now I’m the soles of my shoes as I ditch the board and run out of it, managing to stay on my feet until I come to a complete stop.
“Well, that was just disappointing,” Nick says.
“Yeah,” Rob bats back, “if you’re going to bitch out, the least you could do is give us the pleasure of watching your body colliding with the ground at odd speeds and funny angles.”
At least this time I stayed on my feet.
I’ve done the math, and no matter what kind of score I get in the street round or in the best trick competition, if I don’t reach at least the middle of the pack on the vert ramp, it’s going to be mathematically impossible for me to come away with the win.
The worst-kept secret about this competition is that Iliad is going to sponsor whoever comes away with the goal. I’ve gotten minor offers for sponsorship, and I’ve even taken a few people up on their offer—that’s why I’m never out of fresh beanies—but Iliad would be the game changer.
Not only would I get that sponsorship, but I would get invites to the next round of pro contests and exhibitions. It’s basically the career-maker special.
All I have to do is figure out how to drop in.
I’m not even worried about what happens when I come back up the other side and catch air. I’ve caught plenty of air off of straight vertical jumps. That’s not a problem. I’m as comfortable with that as I am with anything.
Maybe that’s it.
When I climb back to the top of the wall, I’m just as tense, but it’s a different kind of tension. It’s the tension of anticipation.
I think
I’ve figured it out.
“You ready to get this right?” Rob asks.
I just nod.
I’m in my zone now. Rob was wrong. It’s not anger that pulls out the determination in me: it is epiphany.
Every time I’m trying to get a new trick and it’s just not clicking, I run into a veritable brick wall time and time again until something clicks in my head and I finally understand the process behind what I’m trying to do.
“I’m not going to drop in from the lip this time,” I tell Rob and Nick. “I’m going to jump in.”
“That doesn’t seem like such a good idea,” Rob says.
“No, it is. I know how to land on something like this. I’m just all fucked up about the long roll in after adjusting from the lip,” I tell him. “If I can get it through my head that dropping in isn’t really different from landing something like this, I’m golden. Then I can start focusing on my all around work instead of parking my brain at the top of this fucking wall all day and night.”
“If you think it’ll help,” Nick says. “I’m with Rob, though. I think you should get first to easing in before you start trying to be Captain America.”
Rob and Nick spend a few moments discussing whether or not the character Captain America was ever on a skateboard, but neither of them being comic book fans, the debate dies pretty quickly.
Me, I’m transfixed, and unfortunately, it’s not on my little moment of clarity.
On the other side of the park is a group of people about my age, some of them skating, but most of them just sitting back and chatting together. I’ve been to this skate park countless times. I have never seen her here, not once, and the one time she decides to show up, it has to be right now, while I’m standing on top of this wall with these two douchebags, getting ready to jump in and probably leave a pint or two of my vital fluid on the concrete below.
Yeah, I’m really looking forward to this.
I’m trying not to make it obvious that I’m keeping an eye on Mia out of my periphery, making sure she’s not looking as I approach the side of the wall. I’ve got to stop thinking about this as a wall and start thinking of it as a vert ramp, but as I look down to plan my drop in, all I can think are those four letters: W-A-L-L.
It’s okay. This is going to be okay.
Things are a little awkward between Mia and me ever since her dad came in while we were talking and decided I was the antichrist. Maybe dropping in will give me the confidence to skate over there and see if she’d like to try to find a time to delegate out responsibilities for the rest of the project.
Not that I’m really thinking about the project right now.
I’m not thinking about what I should be thinking about, either, which is taking a flying leap down the side of the ramp and coming out at the bottom, still on the board.
Don’t think about it. Just do it. Don’t think about it. Just do it. Don’t think about it. Just do it.
My board is hanging from my hand vertically, and one foot, and now the other foot, is in the air. I get the board under my feet and my body angled for the ride down. Before the wheels even touch the upper portion of the ramp, I’m already feeling more comfortable doing this.
I do this a few times and then practice dropping in from a smaller lip and I’ll have this thing figured out in no time.
That’s the last willed thought that goes through my head as the wheels come down against the flow of inertia and, although I try to correct the angle, the board comes out from beneath me and I’m still halfway up the ramp.
The rest is just a deceptively long journey into the inevitable.
I manage some version of the tuck and roll and, although I don’t come out on my feet, I’m generally spared a harder impact. Still, when I hear the gasping, for a moment, I think it’s coming from me and I almost lose what’s left of my head until I realize it’s the sound of neither Nick nor Rob being able to get enough air to laugh at me properly.
The best I can do is try to hurry to my feet, but Rob catches his voice, as does Nick a moment later, and the sound may as well be trumpets heralding my inadequacy to any and all within earshot.
I’m walking with my back toward the greater portion of the skate park as I go to retrieve my board, but I can only pretend like I’m the only one who can hear the two of them so long before I turn back around and see everyone, including Mia and that friend of hers, looking in my direction, most of them pointing and all of them laughing.
There’s no sympathy whatsoever.
Assholes.
* * *
I manage to get home with a sliver of dignity, but you have to really want to see it.
Mom’s home health nurse, Jackie, is running water for Mom’s evening coffee. Dad… I don’t really know where Dad is right now. He’s probably at some fundraiser or something.
Dad and Mom were never really close, at least not from anything I can remember, but he’s always made sure she’s well taken care of. The thing is, in my dad’s book, being around someone, spending time with them, savoring what moments of clarity she has don’t really come under the definition of caretaking.
Dad’s real love has always been his work, but at least Mom’s got Jackie.
“How are you doing tonight, Jackie?” I ask. “Have you thought about you and me and my plan for the two of us to run away together?”
“I have,” Jackie says in her matter-of-fact, New England way. “I must tell you that I have some concerns.”
“Such as?” I ask.
“Well, first off, you are far too young for me. You’re what, 17?” she asks.
“Twenty-one,” I answer. “I’m legal, baby.”
She gives a throaty laugh. “I’ve got you by 30 years,” she says. “What are you doing flirting with someone so much older than you?”
“I can’t help it,” I tell her. “You put a spell on me with your wiles. The way you put those coffee grounds into the filter—it’s just magic.”
“You’re an odd young man, you know that?” Jackie asks.
“I’ve heard such rumors before and I categorically deny them all,” I answer. “How’s Mom today?”
“She’s having a bit of a rough one,” Jackie sighs. “When she woke up, she was her old self, but she’s been losing touch more and more.”
“Yeah,” I mutter. “I guess that’s what we expected, though, right?”
“Listen,” Jackie says, “I hear that you have some big competition coming up. Is that right?”
“Yeah,” I answer. “It’s still a little bit off, but it’s coming up quick.”
“I was wondering if you could do me a favor,” she says.
“What’s that?” I ask.
“Well, the competition’s going to be broadcast on ESPN, right?” she asks.
“I think it’s something like ESPN Four or something like that,” I answer, “but yeah, if you’ve got extremely extended cable, you should be able to pick it up. Why?”
“I was wondering if you and your father have talked about the possibility of your mother going to the competition with you,” Jackie says.
I close my eyes and take a slow breath. “I don’t think that’s such a good idea,” I tell Jackie.
“I think it would be nice for her, when she’s having days like today, to be able to see a video of you and her and see how successful her son is,” Jackie says.
“Do you really think Mom’s up for something like that, though?” I ask. “I talk to her every day, Jackie. I know how she’s been doing.”
“There comes a point in treatment when there’s simply not much more you can do,” Jackie starts. “Medication has given her some time that she wouldn’t have had otherwise, but there are going to be more days like today. Sometimes you just have to do whatever you can and hope that something helps, even temporarily. Would you at least consider it?”
“I don’t know,” I answer. “It just seems like she’s having more time, even around close family. I don’t think that putting her in a crowd
of a few hundred or thousand people would be such a—”
“These competitions really draw out hundreds of thousands of people?” Jackie asks.
I look at her quietly a moment, blinking a few times. “No,” I tell her, “a few hundred or a few thousand. Something like this, it’s hard to tell what turnout’s going to be like. It’s more likely going to be a few hundred, but you never know. Sometimes people get that wild hair up their ass and show up—it doesn’t really matter whether it is a hundred or a hundred thousand, though, does it?” I ask. “She can’t go, can she?”
“No,” Jackie sighs. “She can’t.”
“Then why would you bring up her going as a possibility for me to consider?” I ask.
“I wanted you to know that she wouldn’t be able to go and I wanted you to come to that realization on your own,” she answers. “I’m sorry. I thought it would be the most diplomatic approach. I screwed up.”
“I don’t understand why you’d do that,” I tell her.
“Well,” she says, “I thought it would be mean to just come in here and tell you that your mom wouldn’t be able to come to your big competition, so rather than doing that, I thought that if I brought up the possibility of her going, you’d kind of get there on your own.”
“Is she up?” I ask.
“Yeah,” Jackie says. “I’m sorry. Should I have just told you she wouldn’t have been able to make it?”
Jackie’s problem is that she never wants to make anyone feel bad about anything, ever. That sounds very nice and flowery and all that, but it leads to some of the most brutal situations I’ve ever encountered.
This one’s just confusing, though. “I didn’t expect that she’d be able to make it,” I tell Jackie. “She hasn’t been able to come to any of my competitions for a while now. Why would I think this one was any different?”
“I don’t know,” Jackie says. “I’ve just heard you and your friends talking about it.”
“When have you heard me and my friends talking about it?” I ask. “I haven’t had anyone over in a long time. I always meet my friends at the skate park.”