Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series)

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Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series) Page 111

by Algernon Charles Swinburne


  THOMAS HEYWOOD

  GEORGE CHAPMAN

  JOHN MARSTON

  JOHN DAY

  JAMES SHIRLEY

  THE TRIBE OF BENJAMIN

  ANONYMOUS PLAYS:”ARDEN OF FEVERSHAM”

  ANONYMOUS PLAYS

  ANONYMOUS PLAYS

  THE MANY

  THE MANY II

  EPILOGUE

  CHRISTOPHER MARLOWE

  Crowned, girdled, garbed and shod with light and fire,

  Son first-born of the morning, sovereign star!

  Soul nearest ours of all, that wert most far,

  Most far off in the abysm of time, thy lyre

  Hung highest above the dawn-enkindled quire

  Where all ye sang together, all that are,

  And all the starry songs behind thy car

  Rang sequence, all our souls acclaim thee sire.

  “If all the pens that ever poets held

  Had fed the feeling of their masters’ thoughts,”

  And as with rush of hurtling chariots

  The flight of all their spirits were impelled

  Toward one great end, thy glory — nay, not then,

  Not yet might’st thou be praised enough of men.

  WILLIAM SHAKESPEARE

  Not if men’s tongues and angels’ all in one

  Spake, might the word be said that might speak Thee.

  Streams, winds, woods, flowers, fields, mountains, yea, the sea,

  What power is in them all to praise the sun?

  His praise is this, — he can be praised of none.

  Man, woman, child, praise God for him; but he

  Exults not to be worshipped, but to be.

  He is; and, being, beholds his work well done.

  All joy, all glory, all sorrow, all strength, all mirth,

  Are his: without him, day were night on earth.

  Time knows not his from time’s own period.

  All lutes, all harps, all viols, all flutes, all lyres,

  Fall dumb before him ere one string suspires.

  All stars are angels; but the sun is God.

  BEN JONSON

  Broad-based, broad-fronted, bounteous, multiform,

  With many a valley impleached with ivy and vine,

  Wherein the springs of all the streams run wine,

  And many a crag full-faced against the storm,

  The mountain where thy Muse’s feet made warm

  Those lawns that revelled with her dance divine

  Shines yet with fire as it was wont to shine

  From tossing torches round the dance aswarm.

  Nor less, high-stationed on the grey grave heights,

  High-thoughted seers with heaven’s heart-kindling lights

  Hold converse: and the herd of meaner things

  Knows or by fiery scourge or fiery shaft

  When wrath on thy broad brows has risen, and laughed

  Darkening thy soul with shadow of thunderous wings.

  BEAUMONT AND FLETCHER

  An hour ere sudden sunset fired the west,

  Arose two stars upon the pale deep east.

  The hall of heaven was clear for night’s high feast,

  Yet was not yet day’s fiery heart at rest.

  Love leapt up from his mother’s burning breast

  To see those warm twin lights, as day decreased,

  Wax wider, till when all the sun had ceased

  As suns they shone from evening’s kindled crest.

  Across them and between, a quickening fire,

  Flamed Venus, laughing with appeased desire.

  Their dawn, scarce lovelier for the gleam of tears,

  Filled half the hollow shell ‘twixt heaven and earth

  With sound like moonlight, mingling moan and mirth,

  Which rings and glitters down the darkling years.

  PHILIP MASSINGER

  Clouds here and there arisen an hour past noon

  Chequered our English heaven with lengthening bars

  And shadow and sound of wheel-winged thunder-cars

  Assembling strength to put forth tempest soon,

  When the clear still warm concord of thy tune

  Rose under skies unscared by reddening Mars

  Yet, like a sound of silver speech of stars,

  With full mild flame as of the mellowing moon.

  Grave and great-hearted Massinger, thy face

  High melancholy lights with loftier grace

  Than gilds the brows of revel: sad and wise,

  The spirit of thought that moved thy deeper song,

  Sorrow serene in soft calm scorn of wrong,

  Speaks patience yet from thy majestic eyes.

  JOHN FORD

  Hew hard the marble from the mountain’s heart

  Where hardest night holds fast in iron gloom

  Gems brighter than an April dawn in bloom,

  That his Memnonian likeness thence may start

  Revealed, whose hand with high funereal art

  Carved night, and chiselled shadow: be the tomb

  That speaks him famous graven with signs of doom

  Intrenched inevitably in lines athwart,

  As on some thunder-blasted Titan’s brow

  His record of rebellion. Not the day

  Shall strike forth music from so stern a chord,

  Touching this marble: darkness, none knows how,

  And stars impenetrable of midnight, may.

  So looms the likeness of thy soul, John Ford.

  JOHN WEBSTER

  Thunder: the flesh quails, and the soul bows down.

  Night: east, west, south, and northward, very night.

  Star upon struggling star strives into sight,

  Star after shuddering star the deep storms drown.

  The very throne of night, her very crown,

  A man lays hand on, and usurps her right.

  Song from the highest of heaven’s imperious height

  Shoots, as a fire to smite some towering town.

  Rage, anguish, harrowing fear, heart-crazing crime,

  Make monstrous all the murderous face of Time

  Shown in the spheral orbit of a glass

  Revolving. Earth cries out from all her graves.

  Frail, on frail rafts, across wide-wallowing waves,

  Shapes here and there of child and mother pass.

  THOMAS DECKER

  Out of the depths of darkling life where sin

  Laughs piteously that sorrow should not know

  Her own ill name, nor woe be counted woe;

  Where hate and craft and lust make drearier din

  Than sounds through dreams that grief holds revel in;

  What charm of joy-bells ringing, streams that flow,

  Winds that blow healing in each note they blow,

  Is this that the outer darkness hears begin?

  O sweetest heart of all thy time save one,

  Star seen for love’s sake nearest to the sun,

  Hung lamplike o’er a dense and doleful city,

  Not Shakespeare’s very spirit, howe’er more great,

  Than thine toward man was more compassionate,

  Nor gave Christ praise from lips more sweet with pity.

  THOMAS MIDDLETON

  A wild moon riding high from cloud to cloud,

  That sees and sees not, glimmering far beneath,

  Hell’s children revel along the shuddering heath

  With dirge-like mirth and raiment like a shroud:

  A worse fair face than witchcraft’s, passion-proud,

  With brows blood-flecked behind their bridal wreath

  And lips that bade the assassin’s sword find sheath

  Deep in the heart whereto love’s heart was vowed:

  A game of close contentious crafts and creeds

  Played till white England bring black Spain to shame:

  A son’s bright sword and brighter soul, whose deeds

  High conscience lights for mother’s love and fame:<
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  Pure gipsy flowers, and poisonous courtly weeds:

  Such tokens and such trophies crown thy name.

  THOMAS HEYWOOD

  Tom, if they loved thee best who called thee Tom,

  What else may all men call thee, seeing thus bright

  Even yet the laughing and the weeping light

  That still thy kind old eyes are kindled from?

  Small care was thine to assail and overcome

  Time and his child Oblivion: yet of right

  Thy name has part with names of lordlier might

  For English love and homely sense of home,

  Whose fragrance keeps thy small sweet bayleaf young

  And gives it place aloft among thy peers

  Whence many a wreath once higher strong Time has hurled:

  And this thy praise is sweet on Shakespeare’s tongue —

  “O good old man, how well in thee appears

  The constant service of the antique world!”

  GEORGE CHAPMAN

  High priest of Homer, not elect in vain,

  Deep trumpets blow before thee, shawms behind

  Mix music with the rolling wheels that wind

  Slow through the labouring triumph of thy train:

  Fierce history, molten in thy forging brain,

  Takes form and fire and fashion from thy mind,

  Tormented and transmuted out of kind:

  But howsoe’er thou shift thy strenuous strain,

  Like Tailor smooth, like Fisher swollen, and now

  Grim Yarrington scarce bloodier marked than thou,

  Then bluff as Mayne’s or broad-mouthed Barry’s glee;

  Proud still with hoar predominance of brow

  And beard like foam swept off the broad blown sea,

  Where’er thou go, men’s reverence goes with thee.

  JOHN MARSTON

  The bitterness of death and bitterer scorn

  Breathes from the broad-leafed aloe-plant whence thou

  Wast fain to gather for thy bended brow

  A chaplet by no gentler forehead worn.

  Grief deep as hell, wrath hardly to be borne,

  Ploughed up thy soul till round the furrowing plough

  The strange black soil foamed, as a black beaked prow

  Bids night-black waves foam where its track has torn.

  Too faint the phrase for thee that only saith

  Scorn bitterer than the bitterness of death

  Pervades the sullen splendour of thy soul,

  Where hate and pain make war on force and fraud

  And all the strengths of tyrants; whence unflawed

  It keeps this noble heart of hatred whole.

  JOHN DAY

  Day was a full-blown flower in heaven, alive

  With murmuring joy of bees and birds aswarm,

  When in the skies of song yet flushed and warm

  With music where all passion seems to strive

  For utterance, all things bright and fierce to drive

  Struggling along the splendour of the storm,

  Day for an hour put off his fiery form,

  And golden murmurs from a golden hive

  Across the strong bright summer wind were heard,

  And laughter soft as smiles from girls at play

  And loud from lips of boys brow-bound with May

  Our mightiest age let fall its gentlest word,

  When Song, in semblance of a sweet small bird,

  Lit fluttering on the light swift hand of Day.

  JAMES SHIRLEY

  The dusk of day’s decline was hard on dark

  When evening trembled round thy glowworm lamp

  That shone across her shades and dewy damp

  A small clear beacon whose benignant spark

  Was gracious yet for loiterers’ eyes to mark,

  Though changed the watchword of our English camp

  Since the outposts rang round Marlowe’s lion ramp,

  When thy steed’s pace went ambling round Hyde Park.

  And in the thickening twilight under thee

  Walks Davenant, pensive in the paths where he,

  The blithest throat that ever carolled love

  In music made of morning’s merriest heart,

  Glad Suckling, stumbled from his seat above

  And reeled on slippery roads of alien art.

  THE TRIBE OF BENJAMIN

  Sons born of many a loyal Muse to Ben,

  All true-begotten, warm with wine or ale,

  Bright from the broad light of its presence, hail!

  Prince Randolph, nighest his throne of all his men,

  Being highest in spirit and heart who hailed him then

  King, nor might other spread so blithe a sail:

  Cartwright, a soul pent in with narrower pale,

  Praised of thy sire for manful might of pen:

  Marmion, whose verse keeps alway keen and fine

  The perfume of their Apollonian wine

  Who shared with that stout sire of all and thee

  The exuberant chalice of his echoing shrine:

  Is not your praise writ broad in gold which he

  Inscribed, that all who praise his name should see?

  ANONYMOUS PLAYS:”ARDEN OF FEVERSHAM”

  Mother whose womb brought forth our man of men,

  Mother of Shakespeare, whom all time acclaims

  Queen therefore, sovereign queen of English dames,

  Throned higher than sat thy sonless empress then,

  Was it thy son’s young passion-guided pen

  Which drew, reflected from encircling flames,

  A figure marked by the earlier of thy names

  Wife, and from all her wedded kinswomen

  Marked by the sign of murderess? Pale and great,

  Great in her grief and sin, but in her death

  And anguish of her penitential breath

  Greater than all her sin or sin-born fate,

  She stands, the holocaust of dark desire,

  Clothed round with song for ever as with fire.

  ANONYMOUS PLAYS

  Ye too, dim watchfires of some darkling hour,

  Whose fame forlorn time saves not nor proclaims

  For ever, but forgetfulness defames

  And darkness and the shadow of death devour,

  Lift up ye too your light, put forth your power,

  Let the far twilight feel your soft small flames

  And smile, albeit night name not even their names,

  Ghost by ghost passing, flower blown down on flower:

  That sweet-tongued shadow, like a star’s that passed

  Singing, and light was from its darkness cast

  To paint the face of Painting fair with praise:

  And that wherein forefigured smiles the pure

  Fraternal face of Wordsworth’s Elidure

  Between two child-faced masks of merrier days.

  ANONYMOUS PLAYS

  More yet and more, and yet we mark not all:

  The Warning fain to bid fair women heed

  Its hard brief note of deadly doom and deed;

  The verse that strewed too thick with flowers the hall

  Whence Nero watched his fiery festival;

  That iron page wherein men’s eyes who read

  See, bruised and marred between two babes that bleed,

  A mad red-handed husband’s martyr fall;

  The scene which crossed and streaked with mirth the strife

  Of Henry with his sons and witchlike wife;

  And that sweet pageant of the kindly fiend,

  Who, seeing three friends in spirit and heart made one,

  Crowned with good hap the true-love wiles he screened

  In the pleached lanes of pleasant Edmonton.

  THE MANY

  Greene, garlanded with February’s few flowers,

  Ere March came in with Marlowe’s rapturous rage:

  Peele, from whose hand the sweet white locks of age

 
Took the mild chaplet woven of honoured hours:

  Nash, laughing hard: Lodge, flushed from lyric bowers:

  And Lilly, a goldfinch in a twisted cage

  Fed by some gay great lady’s pettish page

  Till short sweet songs gush clear like short spring showers:

  Kid, whose grim sport still gambolled over graves:

  And Chettle, in whose fresh funereal verse

  Weeps Marian yet on Robin’s wildwood hearse:

  Cooke, whose light boat of song one soft breath saves,

  Sighed from a maiden’s amorous mouth averse:

  Live likewise ye: Time takes not you for slaves.

  THE MANY II

  Haughton, whose mirth gave woman all her will:

  Field, bright and loud with laughing flower and bird

  And keen alternate notes of laud and gird:

  Barnes, darkening once with Borgia’s deeds the quill

  Which tuned the passion of Parthenophil:

  Blithe burly Porter, broad and bold of word:

  Wilkins, a voice with strenuous pity stirred:

  Turk Mason: Brewer, whose tongue drops honey still:

  Rough Rowley, handling song with Esau’s hand:

  Light Nabbes: lean Sharpham, rank and raw by turns,

  But fragrant with a forethought once of Burns:

  Soft Davenport, sad-robed, but blithe and bland:

  Brome, gipsy-led across the woodland ferns:

  Praise be with all, and place among our band.

  EPILOGUE

  Our mother, which wast twice, as history saith,

  Found first among the nations: once, when she

  Who bore thine ensign saw the God in thee

  Smite Spain, and bring forth Shakespeare: once, when death

  Shrank, and Rome’s bloodhounds cowered, at Milton’s breath:

  More than thy place, then first among the free

  More than that sovereign lordship of the sea

 

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