Timmy Failure It’s the End When I Say It’s the End

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Timmy Failure It’s the End When I Say It’s the End Page 10

by Stephan Pastis


  “Timmy, I’m just saying that now you

  have a new sign.”

  “WHY.”

  “Because there used to be a different

  one!”

  “WHEN.”

  Then there is only silence.

  Followed by the sound of Dave banging

  his head into the wall.

  “Timmy, come out of there right now,”

  barks my mother.

  So I do.

  And I look stupendous.

  “What are you doing?” she asks.

  “I believe this is the Hollywood look.”

  “Well, it’s too late to change now,” she

  says. “But you’re not taking that,” she says,

  grabbing the pipe.

  So with that small adjustment, we head

  for Dave’s car.

  Where she sits in the backseat with me.

  “What are you doing?” I ask. “You

  always sit in the front seat.”

  “True, but I’ve never been famous

  before,” she says. “And when the flashbulbs

  go off, I want to be right there by your side.”

  “I suppose that’s acceptable,” I answer.

  “As you were there for the tough times.”

  “I was,” she says. “I remember them

  well.”

  She puts her arm around me.

  “And I was proud of you every step of the

  way,” she says.

  “Every step?” I ask.

  “Okay,” she answers. “Sometimes you

  made me want to pull my hair out and cry.”

  I nod. “I can have that effect on people.”

  She pulls me closer to her.

  “You know,” I tell her, “I plan on

  pursuing my Hollywood career with great

  vigor. And there is a good chance I will need

  a personal assistant. Would you be

  interested?”

  “How is the pay?” she asks.

  “Not good,” I answer. “But the benefits

  are tremendous. One of which is that you

  get to spend time with a professional such as

  me.”

  She laughs and rests her forehead against

  the side of my head.

  And blows in my ear.

  Something she sometimes does to make

  me laugh.

  “That is no way to treat a professional,” I

  tell her.

  So she stops.

  “Do it again,” I say.

  The film itself was a cinematic triumph.

  Despite the limitations.

  For as it turns out, Corrina Corrina’s

  statements regarding the $900 budget were

  accurate.

  So Mr. Jenkins suggested we film the

  entire thing in a classroom using wooden

  cutouts for the sets.

  And because so many of the actors I

  wanted were unavailable, Mr. Jenkins

  suggested we use wooden cutouts for the

  characters as well, each of which was held

  aloft by a student.

  And each of which was designed by me.

  With the exception of Molly Moskins,

  who insisted on playing herself and wearing

  her eclipse glasses.

  But she was much too large for the set, so

  she looked like King Kong terrorizing a small

  town.

  And she couldn’t see. So that created its

  own problems.

  And with the absence of Tom John John,

  we were short a director. So Flo filled in, and

  cleaned up quite nicely for the premiere.

  And for the most part, the film contained

  my entire story.

  I say “for the most part” because the

  film’s birth sequence had to be shortened to

  just one pathetic shot of a flying elephant.

  And there was no scene with my polar

  bear chasing our principal off a cliff.

  That was nixed by Flo.

  Which wasn’t so bad, except for the fact

  that he replaced it with a scene where the

  two characters have a minor disagreement

  over a milkshake.

  But other than that, it faithfully

  recounted my story, including my meteoric

  rise to CEO of the world’s largest detective

  agency, Failure, Inc.

  An empire that contained a Timmy

  blimp, a Timmy ship, and a Timmy fortress.

  And, over Flo’s objection, I made sure

  that each scene was separated by a blank

  screen.

  Onto which I flashed one word:

  And through it all, Total and I

  vanquished our enemies, culminating in the

  film’s much-talked-about bar scene, which

  was the only other scene where I had to

  make a few small compromises.

  Such as:

  And:

  Though, in the end, I still did fall out of a

  tenth-story window. Which should have been

  the end of Timmy.

  Except for the fact that there was one

  more small compromise.

  And when the last scene ended, there was

  this brief message:

  To which I later added:

  And a dedication:

  And at the end of the credits, there was a

  summary of each character’s life.

  Like that of Molly Moskins:

  And Corrina Corrina:

  And Rollo Tookus:

  And my own, which I tried to keep

  modest:

  And that left only one character’s ending.

  When we get home after the film, I find

  my polar bear on the front step of the

  townhouse.

  “You can’t leave three days before

  Christmas!” I tell him. “My Christmas break

  is just starting. And we haven’t even held

  your retirement party!”

  But he doesn’t answer.

  And I can see by the way his paws are

  wrapped around his tiny suitcase that my

  protest is for nothing.

  Because it’s time for my bear to go to his

  brother.

  And if he wants to get there in time to

  spend the first of many Christmases with

  him, he’s gonna have to leave now.

  Because no train would take a dangerous

  polar bear.

  And no plane seat could fit him.

  So to get there, he is going to have to

  rely on the same network of Goodwill trucks

  that the polar bears use to pick up our

  discarded fax machines.

  “At least wait here,” I tell him. “I have

  something for you.”

  So I run into the townhouse and return

  with a handful of gifts.

  “Consider this your official retirement

  party,” I tell him, handing him a small box.

  Which he opens.

  To find a watch.

  “I found your size,” I tell him, wrap-

  ping it around his wrist. “And maybe with

  enough practice, you can learn to tell time.”

  He smells the watch, checking to make

  sure it’s not edible.

  “And I got you a Total Failure, Inc.,

  tie,” I tell him. “That way you’ll always look

  professional.”

  “Plus, it’s a clip-on,” I tell him. “So you

  can just attach it to your fur.”

  “Oh, and I owe you a pension,” I tell

  him. “One seal a month for the rest of your

  life. But give me a few weeks on that. There
<
br />   aren’t as many seal distributors in Somerville

  as I thought.”

  He drools.

  “Oh,” I tell him. “And I can’t let you go

  without giving you a farewell speech. It’s

  what all the professionals do.”

  I take out my prepared speech.

  “You might want to sit back down on the

  porch,” I tell him. “It’s not long, but I think the

  guest of honor always sits.”

  He sits back down on the porch.

  “‘Dearest Total,’” I begin. “‘You were a

  brave and noble bear.’”

  I hold out my hand.

  “This is where we shake hands,” I tell

  him.

  He shakes my hand.

  “‘You served my agency with honor and

  distinction,’” I continue. “‘You were a fearless

  warrior. And you were a tireless—’”

  I am interrupted by the sound of squeaky

  brakes.

  It is the Goodwill truck, here to pick up

  Total.

  “He’s here already?” I ask my bear. “What

  time was he supposed to come?”

  Total looks at his watch. But he can’t tell

  time.

  The driver honks the horn.

  “We’re in the middle of our retirement

  ceremony!” I yell. “Can’t you even wait?”

  But I already know from Total that he

  cannot. The network of polar bear drivers

  keeps an extremely tight schedule.

  So I look at my bear. And he looks back

  at me.

  And for the first time in all the time I

  have known him, I see a tear roll down his

  furry cheek.

  So I leap into his arms.

  “Forget the speech!” I tell him. “Forget

  the stupid speech! You were my best friend.

  You were my best friend ever! And you

  saved me. You saved me from everything

  and everyone!”

  The driver honks the horn again.

  “Wait, wait, wait,” I plead with Total.

  “Before you go, I got you one more thing.”

  I hold out a scrapbook.

  “It’s filled with pictures,” I tell him.

  “Pictures of me and you.”

  “Your brother has a lot of catching up

  to do. And I want him to know you. I want

  him to know everything about you.”

  Total takes the scrapbook from me and

  puts it in his suitcase.

  And the truck driver honks again.

  “You gotta go,” I tell him. “I know you

  gotta go.”

  He stands, suitcase in hand.

  And then puts it back down.

  And with both paws, he lifts me up.

  “I love you,” I tell him. And he presses

  the side of his furry cheek to mine.

  And he puts me down.

  And he is gone.

  There’s not much to tell you about

  Christmas.

  Except that it was a sunny day.

  And the first Christmas I had ever spent

  with my dad.

  Who even gave me a gift.

  Though it was odd.

  “A book on how to make mixed drinks?”

  I ask. “You know I’m only nine, right?”

  “It’s for when you’re older,” he says.

  But it was the first Christmas gift he had

  ever given me. So I put it above my bed.

  And it was the first holiday season I had

  ever spent with Husband Dave.

  Now just Dave.

  So I got him something.

  “Have one week of exclusive access!” I

  told him. “My office is all yours.”

  I could see Dave wanted to ask me

  questions, like how I had come up with the

  idea.

  But he didn’t.

  And as for my mother, I got her a very

  special gift.

  “You take it out when I’m making your

  head hurt,” I told her. “And it erases one

  Timmy-induced headache.”

  And, filled with apple pie, the three of us

  spent the rest of a lazy Christmas afternoon

  watching movies.

  Until I heard an odd sound coming from

  the office.

  And knew it was the fax machine.

  So I ran in there just in time to see a

  piece of paper sliding out of the machine.

  And knew immediately that it was from

  my polar bear.

  Who, with the help of his educated

  brother, was now a much better writer.

  More memoirs. More greatness.

  Hardcover ISBN 978-0-7636-9004-5

  Also available as an e-book

  Hardcover ISBN 978-0-7636-9733-4

  Also available as an e-book

  Hardcover ISBN 978-0-7636-7375-8

  Paperback ISBN 978-0-7636-9106-6

  Also available as an e-book

  Hardcover ISBN 978-0-7636-8092-3

  Also available as an e-book

  www.candlewick.com

  For more shenanigans, visit www.timmyfailure.com

 

 

 


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