But now God knows if I have skill of it.”
Hereat she laid one palm against her lips
To stop their trembling; as when water slips
Out of a beak-mouthed vessel with faint noise
And chuckles in the narrowed throat and cloys
The carven rims with murmuring, so came
Words in her lips with no word right of them,
A beaten speech thick and disconsolate,
Till his smile ceasing waxed compassionate
Of her sore fear that grew from anything —
The sound of the strong summer thickening
In heated leaves of the smooth apple-trees:
The day’s breath felt about the ash-branches,
And noises of the noon whose weight still grew
On the hot heavy-headed flowers, and drew
Their red mouths open till the rose-heart ached;
For eastward all the crowding rose was slaked
And soothed with shade: but westward all its growth
Seemed to breathe hard with heat as a man doth
Who feels his temples newly feverous.
And even with such motion in her brows
As that man hath in whom sick days begin,
She turned her throat and spake, her voice being thin
As a sick man’s, sudden and tremulous;
“Sweet, if this end be come indeed on us,
Let us love more;” and held his mouth with hers.
As the first sound of flooded hill-waters
Is heard by people of the meadow-grass,
Or ever a wandering waif of ruin pass
With whirling stones and foam of the brown stream
Flaked with fierce yellow: so beholding him
She felt before tears came her eyelids wet,
Saw the face deadly thin where life was yet,
Heard his throat’s harsh last moan before it clomb:
And he, with close mouth passionate and dumb,
Burned at her lips: so lay they without speech,
Each grasping other, and the eyes of each
Fed in the other’s face: till suddenly
He cried out with a little broken cry
This word, “O help me, sweet, I am but dead.”
And even so saying, the colour of fair red
Was gone out of his face, and his blood’s beat
Fell, and stark death made sharp his upward feet
And pointed hands; and without moan he died.
Pain smote her sudden in the brows and side,
Strained her lips open and made burn her eyes:
For the pure sharpness of her miseries
She had no heart’s pain, but mere body’s wrack;
But at the last her beaten blood drew back
Slowly upon her face, and her stunned brows
Suddenly grown aware and piteous
Gathered themselves, her eyes shone, her hard breath
Came as though one nigh dead came back from death;
Her lips throbbed, and life trembled through her hair.
And in brief while she thought to bury there
The dead man that her love might lie with him
In a sweet bed under the rose-roots dim
And soft earth round the branchèd apple-trees,
Full of hushed heat and heavy with great ease,
And no man entering divide him thence.
Wherefore she bade one of her handmaidens
To be her help to do upon this wise.
And saying so the tears out of her eyes
Fell without noise and comforted her heart:
Yea, her great pain eased of the sorest part
Began to soften in her sense of it.
There under all the little branches sweet
The place was shapen of his burial;
They shed thereon no thing funereal,
But coloured leaves of latter rose-blossom,
Stems of soft grass, some withered red and some
Fair and fresh-blooded; and spoil splendider
Of marigold and great spent sunflower.
And afterward she came back without word
To her own house; two days went, and the third
Went, and she showed her father of this thing.
And for great grief of her soul’s travailing
He gave consent she should endure in peace
Till her life’s end; yea, till her time should cease,
She should abide in fellowship of pain.
And having lived a holy year or twain
She died of pure waste heart and weariness.
And for love’s honour in her love’s distress
This word was written over her tomb’s head;
“Here dead she lieth, for whose sake Love is dead.”
AHOLIBAH
In the beginning God made thee
A woman well to look upon,
Thy tender body as a tree
Whereon cool wind hath always blown
Till the clean branches be well grown.
There was none like thee in the land;
The girls that were thy bondwomen
Did bind thee with a purple band
Upon thy forehead, that all men
Should know thee for God’s handmaiden.
Strange raiment clad thee like a bride,
With silk to wear on hands and feet
And plates of gold on either side:
Wine made thee glad, and thou didst eat
Honey, and choice of pleasant meat.
And fishers in the middle sea
Did get thee sea-fish and sea-weeds
In colour like the robes on thee;
And curious work of plaited reeds,
And wools wherein live purple bleeds.
And round the edges of thy cup
Men wrought thee marvels out of gold,
Strong snakes with lean throats lifted up,
Large eyes whereon the brows had hold,
And scaly things their slime kept cold.
For thee they blew soft wind in flutes
And ground sweet roots for cunning scent;
Made slow because of many lutes,
The wind among thy chambers went
Wherein no light was violent.
God called thy name Aholibah,
His tabernacle being in thee,
A witness through waste Asia;
Thou wert a tent sewn cunningly
With gold and colours of the sea.
God gave thee gracious ministers
And all their work who plait and weave:
The cunning of embroiderers
That sew the pillow to the sleeve,
And likeness of all things that live.
Thy garments upon thee were fair
With scarlet and with yellow thread;
Also the weaving of thine hair
Was as fine gold upon thy head,
And thy silk shoes were sewn with red.
All sweet things he bade sift, and ground
As a man grindeth wheat in mills
With strong wheels alway going round;
He gave thee corn, and grass that fills
The cattle on a thousand hills.
The wine of many seasons fed
Thy mouth, and made it fair and clean;
Sweet oil was poured out on thy head
And ran down like cool rain between
The strait close locks it melted in.
The strong men and the captains knew
Thy chambers wrought and fashioned
With gold and covering of blue,
And the blue raiment of thine head
Who satest on a stately bed.
All these had on their garments wrought
The shape of beasts and creeping things,
The body that availeth not,
Flat backs of worms and veinèd wings,
And the lewd bulk that sleeps and stings.
Also the chosen of the year
s,
The multitude being at ease,
With sackbuts and with dulcimers
And noise of shawms and psalteries
Made mirth within the ears of these.
But as a common woman doth,
Thou didst think evil and devise;
The sweet smell of thy breast and mouth
Thou madest as the harlot’s wise,
And there was painting on thine eyes.
Yea, in the woven guest-chamber
And by the painted passages
Where the strange gracious paintings were,
State upon state of companies,
There came on thee the lust of these.
Because of shapes on either wall
Sea-coloured from some rare blue shell
At many a Tyrian interval,
Horsemen on horses, girdled well,
Delicate and desirable,
Thou saidest: I am sick of love:
Stay me with flagons, comfort me
With apples for my pain thereof
Till my hands gather in his tree
That fruit wherein my lips would be.
Yea, saidest thou, I will go up
When there is no more shade than one
May cover with a hollow cup,
And make my bed against the sun
Till my blood’s violence be done.
Thy mouth was leant upon the wall
Against the painted mouth, thy chin
Touched the hair’s painted curve and fall;
Thy deep throat, fallen lax and thin,
Worked as the blood’s beat worked therein.
Therefore, O thou Aholibah,
God is not glad because of thee;
And thy fine gold shall pass away
Like those fair coins of ore that be
Washed over by the middle sea.
Then will one make thy body bare
To strip it of all gracious things,
And pluck the cover from thine hair,
And break the gift of many kings,
Thy wrist-rings and thine ankle-rings.
Likewise the man whose body joins
To thy smooth body, as was said,
Who hath a girdle on his loins
And dyed attire upon his head —
The same who, seeing, worshipped,
Because thy face was like the face
Of a clean maiden that smells sweet,
Because thy gait was as the pace
Of one that opens not her feet
And is not heard within the street —
Even he, O thou Aholibah,
Made separate from thy desire,
Shall cut thy nose and ears away
And bruise thee for thy body’s hire
And burn the residue with fire.
Then shall the heathen people say,
The multitude being at ease;
Lo, this is that Aholibah
Whose name was blown among strange seas.
Grown old with soft adulteries.
Also her bed was made of green,
Her windows beautiful for glass
That she had made her bed between:
Yea, for pure lust her body was
Made like white summer-coloured grass.
Her raiment was a strong man’s spoil;
Upon a table by a bed
She set mine incense and mine oil
To be the beauty of her head
In chambers walled about with red.
Also between the walls she had
Fair faces of strong men portrayed;
All girded round the loins, and clad
With several cloths of woven braid
And garments marvellously made.
Therefore the wrath of God shall be
Set as a watch upon her way;
And whoso findeth by the sea
Blown dust of bones will hardly say
If this were that Aholibah.
LOVE AND SLEEP
Lying asleep between the strokes of night
I saw my love lean over my sad bed,
Pale as the duskiest lily’s leaf or head,
Smooth-skinned and dark, with bare throat made to bite,
Too wan for blushing and too warm for white,
But perfect-coloured without white or red.
And her lips opened amorously, and said —
I wist not what, saving one word — Delight.
And all her face was honey to my mouth,
And all her body pasture to mine eyes;
The long lithe arms and hotter hands than fire,
The quivering flanks, hair smelling of the south,
The bright light feet, the splendid supple thighs
And glittering eyelids of my soul’s desire.
MADONNA MIA
Under green apple-boughs
That never a storm will rouse,
My lady hath her house
Between two bowers;
In either of the twain
Red roses full of rain;
She hath for bondwomen
All kind of flowers.
She hath no handmaid fair
To draw her curled gold hair
Through rings of gold that bear
Her whole hair’s weight;
She hath no maids to stand
Gold-clothed on either hand;
In all the great green land
None is so great.
She hath no more to wear
But one white hood of vair
Drawn over eyes and hair,
Wrought with strange gold,
Made for some great queen’s head,
Some fair great queen since dead;
And one strait gown of red
Against the cold.
Beneath her eyelids deep
Love lying seems asleep,
Love, swift to wake, to weep,
To laugh, to gaze;
Her breasts are like white birds,
And all her gracious words
As water-grass to herds
In the June-days.
To her all dews that fall
And rains are musical;
Her flowers are fed from all,
Her joy from these;
In the deep-feathered firs
Their gift of joy is hers,
In the least breath that stirs
Across the trees.
She grows with greenest leaves,
Ripens with reddest sheaves,
Forgets, remembers, grieves,
And is not sad;
The quiet lands and skies
Leave light upon her eyes;
None knows her, weak or wise,
Or tired or glad.
None knows, none understands,
What flowers are like her hands;
Though you should search all lands
Wherein time grows,
What snows are like her feet,
Though his eyes burn with heat
Through gazing on my sweet,
Yet no man knows.
Only this thing is said;
That white and gold and red,
God’s three chief words, man’s bread
And oil and wine,
Were given her for dowers,
And kingdom of all hours,
And grace of goodly flowers
And various vine.
This is my lady’s praise:
God after many days
Wrought her in unknown ways,
In sunset lands;
This was my lady’s birth;
God gave her might and mirth
And laid his whole sweet earth
Between her hands.
Under deep apple-boughs
My lady hath her house;
She wears upon her brows
The flower thereof;
All saying but what God saith
To her is as vain breath;
She is more strong than death,
Being strong as love.
We were ten maidens in the green corn,
Small red leaves in the mill-water:
Fairer maidens never were born,
Apples of gold for the king’s daughter.
We were ten maidens by a well-head,
Small white birds in the mill-water:
Sweeter maidens never were wed,
Rings of red for the king’s daughter.
The first to spin, the second to sing,
Seeds of wheat in the mill-water;
The third may was a goodly thing,
White bread and brown for the king’s daughter.
The fourth to sew and the fifth to play,
Fair green weed in the mill-water;
The sixth may was a goodly may,
White wine and red for the king’s daughter.
The seventh to woo, the eighth to wed,
Fair thin reeds in the mill-water;
The ninth had gold work on her head,
Honey in the comb for the king’s daughter.
The ninth had gold work round her hair,
Fallen flowers in the mill-water;
The tenth may was goodly and fair,
Golden gloves for the king’s daughter.
We were ten maidens in a field green,
Fallen fruit in the mill-water;
Fairer maidens never have been,
Golden sleeves for the king’s daughter.
By there comes the king’s young son,
A little wind in the mill-water;
“Out of ten maidens ye’ll grant me one,”
A crown of red for the king’s daughter.
“Out of ten mays ye’ll give me the best,”
A little rain in the mill-water;
A bed of yellow straw for all the rest,
A bed of gold for the king’s daughter.
He’s ta’en out the goodliest,
Rain that rains in the mill-water;
A comb of yellow shell for all the rest,
A comb of gold for the king’s daughter.
He’s made her bed to the goodliest,
Wind and hail in the mill-water;
A grass girdle for all the rest,
A girdle of arms for the king’s daughter.
Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series) Page 30