The first string charity,
The second tenderness,
The rest were pleasure, sorrow, sleep, and sin,
And loving-kindness, that is pity’s kin
And is most pitiless.
There were three men with her, each garmented
With gold and shod with gold upon the feet;
And with plucked ears of wheat
The first man’s hair was wound upon his head:
His face was red, and his mouth curled and sad;
All his gold garment had
Pale stains of dust and rust.
A riven hood was pulled across his eyes;
The token of him being upon this wise
Made for a sign of Lust.
The next was Shame, with hollow heavy face
Coloured like green wood when flame kindles it.
He hath such feeble feet
They may not well endure in any place.
His face was full of grey old miseries,
And all his blood’s increase
Was even increase of pain.
The last was Fear, that is akin to Death;
He is Shame’s friend, and always as Shame saith
Fear answers him again.
My soul said in me; This is marvellous,
Seeing the air’s face is not so delicate
Nor the sun’s grace so great,
If sin and she be kin or amorous.
And seeing where maidens served her on their knees,
I bade one crave of these
To know the cause thereof.
Then Fear said: I am Pity that was dead.
And Shame said: I am Sorrow comforted.
And Lust said: I am Love.
Thereat her hands began a lute-playing
And her sweet mouth a song in a strange tongue;
And all the while she sung
There was no sound but long tears following
Long tears upon men’s faces, waxen white
With extreme sad delight.
But those three following men
Became as men raised up among the dead;
Great glad mouths open and fair cheeks made red
With child’s blood come again.
Then I said: Now assuredly I see
My lady is perfect, and transfigureth
All sin and sorrow and death,
Making them fair as her own eyelids be,
Or lips wherein my whole soul’s life abides;
Or as her sweet white sides
And bosom carved to kiss.
Now therefore, if her pity further me,
Doubtless for her sake all my days shall be
As righteous as she is.
Forth, ballad, and take roses in both arms,
Even till the top rose touch thee in the throat
Where the least thornprick harms;
And girdled in thy golden singing-coat,
Come thou before my lady and say this;
Borgia, thy gold hair’s colour burns in me,
Thy mouth makes beat my blood in feverish rhymes;
Therefore so many as these roses be,
Kiss me so many times.
Then it may be, seeing how sweet she is,
That she will stoop herself none otherwise
Than a blown vine-branch doth,
And kiss thee with soft laughter on thine eyes,
Ballad, and on thy mouth.
A BALLAD OF DEATH
Kneel down, fair Love, and fill thyself with tears,
Girdle thyself with sighing for a girth
Upon the sides of mirth,
Cover thy lips and eyelids, let thine ears
Be filled with rumour of people sorrowing;
Make thee soft raiment out of woven sighs
Upon the flesh to cleave,
Set pains therein and many a grievous thing,
And many sorrows after each his wise
For armlet and for gorget and for sleeve.
O Love’s lute heard about the lands of death,
Left hanged upon the trees that were therein;
O Love and Time and Sin,
Three singing mouths that mourn now underbreath,
Three lovers, each one evil spoken of;
O smitten lips wherethrough this voice of mine
Came softer with her praise;
Abide a little for our lady’s love.
The kisses of her mouth were more than wine,
And more than peace the passage of her days.
O Love, thou knowest if she were good to see.
O Time, thou shalt not find in any land
Till, cast out of thine hand,
The sunlight and the moonlight fail from thee,
Another woman fashioned like as this.
O Sin, thou knowest that all thy shame in her
Was made a goodly thing;
Yea, she caught Shame and shamed him with her kiss,
With her fair kiss, and lips much lovelier
Than lips of amorous roses in late spring.
By night there stood over against my bed
Queen Venus with a hood striped gold and black,
Both sides drawn fully back
From brows wherein the sad blood failed of red,
And temples drained of purple and full of death.
Her curled hair had the wave of sea-water
And the sea’s gold in it.
Her eyes were as a dove’s that sickeneth.
Strewn dust of gold she had shed over her,
And pearl and purple and amber on her feet.
Upon her raiment of dyed sendaline
Were painted all the secret ways of love
And covered things thereof,
That hold delight as grape-flowers hold their wine;
Red mouths of maidens and red feet of doves,
And brides that kept within the bride-chamber
Their garment of soft shame,
And weeping faces of the wearied loves
That swoon in sleep and awake wearier,
With heat of lips and hair shed out like flame.
The tears that through her eyelids fell on me
Made mine own bitter where they ran between
As blood had fallen therein,
She saying; Arise, lift up thine eyes and see
If any glad thing be or any good
Now the best thing is taken forth of us;
Even she to whom all praise
Was as one flower in a great multitude,
One glorious flower of many and glorious,
One day found gracious among many days:
Even she whose handmaiden was Love — to whom
At kissing times across her stateliest bed
Kings bowed themselves and shed
Pale wine, and honey with the honeycomb,
And spikenard bruised for a burnt-offering;
Even she between whose lips the kiss became
As fire and frankincense;
Whose hair was as gold raiment on a king,
Whose eyes were as the morning purged with flame,
Whose eyelids as sweet savour issuing thence.
Then I beheld, and lo on the other side
My lady’s likeness crowned and robed and dead.
Sweet still, but now not red,
Was the shut mouth whereby men lived and died.
And sweet, but emptied of the blood’s blue shade,
The great curled eyelids that withheld her eyes.
And sweet, but like spoilt gold,
The weight of colour in her tresses weighed.
And sweet, but as a vesture with new dyes,
The body that was clothed with love of old.
Ah! that my tears filled all her woven hair
And all the hollow bosom of her gown —
Ah! that my tears ran down
Even to the place where many kisses were,
Even where her parted breast-flowers have place,
Ev
en where they are cloven apart — who knows not this?
Ah! the flowers cleave apart
And their sweet fills the tender interspace;
Ah! the leaves grown thereof were things to kiss
Ere their fine gold was tarnished at the heart.
Ah! in the days when God did good to me,
Each part about her was a righteous thing;
Her mouth an almsgiving,
The glory of her garments charity,
The beauty of her bosom a good deed,
In the good days when God kept sight of us;
Love lay upon her eyes,
And on that hair whereof the world takes heed;
And all her body was more virtuous
Than souls of women fashioned otherwise.
Now, ballad, gather poppies in thine hands
And sheaves of brier and many rusted sheaves
Rain-rotten in rank lands,
Waste marigold and late unhappy leaves
And grass that fades ere any of it be mown;
And when thy bosom is filled full thereof
Seek out Death’s face ere the light altereth,
And say “My master that was thrall to Love
Is become thrall to Death.”
Bow down before him, ballad, sigh and groan,
But make no sojourn in thy outgoing;
For haply it may be
That when thy feet return at evening
Death shall come in with thee.
LAUS VENERIS
Lors dit en plourant; Hélas trop malheureux homme et mauldict pescheur, oncques ne verrai-je clémence et miséricorde de Dieu. Ores m’en irai-je d’icy et me cacherai dedans le mont Horsel, en requérant de faveur et d’amoureuse merci ma doulce dame Vénus, car pour son amour serai-je bien à tout jamais damné en enfer. Voicy la fin de tous mes faicts d’armes et de toutes mes belles chansons. Hélas, trop belle estoyt la face de ma dame et ses yeulx, et en mauvais jour je vis ces chouses-là. Lors s’en alla tout en gémissant et se retourna chez elle, et là vescut tristement en grand amour près de sa dame. Puis après advint que le pape vit un jour esclater sur son baston force belles fleurs rouges et blanches et maints boutons de feuilles, et ainsi vit-il reverdir toute l’escorce. Ce dont il eut grande crainte et moult s’en esmut, et grande pitié lui prit de ce chevalier qui s’en estoyt départi sans espoir comme un homme misérable et damné. Doncques envoya force messaigers devers luy pour le ramener, disant qu’il aurait de Dieu grace et bonne absolution de son grand pesché d’amour. Mais oncques plus ne le virent; car toujours demeura ce pauvre chevalier auprès de Vénus la haulte et forte déesse ès flancs de la montagne amoureuse.
Livre des grandes merveilles d’amour, escript en latin
et en françoys par Maistre Antoine Gaget. 1530.
LAUS VENERIS
Asleep or waking is it? for her neck,
Kissed over close, wears yet a purple speck
Wherein the pained blood falters and goes out;
Soft, and stung softly — fairer for a fleck.
But though my lips shut sucking on the place,
There is no vein at work upon her face;
Her eyelids are so peaceable, no doubt
Deep sleep has warmed her blood through all its ways.
Lo, this is she that was the world’s delight;
The old grey years were parcels of her might;
The strewings of the ways wherein she trod
Were the twain seasons of the day and night.
Lo, she was thus when her clear limbs enticed
All lips that now grow sad with kissing Christ,
Stained with blood fallen from the feet of God,
The feet and hands whereat our souls were priced.
Alas, Lord, surely thou art great and fair.
But lo her wonderfully woven hair!
And thou didst heal us with thy piteous kiss;
But see now, Lord; her mouth is lovelier.
She is right fair; what hath she done to thee?
Nay, fair Lord Christ, lift up thine eyes and see;
Had now thy mother such a lip — like this?
Thou knowest how sweet a thing it is to me.
Inside the Horsel here the air is hot;
Right little peace one hath for it, God wot;
The scented dusty daylight burns the air,
And my heart chokes me till I hear it not.
Behold, my Venus, my soul’s body, lies
With my love laid upon her garment-wise,
Feeling my love in all her limbs and hair
And shed between her eyelids through her eyes.
She holds my heart in her sweet open hands
Hanging asleep; hard by her head there stands,
Crowned with gilt thorns and clothed with flesh like fire,
Love, wan as foam blown up the salt burnt sands —
Hot as the brackish waifs of yellow spume
That shift and steam — loose clots of arid fume
From the sea’s panting mouth of dry desire;
There stands he, like one labouring at a loom.
The warp holds fast across; and every thread
That makes the woof up has dry specks of red;
Always the shuttle cleaves clean through, and he
Weaves with the hair of many a ruined head.
Love is not glad nor sorry, as I deem;
Labouring he dreams, and labours in the dream,
Till when the spool is finished, lo I see
His web, reeled off, curls and goes out like steam.
Night falls like fire; the heavy lights run low,
And as they drop, my blood and body so
Shake as the flame shakes, full of days and hours
That sleep not neither weep they as they go.
Ah yet would God this flesh of mine might be
Where air might wash and long leaves cover me,
Where tides of grass break into foam of flowers,
Or where the wind’s feet shine along the sea.
Ah yet would God that stems and roots were bred
Out of my weary body and my head,
That sleep were sealed upon me with a seal,
And I were as the least of all his dead.
Would God my blood were dew to feed the grass,
Mine ears made deaf and mine eyes blind as glass,
My body broken as a turning wheel,
And my mouth stricken ere it saith Alas!
Ah God, that love were as a flower or flame,
That life were as the naming of a name,
That death were not more pitiful than desire,
That these things were not one thing and the same!
Behold now, surely somewhere there is death:
For each man hath some space of years, he saith,
A little space of time ere time expire,
A little day, a little way of breath.
And lo, between the sundawn and the sun,
His day’s work and his night’s work are undone;
And lo, between the nightfall and the light,
He is not, and none knoweth of such an one.
Ah God, that I were as all souls that be,
As any herb or leaf of any tree,
As men that toil through hours of labouring night,
As bones of men under the deep sharp sea.
Outside it must be winter among men;
For at the gold bars of the gates again
I heard all night and all the hours of it
The wind’s wet wings and fingers drip with rain.
Knights gather, riding sharp for cold; I know
The ways and woods are strangled with the snow;
And with short song the maidens spin and sit
Until Christ’s birthnight, lily-like, arow.
The scent and shadow shed about me make
The very soul in all my senses ache;
The hot hard night is fed upon my breath,
And sleep behol
ds me from afar awake.
Alas, but surely where the hills grow deep,
Or where the wild ways of the sea are steep,
Or in strange places somewhere there is death,
And on death’s face the scattered hair of sleep.
There lover-like with lips and limbs that meet
They lie, they pluck sweet fruit of life and eat;
But me the hot and hungry days devour,
And in my mouth no fruit of theirs is sweet.
No fruit of theirs, but fruit of my desire,
For her love’s sake whose lips through mine respire;
Her eyelids on her eyes like flower on flower,
Mine eyelids on mine eyes like fire on fire.
So lie we, not as sleep that lies by death,
With heavy kisses and with happy breath;
Not as man lies by woman, when the bride
Laughs low for love’s sake and the words he saith.
For she lies, laughing low with love; she lies
And turns his kisses on her lips to sighs,
To sighing sound of lips unsatisfied,
And the sweet tears are tender with her eyes.
Ah, not as they, but as the souls that were
Slain in the old time, having found her fair;
Who, sleeping with her lips upon their eyes,
Heard sudden serpents hiss across her hair.
Their blood runs round the roots of time like rain:
She casts them forth and gathers them again;
With nerve and bone she weaves and multiplies
Exceeding pleasure out of extreme pain.
Her little chambers drip with flower-like red,
Her girdles, and the chaplets of her head,
Her armlets and her anklets; with her feet
She tramples all that winepress of the dead.
Her gateways smoke with fume of flowers and fires,
With loves burnt out and unassuaged desires;
Between her lips the steam of them is sweet,
The languor in her ears of many lyres.
Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series) Page 11