Delphi Collected Works of W. Somerset Maugham (Illustrated)

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Delphi Collected Works of W. Somerset Maugham (Illustrated) Page 447

by William Somerset Maugham


  Dr. Macalister chuckled as he thought of that long passed time.

  “The first night I got here, when I was alone in my room, I threw myself on my bed and I just cried like a child.”

  Dr. Macalister went on talking, but I could not pay much attention to what he said. I wondered by what steps he had come to be the man I knew now from the man he had been then. That is the story I should like to write.

  XXII

  THE ROAD

  It is not a road at all but a causeway, made of paving stones about a foot wide and four feet broad so that there is just room for two sedan chairs with caution to pass each other. For the most part it is in good enough repair, but here and there the stones are broken or swept away by the flooding of the rice fields, and then walking is difficult. It winds tortuously along the path which has connected city to city since first a thousand years ago or more there were cities in the land. It winds between the rice fields following the accidents of the country with a careful nonchalance; and you can tell that it was built on a track made by the peasant of dim ages past who sought not the quickest but the easiest way to walk. The beginnings of it you may see when, leaving the main road you cut across country, bound for some town that is apart from the main line of traffic. Then the causeway is so narrow that there is no room for a coolie bearing a load to pass and if you are in the midst of the rice fields he has to get on the little bank, planted with beans, that divides one from another, till you go by. Presently the stones are wanting and you travel along a path of trodden mud so narrow that your bearers step warily.

  The journey, for all the stories of bandits with which they sought to deter you, and the ragged soldiers of your escort, is devoid of adventure; but it is crowded with incident. First there is the constant variety of the dawn. Poets have written of it with enthusiasm, but they are lie-a-beds, and they have trusted for inspiration to their fancy rather than to their sleepy eyes. Like a mistress known in the dream of a moonlit night who has charms unshared by the beauties of the wakeful day, they have ascribed to it excellencies which are only of the imagination. For the most exquisite dawn has none of the splendour of an indifferent sunset. But because it is a less accustomed sight it seems to have a greater diversity. Every dawn is a little different from every other, and you can fancy that each day the world is created anew not quite the same as it was the day before.

  Then there are the common sights of the way-side. A peasant, thigh deep in water, ploughs his field with a plough as primitive as those his fathers have used for forty mortal centuries. The water buffalo splashes sinister through the mud and his cynical eyes seem to ask what end has been served by this unending toil. An old woman goes by in her blue smock and short blue trousers, on bound feet, and she supports her unsteady steps with a long staff. Two fat Chinese in chairs pass you, and passing stare at you with curious yet listless eyes. Everyone you see is an incident, however trivial, sufficient to arouse your fancy for an instant; and now your eyes rest with pleasure on the smooth skin, like yellow ivory, of a young mother sauntering along with a child strapped to her back, on the wrinkled, inscrutable visage of an old man, or on the fine bones, visible through the flesh of the face, of a strapping coolie. And beside all this there is the constant delight with which, having climbed laboriously a hill, you see the country spread out before you. For days and days it is just the same, but each time you see it you have the same little thrill of discovery. The same little rounded hills, like a flock of sheep, surrounding you, succeeding one another as far as the eye can reach; and on many, a lone tree, as though planted deliberately for the sake of the picturesque, outlines its gracious pattern against the sky. The same groves of bamboo lean delicately, almost surrounding the same farm houses, which with their clustering roofs nestle pleasantly in the same sheltered hollows. The bamboos lean over the highway with an adorable grace. They have the condescension of great ladies which flatters rather than wounds. They have the abandon of flowers, a well-born wantonness that is too sure of its good breeding ever to be in danger of debauchery. But the memorial arch, to virtuous widow or to fortunate scholar, warns you that you are approaching a village or a town, and you pass, affording a moment’s sensation to the inhabitants, through a ragged line of sordid hovels or a busy street. The street is shaded from the sun by great mats stretched from eave to eave; the light is dim and the thronging crowd has an unnatural air. You think that so must have looked the people in those cities of magicians which the Arab traveller knew, and where during the night a terrible transformation befell you so that till you found the magic formula to free you, you went through life in the guise of a one-eyed ass or of a green and yellow parrot. The merchants in their open shops seem to sell no common merchandise and in the taverns messes are prepared of things horrible for men to eat. Your eye, amid the uniformity, for every Chinese town, at all events to the stranger’s eye, much resembles every other, takes pleasure in noting trivial differences, and so you observe the predominant industries of each one. Every town makes all that its inhabitants require, but it has also a speciality, and here you will find cotton cloth, there string, and here again silk. Now the orange tree, golden with fruit, grows scarce and the sugar cane makes its appearance. The black silk cap gives way to the turban and the red umbrella of oiled paper to the umbrella of bright blue cotton.

  But these are the common incidents of every day. They are like the expected happenings of life which keep it from monotony, working days and holidays, meetings with your friends, the coming of spring with its elation and the coming of winter with its long evenings, its easy intimacies and its twilight. Now and then, as love enters making all the rest but a setting for its radiance and lifts the common affairs of the day to a level on which the most trifling things have a mysterious significance, now and then the common round is interrupted and you are faced by a beauty which takes your soul, all unprepared, by assault. For looming through the mist you may see the fantastic roofs of a temple loftily raised on a huge stone bastion, around which, a natural moat, flows a quiet green river, and when the sun lights it you seem to see the dream of a Chinese palace, a palace as rich and splendid as those which haunted the fancy of the Arabian story tellers; or, crossing a ferry at dawn you may see, a little above you, silhouetted against the sunrise, a sampan in which a ferryman is carrying a crowd of passengers; you recognise on a sudden Charon, and you know that his passengers are the melancholy dead.

  XXIII

  GOD’S TRUTH

  Birch was the agent of the B.A.T. and he was stationed in a little town of the interior with streets which, after it had rained, were a foot deep in mud. Then you had to get right inside your cart to prevent yourself from being splashed from head to foot. The roadway, worn to pieces by the ceaseless traffic, was so full of holes that the breath was jolted out of your body as you jogged along at a foot pace. There were two or three streets of shops, but he knew by heart everything that was in them; and there were interminable winding alleys which presented a monotonous expanse of wall broken only by solid closed doors. These were the Chinese houses and they were as impenetrable to one of his colour as the life which surrounded him. He was very homesick. He had not spoken to a white man for three months.

  His day’s work was over. Since he had nothing else to do he went for the only walk there was. He went out of the city gate and strolled along the ragged road, with its deep ruts, into the country. The valley was bounded by wild, barren mountains and they seemed to shut him in. He felt immeasurably far away from civilisation. He knew he could not afford to surrender to that sense of utter loneliness which beset him, but it was more of an effort than usual to keep a stiff upper lip. He was very nearly at the end of his tether. Suddenly he saw a white man riding towards him on a pony. Behind came slowly a Chinese cart in which presumably were his belongings. Birch guessed at once that this was a missionary going down to one of the treaty-ports from his station further up country, and his heart leaped with joy. At last he would have some one to talk to. He hur
ried his steps. His lassitude left him. He was all alert. He was almost running when he came up to the rider.

  “Hulloa,” he said, “where have you sprung from?”

  The rider stopped and named a distant town.

  “I am on my way down to take the train,” he added.

  “You’d better put up with me for the night. I haven’t seen a white man for three months. There’s lots of room at my place. B.A.T. you know.”

  “B.A.T.,” said the rider. His face changed and his eyes, before friendly and smiling, grew hard. “I don’t want to have anything to do with you.”

  He gave his pony a kick and started on, but Birch seized the bridle. He could not believe his ears.

  “What do you mean?”

  “I can’t have anything to do with a man who trades in tobacco. Let go that bridle.”

  “But I’ve not spoken to a white man for three months.”

  “That’s no business of mine. Let go that bridle.”

  He gave his pony another kick. His lips were obstinately set and he looked at Birch sternly. Then Birch lost his temper. He clung to the bridle as the pony moved on and began to curse the missionary. He hurled at him every term of abuse he could think of. He swore. He was horribly obscene. The missionary did not answer, but urged his pony on. Birch seized the missionary’s leg and jerked it out of the stirrup; the missionary nearly fell off and he clung in a somewhat undignified fashion to the pony’s mane. Then he half slipped, half tumbled to the ground. The cart had come up to them by now and stopped. The two Chinese who were sitting in it looked at the white men with indolent curiosity. The missionary was livid with rage.

  “You’ve assaulted me. I’ll have you fired for that.”

  “You can go to hell,” said Birch. “I haven’t seen a white man for three months and you won’t even speak to me. Do you call yourself a Christian?”

  “What is your name?”

  “Birch is my name and be damned to you.”

  “I shall report you to your chief. Now stand back and let me get on my journey.”

  Birch clenched his hands.

  “Get a move on or I’ll break every bone in your body.”

  The missionary mounted, gave his pony a sharp cut with the whip, and cantered away. The Chinese cart lumbered slowly after. But when Birch was left alone his anger left him and a sob broke unwillingly from his lips. The barren mountains were less hard than the heart of man. He turned and walked slowly back to the little walled city.

  XXIV

  ROMANCE

  All day I had been dropping down the river. This was the river up which Chang Chien, seeking its source, had sailed for many days till he came to a city where he saw a girl spinning and a youth leading an ox to the water. He asked what place this was and in reply the girl gave him her shuttle telling him to show it on his return to the astrologer Yen Chün-ping, who would thus know where he had been. He did so and the astrologer at once recognised the shuttle as that of the Spinning Damsel, further declaring that on the day and at the hour when Chang Chien received the shuttle he had noticed a wandering star intrude itself between the Spinning Damsel and the Cowherd. So Chang Chien knew that he had sailed upon the bosom of the Milky Way.

  I, however, had not been so far. All day, as for seven days before, my five rowers, standing up, had rowed, and there rang still in my ears the monotonous sound of their oars against the wooden pin that served as rowlock. Now and again the water became very shallow and there was a jar and a jolt as we scraped along the stones of the river bed. Then two or three of the rowers turned up their blue trousers to the hip and let themselves over the side. Shouting they dragged the flat-bottomed boat over the shoal. Now and again we came to a rapid, of no great consequence when compared with the turbulent rapids of the Yangtze, but sufficiently swift to call for trackers to pull the junks that were going up stream; and we, going down, passed through them with many shouts, shot the foaming breakers and presently reached water as smooth as any lake.

  Now it was night and my crew were asleep, forward, huddled together in such shelter as they had been able to rig up when we moored at dusk. I sat on my bed. Bamboo matting spread over three wooden arches made the sorry cabin which for a week had served me as parlour and bedroom. It was closed at one end by matchboarding so roughly put together that there were large chinks between each board. The bitter wind blew through them. It was on the other side of this that the crew — fine sturdy fellows — rowed by day and slept by night, joined then by the steersman who had stood from dawn to dusk, in a tattered blue gown and a wadded coat of faded grey, a black turban round his head, at the long oar which was his helm. There was no furniture but my bed, a shallow dish like an enormous soup-plate in which burned charcoal, for it was cold, a basket containing my clothes which I used as a table, and a hurricane lamp which hung from one of the arches and swayed slightly with the motion of the water. The cabin was so low that I, a person of no great height (I comfort myself with Bacon’s observation that with tall men it is as with tall houses, the top story is commonly the least furnished) could only just stand upright. One of the sleepers began to snore more loudly, and perhaps he awoke two of the others, for I heard the sound of speaking; but presently this ceased, the snorer was quiet, and all about me once more was silence.

  Then suddenly I had a feeling that here, facing me, touching me almost, was the romance I sought. It was a feeling like no other, just as specific as the thrill of art; but I could not for the life of me tell what it was that had given me just then that rare emotion.

  In the course of my life I have been often in situations which, had I read of them, would have seemed to me sufficiently romantic; but it is only in retrospect, comparing them with my ideas of what was romantic, that I have seen them as at all out of the ordinary. It is only by an effort of the imagination, making myself as it were a spectator of myself acting a part, that I have caught anything of the precious quality in circumstances which in others would have seemed to me instinct with its fine flower. When I have danced with an actress whose fascination and whose genius made her the idol of my country, or wandered through the halls of some great house in which was gathered all that was distinguished by lineage or intellect that London could show, I have only recognized afterwards that here perhaps, though in somewhat Ouidaesque a fashion, was romance. In battle, when, myself in no great danger, I was able to watch events with a thrill of interest, I had not the phlegm to assume the part of a spectator. I have sailed through the night, under the full moon, to a coral island in the Pacific, and then the beauty and the wonder of the scene gave me a conscious happiness, but only later the exhilarating sense that romance and I had touched fingers. I heard the flutter of its wings when once, in the bedroom of a hotel in New York, I sat round a table with half a dozen others and made plans to restore an ancient kingdom whose wrongs have for a century inspired the poet and the patriot; but my chief feeling was a surprised amusement that through the hazards of war I found myself engaged in business so foreign to my bent. The authentic thrill of romance has seized me under circumstances which one would have thought far less romantic, and I remember that I knew it first one evening when I was playing cards in a cottage on the coast of Brittany. In the next room an old fisherman lay dying and the women of the house said that he would go out with the tide. Without a storm was raging and it seemed fit for the last moments of that aged warrior of the seas that his going should be accompanied by the wild cries of the wind as it hurled itself against the shuttered windows. The waves thundered upon the tortured rocks. I felt a sudden exultation, for I knew that here was romance.

  And now the same exultation seized me, and once more romance, like a bodily presence, was before me. But it had come so unexpectedly that I was intrigued. I could not tell whether it had crept in among the shadows that the lamp threw on the bamboo matting or whether it was wafted down the river that I saw through the opening of my cabin. Curious to know what were the elements that made up the ineffable delight of th
e moment I went out to the stern of the boat. Alongside were moored half a dozen junks, going up river, for their masts were erect; and everything was silent in them. Their crews were long since asleep. The night was not dark, for though it was cloudy the moon was full, but the river in that veiled light was ghostly. A vague mist blurred the trees on the further bank. It was an enchanting sight, but there was in it nothing unaccustomed and what I sought was not there. I turned away. But when I returned to my bamboo shelter the magic which had given it so extraordinary a character was gone. Alas, I was like a man who should tear a butterfly to pieces in order to discover in what its beauty lay. And yet, as Moses descending from Mount Sinai wore on his face a brightness from his converse with the God of Israel, my little cabin, my dish of charcoal, my lamp, even my camp bed, had still about them something of the thrill which for a moment was mine. I could not see them any more quite indifferently, because for a moment I had seen them magically.

  XXV

  THE GRAND STYLE

  He was a very old man. It was fifty-seven years since he came to China as a ship’s doctor and took the place in one of the Southern ports of a medical officer whose health had obliged him to go home. He could not then have been less than twenty-five so that now he must have been well over eighty. He was a tall man, very thin, and his skin hung on his bones like a suit of clothes much too large for him: under his chin was a great sack like the wattle of an old turkey-cock; but his blue eyes, large and bright, had kept their colour, and his voice was strong and deep. In these seven and fifty years he had bought and sold three or four practices along the coast and now he was back once more within a few miles of the port in which he had first lived. It was an anchorage at the mouth of the river where the steamers, unable owing to their draught to reach the city, discharged and loaded their cargo. There were only seven white men’s houses, a small hospital, and a handful of Chinese, so that it would not have been worth a doctor’s while to settle there; but he was vice-consul as well, and the easy life at his great age just suited him. There was enough to do to prevent him from feeling idle, but not enough to tire him. His spirit was still hale.

 

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