Darkness and Dawn

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by George England


  "These must certainly be the canoes of the attacking force from northward, the force that fought the Horde the night before we took a hand in the matter; fought, and were beaten, and—devoured," said Stern.

  And with a practical eye, wise and cool even despite the pain of his wounded arm, he examined three or four of the boats as best he could by moonlight.

  The girl and he agreed on one to use.

  "Yes, this looks like the most suitable," judged the engineer, indicating a rough, banca-like craft nearly sixteen feet long, which had been carved and scraped and burned out of a single log.

  He helped Beatrice in, then cast off the rope. In the bottom lay six paddles of the most degraded state of workmanship. They showed no trace of decoration whatsoever, and the lowest savages of the pre-cataclysmic era had invariably attempted some crude form of art on nearly every implement.

  The girl took up one of the paddles.

  "Which way? Up-stream?" asked she. "No, no, you mustn't even try to use that arm."

  "Why paddle at all?" Stern answered. "See here."

  He pointed where a short and crooked mast lay, unstopped, along the side. Lashed to it was a sail of rawhides, clumsily caught together with thongs, heavy and stiff, yet full of promise.

  Stern laughed.

  "Back to the coracle stage again," said he. "Back to Caesar's time, and way beyond!" And he lifted one end of the mast. "Here we've got the Seuvian pellis pro velis, the 'skins for sails' all over again—only more so. Well, no matter. Up she goes!"

  Together they stepped the mast and spread the sail. The engineer took his place in the stern, a paddle in his left hand. He dipped it, and the ripples glinted away.

  "Now," said he, in a voice that left no room for argument, "now, you curl up in the tiger-skin and go to sleep! This is my job."

  The sail caught the breath of the breeze. The banca moved slowly forward, trailing its wake like widening lines of silver in the moonlight.

  And Beatrice, strong in her trust of him, her confidence and love, lay down to sleep while the wounded man steered on and on, and watched her and protected her. And over all the stars, a glory in the summer sky, kept silent vigil.

  Dawn broke, all a flame of gold and crimson, as they landed in a sheltered little bay on the west shore.

  Here, though the forest stood unbroken in thick ranges all along the background, it had not yet invaded the slope that led back from the pebbly beach. And through the tangle of what once must have been a splendid orchard, they caught a glimpse of white walls overgrown with a mad profusion of wild roses, wisterias and columbines.

  "This was once upon a time the summer-place, the big concrete bungalow and all, of Harrison Van Amburg. You know the billionaire, the wheat man? It used to be all his in the long ago. He built it for all time of a material that time can never change. It was his. Well, it's ours now. Our home!"

  Together they stood upon the shelving beach, lapped by the river. Somewhere in the woods behind them a robin was caroling with liquid harmony.

  Stern drew the rude boat up. Then, breathing deep, he faced the morning.

  "You and I, Beatrice," said he, and took her hand. "Just you—and I!"

  "And love!" she whispered.

  "And hope, and life! And the earth reborn. The arts and sciences, language and letters, truth, 'all the glories of the world' handed down through us!

  "Listen! The race of men, our race, must live again—shall live! Again the forests and the plains shall be the conquest of our blood. Once more shall cities gleam and tower, ships sail the sea, and the world go on to greater wisdom, better things!

  "A kinder and a saner world this time. No misery, no war, no poverty, woe, strife, creeds, oppression, tears—for we are wiser than those other folk, and there shall be no error."

  He paused, his face irradiate. To him recurred the prophecy of Ingersoll, the greatest orator of that other time. And very slowly he spoke again:

  "Beatrice, it shall be a world where thrones have crumbled and where kings are dust. The aristocracy of idleness shall reign no more! A world without a slave. Man shall at last be free!

  "'A world at peace, adorned by every form of art, with music's myriad voices thrilled, while lips are rich with words of love and truth. A world in which no exile sighs, no prisoner mourns; a world on which the gibbet's shadow shall not fall.

  "'A race without disease of flesh or brain, shapely and fair, the wedded harmony of form and function. And as I look, life lengthens, joy deepens, and over all in the great dome shines the eternal star of human hope!'"

  "And love?" she smiled again, a deep and sacred meaning in her words. Within her stirred the universal motherhood, the hope of everything, the call of the unborn, the insistent voice of the race that was to be.

  "And love!" he answered, his voice now very tender, very grave.

  Tired, yet strong, he looked upon her. And as he looked his eyes grew deep and eager.

  Sweet as the honey of Hymettus was the perfume of the orchard, all a powder of white and rosy blooms, among which the bees, pollen-dusted, labored, at their joyous, fructifying task. Fresh, the morning breeze. Clear, warm, radiant, the sun of June; the summer sun uprising far beyond the shining hills.

  Life everywhere—and love!

  Love, too, for them. For this man, this woman, love; the mystery, the pleasure and the eternal pain.

  With his unhurt arm he circled her. He bent, he drew her to him, as she raised her face to his.

  And for the first time his mouth sought hers.

  Their lips, long hungry for this madness, met there and blended in a kiss of passion and of joy.

  BOOK II - BEYOND THE GREAT OBLIVION

  *

  Chapter I - Beginnings

  *

  A thousand years of darkness and decay! A thousand years of blight, brutality, and atavism; of Nature overwhelming all man's work, of crumbling cities and of forgotten civilization, of stupefaction, of death! A thousand years of night!

  Two human beings, all alone in that vast wilderness—a woman and a man.

  The past, irrevocable; the present, fraught with problems, perils, and alarms; the future—what?

  A thousand years!

  Yet, though this thousand years had seemingly smeared away all semblance of the world of men from the cosmic canvas, Allan Stern and Beatrice Kendrick thrilled with as vital a passion as though that vast, oblivious age lay not between them and the time that was.

  And their long kiss, there in sight of their new home-to-be—alone there in that desolated world—was as natural as the summer breeze, the liquid melody of the red-breast on the blossomy apple-bough above their heads, the white and purple spikes of odorous lilacs along the vine-grown stone wall, the gold and purple dawn now breaking over the distant reaches of the river.

  Thus were these two betrothed, this sole surviving pair of human beings.

  Thus, as the new day burned to living flame up the inverted bowl of sky, this woman and this man pledged each other their love and loyalty and trust.

  Thus they stood together, his left arm about her warm, lithe body, clad as she was only in her tiger-skin. Their eyes met and held true, there in the golden glory of the dawn. Unafraid, she read the message in the depths of his, the invitation, the command; and they both foreknew the future.

  Beatrice spoke first, flushing a little as she drew toward him.

  "Allan," she said with infinite tenderness, even as a mother might speak to a well-loved son, "Allan, come now and let me dress your wound. That's the first thing to do. Come, let me see your arm."

  He smiled a little, and with his broad, brown hand stroked back the spun silk of her hair, its mass transfixed by the raw gold pins he had found for her among the ruins of New York.

  "No, no!" he objected. "It's nothing—it's not worth bothering about. I'll be all right in a day or two. My flesh heals almost at once, without any care. You don't realize how healthy I am."

  "I know, dear, but it must hurt you t
erribly!"

  "Hurt? How could I feel any pain with your kiss on my mouth?"

  "Come!" she again repeated with insistence, and pointed toward the beach where their banca lay on the sand.

  "Come, I'll dress your wound first. And after I find out just how badly you're injured—"

  He tried to stop her mouth with kisses, but she evaded him.

  "No, no!" she cried. "Not now—not now!"

  Allan had to cede. And now presently there he knelt on the fine white sand, his bearskin robe opened and flung back, his well-knit shoulder and sinewed arm bare and brown.

  "Well, is it fatal?" he jested. "How long do you give me to survive it?" as with her hand and the cold limpid water of the Hudson she started to lave the caked blood away from his gashed triceps.

  At sight of the wound she looked grave, but made no comment. She had no bandages; but with the woodland skill she had developed in the past weeks of life in close touch with nature, she bound the cleansed wound with cooling leaves and fastened them securely in place with lashings of leather thongs from the banca.

  Presently the task was done. Stern slipped his bearskin back in place. Beatrice, still solicitous, tried to clasp the silver buckle that held it; but he, unable to restrain himself, caught her hand in both of his and crushed it to his lips.

  Then he took her perfect face between his palms, and for a long moment studied it. He looked at her waving hair, luxuriant and glinting rich brown gleams in the sunlight; her thick, arched brows and hazel eyes, liquid and full of mystery as woodland pools; her skin, sun-browned and satiny, with abundant tides of life-blood coursing vigorously in its warm flush; her ripe lips. He studied her, and loved and yearned toward her; and in him the passion leaped up like living flames.

  His mouth met hers again.

  "My beloved!" breathed he.

  Her rounded arm, bare to the shoulder, circled his neck; she hid her face in his breast.

  "Not yet—not yet!" she whispered.

  On the white and pink flowered bough above, the robin, unafraid, gushed into a very madness of golden song. And now the sun, higher risen, had struck the river into a broad sheet of spun metal, over which the swallows—even as in the olden days—darted and spiraled, with now and then a flick and dash of spray.

  Far off, wool-white winding-sheets of mist were lifting, lagging along the purple hills, clothed with inviolate forest.

  Again the man tried to raise her head, to burn his kisses on her mouth. But she, instilled with the eternal spirit of woman, denied him.

  "No, not now—not yet!" she said; and in her eyes he read her meaning. "You must let me go now, Allan. There's so much to do; we've got to be practical, you know."

  "Practical! When I—I love—"

  "Yes, I know, dear. But there's so much to be done first." Her womanly homemaking instinct would not be gainsaid. "There's so much work! We've got the place to explore, and the house to put in order, and—oh, thousands of things! And we must be very sensible and very wise, you and I, boy. We're not children, you know. Now that we've lost our home in the Metropolitan Tower, everything's got to be done over again."

  "Except to learn to love you!" answered Stern, letting her go with reluctance.

  She laughed back at him over her fur-clad shoulder as her sandaled feet followed the dim remnants of what must once have been a broad driveway from the river road along the beach, leading up to the bungalow.

  Through the encroaching forest and the tangle of the degenerate apple-trees they could see the concrete walls, with here or there a bit of white still gleaming through the enlacements of ancient vines that had enveloped the whole structure—woodbine, ivy, wisterias, and the maddest jungle of climbing roses, red and yellow, that ever made a nest for love.

  "Wait, I'll go first and clear the way for you," he said cheerily. His big bulk crashed down the undergrowth. His hands held back the thorns and briers and the whipping hardbacks. Together they slowly made way toward the house.

  The orchard had lost all semblance of regularity, for in the thousand years since the hand of man had pruned or cared for it Mother Nature had planted and replanted it times beyond counting. Small and gnarled and crooked the trees were, as the spine-tree souls in Dante's dolorosa selva.

  Here or there a pine had rooted and grown tall, killing the lesser tribe of green things underneath.

  Warm lay the sun there. A pleasant carpet of last year's leaves and pine-spills covered the earth.

  "It's all ready and waiting for us, all embowered and carpeted for love," said Allan musingly. "I wonder what old Van Amburg would think of his estate if he could see it now? And what would he say to our having it? You know, Van was pretty ugly to me at one time about my political opinion—but that's all past and forgotten now. Only this is certainly an odd turn of fate."

  He helped the girl over a fallen log, rotted with moss and lichens. "It's one awful mess, sure as you're born. But as quick as my arm gets back into shape, we'll have order out of chaos before you know it. Some fine day you and I will drive our sixty horse-power car up an asphalt road here, and—"

  "A car? Why, what do you mean? There's not such a thing left in the whole world as a car!"

  The engineer tapped his forehead with his finger.

  "Oh, yes, there is. I've got several models right here. You just wait till you see the workshop I'm going to install on the bank of the river with current-power, and with an electric light plant for the whole place, and with—"

  Beatrice laughed.

  "You dear, big, dreaming boy!" she interrupted. Then with a kiss she took his hand.

  "Come," said she. "We're home now. And there's work to do."

  Chapter II - Settling Down

  *

  Together, in the comradeship of love and trust and mutual understanding, they reached the somewhat open space before the bungalow, where once the road had ended in a stone-paved drive. Allan's wounded arm, had he but sensed it, was beginning to pain more than a little. But he was oblivious. His love, the fire of spring that burned in his blood, the lure of this great adventuring, banished all consciousness of ill.

  Parting a thicket, they reached the steps. And for a while they stood there, hand in hand, silent and thrilled with vast, strange thoughts, dreaming of what must be. In their eyes lay mirrored the future of the human race. The light that glowed in them evoked the glories of the dawn of life again, after ten centuries of black oblivion.

  "Our home now!" he told her, very gently, and again he kissed her, but this time on the forehead. "Ours when we shall have reclaimed it and made it ours. See the yellow roses, dear? They symbolize our golden future. The red, red roses? Our passion and our pain!"

  The girl made no answer, but tears gathered in her eyes—tears from the deepest wells of the soul. She brought his hand to her lips.

  "Ours!" she whispered tremblingly.

  They stood there together for a little space, silent and glad. From an oak that shaded the porch a squirrel chippered at them. A sparrow—larger now than the sparrows they remembered in the time that was—peered out at them, wondering but unafraid, from its nest under the eaves; at them, the first humans it had ever seen.

  "We've got a tenant already, haven't we?" smiled Allan. "Well, I guess we sha'n't have to disturb her, unless perhaps for a while, when I cut away this poison ivy here." He pointed at the glossy triple leaf. "No poisonous thing, whether plant, snake, spider, or insect, is going to stay in this Eden!" he concluded, with a laugh.

  Together, with a strange sense of violating the spirit of the past, they went up the concrete steps, untrodden now by human feet for ten centuries.

  The massive blocks were still intact for the most part, for old Van Amburg had builded with endless care and with no remotest regard for cost. Here a vine, there a sapling had managed to insinuate a tap-root in some crack made by the frost, but the damage was trifling. Except for the falling of a part of a cornice, the building was complete. But it was hidden in vines and mold. Moss, lichen
s and weeds grew on the steps, flourishing in the detritus that had accumulated.

  Allan dug the toe of his sandal into the loose drift of dead leaves and pine-spills that littered the broad piazza.

  "It'll need more than a vacuum cleaner to put this in shape!" said he. "Well, the sooner we get at it, the better. We'd do well to take a look at the inside."

  The front door, one-time built of oaken planks studded with hand-worked nails and banded with huge wrought-iron hinges, now hung there a mere shell of itself, worm-eaten, crumbling, disintegrated.

  With no tools but his naked hands Stern tore and battered it away. A thick, pungent haze of dust arose, yellow in the morning sunlight that presently, for the first time in a thousand years, fell warm and bright across the cob-webbed front hallway, through the aperture.

  Room by room Allan and Beatrice explored. The bungalow was practically stripped bare by time.

  "Only moth and rust," sighed the girl. "The same story everywhere we go. But—well, never mind. We'll soon have it looking homelike. Make me a broom, dear, and I'll sweep out the worst of it at once."

  Talking now in terms of practical detail, with romance for the hour displaced by harsh reality, they examined the entire house.

  Of the once magnificent furnishings, only dust-piles, splinters and punky rubbish remained. Through the rotted plank shutters, that hung drunkenly awry from rust-eaten hinges, long spears of sunlight wanly illuminated the wreck of all that had once been the lavish home of a billionaire.

  Rugs, paintings, furniture, bibelots, treasures of all kinds now lay commingled in mournful decay. In what had evidently been the music room, overlooking the grounds to southward, the grand piano now was only a mass of rusted frame, twisted and broken fragments of wire and a considerable heap of wood-detritus, with a couple of corroded pedals buried in the pile.

  "And this was the famous hundred-thousand-dollar harp of Sara, his daughter, that the papers used to talk so much about, you remember?" asked the girl, stirring with her foot a few mournful bits of rubbish that lay near the piano.

 

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