Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series)

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Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series) Page 281

by Algernon Charles Swinburne


  Enter

  Sir Francis Dilston.

  SIR FRANCIS.

  Well, Frank, — how are you, Reginald? — you let

  Mabel go out — and unattended?

  FRANK.

  Come,

  Father, you would not have me (think how she

  Would hate it!) hang about her like a burr?

  SIR FRANCIS.

  No — no. But there’s a medium, sir, between

  Neglect and persecution.

  FRANK.

  Well, I hope

  And think I’ve hit that medium.

  SIR FRANCIS.

  Reginald,

  If you were Mabel’s lover, or in hope

  To be her lover, could you slight her so?

  REGINALD.

  I can’t imagine that condition.

  SIR FRANCIS.

  Then

  You youngsters are no more your fathers’ sons

  Than moles are sons of eagles.

  FRANK.

  Rats of cats,

  Say, father.

  SIR FRANCIS.

  Eh! was that an epigram?

  The point, my boy? Because we worry you?

  FRANK.

  Because we scuttle where you used to spring,

  And nibble when you used to bite. At least,

  You say so — or they say so.

  SIR FRANCIS.

  Heaven forbid!

  Tom Jones and Lovelace were not gods of ours.

  But if we meant to win and keep a heart

  Worth winning and worth keeping, Frank, we knew

  We must not seem to slight it. ‘Pique and soothe,’

  Young Byron bids you — don’t stand off and gape.

  There may be better means than his, if you

  Love as I trust you love her. There’s the bell.

  [Exeunt.

  Scene II.

  — In the Garden.

  Frank

  and

  Mabel.

  FRANK.

  I may not say what any man may say?

  MABEL.

  To me? And any man, you think, may say

  Foolish and heartless things to me? or is it

  Only the heir of Heronshaw who claims

  A right so undeniable?

  FRANK.

  Is the taunt

  Fair to yourself or me? You do not think —

  MABEL.

  You have the right to make mock love to me?

  I do not.

  FRANK.

  How have you the right to call

  Truth mockery, knowing I love you?

  MABEL.

  How should I

  Know it? If you mistake me now for Anne,

  You may mistake her presently for me.

  FRANK.

  Anne?

  MABEL.

  If you care for either cousin — much,

  It ought, by all I ever heard or read,

  To be the one you are always bickering with.

  FRANK.

  She does not like me.

  MABEL.

  She does not dislike.

  FRANK.

  Her liking would not help nor her dislike

  Forbid me to be happy. You perhaps —

  I can’t guess how you can — may think so: she

  Cannot. And if I did — worse luck for me! —

  What chance should I have? Can you not have seen

  — Not once — not ever — how her face and eyes

  Change when she looks at Redgie?

  MABEL.

  What! — Absurd!

  You love her, and are mad with jealousy.

  FRANK.

  Mad if I am, my madness is to love

  You. But you must have seen it.

  MABEL.

  I am not

  Jealous.

  FRANK.

  You need not have an eye to see it.

  Her voice might tell you, when she speaks to him.

  MABEL.

  The tone is just like yours or mine. Of course

  We all make much — or something — of him now;

  Since he came back, I mean.

  FRANK.

  From Waterloo;

  I knew it — an interesting young cousin. Well,

  He does deserve his luck, I know; he did

  Always: and you were always good to him.

  MABEL.

  He always needed somebody, poor boy,

  To be so.

  FRANK.

  Ah, if that were all! Because

  His guardian, my good father, — good to me

  Always — his cousin, in whose grounds we now

  Walk and discuss him — and his schoolmasters,

  You think, were apt —

  MABEL.

  To ill-use him? No; nor yet

  Misunderstand him: that I did not mean.

  But she who knew him and loved him best is gone —

  His aunt and mine — your mother.

  FRANK.

  Yes: she did

  Love him! she must have loved his mother more

  Than many sisters love each other.

  MABEL.

  More

  Than I love Anne or Anne loves me? I hope

  Not. But when death comes in — and leaves behind

  A child for pledge and for memorial, love

  Must naturally feel more — I want the word;

  More of a call upon it — not a claim —

  A sort of blind and dumb and sweet appeal

  Out of the dark, and out of all the light

  That burns no more but broods on all the past —

  A glowworm on a grave. And you, I know,

  Were never jealous: all the house knew that,

  And loved you for it as we did.

  FRANK.

  Ah — as you

  Did! I’d have had you love me more than they,

  If it had not been too great and sweet a thing

  For me to dream of.

  MABEL.

  Do not dream at all.

  What good can come of dreaming?

  FRANK.

  Less than none,

  If dreaming, doubt, or fear, should take away

  The little comfort, such as it is — God knows,

  Not much, though precious — that your kind last words

  Gave me. Too kind they were, Mabel. I was,

  And am, jealous of Redgie; more to-night

  Than ever: but I will not be.

  MABEL.

  I am sure

  You will not. Why?

  FRANK.

  Because I know — I am sure,

  Mabel — more sure than you can be of me

  Or I can of myself — he would not grudge

  Nor envy me my happiness if you

  Could bring yourself to make me happy.

  MABEL.

  Why

  Should he?

  FRANK.

  Ask him.

  MABEL.

  A pretty thing to ask!

  But, Frank, it’s good, and very good, of you

  To say so — if you care for me at all,

  And think it possible I could care for him.

  FRANK.

  I think it more than possible: but he

  Does not. You’ll have to tell him. Don’t let Anne

  Hear you.

  MABEL.

  I would not let her, certainly,

  If I were tempted to propose to you.

  Do you think that girls — that women do such things?

  FRANK.

  No: but I do think — think, by heaven! I know —

  He will not tell you what a child might see,

  That he can love, and does, better than I,

  And all his heart is set on you. But Anne

  Loves him: you must have seen it.

  MABEL.

  You love her,

  And do not know it, and take me for her, seeing

  Her features in my face, and thinking she


  Loves Redgie: is not this the truth? Be frank,

  Or change your name for one that means a lie —

  Iscariot or Napoleon.

  FRANK.

  God forbid!

  I tell you what I am sure of, as I am sure

  I wish I were not.

  MABEL.

  Sure? How can you be?

  FRANK.

  Are you not sure? Be honest. Can you say

  You doubt he would have told you — what he won’t

  And can’t — had he been heir of Heronshaw

  Or Anyshaw? You might have spared that taunt,

  Mabel. But can you say it? You never were

  A liar, and never can be. Tell him then

  The truth he will not tell you.

  MABEL.

  What if he

  Rejects me? This is past a joke.

  FRANK.

  It is.

  MABEL.

  I knew you could not love me. Why make love?

  FRANK.

  I love you; but I see how you love him;

  And think you are right. He loves you more than I —

  Yes, more than I can — more than most men could

  Love even you. You are no mate for me,

  I am no mate for you, the song says. Well,

  So be it. God send you happiness with him!

  He has done more than give you up — give up

  All chance of you — he would not take the chance

  That honour, as he thought, forbade. Do you

  Reward him.

  MABEL.

  God reward you, Frank! You see

  — It’s true — I love him.

  FRANK.

  And he will not speak.

  Tell him to-morrow — and come in to-night.

  [Exeunt.

  ACT II.

  Scene I. — Another part of the grounds.

  Enter Sir Arthur Clavering and Reginald.

  SIR ARTHUR.

  I’m glad you love the old place: to have you here —

  You and the Dilstons — brings my father’s time

  Back. I might almost be your father, though;

  Yours, or your cousins’ — Frank’s or Mabel’s. Time

  Slips on like water.

  REGINALD.

  Very softly, here;

  Less like the Kielder than the Deadwater

  Till both make up the Tyne.

  SIR ARTHUR.

  It wearies you,

  Cousin? Make haste then and grow strong and stout,

  And ride away to battle: till you can,

  I mean to keep you prisoner and be proud

  I have a guest who struck beside the Duke

  An English stroke at Waterloo.

  REGINALD.

  Beside,

  Arthur? There’s no one born can boast of that.

  The best we can — the very best of us —

  Say for each other, is just, we followed him —

  His hand and eye and word and thought — and did

  What might be of our duty.

  SIR ARTHUR.

  Well, my boy,

  Did he do more? You’re just a hothead still —

  The very schoolboy that I knew you first —

  On fire with admiration and with love

  Of some one or of something, always. Now,

  Who is it — besides your general? who — or which?

  Anne’s chestnut shell, or Mabel’s golden fire —

  Her emerald eyes, or Anne’s dark violets — eh?

  You have them both (a happy hero you!)

  Dancing attendance on your highness. Here

  Comes Mabel: have you not a glove to throw?

  Enter

  Mabel.

  Dear cousin, make him talk to you: to me

  He will not; and I have not time to dance

  Attendance on him.

  [Exit.

  REGINALD.

  Arthur’s jokes are not

  Diamonds for brilliance: but he’s good.

  MABEL.

  Are you?

  REGINALD.

  You never asked me that of old times.

  MABEL.

  No:

  That was superfluous: all the household knew

  How good a boy you were.

  REGINALD.

  And you? A girl

  There was who loved the saddle as well as I,

  And was not slower at breaking bounds.

  MABEL.

  You have not

  Forgiven me what you suffered for my sake

  So often — much too often.

  REGINALD.

  No, of course.

  How should I?

  MABEL.

  You remember our old rides —

  Tell me about your ride at Waterloo.

  REGINALD.

  More like a swim against a charging sea

  It was, than like a race across the moors

  Yonder.

  MABEL.

  But when a breaker got you down —

  When you lay hurt it might have been to death —

  Will you not tell me what you thought of then?

  REGINALD.

  No.

  MABEL.

  Nothing?

  REGINALD.

  Nothing I can tell you of.

  MABEL.

  Was all a mist and whirlwind — like the shore

  Out yonder when the north-east wind is high?

  That I can fancy. But when sense came back

  You thought of nothing you can tell me of,

  Reginald? nothing?

  REGINALD.

  Nothing I can tell

  Any one — least of all, women or men,

  Frank’s wife that is to be, Mabel.

  MABEL.

  And where

  Has Frank concealed her from all eyes but yours?

  You are too sharp-sighted, Redgie.

  REGINALD.

  Did she not

  Ask me just now what if she knew — she must

  Have known the answer that I could not make —

  It was not right or kind to ask?

  MABEL.

  Not she.

  REGINALD.

  Mabel!

  MABEL.

  She’s innocent, at least.

  REGINALD.

  You mean — ?

  MABEL.

  I mean she is not here. Nor anywhere

  But in the silliest dreamiest brain alive —

  The blindest head cheating the trustiest heart

  That ever made a man — untrustworthy.

  You did not dream or think of any old friend —

  Anne, Frank, or me — when you were lying, cut down,

  Helpless, that hideous summer night? And now

  You will not speak or stir? O, Reginald,

  Must I say everything — and more — and you

  Nothing?

  REGINALD.

  My love! Mabel! What can I?

  MABEL.

  Say

  Just that again.

  REGINALD.

  How can it be?

  MABEL.

  My love,

  How could it not be?

  REGINALD.

  How have I deserved

  This?

  MABEL.

  How can I tell you? Do you tell me

  Now, what you would not tell Frank’s wife.

  REGINALD.

  You know

  I need not tell you.

  MABEL.

  Tell me, though.

  REGINALD.

  I thought,

  Between the shoots and swoonings, off and on,

  How hard it was, if anything was hard

  When one was dying for England, not to see

  Mabel, when I could see the stars. I thought

  How sweet it was to know they shone on her

  Asleep or waking, here at home. I thought

  I could have wished, and should not wish, to send

 
My whole heart’s love back as my life went out,

  To find her here and clasp her close and say

  What I could never — how much I had loved her. Then

  I thought how base and bad a fool I was

  To dream of wishing what would grieve her. Then

  I think I fell asleep.

  MABEL.

  And that was all,

  Redgie?

  REGINALD.

  And that was all, Mabel.

  MABEL.

  You did —

  You did not think, if she had known — if she,

  Asleep and dreaming here, had dreamed of it —

  What love she would have sent you back for yours —

  Yours — how could she be worth it? Did you not

  See, as you lay — know, as your pain sank down

  And died and left you yet not quite asleep —

  How past all words she loved you? Reginald!

  You did not?

  REGINALD.

  How should I have dreamed of heaven?

  I’m not a saint, Mabel.

  MABEL.

  And what am I

  Who ask a man what, being the man he is,

  He will not ask me — and am not ashamed?

  REGINALD.

  You are more than ever a man whom heaven loved best

  Saw shining out of heaven in dreams — more dear,

  More wonderful than angels. How you can

  Care for me really and truly — care for me,

  It beats my wits to guess.

  MABEL.

  It’s very strange,

  Of course: what is there in you to be loved?

  REGINALD.

 

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