Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series)

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Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series) Page 191

by Algernon Charles Swinburne


  All her court through;” forgive me.

  QUEEN.

  With my heart.

  Father, you see the hatefulness of these —

  They loathe us for our love. I am not moved:

  What should I do being angry? By this hand

  (Which is not big enough to bruise their lips),

  I marvel what thing should be done with me

  To make me wroth. We must have patience with us

  When we seek thank of men.

  FATHER BLACK.

  Madam, farewell;

  I pray God keep you in such patient heart.

  [Exit.]

  QUEEN.

  Let him come now.

  MARY SEYTON.

  Madam, he is at hand.

  [Exit.]

  [Enter CHASTELARD.]

  QUEEN.

  Give me that broidery frame; how, gone so soon?

  No maid about? Reach me some skein of silk.

  What, are you come, fair lord? Now by my life

  That lives here idle, I am right glad of you;

  I have slept so well and sweet since yesternight

  It seems our dancing put me in glad heart.

  Did you sleep well?

  CHASTELARD.

  Yea, as a man may sleep.

  QUEEN.

  You smile as if I jested; do not men

  Sleep as we do? Had you fair dreams in the night?

  For me — but I should fret you with my dreams —

  I dreamed sweet things. You are good at soothsaying:

  Make me a sonnet of my dream.

  CHASTELARD.

  I will,

  When I shall know it.

  QUEEN.

  I thought I was asleep

  In Paris, lying by my lord, and knew

  In somewise he was well awake, and yet

  I could not wake too; and I seemed to know

  He hated me, and the least breath I made

  Would turn somehow to slay or stifle me.

  Then in brief time he rose and went away,

  Saying, Let her dream, but when her dream is out

  I will come back and kill her as she wakes.

  And I lay sick and trembling with sore fear,

  And still I knew that I was deep asleep;

  And thinking I must dream now, or I die,

  God send me some good dream lest I be slain,

  Fell fancying one had bound my feet with cords

  And bade me dance, and the first measure made

  I fell upon my face and wept for pain:

  And my cords broke, and I began the dance

  To a bitter tune; and he that danced with me

  Was clothed in black with long red lines and bars

  And masked down to the lips, but by the chin

  I knew you though your lips were sewn up close

  With scarlet thread all dabbled wet in blood.

  And then I knew the dream was not for good.

  And striving with sore travail to reach up

  And kiss you (you were taller in my dream)

  I missed your lips and woke.

  CHASTELARD.

  Sweet dreams, you said?

  An evil dream I hold it for, sweet love.

  QUEEN.

  You call love sweet; yea, what is bitter, then?

  There’s nothing broken sleep could hit upon

  So bitter as the breaking down of love.

  You call me sweet; I am not sweet to you,

  Nor you-O, I would say not sweet to me,

  And if I said so I should hardly lie.

  But there have been those things between us, sir,

  That men call sweet.

  CHASTELARD.

  I know not how There is

  Turns to There hath been; ‘t is a heavier change

  Than change of flesh to dust. Yet though years change

  And good things end and evil things grow great,

  The old love that was, or that was dreamed about,

  That sang and kissed and wept upon itself,

  Laughed and ran mad with love of its own face,

  That was a sweet thing.

  QUEEN.

  Nay, I know not well.

  ’T is when the man is held fast underground

  They say for sooth what manner of heart he had.

  We are alive, and cannot be well sure

  If we loved much or little: think you not

  It were convenient one of us should die?

  CHASTELARD.

  Madam, your speech is harsh to understand.

  QUEEN.

  Why, there could come no change then; one of us

  Would never need to fear our love might turn

  To the sad thing that it may grow to be.

  I would sometimes all things were dead asleep

  That I have loved, all buried in soft beds

  And sealed with dreams and visions, and each dawn

  Sung to by sorrows, and all night assuaged

  By short sweet kissed and by sweet long loves

  For old life’s sake, lest weeping overmuch

  Should wake them in a strange new time, and arm

  Memory’s blind hand to kill forgetfulness.

  CHASTELARD.

  Look, you dream still, and sadly.

  QUEEN.

  Sooth, a dream;

  For such things died or lied in sweet love’s face,

  And I forget them not, God help my wit!

  I would the whole world were made up of sleep

  And life not fashioned out of lies and loves.

  We foolish women have such times, you know,

  When we are weary or afraid or sick

  For perfect nothing.

  CHASTELARD.

  [Aside.]

  Now would one be fain

  To know what bitter or what dangerous thing

  She thinks of, softly chafing her soft lip.

  She must mean evil.

  QUEEN.

  Are you sad too, sir,

  That you say nothing?

  CHASTELARD.

  I? not sad a jot —

  Though this your talk might make a blithe man sad.

  QUEEN.

  O me! I must not let stray sorrows out;

  They are ill to fledge, and if they feel blithe air

  They wail and chirp untunefully. Would God

  I had been a man! when I was born, men say,

  My father turned his face and wept to think

  I was no man.

  CHASTELARD.

  Will you weep too?

  QUEEN.

  In sooth,

  If I were a man I should be no base man;

  I could have fought; yea, I could fight now too

  If men would show me; I would I were the king!

  I should be all ways better than I am.

  CHASTELARD.

  Nay, would you have more honor, having this —

  Men’s hearts and loves and the sweet spoil of souls

  Given you like simple gold to bind your hair?

  Say you were king of thews, not queen of souls,

  An iron headpiece hammered to a head,

  You might fall too.

  QUEEN.

  No, then I would not fall,

  Or God should make me woman back again.

  To be King James-you hear men say King James,

  The word sounds like a piece of gold thrown down,

  Rings with a round and royal note in it —

  A name to write good record of; this king

  Fought here and there, was beaten such a day,

  And came at last to a good end, his life

  Being all lived out, and for the main part well

  And like a king’s life; then to have men say

  (As now they say of Flodden, here they broke

  And there they held up to the end) years back

  They saw you-yea, I saw the king’s face helmed

  Red in the hot lit foreground of some fight


  Hold the whole war as it were by the bit, a horse

  Fit for his knees’ grip-the great rearing war

  That frothed with lips flung up, and shook men’s lives

  Off either flank of it like snow; I saw

  (You could not hear as his sword rang), saw him

  Shout, laugh, smite straight, and flaw the riven ranks,

  Move as the wind moves, and his horse’s feet

  Stripe their long flags with dust. Why, if one died,

  To die so in the heart and heat of war

  Were a much goodlier thing than living soft

  And speaking sweet for fear of men. Woe’s me,

  Is there no way to pluck this body off?

  Then I should never fear a man again,

  Even in my dreams I should not; no, by heaven.

  CHASTELARD.

  I never thought you did fear anything.

  QUEEN.

  God knows I do; I could be sick with wrath

  To think what grievous fear I have ‘twixt whiles

  Of mine own self and of base men: last night

  If certain lords were glancing where I was

  Under the eyelid, with sharp lip and brow,

  I tell you, for pure shame and fear of them,

  I could have gone and slain them.

  CHASTELARD.

  Verily,

  You are changed since those good days that fell in France;

  But yet I think you are not so changed at heart

  As to fear man.

  QUEEN.

  I would I had no need.

  Lend me your sword a little; a fair sword;

  I see the fingers that I hold it with

  Clear in the blade, bright pink, the shell-color,

  Brighter than flesh is really, curved all round.

  Now men would mock if I should wear it here,

  Bound under bosom with a girdle, here,

  And yet I have heart enough to wear it well.

  Speak to me like a woman, let me see

  If I can play at man.

  CHASTELARD.

  God save King James!

  QUEEN.

  Would you could change now! Fie, this will not do;

  Unclasp your sword; nay, the hilt hurts my side;

  It sticks fast here. Unbind this knot for me:

  Stoop, and you’ll see it closer; thank you: there.

  Now I can breathe, sir. Ah! it hurts me, though:

  This was fool’s play.

  CHASTELARD.

  Yea, you are better so,

  Without the sword; your eyes are stronger things,

  Whether to save or slay.

  QUEEN.

  Alas, my side!

  It hurts right sorely. Is it not pitiful

  Our souls should be so bound about with flesh

  Even when they leap and smite with wings and feet,

  The least pain plucks them back, puts out their eyes,

  Turns them to tears and words? Ah my sweet knight,

  You have the better of us that weave and weep

  While the blithe battle blows upon your eyes

  Like rain and wind; yet I remember too

  When this last year the fight at Corrichie

  Reddened the rushes with stained fen-water,

  I rode with my good men and took delight,

  Feeling the sweet clear wind upon my eyes

  And rainy soft smells blown upon my face

  In riding: then the great fight jarred and joined,

  And the sound stung me right through heart and all;

  For I was here, see, gazing off the hills,

  In the wet air; our housings were all wet,

  And not a plume stood stiffly past the ear

  But flapped between the bridle and the neck;

  And under us we saw the battle go

  Like running water; I could see by fits

  Some helm the rain fell shining off, some flag

  Snap from the staff, shorn through or broken short

  In the man’s falling: yea, one seemed to catch

  The very grasp of tumbled men at men,

  Teeth clenched in throats, hands riveted in hair,

  Tearing the life out with no help of swords.

  And all the clamor seemed to shine, the light

  Seemed to shout as a man doth; twice I laughed —

  I tell you, twice my heart swelled out with thirst

  To be into the battle; see, fair lord,

  I swear it seemed I might have made a knight,

  And yet the simple bracing of a belt

  Makes me cry out; this is too pitiful,

  This dusty half of us made up with fears. —

  Have you been ever quite so glad to fight

  As I have thought men must? pray you, speak truth.

  CHASTELARD.

  Yea, when the time came, there caught hold of me

  Such pleasure in the head and hands and blood

  As may be kindled under loving lips:

  Crossing the ferry once to the Clerks’ Field,

  I mind how the plashing noise of Seine

  Put fire into my face for joy, and how

  My blood kept measure with the swinging boat

  Till we touched land, all for the sake of that

  Which should be soon.

  QUEEN.

  Her name, for God’s love, sir;

  You slew your friend for love’s sake? nay, the name.

  CHASTELARD.

  Faith, I forget.

  QUEEN.

  Now by the faith I have

  You have no faith to swear by.

  CHASTELARD.

  A good sword:

  We left him quiet after a thrust or twain.

  QUEEN.

  I would I had been at hand and marked them off

  As the maids did when we played singing games:

  You outwent me at rhyming; but for faith,

  We fight best there. I would I had seen you fight.

  CHASTELARD.

  I would you had; his play was worth an eye;

  He made some gallant way before that pass

  Which made me way through him.

  QUEEN.

  Would I saw that —

  How did you slay him?

  CHASTELARD.

  A clean pass — this way;

  Right in the side here, where the blood has root.

  His wrist went round in pushing, see you, thus,

  Or he had pierced me.

  QUEEN.

  Yea, I see, sweet knight.

  I have a mind to love you for his sake;

  Would I had seen.

  CHASTELARD.

  Hugues de Marsillac —

  I have the name now; ‘t was a goodly one

  Before he changed it for a dusty name.

  QUEEN.

  Talk not of death; I would hear living talk

  Of good live swords and good strokes struck withal,

  Brave battles and the mirth of mingling men,

  Not of cold names you greet a dead man with.

  You are yet young for fighting; but in fight

  Have you never caught a wound?

  CHASTELARD.

  Yea, twice or so:

  The first time in a little outlying field

  (My first field) at the sleepy gray of dawn,

  They found us drowsy, fumbling at our girths,

  And rode us down by heaps; I took a hurt

  Here in the shoulder.

  QUEEN.

  Ah, I mind well now;

  Did you not ride a day’s space afterward,

  Having two wounds? yea, Dandelot it was,

  That Dandelot took word of it. I know,

  Sitting at meat when the news came to us

  I had nigh swooned but for those Florence eyes

  Slanting my way with sleek lids drawn up close —

  Yea, and she said, the Italian brokeress,

  She said such men were good for great queens�
� love.

  I would you might die, when you come to die,

  Like a knight slain. Pray God we make good ends.

  For love too, love dies hard or easily,

  But some way dies on some day, ere we die.

  CHASTELARD.

  You made a song once of old flowers and loves,

  Will you not sing that rather? ‘t is long gone

  Since you sang last.

  QUEEN.

  I had rather sigh than sing

  And sleep than sigh; ‘t is long since verily,

  But I will once more sing; ay, thus it was.

  [Sings.]

  1.

  J’ai vu faner bien des choses,

  Mainte feuille aller au vent.

  En songeant aux vieilles roses,

  J’ai pleure souvent.

  2.

  Vois-tu dans les roses mortes

  Amour qui sourit cache?

  O mon amant, a nos portes

  L’as-tu vu couche?

  3.

  As-tu vu jamais au monde

  Venus chasser et courir?

  Fille de l’onde, avec l’onde

  Doit-elle mourir?

  4.

  Aux jours de neige et de givre

  L’amour s’effeuille et s’endort;

  Avec mai doit-il revivre,

  Ou bien est-il mort?

  5.

  Qui sait ou s’en vont les roses?

  Qui sai ou s’en va le vent?

  En songeant a telles choses,

  J’ai pleure souvent.

  I never heard yet but love made good knights,

  But for pure faith, by Mary’s holiness,

  I think she lies about men’s lips asleep,

  And if one kiss or pluck her by the hand

  To wake her, why God help your woman’s wit,

  Faith is but dead; dig her grave deep at heart,

  And hide her face with cerecloths; farewell faith.

  Would I could tell why I talk idly. Look,

  Here come my riddle-readers. Welcome all;

  [Enter MURRAY, DARNLEY, RANDOLPH, LINDSAY,

  MORTON, and other LORDS.]

  Sirs, be right welcome. Stand you by my side,

  Fair cousin, I must lean on love or fall;

  You are a goodly staff, sir; tall enough,

 

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