by Lydia Davis
It leaped and pulled. It was frightened by the other dogs, and the smell.
They gave it a shot. They let it stay where it fell, and went off to get another dog.
They always took all the dead dogs out at once, at the end, to save time.
Hello Dear
Hello dear,
do you remember
how we communicated with you?
Long ago you could not see,
but I am Marina—with Russia.
Do you remember me?
I am writing this mail to you
with heavy tears in my eyes
and great sorrow in my heart.
Come to my page.
I want you please to consider me
with so much full heartily.
Please—let us talk.
I’m waiting!
Not Interested
I’m simply not interested in reading this book. I was not interested in reading the last one I tried, either. I’m less and less interested in reading any of the books I have, though they are reasonably good, I suppose.
Just as, the other day, when I went out to the backyard, planning to gather up some sticks and branches and carry them to the pile in the far corner of the meadow, I suddenly became so deeply bored by the thought of picking up those sticks and carrying them, yet again, to that pile, and then coming back through the high meadow grass for more, that I did not even begin, and simply went inside.
Now I can do it again. It was only on that one day that I was bored. Then the feeling went away, and now I can go out again, pick up the sticks and branches, and take them to the pile. Actually, I pick up the sticks and carry them in my arms, and I drag the larger branches. I don’t do both at once. I can make about three trips back and forth before I get tired and quit.
The books I’m talking about are supposed to be reasonably good, but they simply don’t interest me. In fact, they may be a lot better than certain other books I have, but sometimes the books that aren’t so good interest me more.
The day before that one particular day, and the day after it, I was willing to pick up sticks and take them back to the pile. Actually, for many days before, and many days after. Could I even say: all the days before that day, and all the days after? Don’t ask me why I wasn’t bored on other days. I’ve often wondered why, myself.
If I think about it, it may be that there is some satisfaction in seeing the haphazard pile of sticks and branches near the house get smaller each day, as I carry or drag them back. There is some interest, though not much, so little, in fact, that it is right on the edge of boredom, in looking at the meadow passing under my feet: the grasses, the wildflowers, and the occasional wild animal scat. Then, when I reach the brush pile in the back, there is the best moment: I weigh the bundle of sticks in my arms, or balance the branch in my two hands, and then heave them, or it, as far up to the top of the brush pile as I can. The walk back through the meadow is easy, with my arms and hands free and loose, compared to the walk out to the pile; I look around at the treetops and the sky, as well as at the house, though it never changes and is not interesting.
But on that particular day I did not even begin to feel interested in this chore, and was suddenly more deeply bored than I ever have been before, and just turned around and went back inside. Which made me wonder why I wanted to do this chore at all, on other days, and also which was real: my slight interest on other days or my profound boredom now. And it made me wonder if I really should be profoundly bored by this chore all the time and never do it again, and if there was something wrong with my mind that I was not bored by it all the time.
I’m not tired of all good books, I’m just tired of novels and stories, even good ones, or ones that are supposed to be good. These days, I prefer books that contain something real, or something the author at least believed to be real. I don’t want to be bored by someone else’s imagination. Most people’s imagination just isn’t very interesting—you can guess where the author got this idea and that idea. You can predict what will come next before you finish reading one sentence. It all seems so arbitrary.
But it’s true that I’m also bored, sometimes, by my own dreams, and by the act of dreaming: here I go again, this scene does not make sense, I must be falling asleep, this is a dream, I’m about to start dreaming again. And I am sometimes bored even by the act of thinking: Here’s another thought, I’m about to find it interesting or not interesting—not this again! In fact, I am sometimes bored by my friendships: Oh, we will spend the evening together, we will talk, then I will go home—this again!
Actually, I don’t mean I’m bored by old novels and books of stories if they’re good. Just new ones—good or bad. I feel like saying: Please spare me your imagination, I’m so tired of your vivid imagination, let someone else enjoy it. That’s how I’m feeling these days, anyway, maybe it will pass.
Old Woman, Old Fish
The fish that has been sitting in my stomach all afternoon was so old by the time I cooked and ate it, no wonder I am uncomfortable—an old woman digesting an old fish.
Staying at the Pharmacist’s
story from Flaubert
Where am I staying? In the home of a pharmacist! Yes, but whose student is he? Dupré’s! Isn’t that fantastic?
Like Dupré, he makes a lot of seltzer water.
“I’m the only one in Trouville who makes seltzer water,” he says.
And it’s true that often, as early as eight o’clock in the morning, I am woken by the noise of corks flying away: pif, paf, and cccrrrout!
The kitchen is also the laboratory. Among the saucepans, there rises, in an arc, from a monstrous still, a
fearful tube of steaming copper
and often they can’t put the pot on the fire because of the pharmaceutical preparations.
To go to the shithouse in the courtyard, you have to step over baskets filled with bottles. They have a pump out there that spits water and sprays your legs. The two boys rinse jars. A parrot squawks over and over all day long: “Have you had lunch, Jako?” or “Coco, my little Coco!” And a kid of about ten, the son of the house, the great hope of the pharmacy, practices feats of strength by lifting weights with his teeth.
A piece of foresight which I find touching is that there’s always paper in the WC—gummed paper or, rather, waxed paper. It’s the wrapping from packages—they don’t know what else to do with it.
The pharmacist’s latrine is so small and dark that you have to leave the door open when you crap, and you can hardly move your elbows to wipe your ass.
The family dining room is right there, close by.
You hear the sound of the turds falling into the can, mingled with the sound of pieces of meat being turned over on the plates. Belches alternating with farts, etc.—charming.
And that eternal parrot! Right now it’s whistling: “I’ve got good tobacco, yes I do!”
The Song
Something has happened, in a house, and then something else has happened, but no one is bothered. The light, pleasant voice of a man begins to sing in an upstairs hallway, aimlessly, steadily. We hardly notice. Then, from the bottom of the stairwell, abruptly, comes the savage shout of another man: “Who sing!?!” The singing voice falls silent.
dream
Two Former Students
One former student told the other former student to go away, out there, in the snow, at night.
Go away, he said to the other. If she sees us both, she will label us both former students, forgetting that I am I and you are you.
He was the older former student. He had fought in a war. He had not reenlisted because he wanted to do something else with his life. He was deaf in one ear.
The other former student was young, but he had been to Europe.
It was true that as she looked out the window at them walking back and forth under the streetlight, they were, in her mind, two former students, more so than if each of them had been alone, fully himself, though also, unavoidably, a former st
udent.
dream
A Small Story About a Small Box of Chocolates
A very kind man had made a little gift to her, on her visit to Vienna that fall, of a box of chocolates. The box was so small it could sit in the palm of her hand, and yet, as though by a miracle, it contained 32 tiny, perfect chocolates, all different, in two layers of 16 each.
She had carried it home from Vienna without eating any, as she always carried home food that she acquired on a trip. She wanted to show it to her husband, and she intended to share it with him. But after she opened the box and they both admired the chocolates, she shut the box again without taking a chocolate and without offering him one, and put the box away in her private workplace. There she kept it and looked at it from time to time.
She thought of sharing it with her students the next time she went to class, but she did not take it.
She did not open the box and her husband did not ask about the chocolates either. She could not believe he had forgotten them, since she herself thought of them and looked at the box so often. But after a couple of weeks, she had to believe he had forgotten about them.
She thought of having one chocolate each day, but she did not want to begin eating the chocolates without some special occasion.
She thought of sharing the box with 31 friends, but she could not decide when to begin that.
Finally, when the end of the semester and the last night of her class came, she decided to take the chocolates with her and share them. She was afraid she had waited too long, since four weeks had passed since the kind man had given her the chocolates in Vienna, and the chocolates might be stale, but she put rubber bands around the box and took it anyway.
She told her students how it amazed her to think that a box of chocolates so small could be shared with 31 friends. She thought they would laugh, but they did not. Perhaps they were not sure if it would be polite to laugh, or perhaps they did not think that what she had said was funny. She could not always predict their reactions. She herself thought it was funny, or at least interesting.
She took the lid off the box and handed it to the nearest student. She invited them all to admire the chocolates.
“Can we also eat one?” asked the student who was holding the box, “or should we just look at them?” He was perhaps joking, but perhaps she had not been clear that she was sharing the chocolates with them.
“Of course you should eat them,” she said.
“May I see the lid of the box?” asked another student.
The lid was almost as beautiful as the chocolates. It was green and closely decorated with little medieval figures and buildings in orange, yellow, black, white, and gold. On little white banners, black letters in German Gothic script spelled out what seemed to be proverbs—short sayings that rhymed. She could understand only a few words of each proverb. One recommended acting like a sundial.
The hungry students each took one tiny chocolate—or perhaps, since she was not watching them closely, some took none and some took more than one. She had planned to share the chocolates with 31 different friends, but now she felt sorry for the tired, hungry students and sent the box around the room again. One student, a young man from Canada, took responsibility for gathering up the tiny empty paper holders from inside the box and carrying them to the wastebasket by the classroom door.
After the class, she put the rubber bands around the box again and carried it back home.
She herself had not yet eaten a chocolate, and she was a little worried that she had waited too long. How long could one keep chocolates sitting in a box? She had been afraid the chocolates would taste stale to the students. But only one student was an expert in chocolates, she was sure. That student would not say anything, out of politeness, or perhaps had not even taken a chocolate, knowing how long ago she had been in Vienna.
Then, two days later, she could not find the box in her bag or her briefcase and was afraid she had lost it. She even thought for a moment that perhaps a student had stolen it.
Then she looked more carefully and found it. She opened the box and counted: 7 chocolates out of 32 remained in the box—25 had been eaten. Yet there were only 11 students in the class.
She put it once again in her workplace, on the old Mexican bench that she liked so much.
She wondered whether it was right to eat a chocolate by herself, and, if it was right, then whether one had to be in a certain mood or frame of mind to eat a chocolate by oneself. It did not seem right to eat a chocolate out of anger, or resentment, or greed, but only out of a lust for pleasure, or in a mood of happiness or celebration. But if one did eat a chocolate by oneself out of greed, was it less wrong if the chocolate was very small?
She knew that she did not want to share the remaining chocolates.
When at last she ate a chocolate, by herself, it was very good, rich and bitter, sweet and strange at the same time. The taste of it remained in her mouth minute after minute, so that she wanted to eat another one, to begin the pleasure all over again. She had planned to eat one each day until they were gone. But now she ate another right away. She wanted to eat a third, but did not. The next day, she ate two, one after the other, out of a lust for pleasure, in defiance of what she thought was right. And the next day, she ate one more out of a vague, indefinite hunger, not necessarily for food.
She found the chocolates so good that she decided she had not waited too long, after all. Unless she was not qualified to judge, and there was a difference, imperceptible to her but perceptible to an expert, such as the one student she believed was an expert, between the taste of a chocolate eaten right away and one eaten after four weeks.
Then she asked her student, the expert in good chocolates, where in the city she could buy the best chocolates. Her student gave her the name of the best store for chocolates, and she went to that store hoping to find tiny chocolates like those given to her by the kind man in Vienna. But the store offered only larger chocolates, chocolates of a more typical size, good in their own way but not what she wanted.
She did not like to eat larger chocolates, she decided. Now that she had, for the first time, experienced the tiniest of chocolates, that was what she preferred.
She had, some months before, been offered a chocolate in Connecticut, in the home of a rather severe Belgian woman whom she had known for many years. It had been a good chocolate, as far as she could tell, but she had found it a little too large, too large to eat quickly, in any case. She had taken many small bites of it, and enjoyed those bites, but had not wanted another chocolate when urged. The other people present had found that strange, and the Belgian woman had laughed at her.
The Woman Next to Me on the Airplane
The woman next to me has many fast and easy crossword puzzles to do during the flight, from a book called Fast and Easy Crosswords. I have only slow and difficult crosswords, or impossible crosswords. She finishes each puzzle and turns the page, as we fly at top speed through the air. I stare at one page and don’t finish any.
Writing
Life is too serious for me to go on writing. Life used to be easier, and often pleasant, and then writing was pleasant, though it also seemed serious. Now life is not easy, it has gotten very serious, and by comparison, writing seems a little silly. Writing is often not about real things, and then, when it is about real things, it is often at the same time taking the place of some real things. Writing is too often about people who can’t manage. Now I have become one of those people. I am one of those people. What I should do, instead of writing about people who can’t manage, is just quit writing and learn to manage. And pay more attention to life itself. The only way I will get smarter is by not writing anymore. There are other things I should be doing instead.
Wrong Thank-You in Theater
At the back of the auditorium, as the theater fills for the event, I stand up from my seat to let a woman get past me to her seat in the row.
“Thanks,” she says.
“Mmm-hmm!” I say in ackno
wledgment.
But I have misunderstood. She was not thanking me, she was thanking the usher, who is standing a few feet behind me.
“No, I meant her,” she says, without looking at me.
She just wanted to make that clear.
The Rooster
Today I paid a condolence call on Safwan, the owner of the Farm and Country Deli. His rooster was killed last week on the road. I had first stopped at the house across from the deli, where there are many chickens and three roosters—but it was not one of those that had been killed. I talked to Safwan for a little while. He said he would not be getting another rooster—the road was too dangerous. His rooster had often wandered into the road pecking at crumbs, Safwan said, instead of staying in the backyard, because of the dog in the yard next door, which frightened him.
After I had paid my condolence call, I picked up two of the rooster’s oily green feathers from the side of the road for a keepsake, and returned home. I sent my friend Rachel a message telling her that I was sad about Safwan’s rooster, whose regular cry all day long had made me happy. Each time I heard it, I felt I was really living out in the country—at least farther out in the country than I had been in my last place.
Rachel, who always has many lines of poetry in her head, sent me in return some lines from a poem by Elizabeth Bishop: “Oh, why should a hen/have been run over/on West 4th Street…?” I liked the lines, though I had trouble imagining a hen alive on West 4th Street, let alone a hen that had been run over. I then found another line by Elizabeth Bishop about a hen, in a poem about a hermit and some train tracks: “The pet hen went chook-chook.” To me, “chook-chook” sounded more like a train than the hen.
Later I met some neighbors of mine who had witnessed the accident. They said they had been driving south in their van towards the deli when they saw the rooster in the road in front of them. At the same time, there was a tractor-trailer coming from the opposite direction, north towards the deli. The rooster had hastened to get out of the way of the van, and in his haste had run straight into the path of the tractor-trailer. The neighbors smiled as they told the story. I suppose they were amused by the violence of the impact and the sight of the bird exploding up into the air off the front of the truck, feathers everywhere.