Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series)

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Delphi Complete Poetical Works of Algernon Charles Swinburne (Illustrated) (Delphi Poets Series) Page 285

by Algernon Charles Swinburne


  And Arthur never missed it. Yet again

  The thought strikes back and stabs me, what are they,

  What are they all, that they should live, and I

  Die? Arthur told me, surely, that this death

  Was pangless — swift and soft as when betimes

  We sink away to sleep. If sin it is,

  I will die praying for pardon: God must see

  I am no more fit to live than is a bird

  Wounded to death.

  Enter

  Sir Francis, Sir Arthur, and

  Frank.

  SIR FRANCIS.

  Well, Anne, and could you rest

  Well after murdering Mabel? Here is Frank

  Declares his crimes would hardly let him sleep:

  While he who made you criminals appears

  Shamelessly happy.

  FRANK.

  Redgie always was

  Hardened: the plays he used to improvise

  At school were deep in bloodshed.

  SIR ARTHUR.

  Let us trust

  That happiness and age may make his Muse

  Milder.

  ANNE.

  I am sure I hope so. It was hard

  To find yourself so wicked.

  SIR FRANCIS.

  Hard on you,

  Certainly. Were you tired?

  ANNE.

  Why? Do I look

  Tired?

  SIR FRANCIS.

  Well, not tired exactly; still, your eyes

  Look hot and dull.

  ANNE.

  All eyes cannot be bright

  Always, like Reginald’s and Mabel’s.

  SIR ARTHUR.

  Ah,

  It does one good to see them. Since the world

  Began, or love began it, never was

  A brighter pair of lovers. What a life

  Will theirs be, if the morning of it mean

  Really the thing it seems to say, and noon

  Keep half the promise of it!

  FRANK.

  That it should,

  If they get only their deserts: they are,

  He the best fellow, she the best girl born.

  SIR FRANCIS.

  You’re not a bad friend, Frank, I will say.

  ANNE.

  No.

  He is not.

  SIR FRANCIS.

  What your father would have said

  To my approval of the match, perhaps

  It’s best not guessing: but the harshest brute

  That ever made his broken-hearted ward

  The subject or the heroine of a tale

  Must, I think, have relented here.

  SIR ARTHUR.

  But still

  We are none the less your debtors — Redgie and I.

  It lays on me an obligation too,

  Your generous goodness to him.

  SIR FRANCIS.

  No, none at all.

  I would not let the youngster tell me so.

  Enter

  Reginald

  and

  Mabel.

  So, you can look us in the face, my boy,

  And not be, as you should, ashamed to see

  How much less happy are other folk than you?

  Your face is like the morning.

  REGINALD.

  Does it blush?

  You’d see I was ashamed then.

  MABEL.

  What, of me,

  Redgie? It’s rather soon to say so. Still,

  It’s not too late — happily.

  SIR FRANCIS.

  Nothing can

  Happen that does not fall out happily,

  It seems, for you — and nothing should, I think,

  Ever. Come with me, Frank: I want you.

  FRANK.

  Why?

  SIR FRANCIS.

  I never thought you quite so dull till now.

  Come.

  [Exeunt

  Sir Francis

  and

  Frank.

  SIR ARTHUR.

  Take me with you: I’m superfluous too.

  [Exit.

  MABEL.

  Don’t you go, Anne.

  ANNE.

  I will not if you wish.

  MABEL.

  I do, and so does Redgie. We have seen

  These last few days as little of you, you know,

  As if you had been — well, anywhere.

  ANNE.

  Except,

  Remember, at rehearsals; and last night

  We came against each other on the stage.

  MABEL.

  Indeed we did. Is that a property

  You have kept about you?

  ANNE.

  What? where? this — ah no,

  A — something for a touch of cold I caught

  Last night — I think at least it was last night.

  Arthur prescribed it for me.

  MABEL.

  Let me taste.

  I am hoarse — I am sure I must be hoarse to-day

  With rattling out all Redgie’s rant — much more

  Than you did.

  ANNE.

  No: you do not want it.

  MABEL.

  Anne!

  ANNE.

  You cannot want it, Mabel.

  MABEL.

  How can you

  Know? Don’t be positive — and selfish.

  ANNE.

  There —

  Take it. No — do not taste it, Mabel.

  MABEL.

  Look,

  Redgie, how strange a pretty colour! Why,

  One wants a name to praise it — and it smells

  Like miles on miles of almond-blossom, all

  Condensed in one full flower. If this had been

  The poison Anne and you prepared for me,

  I really would have taken it last night

  And not pretended, as I did, to sip,

  And kept my lips dry.

  [Drinks.

  REGINALD.

  Does the flavour match

  The colour?

  MABEL.

  It’s a sweet strange taste. Don’t you

  Try: you won’t like it.

  REGINALD.

  Let me know, at least.

  [Drinks.

  ANNE.

  You do not yet: or do you now know?

  MABEL.

  Anne!

  What have we done — and you? What is it?

  ANNE.

  Death,

  Mabel. You see, you would not let me die

  And leave you living.

  MABEL.

  Death? She is mad — she is mad!

  Reginald, help us — her and me — but her

  First.

  REGINALD.

  Lean hardly help myself to stand.

  Sit you down by me.

  ANNE.

  Can the sun still shine?

  I did not mean to murder you.

  MABEL.

  And yet

  We are dying, are we not — dying?

  ANNE.

  I meant

  To die, and never sin again or see

  How happy past all dreams of happiness

  You, whom he loved, and he, who loved you, were.

  Re-enter

  Sir Francis, Sir Arthur, and

  Frank.

  SIR FRANCIS.

  We are here again, you see, already. Why,

  What strange new tragic play is this you are all

  Rehearsing?

  ANNE.

  Mabel, if you can forgive,

  Say so. I may remember that in hell.

  MABEL.

  I do. And so does Redgie. But you might

  Have spared or saved him.

  ANNE.

  How, and let you die?

  REGINALD.

  Ah, how? She did not mean it.

  ANNE.

  And do you

  Forgive me?

  REGINALD.

  Surely. I am one with h
er,

  And she forgives.

  SIR ARTHUR.

  They are dying indeed. And she

  Has killed them.

  REGINALD.

  No. She did not mean.

  MABEL.

  Indeed,

  She did not.

  SIR FRANCIS.

  God in heaven! What dream is this?

  ANNE.

  God help me! But God will not. I must die

  Alone, if they forgive me. I must die.

  [Exit.

  REGINALD.

  It was a terrible accident, you see —

  Was it not, Mabel? That is all we know.

  MABEL.

  All.

  FRANK.

  Redgie, will you speak to me?

  REGINALD.

  Good night,

  Frank — dear old Frank — my brother and hers. And you,

  Good night, dear Arthur. Think we are going to see

  Our mother, Mabel — Frank’s and ours.

  MABEL.

  I will.

  But, Reginald, how hard it is to go!

  REGINALD.

  We have been so happy, darling, let us die

  Thinking of that, and thanking God.

  MABEL.

  I will.

  Kiss me. Ah, Redgie!

  [Dies.

  REGINALD.

  Mabel! I am here.

  [Dies.

  SIR ARTHUR.

  They could have lived no happier than they die.

  THE END

  ROSAMUND, QUEEN OF THE LOMBARDS

  CONTENTS

  DRAMATIS PERSONAE

  ACT I

  ACT II

  ACT III

  ACT IV

  ACT V

  DRAMATIS PERSONAE

  ALBOVINE, King of the Lombards.

  ALMACHILDES, a young Lombard warrior.

  NARSETES, an old leader and counsellor.

  ROSAMUND, Queen of the Lombards

  HILDEGARD, a noble Lombard maiden.

  SCENE, VERONA

  Time, June 573

  ACT I

  A hall in the Palace: a curtain drawn midway across it.

  Enter ALBOVINE and NARSETES.

  ALBOVINE.

  This is no matter of the wars: in war

  Thy king, old friend, is less than king of thine,

  And comrade less than follower. Hast thou loved

  Ever — loved woman, not as chance may love,

  But as thou hast loved thy sword or friend — or me?

  Thou hast shewn me love more stout of heart than death.

  Death quailed before thee when thou gav’st me life,

  Borne down in battle.

  NARSETES.

  Woman? As I love

  Flowers in their season. A rose is but a rose.

  ALBOVINE.

  Dost thou know rose from thistle or bindweed? Man,

  Speak as our north wind speaks, if harsh and hard -

  Truth.

  NARSETES.

  White I know from red, and dark from bright,

  And milk from blood in hawthorn-flowers: but not

  Woman from woman.

  ALBOVINE.

  How should God our Lord,

  Except his eye see further than his world?

  For women ever make themselves anew,

  Meseems, to match and mock the maker. Friend,

  If ever I were friend of thine in fight,

  Speak, and I bid thee not speak truth: I know

  Thy tongue knows nought but truth or silence.

  NARSETES.

  Is it

  A king’s or friend’s part, king, to bid his friend

  Speak what he knows not? Speak then thou, that I

  May find thy will and answer it.

  ALBOVINE.

  I am fain

  And loth to tell thee how it wrings my heart

  That now this hard-eyed heavy southern sun

  Hath wrought its will upon us all a year

  And yet I know not if my wife be mine.

  NARSETES.

  Thy meanest man at arms had known ere dawn

  Blinked on his bridal birthday.

  ALBOVINE.

  Did I bid thee

  Mock, and forget me for thy friend — I say not,

  King? Is thy heart so light and lean a thing,

  So loose in faith and faint in love? I bade thee

  Stand to me, help me, hold my hand in thine

  And give my heart back answer. This it is,

  Old friend and fool, that gnaws my life in twain -

  The worm that writhes and feeds about my heart -

  The devil and God are crying in either ear

  One murderous word for ever, night and day,

  Dark day and deadly night and deadly day,

  Can she love thee who slewest her father? I

  Love her.

  NARSETES.

  Thy wife should love thee as thy sire’s

  Loved him. Thou art worth a woman — heart for heart.

  ALBOVINE.

  My sire’s wife loved him? Hers he had not slain.

  Would God I might but die and burn in hell

  And know my love had loved me!

  NARSETES.

  Is thy name

  Babe? Sweet are babes as flowers that wed the sun,

  But man may be not born a babe again,

  And less than man may woman. Rosamund

  Stands radiant now in royal pride of place

  As wife of thine and queen of Lombards — not

  Cunimund’s daughter. Hadst thou slain her sire

  Shamefully, shame were thine to have sought her hand

  And shame were hers to love thee: but he died

  Manfully, by thy mightier hand than his

  Manfully mastered. War, born blind as fire,

  Fed not as fire upon her: many a maid

  As royal dies disrobed of all but shame

  And even to death burnt up for shame’s sake: she

  Lives, by thy grace, imperial.

  ALBOVINE.

  He or I,

  Her lord or sire, which hath most part in her,

  This hour shall try between us.

  Enter ROSAMUND.

  ROSAMUND.

  Royal lord,

  Thy wedded handmaid craves of thee a grace.

  ALBOVINE.

  My sovereign bids her bondman what she will.

  ROSAMUND.

  I bid thee mock me not: I may ask thee

  Aught, and be heard of any save my lord.

  ALBOVINE.

  Go, friend. [Exit NARSETES.]

  Speak now. Say first what ails thee?

  ROSAMUND.

  Me?

  ALBOVINE.

  Thy voice was honey-hearted music, sweet

  As wine and glad as clarions: not in battle

  Might man have more of joy than I to hear it

  And feel delight dance in my heart and laugh

  Too loud for hearing save its own. Thou rose,

  Why did God give thee more than all thy kin

  Whose pride is perfume only and colour, this?

  Music? No rose but mine sings, and the birds

  Hush all their hearts to hearken. Dost thou hear not

  How heavy sounds her note now?

  ROSAMUND.

  Sire, not I.

  But sire I should not call thee.

  ALBOVINE.

  Surely, no.

  I bade thee speak: I did not bid thee sing:

  Thou canst not speak and sing not.

  ROSAMUND.

  Albovine,

  I had at heart a simple thing to crave

  And thought not on thy flatteries — as I think not

  Now. Knowest thou not my handmaid Hildegard

  Free-born, a noble maiden?

  ALBOVINE.

  And a fair

  As ever shone like sundawn on the snows.

  ROSAMUND.

  I had at heart to plead for her
with thee.

  ALBOVINE.

  Plead? hast thou found her noble maidenhood

  Ignobly turned unmaidenlike? I may not

  Lightly believe it.

  ROSAMUND.

  Believe it not at all.

  Wouldst thou think shame of me — lightly? She loves

  As might a maid whose kin were northern gods

  The fairest-faced of warriors Lombard born,

  Thine Almachildes.

  ALBOVINE.

  If he loves not her,

  More fool is he than warrior even, though war

  Have wakened laughter in his eyes, and left

  His golden hair fresh gilded, when his hand

  Had won the crown that clasps a boy’s brows close

  With first-born sign of battle.

  ROSAMUND.

  No such fool

  May live in such a warrior; if he love not

  Some loveliness not hers. No face as bright

  Crowned with so fair a Mayflower crown of praise

  Lacked ever yet love, if its eyes were set

  With all their soul to loveward.

  ALBOVINE.

  Ay?

  ROSAMUND.

  I know not

  A man so fair of face. I like him well.

  And well he hath served and loves thee.

  ALBOVINE.

  Ay? The boy

  Seems winsome then with women.

  ROSAMUND.

  Hildegard

  Hath hearkened when he spake of love — it may be,

 

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