by Tess Stimson
For four weeks, all I could think about was when Rowan comes home. My entire being was focused on that one event, like a small child looking forward to Christmas, unable to imagine a day that might come afterwards. I should—I do—feel relieved, thankful, grateful, and happy. I bathe my babies, savoring their laughter, reveling in the extraordinary resilience of childhood. They wake the next morning in bed beside me, squawking for breakfast, warm and soft and sweet-smelling, and my heart sings as I pull them into my arms. I feel lucky, blessed, as if I’ve been given a rare second chance.
I also feel bleak and empty, as if a Siberian wind has swept through me and hollowed me out. I want to crawl into a cold, dark place and hide.
Brendan, the young policeman who seemed more sympathetic than his colleagues when Rowan disappeared, and who stopped by almost every day even when there was no news, arrives shortly after our return with shiny blue helium balloons and a bottle of champagne.
“You’re not pressing charges?” he asks, incredulous, as we open the champagne in the kitchen, even though it’s barely nine-thirty in the morning.
“I keep telling her,” Jenna scowls.
“He agreed to let me bring Rowan back,” I say evenly. “He has enough to worry about. He has no job, no money, nowhere to live. He’s the twins’ father. Sooner or later, we have to start mending bridges.”
Marc calls me a week later from a small flat he’s rented in Clapham. “I’m not ready,” I tell him. “Just give me a little more time.”
I throw myself into work, but it doesn’t have the same power of distraction it used to. Every time the doorbell in the shop rings, I look up, despising myself for my foolishness. You made the right decision, I tell myself firmly. If Cooper can’t understand that, it’s just proof it would never have worked.
Ten days after we return from Beirut, a bouquet of hyacinths arrives at home. Hyacinths: You love me and destroy me. Furiously, I throw them into the dustbin, and then spend half an hour fishing them out and rearranging them in a glass vase.
“Those look pretty,” Jenna says when she comes in; and is then thrown into confusion when I burst into tears.
At Jenna’s insistence, I go to the doctor, who diagnoses post-traumatic stress and prescribes me Lexapro for depression and Xanax to calm me down. I throw the prescription in the rubbish bin on my way out of the office, and stop off at Patrick Cox on the way home for a new pair of shoes.
When I get back, Jenna is sitting on the bottom stair, holding an opened letter. The twins have emptied her handbag and are playing with a box of Tampax while she sits, oblivious, staring at the paper in her hand.
I retrieve her cell phone from sticky fingers and put the top back on her new red lipstick, which is now drilled with tiny toothmarks.
She hands me the letter. “My birthday present from Xan.”
It’s a bank statement. I glance up, puzzled.
“Look at the bottom of the page,” she says dizzily.
Twenty-five thousand pounds. Even by Xan’s standards, that’s a little over the top.
“He’s not coming back, is he?” Jenna says.
I sit on the stairs beside her. “Not for a while,” I say carefully.
“Do you think it had anything to do with me?”
“I think you were the reason he stayed as long as he did.” I choose my words carefully. “He’s given up his flat and quit his job, Jenna. He said he needed to travel for a bit, to get his head straight. I don’t know when, or even if, he’ll come back. I think he’ll end up in Italy; he’s always loved it there.”
Jenna nods. I realize there will never be a better moment to tell her my decision.
When Marc walked out, Jenna promised she would never leave me. I was able to bury my fear and loneliness because she was there to pick up the pieces, to slide effortlessly into the role Marc had vacated. If she hadn’t shored me up, I might have surrendered to the black terror that engulfed me whenever I stopped working or moving, whenever I gave myself a moment to think.
But things have changed. I’m not the same person I was six weeks ago. When the twins were born, I believed I lacked maternal instinct, that I was my mother’s daughter; that I needed Jenna to do what I could not: to mother my children. In some ways, I know she is still more suited to the task than me: She’s able to live in the moment, be in the present far better than I am. I’m always so busy worrying about the next problem, the next crisis. But I gave my mothering away for far too long, out of panic and fear. I was both lucky and unlucky to find Jenna; to employ a nanny so warm and competent that I felt I could never match up.
Beirut has changed that. Rowan and Poppy are my children. Only I will do.
“We need to talk,” I say.
“Oh, God. That’s never good.” Jenna sighs.
I pick up Poppy, and she scoops up Rowan. We sit side by side on the stairs, a child in each lap. I realize how foolish I was to worry about Jenna taking my place. In the end, this isn’t about Jenna and the twins, or me and the twins; but about Jenna and me.
“I’ll never be able to thank you enough,” I acknowledge, “for what you did in Beirut. You were amazing. Not many girls would have had the guts.”
“Leap before you look, that’s my motto.”
I smile. “Jenna—”
“Am I being fired?”
“I don’t think I’m going to need a full-time nanny anymore,” I say softly. “I want to do things with the twins myself. I know I’ll never have the same knack as you, but I want to try. The thing is—”
“It’s OK, Clare. I get it.” Efficiently, she rubs lipstick off Rowan’s cheek with her thumb. “You’ve been really good to me. I don’t think I’d have had the balls to get away from Jamie if it hadn’t been for you. You were really there for me. I’m going to miss you all terribly, but I understand.”
She’s suddenly very busy brushing down her skirt.
I touch her arm. “Jenna, I don’t want you to leave—”
“No, it’s fine; you don’t have to explain.” She jumps up. “So. I’ll call the agency and tell them. Would you like me to work a couple of weeks’ notice, or—”
“I don’t want you to leave,” I repeat. “Jenna, I don’t need a nanny anymore. That doesn’t mean I don’t need you.”
She looks understandably confused.
“I want you to work for me at PetalPushers. As a manager.”
I lead her into the sitting room. We put the twins in the playpen, and sit opposite each other on the same sofa where I interviewed her all those months ago.
“You’re a wonderful nanny, but sooner or later, you’re going to want children of your own,” I tell her. “You need a break from babies before that happens, trust me. You’re so good at organizing things. You’re a natural manager.”
“I—I don’t know—”
“Craig will be there to look after the business, but you’ll be in charge of the Fulham shop. Molly wants to move to the Camden branch to be nearer to her family. You can take over from her.”
“I’ve never done anything like that before. I’m not sure if I could.”
“I’ve watched you for the past few weeks at the shop. You’re a fast learner, and you’re good with people. Anyway, it wouldn’t be full-time; not yet, anyway. I thought, if you agree, of course, we could sort of … job-share. Just until the twins go to nursery school. We’ll have to work out the details, but it would mean I could spend more time with the twins, and still run my company. And you’d get the chance to stretch your wings, and learn something new.”
Unexpectedly, she bursts into tears. I can’t remember ever seeing her cry before. “Oh, Clare. Yes, please,” she says, sniffling. “I’m sorry, I was just—I couldn’t bear to leave—I’d miss you all so much—”
My own throat is suddenly clogged. We’ve come a long way in the past six months, I realize. At the start of any relationship, romantic or otherwise, you never know quite how or where it will end. That first, giddy honeymoon stage never lasts. If
you’re lucky, it gives way to a deeper, less intoxicating, but ultimately more fulfilling relationship built on love and trust and mutual respect. Or it will fail; all that promise and hope ground down by neglect, until nothing is left but recrimination and regret. In the end, like so many things, so much of it comes down to luck.
Jenna and I have come from very different places, and been dealt very different cards. But in the end, I think, as we get up and go into the kitchen and start the familiar routine of making tea, we are just two women who know without words how hard and terrifying and amazing motherhood can be, regardless of whose hand rocks the cradle; and who understand that from the moment you learn to love, you must also learn to let go.
Two days later, Marc is sitting on the front steps when I return home late from work.
“I didn’t ring the doorbell,” he says, standing, “I didn’t want to put Jenna on the spot.”
“She’s not here this evening. She went to a policeman’s ball, of all things.”
Brendan still seems to find himself “just passing,” even though the case has been formally closed for weeks. I’m glad, for Jenna’s sake. Xan was never going to settle down.
“Can I come in?”
I hesitate. “The twins aren’t here. Davina has them for the weekend. She seems to be taking to grandmotherhood rather well, actually, though she’ll kill anyone who calls her that. She’s left Guy, did you know? It appears she found him with a fourteen-year-old stable girl and called the police. He’s out on bail, but Davina’s already changed the locks.”
I’m aware I’m babbling. I knew Marc would come back home, sooner or later. I’ve been through this in my head a thousand times. I can make it work. The twins deserve a proper family. It’ll be different this time.
I’m not ready.
Pity isn’t love.
“I’m sorry I’ve missed them,” Marc says, “but it was you I wanted to talk to.”
He follows me into the kitchen. It seems odd to see him here: at once familiar and strange. I pour him his usual Scotch; he nurses the glass, but doesn’t really drink. We stand awkwardly on opposite sides of the kitchen island, and I look at my husband and try, very hard, to remember why I married him.
“I’m going back to Canada,” Marc says abruptly. “I wanted you to know.”
For a moment, I’m too stunned to speak.
“Canada?”
He shrugs. “I can’t get another job here, not with the financial markets in the mess they’re in. And to be honest, I’m not sure I still want to do this kind of work. I want something a bit more … real.”
“But why not stay in England?”
“My family are in Canada. I need to be around them right now.”
“I thought—you said you wanted—”
Marc puts down his untouched glass. He moves around the counter, and gently wraps his arms around me. To my surprise, it’s strangely comforting. “It was never going to work, Clare,” he murmurs into my hair. “Not after everything that’s happened. We both know that.”
“We could try. We’ve both made mistakes, but—”
“Clare, even you can’t fix everything.”
“Are you sure this is what you want?”
He pulls back, his gaze searching. “Can you honestly tell me you’re disappointed?”
I’m swept with sadness. We started out with so much hope and faith. I was so sure we’d make it, if I just kept trying.
“The thing is,” he adds, suddenly awkward, “I’ve met someone. It’s early days yet,” he adds hastily. “We sat next to each other on the flight back from Lebanon. She’s twenty-three. She lives in Montreal, too; our parents even know each other. It seems they’re third cousins, or something. You know how it is with the Lebanese.”
I don’t, but I nod politely.
“I won’t see as much of the twins as I’d like. But I’ll be back and forth to London every couple of months. And maybe, when they’re older, they can come visit.”
“Maybe,” I say.
I kiss him goodbye, relieved but also strangely bereft. It’s not just Marc I’ve lost. I had a vision of the future, a life that included a husband and family. I feel as if I’ve somehow lost my innocence. The page is no longer fresh, but blotted with mistakes and crossings-out. Life will go on, but nothing will ever be quite the same.
Worst of all, of course, is the knowledge that I have lost Cooper for nothing.
Only for my children. I would have given him up for nothing and no one but them.
“Call him,” Jenna urges, one night when we have both stayed up too late and drunk too much wine. “What have you got to lose?”
“I made a choice,” I tell her. “No matter what happened between us, he’d always remember that.”
I take heart, instead, from her blossoming romance with Brendan. Jenna has been through the romantic mill: first with Jamie, and then Xan. I know my brother came very close to breaking her heart. Brendan Kelly is the sort of man she wouldn’t have looked at twice a year ago: respectable, thoughtful, quite handsome in a conventional way, but lacking that devilish spark, that certain something, that sets girls’ hearts pounding. He’s too nice, I decide, the second time he comes around to take Jenna out, as I put his flowers—a little redundant given the unsold blooms we bring home from work every day, but it’s the thought that counts—into a vase. Women like the bastards, heaven only knows why. You don’t appreciate a decent man until you’ve been hurt a few times. Perhaps Jenna wasn’t ready for Brendan until now. Maybe somewhere out there, someone is waiting for me to be ready, too.
The first Saturday in September, at Davina’s suggestion, I take the twins to Long Meadow for the weekend. She hustles me unceremoniously back out to the car. “I’m sure you have work to do at the shop,” she says, “and I don’t want to be inhospitable, darling, but I have a gentleman friend visiting this afternoon. The twins will be a charming addition, but one really doesn’t need one’s adult daughter broadcasting one’s age.”
Slightly put out, I drive back to Fulham. Jenna made me promise to go in and sort out the accounts this weekend, so I might as well get on with it. Finances will clearly never be her forte, and the last thing I need is to play third wheel to my own mother.
I notice with annoyance that Anna, the Saturday temp, has filled every single bucket outside the shop with yellow tulips. They look wonderful, of course, but the sun will wilt them in a matter of hours.
I storm in, ready to haul her over the coals, and find my way barricaded by another magnificent bank of yellow tulips. Clearly there’s a problem with the suppliers. We seem to have half the fields of Amsterdam filling our floor space.
“Anna!” I move a large box of orchids and red heather out of my way. “Anna, I can hardly move in here! We need to call—”
A shadow moves in the back of the shop.
I gasp, and drop the box of orchids.
Cooper carelessly pushes aside the heaps of flowers blocking his way, and picks up the orchids, lifting the cellophane lid. “There are over twenty-five thousand species of orchids,” he says conversationally. “More than any other flower. In the wild, they grow in the rain forests of the tropics, strange and brilliant, their intense scent almost too much to bear. The Victorians believed they stood for ecstasy.”
Davina, Jenna: They were in on this, too.
“Red heather,” Cooper says, handing me a spray, “promised passion. Lavender,” he adds it to the heap in my arms, “signified devotion. Orange blossom, eternal love. Red roses, of course, need no explanation.”
My arms are full.
“Cooper—”
“You made the right choice. The only choice. I promised you the next time I rescued anyone, it would be you.”
“Cooper,” I whisper.
“Yellow tulips,” he says, drawing me towards him, down into a dizzying kiss, crushing the flowers in my arms between us, drowning us both in their heady, glorious, intoxicating scent.
Hopeless devotion.
>
“Yellow tulips,” I say.
acknowledgments
As always, my deepest thanks to my wonderful friend and agent, Carole Blake, and to my talented editor, Caitlin Alexander. I am the luckiest of writers to have both of you. Every conversation is a pleasure.
All those at Blake Friedmann and Bantam/Random House—Oli Munson, Trisha Jackson, Kelly Chian, Connie Munro, Nita Taublib, Jane von Mehren, Beck Stvan: You are amazing. How you manage to do what you do, in the time that you do it, never fails to astonish me.
In researching the background to this novel, I found one book, The Meaning of Flowers: Myth, Language & Lore by Gretchen Scoble and Ann Field, particularly helpful. I recommend it to any readers looking to pursue this avenue of interest.
For the girls: Michèle, Georgie, Danusia, and Sarah: What would I do without you. The next book is specially for you … I love you all.
Kisses, too, to my father Michael and WSM Barbi, to my out-laws, Sharon and Harry, to Charles and Rachel, to Brent and especially to my WIL Jelena: Thank you all for providing me with never a dull moment. I’m truly blessed in having a family like mine.
Henry, Matthew, and Lily: You’re the reason I get up in the morning. Quite literally, thank you very much. I adore you.
To my wonderful, amazing mother, Jane, whose love, wit, and wisdom I miss still.
Above all, to my husband, Erik. For tea in the morning, for three A.M. editing sessions, and for quite simply being the sexiest, funniest, most wonderful man alive.
Tess Stimson
Vermont, April 2009
www.tessstimson.com
Tess Stimson is the author of One Good Affair and The Adultery Club, as well as three previous novels and one biography. She writes regularly for newspapers and women’s magazines. Born and brought up in Sussex, England, she graduated from Oxford University before spending a number of years as a news producer with ITN (UK) and CNN. She now lives with her American husband, their daughter, and her two sons in Burlington, Vermont, where she is at work on her next novel.
www.tessstimson.com