LIGHT: AN EPICEDE
THRENODY
A DIRGE
A REMINISCENCE
VIA DOLOROSA
TRANSFIGURATION
DELIVERANCE
THANKSGIVING
LIBITINA VERTICORDIA
THE ORDER OF RELEASE
PSYCHAGOGOS
THE LAST WORD
IN MEMORY OF AURELIO SAFFI
THE FESTIVAL OF BEATRICE
THE MONUMENT OF GIORDANO BRUNO
LIFE IN DEATH
EPICEDE
MEMORIAL VERSES ON THE DEATH OF WILLIAM BELL SCOTT
AN OLD SAYING
A MOSS-ROSE
TO A CAT
HAWTHORN DYKE
THE BROTHERS
JACOBITE SONG
THE BALLAD OF DEAD MEN’S BAY
DEDICATION
TO WILLIAM MORRIS
ASTROPHEL
AFTER READING SIR PHILIP SIDNEY’S ARCADIA IN THE GARDEN OF AN OLD ENGLISH MANOR HOUSE
I
A star in the silence that follows
The song of the death of the sun
Speaks music in heaven, and the hollows
And heights of the world are as one;
One lyre that outsings and outlightens
The rapture of sunset, and thrills
Mute night till the sense of it brightens
The soul that it fills.
The flowers of the sun that is sunken
Hang heavy of heart as of head;
The bees that have eaten and drunken
The soul of their sweetness are fled;
But a sunflower of song, on whose honey
My spirit has fed as a bee,
Makes sunnier than morning was sunny
The twilight for me.
The letters and lines on the pages
That sundered mine eyes and the flowers
Wax faint as the shadows of ages
That sunder their season and ours;
As the ghosts of the centuries that sever
A season of colourless time
From the days whose remembrance is ever,
As they were, sublime.
The season that bred and that cherished
The soul that I commune with yet,
Had it utterly withered and perished
To rise not again as it set,
Shame were it that Englishmen living
Should read as their forefathers read
The books of the praise and thanksgiving
Of Englishmen dead.
O light of the land that adored thee
And kindled thy soul with her breath,
Whose life, such as fate would afford thee,
Was lovelier than aught but thy death,
By what name, could thy lovers but know it,
Might love of thee hail thee afar,
Philisides, Astrophel, poet
Whose love was thy star?
A star in the moondawn of Maytime,
A star in the cloudland of change;
Too splendid and sad for the daytime
To cheer or eclipse or estrange;
Too sweet for tradition or vision
To see but through shadows of tears
Rise deathless across the division
Of measureless years.
The twilight may deepen and harden
As nightward the stream of it runs
Till starshine transfigure a garden
Whose radiance responds to the sun’s:
The light of the love of thee darkens
The lights that arise and that set:
The love that forgets thee not hearkens
If England forget.
II
Bright and brief in the sight of grief and love the light of thy lifetime shone,
Seen and felt by the gifts it dealt, the grace it gave, and again was gone:
Ay, but now it is death, not thou, whom time has conquered as years pass on.
Ay, not yet may the land forget that bore and loved thee and praised and wept,
Sidney, lord of the stainless sword, the name of names that her heart’s love kept
Fast as thine did her own, a sign to light thy life till it sank and slept.
Bright as then for the souls of men thy brave Arcadia resounds and shines,
Lit with love that beholds above all joys and sorrows the steadfast signs,
Faith, a splendour that hope makes tender, and truth, whose presage the soul divines.
All the glory that girds the story of all thy life as with sunlight round,
All the spell that on all souls fell who saw thy spirit, and held them bound,
Lives for all that have heard the call and cadence yet of its music sound.
Music bright as the soul of light, for wings an eagle, for notes a dove,
Leaps and shines from the lustrous lines wherethrough thy soul from afar above
Shone and sang till the darkness rang with light whose fire is the fount of love.
Love that led thee alive, and fed thy soul with sorrows and joys and fears,
Love that sped thee, alive and dead, to fame’s fair goal with thy peerless peers,
Feeds the flame of thy quenchless name with light that lightens the rayless years.
Dark as sorrow though night and morrow may lower with presage of clouded fame,
How may she that of old bare thee, may Sidney’s England, be brought to shame?
How should this be, while England is? What need of answer beyond thy name?
III
From the love that transfigures thy glory,
From the light of the dawn of thy death,
The life of thy song and thy story
Took subtler and fierier breath.
And we, though the day and the morrow
Set fear and thanksgiving at strife,
Hail yet in the star of thy sorrow
The sun of thy life.
Shame and fear may beset men here, and bid thanksgiving and pride be dumb:
Faith, discrowned of her praise, and wound about with toils till her life wax numb,
Scarce may see if the sundawn be, if darkness die not and dayrise come.
But England, enmeshed and benetted
With spiritless villainies round,
With counsels of cowardice fretted,
With trammels of treason enwound,
Is yet, though the season be other
Than wept and rejoiced over thee,
Thine England, thy lover, thy mother,
Sublime as the sea.
Hers wast thou: if her face be now less bright, or seem for an hour less brave,
Let but thine on her darkness shine, thy saviour spirit revive and save,
Time shall see, as the shadows flee, her shame entombed in a shameful grave.
If death and not life were the portal
That opens on life at the last,
If the spirit of Sidney were mortal
And the past of it utterly past,
Fear stronger than honour was ever,
Forgetfulness mightier than fame,
Faith knows not if England should never
Subside into shame.
Yea, but yet is thy sun not set, thy sunbright spirit of trust withdrawn:
England’s love of thee burns above all hopes that darken or fears that fawn:
Hers thou art: and the faithful heart that hopes begets upon darkness dawn.
The sunset that sunrise will follow
Is less than the dream of a dream:
The starshine on height and on hollow
Sheds promise that dawn shall redeem:
The night, if the daytime would hide it,
Shows lovelier, aflame and afar,
Thy soul and thy Stella’s beside it,
A star by a star.
A NYMPHOLEPT
Summer, and noon, and a splendour of silence, felt,
Seen, and heard of the spirit within the sense.
Soft through the frondage the
shades of the sunbeams melt,
Sharp through the foliage the shafts of them, keen and dense,
Cleave, as discharged from the string of the God’s bow, tense
As a war-steed’s girth, and bright as a warrior’s belt.
Ah, why should an hour that is heaven for an hour pass hence?
I dare not sleep for delight of the perfect hour,
Lest God be wroth that his gift should be scorned of man.
The face of the warm bright world is the face of a flower,
The word of the wind and the leaves that the light winds fan
As the word that quickened at first into flame, and ran,
Creative and subtle and fierce with invasive power,
Through darkness and cloud, from the breath of the one God, Pan.
The perfume of earth possessed by the sun pervades
The chaster air that he soothes but with sense of sleep.
Soft, imminent, strong as desire that prevails and fades,
The passing noon that beholds not a cloudlet weep
Imbues and impregnates life with delight more deep
Than dawn or sunset or moonrise on lawns or glades
Can shed from the skies that receive it and may not keep.
The skies may hold not the splendour of sundown fast;
It wanes into twilight as dawn dies down into day.
And the moon, triumphant when twilight is overpast,
Takes pride but awhile in the hours of her stately sway.
But the might of the noon, though the light of it pass away,
Leaves earth fulfilled of desires and of dreams that last;
But if any there be that hath sense of them none can say.
For if any there be that hath sight of them, sense, or trust
Made strong by the might of a vision, the strength of a dream,
His lips shall straiten and close as a dead man’s must,
His heart shall be sealed as the voice of a frost-bound stream.
For the deep mid mystery of light and of heat that seem
To clasp and pierce dark earth, and enkindle dust,
Shall a man’s faith say what it is? or a man’s guess deem?
Sleep lies not heavier on eyes that have watched all night
Than hangs the heat of the noon on the hills and trees.
Why now should the haze not open, and yield to sight
A fairer secret than hope or than slumber sees?
I seek not heaven with submission of lips and knees,
With worship and prayer for a sign till it leap to light:
I gaze on the gods about me, and call on these.
I call on the gods hard by, the divine dim powers
Whose likeness is here at hand, in the breathless air,
In the pulseless peace of the fervid and silent flowers,
In the faint sweet speech of the waters that whisper there.
Ah, what should darkness do in a world so fair?
The bent-grass heaves not, the couch-grass quails not or cowers;
The wind’s kiss frets not the rowan’s or aspen’s hair.
But the silence trembles with passion of sound suppressed,
And the twilight quivers and yearns to the sunward, wrung
With love as with pain; and the wide wood’s motionless breast
Is thrilled with a dumb desire that would fain find tongue
And palpitates, tongueless as she whom a man-snake stung,
Whose heart now heaves in the nightingale, never at rest
Nor satiated ever with song till her last be sung.
Is it rapture or terror that circles me round, and invades
Each vein of my life with hope — if it be not fear?
Each pulse that awakens my blood into rapture fades,
Each pulse that subsides into dread of a strange thing near
Requickens with sense of a terror less dread than dear.
Is peace not one with light in the deep green glades
Where summer at noonday slumbers? Is peace not here?
The tall thin stems of the firs, and the roof sublime
That screens from the sun the floor of the steep still wood,
Deep, silent, splendid, and perfect and calm as time,
Stand fast as ever in sight of the night they stood,
When night gave all that moonlight and dewfall could.
The dense ferns deepen, the moss glows warm as the thyme:
The wild heath quivers about me: the world is good.
Is it Pan’s breath, fierce in the tremulous maidenhair,
That bids fear creep as a snake through the woodlands, felt
In the leaves that it stirs not yet, in the mute bright air,
In the stress of the sun? For here has the great God dwelt:
For hence were the shafts of his love or his anger dealt.
For here has his wrath been fierce as his love was fair,
When each was as fire to the darkness its breath bade melt.
Is it love, is it dread, that enkindles the trembling noon,
That yearns, reluctant in rapture that fear has fed,
As man for woman, as woman for man? Full soon,
If I live, and the life that may look on him drop not dead,
Shall the ear that hears not a leaf quake hear his tread,
The sense that knows not the sound of the deep day’s tune
Receive the God, be it love that he brings or dread.
The naked noon is upon me: the fierce dumb spell,
The fearful charm of the strong sun’s imminent might,
Unmerciful, steadfast, deeper than seas that swell,
Pervades, invades, appals me with loveless light,
With harsher awe than breathes in the breath of night.
Have mercy, God who art all! For I know thee well,
How sharp is thine eye to lighten, thine hand to smite.
The whole wood feels thee, the whole air fears thee: but fear
So deep, so dim, so sacred, is wellnigh sweet.
For the light that hangs and broods on the woodlands here,
Intense, invasive, intolerant, imperious, and meet
To lighten the works of thine hands and the ways of thy feet,
Is hot with the fire of the breath of thy life, and dear
As hope that shrivels or shrinks not for frost or heat.
Thee, thee the supreme dim godhead, approved afar,
Perceived of the soul and conceived of the sense of man,
We scarce dare love, and we dare not fear: the star
We call the sun, that lit us when life began
To brood on the world that is thine by his grace for a span,
Conceals and reveals in the semblance of things that are
Thine immanent presence, the pulse of thy heart’s life, Pan.
The fierce mid noon that wakens and warms the snake
Conceals thy mercy, reveals thy wrath: and again
The dew-bright hour that assuages the twilight brake
Conceals thy wrath and reveals thy mercy: then
Thou art fearful only for evil souls of men
That feel with nightfall the serpent within them wake,
And hate the holy darkness on glade and glen.
Yea, then we know not and dream not if ill things be,
Or if aught of the work of the wrong of the world be thine.
We hear not the footfall of terror that treads the sea,
We hear not the moan of winds that assail the pine:
We see not if shipwreck reign in the storm’s dim shrine;
If death do service and doom bear witness to thee
We see not, — know not if blood for thy lips be wine.
But in all things evil and fearful that fear may scan,
As in all things good, as in all things fair that fall,
We know thee present and latent, the lord of man;
In the murmuring of doves, in the clamouring of winds tha
t call
And wolves that howl for their prey; in the midnight’s pall,
In the naked and nymph-like feet of the dawn, O Pan,
And in each life living, O thou the God who art all.
Smiling and singing, wailing and wringing of hands,
Laughing and weeping, watching and sleeping, still
Proclaim but and prove but thee, as the shifted sands
Speak forth and show but the strength of the sea’s wild will
That sifts and grinds them as grain in the storm-wind’s mill.
In thee is the doom that falls and the doom that stands:
The tempests utter thy word, and the stars fulfil.
Where Etna shudders with passion and pain volcanic
That rend her heart as with anguish that rends a man’s,
Where Typho labours, and finds not his thews Titanic,
In breathless torment that ever the flame’s breath fans,
Men felt and feared thee of old, whose pastoral clans
Were given to the charge of thy keeping; and soundless panic
Held fast the woodland whose depths and whose heights were Pan’s.
And here, though fear be less than delight, and awe
Be one with desire and with worship of earth and thee,
So mild seems now thy secret and speechless law,
So fair and fearless and faithful and godlike she,
So soft the spell of thy whisper on stream and sea,
Yet man should fear lest he see what of old men saw
And withered: yet shall I quail if thy breath smite me.
Lord God of life and of light and of all things fair,
Lord God of ravin and ruin and all things dim,
Death seals up life, and darkness the sunbright air,
And the stars that watch blind earth in the deep night swim
Laugh, saying, “What God is your God, that ye call on him?
What is man, that the God who is guide of our way should care
If day for a man be golden, or night be grim?”
But thou, dost thou hear? Stars too but abide for a span,
Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series) Page 123