I reached the office and let myself in. I gathered the mail from Saturday that had been shoved through the slot and now lay in a wide lake on the rug in my reception area. My answering machine was winking merrily. I separated the junk mail and tossed it in the wastebasket while I punched the Play button. The message was from Geneva Burt, in Lowell Effinger’s office. She sounded harried, but her Mondays were probably like that. I dialed the law firm while I was in the process of opening the bills, the phone pressed between my right ear and my shoulder in a hands-free hunched position. When Geneva picked up on her end I identified myself and said, “What’s up?”
“Oh hi, Kinsey. Thanks for returning my call. I’m having a devil of a time connecting with Mr. Downs.”
“He’s supposed to call you. That’s why I gave him your number in the first place. He doesn’t have a phone so he gets his messages through his landlady. It seemed simpler all around to have him make the contact since he’s so difficult to reach.”
“I understand and I passed along your comment about how antsy he is. Mr. Effinger’s anxious to take his deposition so he asked me to go ahead and call and get something on the books. I’ve tried three times this morning and I can’t get anyone to pick up. I hate to do this to you, but he’s leaning on me so I gotta turn around and lean on you.”
“Let me see what I can do. I don’t think he works Mondays so I may be able to catch him at home. You have a date and time set? If so, I’ll make sure he puts it on his calendar.”
“Not yet. We’ll accommodate his schedule once we know what’s good for him.”
“Great. I’ll get back to you as soon as I’ve talked to him. If he’s at all resistant, I’ll put him in my car and drive him over there myself.”
“Thanks.”
I got in my car and looped back up Santa Teresa Street and covered the eight blocks, making the two left turns that put me on Dave Levine. The residence hotel came into view, and for once there was a decent parking place out front. I left my car at the curb and took the porch steps two at a time. I pushed open the door and walked down the hall to Mrs. Von’s office in the rear. On the counter there was an old-fashioned punch bell and I gave it a ringy-ding.
A young woman came out of the dining room with a feather duster in one hand. She was in her twenties, her hair skinned back and held in place with blue plastic combs. She wore a T-shirt and jeans, and she had a dust rag caught in a belt loop, like a sous-chef. “May I help you?”
“I’m looking for Mrs. Von.”
“She’s out running errands.”
The phone on the desk behind her began to ring. And ring. And ring. She glanced at it, ignoring the obvious solution, which was to answer it. “Is there something I can help you with?”
The ringing stopped.
“Possibly,” I said. “Do you know if Mr. Downs is in?”
“He’s gone.”
“The man’s always gone. Any idea when he’ll be back?”
“He moved out. I’m supposed to clean the place, but I haven’t gotten to it yet. Mrs. Von’s putting a notice in the paper that the room’s for rent. That’s partly what she’s doing while she’s out.”
“You can’t be serious. I talked to him on Saturday and he never said a word. When did he give notice?”
“He didn’t. He just packed up and left. Whatever you said to him, you must have scared him away,” she said with a laugh.
I stood rooted in place. What in the world would I tell Lowell Effinger? Melvin Downs’s statement was crucial to his case and now the guy had cut and run.
“Can I take a look at his room?”
“Mrs. Von wouldn’t like that.”
“Ten minutes. Please. That’s all I ask. She doesn’t have to know.”
She thought about that and seemed to shrug. “Door’s unlocked so you can walk around if you want. Not that there’s anything to see. I peeked in first thing to see if he’d left a mess behind. It’s clean as a whistle as far as I can tell.”
“Thanks.”
“Don’t mention it. And I mean that. I’m busy cleaning the kitchen. I don’t know nuthin’ about nuthin’ if she catches you.”
I took the back stairs this time, worried I’d run into the returning Mrs. Von if I used the main staircase. From below I could hear the ringing of the phone start up again. Maybe the cleaning woman was on orders not to answer it. Maybe Cleaning Personnel Union #409 forbade her taking on duties that weren’t specified by contract.
When I got to the third floor, just to be on the safe side, I tapped at Melvin Downs’s door and waited a beat. When no one responded to my knock, I checked the hall in both directions and then opened the door.
I stepped into his room with the same heightened sense of danger I felt every time I found myself someplace I wasn’t supposed to be, which was much of the time these days. I closed my eyes and inhaled. The room smelled of aftershave. I opened them again and did a visual survey. The dimensions were unexpectedly generous, probably sixteen by twenty feet. The closet was large enough to accommodate a wide chest of drawers with two wooden rods for hanging clothes and a shoe rack attached to the back of the door. Above the hanging rods there were empty wood shelves that reached all the way to the ceiling.
The adjacent bathroom was twelve by twelve with an old cast-iron claw-foot tub and a sink with a wide lip, a small glass shelf above. The toilet had a wooden seat and a wall-mounted tank that was operated by a pull-chain. The floors were covered in a parquet pattern of fake-wood linoleum.
In the main room there was a second chest of drawers, a double bed with a white painted iron bedstead, and two mismatched bed tables. The one table lamp was utilitarian—two seventy-five-watt bulbs, a hanging metal chain, and a plain, yellowing shade that looked scorched in places. When I pulled the chain only one bulb came on. The bed had been stripped and the mattress was folded back on itself, revealing the bedsprings. Melvin had made a tidy pile of the linens that would need to be washed: sheets, pillowcases, mattress cover, bedspread, and towels.
Under a bay of windows on the far wall there was a wooden table painted white and two unfinished wooden chairs. I crossed to a length of kitchen counter with a short run of cabinets above. I checked the shelves. A set of dishes, six drinking glasses, two cereal boxes, and an assortment of crackers. Knowing Mrs. Von as I did by then, a hot plate or any other cooking equipment would be strictly forbidden.
I began to search in earnest, though I didn’t see much in the way of hiding places. I pulled each drawer open, looked in and behind, checked the underside, and then closed it and moved on. Nothing in the wastebasket. Nothing under the chest of drawers. I took one of the kitchen chairs and carried it to the closet so I could climb up and get a clear view of the far reaches of the shelves. I pulled the string that controlled the one naked bulb. The light was dull. At first I thought I’d struck out again, but I could see something in one corner against the wall. I stood on my toes, head down, my arm fully extended as I groped blindly across the dusty shelf. My hand closed over the item and I hauled it into view. It was one of those toys with two parallel wooden sticks, which when squeezed makes a small wooden clown do a somersault. I watched the clown do a couple of flips and then climbed down off the chair. I returned the chair to the kitchenette and stuck the toy in my bag before I moved into the bathroom.
The bathroom hadn’t been scrubbed, but neither did it contain anything in the way of information. I did see the cardboard insert from a wine box, folded flat and tucked behind the sink. Melvin Downs had been carrying two wine boxes, one tucked inside the other, when we were introduced. Which meant he was already in the process of packing up his things. Interesting. Something had triggered a hasty departure and I hoped it wasn’t me.
I left the room and closed the door behind me. As I headed toward the stairs, I heard the faint strains of a radio from the room across the hall. I hesitated and then knocked on the door. What did I have to lose?
The man who answered was missing his upper fron
t teeth and had a prickling two-day growth of beard.
“Sorry to bother you, but I’m wondering what happened to Melvin Downs.”
“Don’t know. Don’t care. I didn’t like him and he didn’t like me. Good riddance.”
“Is there anyone else I might talk to?”
“Him and the fellow in 5 watched TV together. Second floor.”
“Is he here?”
He closed the door.
I said, “Thanks.”
I went out to my car and got in, then sat with my hands on the steering wheel while I considered my options. I glanced at my watch. It was close to eleven o’clock. For the moment, there was nothing I could do. I had the Guffeys to contend with, so I turned the key in the ignition and headed for Colgate. If I didn’t get a move on, I’d be late.
24
SOLANA
Sunday morning, Solana stood in the kitchen, breaking up a handful of tablets with a mortar and pestle. The pulverized medication was a new over-the-counter sleep aid she’d purchased the day before. She liked to experiment. The old man was currently sedated and she took the opportunity to place a call to the Other, to whom she hadn’t spoken since before Christmas. Given the press of the holidays and her care of the old man, Solana hadn’t given the Other much thought. She felt safe where she was. She couldn’t see how her past could catch up with her, but it never hurt to keep a finger on the Other’s pulse, as it were.
After the usual banal conversation, the Other said, “I had the oddest thing happen. I was in the neighborhood of Sunrise House and stopped by to see the gang and say hi. There’s a new woman in the administrator’s office and she asked me if I was enjoying my new job. When I said I was in school full-time, she gave me this look. I can’t even tell you how strange it was. I asked what was wrong and she said a private investigator had come in, doing a background check for a private-duty nursing job. I told her she’d made a mistake, that I wasn’t doing private duty.”
Solana closed her eyes, trying to determine what this meant. “She must have made a mistake, thinking you were someone else.”
“That was my reaction, but while I was standing there, she pulled the folder and pointed out the note she’d entered at the time. She even showed me the woman’s business card.”
Solana focused on the information with a curious sense of detachment. “Woman?”
“It wasn’t a name I’d seen before and I can’t remember it now, but I don’t like the idea of someone asking personal questions about me.”
“I have to go. There’s someone at the door. I’ll call you later.”
Solana hung up. She could feel the heat climb her frame like a hot flash. What alarmed Solana was the fact that the young woman from next door was prying into matters that were none of her concern. The revelation was deeply disturbing, but she couldn’t stop and worry about that now. She had other business to take care of. She’d set up an appointment at an art gallery, where she was hoping to off-load the paintings she’d found when she first came to work. She knew nothing about art, but the frames were handsome, and she believed they would bring in a tidy sum. She’d gone through the yellow pages and selected five or six galleries in the fancy-pants part of town. As soon as Tiny helped her load the paintings in the trunk of her car, she’d take off, leaving him to babysit Mr. Vronsky while she was out.
She left the freeway and took the Old Coast Road, which ran through the part of Montebello known as the Lower Village. There was nothing remotely village-like about the area. It was all high-end retail businesses: custom clothing, interior design shops, architects’ offices, real estate offices with color photographs of ten- to fifteen-million-dollar homes in the window. She spotted the gallery in the middle of a line of stores. Parking was at a premium and she circled the block twice before she found a space. She opened the trunk of the convertible and took out two of the six paintings she’d brought. On both, the frames were ornate and she was sure the gold leaf was real.
The gallery itself was plain, long and narrow, no carpet, no furniture except for an expensive antique table with a chair on each side. The lighting was good, calling attention to the thirty or so paintings hung along the walls. Some looked no better than the two she’d carried in.
The woman at the desk looked up with a pleasant smile. “You must be Ms. Tasinato. I’m Carys Mumford. How are you today?”
Solana said, “Fine. I have an appointment with the owner to talk about some paintings I want to sell.”
“I’m the owner. Won’t you have a seat?”
Solana was slightly embarrassed by the error she’d made, but how was she to know someone so young and attractive would own a ritzy place like this? She’d expected a man, someone older and snooty and easy to manipulate. Awkwardly, she set the paintings down, wondering how to proceed.
Ms. Mumford got up and came around the table, saying, “Mind if I have a look?”
“Please.”
She picked up the larger of the two paintings and carried it across the room. She leaned it against the wall, then returned for the second painting, which she placed beside it. Solana watched the woman’s expression change. She couldn’t decipher the woman’s reaction and she felt a moment of uneasiness. The paintings looked okay to her, but maybe the gallery owner thought they were inferior.
“How did you acquire these?”
“They’re not mine. I work for the gentleman who hopes to sell them because he needs the cash. His wife bought them years ago, but after she died, he didn’t have much use for them. They’ve been stored in a spare room, just taking up space.”
Carys Mumford said, “Do you know these two artists?”
“I don’t. I never cared for landscapes myself—mountains and poppies or whatever those orange flowers are. Maybe you’re thinking these aren’t as good as the paintings you have, but the frames are worth a lot,” she said, trying not to sound desperate or apologetic.
Carys Mumford looked at her with surprise. “All you’re selling are the frames? I assumed you were talking about the paintings.”
“I’d be willing to throw those in. Is something wrong?”
“Not at all. This is a John Gamble, one of the plein-air painters from the early part of the century. His work is highly sought after. I haven’t seen a painting of this size in years. The other is by William Wendt, another well-known plein-air painter. If you’re not in any hurry, I have two or three clients I’m certain would be interested. It’s just a matter of reaching them.”
“How long would that take?”
“A week to ten days. These are people who travel most of the year and it’s sometimes a trick catching up with them. At the same time, they trust my judgment. If I say these are authentic, they’ll take my word for it.”
“I’m not sure I should leave them. I’m not authorized to do that,” she said.
“That’s up to you, though an interested buyer would want to see the painting and perhaps take it home for a few days before making a decision.”
Solana could just imagine it. This woman would pass the paintings on to someone else and that’s the last she’d ever see of them. “This Gamble fellow…what would you say that one’s worth?” She could feel her palms dampen. She didn’t like negotiating in a situation like this where she wasn’t on solid ground.
“Well, I sold a similar painting two months ago for a hundred and twenty-five thousand. Another client, a couple, bought a Gamble from me five or six years ago for thirty-five thousand. Now it’s worth a hundred and fifty.”
“A hundred and fifty thousand dollars,” Solana said. Surely her ears weren’t deceiving her.
The Mumford woman went on, “If you don’t mind my asking, is there a reason you can’t leave these with me?”
“It’s not me. It’s the gentleman I work for. I might talk him into leaving them for a week, but not longer. I’d need a receipt. I’d need two receipts.”
“I’d be happy to oblige. Of course, I’d need to see the two bills of sale from the or
iginal purchase or some proof the gentleman actually owns the paintings. It’s a formality, but in transactions of this magnitude, the provenance is critical.”
Solana shook her head, inventing a back story as quickly as she could. “Not possible. His wife bought them years ago. There was a fire after that and all his financial records were destroyed. Anyway, what difference does it make after all these years? What matters is the current value. This is an authentic Gamble. A big one. You said so yourself.”
“What about an appraisal for insurance purposes? Surely he has a rider on his policy to protect himself in case of loss.”
“That I don’t know about, but I can ask.”
She could see the woman turning the problem over in her mind. This business of provenance was just an excuse to bring the price down. Maybe she thought the painting was stolen, which couldn’t be further from the truth. The woman wanted the paintings. Solana could see it in her face, like someone on a diet looking at a rack of doughnuts through a plate-glass window. Finally, the gallery owner said, “Let me think about it and maybe we can find a way. Give me a number where you can be reached and I’ll get back to you in the morning.”
When Solana left the gallery she had the two receipts in hand. The lesser of the two paintings, the William Wendt, was valued at seventy-five thousand. The other four paintings in the trunk she’d hold on to until she was satisfied she’d been treated well. It was worth waiting a week, if she could have that much cash in hand.
Home again, she found herself brooding on the issue of Kinsey Millhone, who seemed determined to snoop. Solana vividly recalled the first time she’d knocked on Mr. Vronsky’s door. She’d despised the girl on sight, staring at her through the pane as though she were a tarantula in one of the glass cases at the Museum of Natural History. Solana had taken Tiny there often as a child. He was fascinated by the variety of disgusting insects and spiders, hairy things that lurked in corners and under leaves. Some had horns and pincers and hard black carapaces. These loathsome creatures could disguise themselves so cunningly that it was sometimes hard to spot them in the foliage where they hid. Tarantulas were the worst. The display case would appear empty and Solana would wonder if the spider had escaped. She’d lean toward the glass, searching uneasily, and suddenly discover the thing was close enough to touch. This girl was like that.
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