by Will Hill
“What was that?” growled the vampire. “What did you do?”
Seward smiled, then spat in the oldest Rusmanov brother’s face.
Valeri recoiled, raised his hand towards his face to wipe the saliva away, then thought better of it. Faster than Seward could follow, he reversed the course of the hand, and crunched it into the Director’s stomach. A noise like a bursting balloon exploded from his mouth, and he felt his eyes bulge in their sockets as the weight of the impact shuddered through his body. He opened his mouth to gasp in fresh oxygen, but nothing happened; his body was spasming, jerking and flailing in Valeri’s grip.
As he fought to stay calm, as he tried desperately to open his airways and pull in the cold night air, he felt a hot spike of pain in his forearm. He looked down, panic gathering at the edges of his mind, and saw Valeri had sliced his flesh open with one of his long, pointed fingernails. The old vampire dug his fingers into the wound, sending blood pouring out in thick, dark rivers and fresh agony pulsed through Seward’s reeling system. The vampire’s fingers stopped moving, then pulled sharply at something.
The Blacklight Director tried to scream as his locator chip was torn from the thick muscle of his forearm, dragging ragged strips of dark red matter with it. Valeri crushed it in his hand, let the pieces fall to the dark waters below, then regarded his captive.
“You are lucky,” the vampire breathed. “If my master did not want you alive, I would make you watch while I flayed the skin from your bones. Now breathe, damn it.”
Valeri’s other hand sliced through the air and thumped Seward’s back. The paralysis in his lungs and throat was broken, and with a great quavering shriek, he dragged air back into his lungs. He breathed out, in, then out again, before the damage to his system overwhelmed him, and he sank into unconsciousness.
Henry Seward let the terror that the memory induced fill him, then took a deep breath and pushed it aside. There was no time for him to be scared; he knew who had him, why he had been taken.
Then he froze.
There had been no sound, but something was suddenly obvious to Henry Seward. It was a change in pressure, the softest shift in the still air of the room.
There was somebody standing behind him.
Slowly, he pushed himself up to his feet, waiting for a blow to land from behind. When no such assault came, he gritted his teeth, and turned to face whoever was in the room with him, his face set with determination. But when he saw the figure standing less than a metre before him, it took every ounce of his resilience not to cry out.
Standing in front of him, a warm, welcoming smile on his thin mouth, his eyes shimmering the colour of infected blood, was Count Dracula.
Seward stumbled backwards, his mind reeling at the reality before him. The world’s first vampire made no move to pursue him; he remained where he was, standing easily, his arms behind his back, his pale face alive with excitement.
The Director felt the small of his back thud against the edge of the desk, and realised he had nowhere to go. He stared at the original vampire, fighting for control of himself.
This is where it ends, he thought. At the hands of this monster, far from home. Dear God, I didn’t even tell Jamie his father was alive.
Dracula stepped lightly round the chair in which Seward had awoken, and crossed the space between them. Seward braced himself for the worst, determined that he would not give this creature the satisfaction of breaking him, that he would die as well as his friend Yuri Petrov, the former General of the SPC, had done, with honour.
The reborn vampire stopped less than a metre away from the Director. Seward found his gaze drawn to the swirling insanity of the monster’s eyes, and forced himself to look away.
“Admiral Henry Seward,” said the vampire. “I am Vlad Dracula. It’s a pleasure to make your acquaintance.”
SECOND EPILOGUE: THREE FATHERS
Thousands of miles apart, three men who had never met found themselves in three very similar prisons.
In the town of Staveley, Greg Browning strode down the hallway of his small house, stepped round his wife’s trembling figure and marched up the stairs. He threw open the door to his son’s room, which was exactly how he had left it, right down to the socks on the floor and the half-finished coffee on the desk.
Mould was sprouting above the rim of the mug, but Matt’s mother had refused to move it. It was as if she believed that touching anything, tidying anything, in any way accepting that life was continuing to move forward, meant admitting that her son was not coming back. He had been returned to her once, and she still believed, in some deep, hopeful part of herself, that if everything stayed exactly as it was, then he would come home to her again.
When she heard the door open above her, she uttered a plaintive wail and ran up the stairs after her husband. She reached the open doorway, saw him digging through the chest of drawers next to Matt’s bed and shrieked.
“What are you doing, Greg?”
He rounded on her, his eyes blazing.
“I’m doing what we should have done the minute we knew he was gone!” he bellowed. “I’m looking for what made him do it! There has to be something here, Lynne. He was God knows where for more than three months, then he’s home for two and he disappears again? Are you bloody stupid? He didn’t just go for no reason, Lynne. It has something to do with where he was all that time!”
Across the hallway, Matt’s sister woke in her cot and began to cry.
“Don’t, Greg!” begged Lynne. “Oh, please don’t!”
“Go and see to the baby,” Greg said, shoving the drawers closed and sitting down heavily at Matt’s desk. He flicked his son’s computer on and watched the monitor flare into life. He looked round and saw his wife standing in the doorway to the bedroom, staring at him with something that was close to hate.
“Go and see to the baby!” he roared.
Lynne recoiled, then fled across the landing. Greg double-clicked on the Internet Explorer icon as he heard his daughter’s cries start to lessen, and opened the browser’s history.
What the hell was going on with you? There had to be something.
The screen filled with a list of websites, and a sudden tightness gripped his chest.
Vampires Among Us. The Crimson Coven. Garlic and Crosses. LifeBlood. They Walk At Night. The Undead Resource. Vampires: The Last Free Spirits.
Without warning, images flashed into Greg’s mind, images he had worked so hard to suppress.
The girl in the garden. Matt’s neck, his poor neck. Blood.
Fear crawled over his skin, and he shook his head, hoping to clear it. The images receded, but they refused to leave entirely; they crowded at the back of his head, just out of reach, whispering darkly. Greg covered his face with his hands and leant back in his son’s chair, away from the screen, away from the list of names and what they meant. He sat that way for a long time, trying to find the courage to face what had happened that night, to truly face it, not just pretend it no longer mattered once his son had come home.
Eventually, he lowered his hands, and lifted himself up from the chair. He left the computer on; he didn’t want to touch it, or have to look at the screen again. He flicked the light off in Matt’s room and was about to pull the door closed behind him, when a single beep sounded in the darkened bedroom.
Greg Browning turned back, and saw an instant message flashing in the corner of his son’s monitor. He walked back to the desk, and opened it.
In his empty house on Lindisfarne, Pete Randall sat waiting for the phone to ring.
He had been waiting for it to ring for almost three months, since the police had made their way over from the mainland to tell him that although they were still officially listing his daughter as missing, he should start to come to terms with the fact that she wasn’t coming back, and try to move on with his life.
“What life?” he had asked, before telling them to leave.
He was sitting in the tattered armchair by the living room window.
On the window sill beside him, a mug of tea had gone cold, and developed a film. Mrs McGarry from three doors down had made it for him, when she had stopped by earlier to see how he was doing. She had started doing this most days, even though his answer, a broken, desultory ‘Fine’ was always the same, even though they invariably sat in silence for the duration of her visits. She came anyway, though, most days. Her husband had been lost on the night Lindisfarne had died, and she was coping with the hole that been opened up in her world by keeping relentlessly, almost manically busy.
Pete, on the other hand, was not coping.
Not in the slightest.
If they had found Kate’s body, he would have killed himself; he knew it with absolute certainty. It would have been a simple decision, a logical equation based on what remained in his life that was worth living for. If Kate’s body had been found, there would be nothing, and he would have gone gladly into the dark.
But her body had not been found, not by the armies of police divers who had dredged every millimetre of the island’s small coastline, not by the dogs and forensic scientists who had combed through the woods and meadows, millimetre by painstaking millimetre. And that meant he had hope; not much, little more than a pitifully flickering ember, but enough. Enough to keep him breathing in and out, and enough to keep him staring at the phone, waiting for the call that would tell him she had been found, alive and well, and asking for him.
Today, he thought to himself. Today will be the day she calls. Today she will come home.
Far beneath the burning Nevada desert, Julian Carpenter lay on the bed in his cell on National Security Division 9’s detention level.
In one hand he held a small rectangle of paper that had been hidden in his wallet behind one of his many driving licences, this one in the name of John Sullivan of Great Falls, Michigan.
The rectangle was a photograph.
It was creased and torn, battered by time. But the lines and small tears did nothing to diminish the power of the image, power that he sought to draw on yet again, power that had sustained him as he made his long journey through the dark heart of America.
Marie Carpenter sat easily on the stone wall at the bottom of the garden of their old house in Brenchley, Jamie standing beside her. Julian’s wife looked as happy as he could remember seeing her; her face was lit by the bright sunlight that had been shining down when the photo was taken, but also by a wide, beaming smile that filled him with equal amounts of love and pain when he looked at it.
Jamie looked embarrassed, in the way of teenagers everywhere when they are forced to pose for a family photo, but his eyes were bright and clear, and his arm was draped casually round his mother. He was half-smiling at the camera, at his father behind it, his brown hair blowing in the summer breeze.
Julian Carpenter gripped the photo in his hand. Bob Allen had come down personally to give him Henry Seward’s response to his request; he had told Julian he owed him that much at least. When Bob had explained to him that Seward was refusing to let him see his son, he had not screamed, or yelled, or attacked the NS9 Director. He had merely thanked him, and lain back down on his bed.
He had known there was a chance that Admiral Seward would say no, but he had not quite, in the deepest depths of his heart, been able to believe that Henry would stand between him and his family.
He knew that his reappearance would cause shock inside Blacklight, and he knew that they would have every reason to be suspicious of it, suspicious of him; he didn’t begrudge Henry that, not in the slightest. But he had hoped that surrendering himself to NS9 custody would have given his old friend some confidence that his motives were pure, that all he wanted was what he had asked for, the chance to make sure his only son was all right.
It’s not Henry’s fault, he thought. There wasn’t anything else he could do, you old fool. Jamie’s an Operator now: no one is even supposed to know he exists, let alone just turn up out of the blue and ask to speak to him. Stupid. Now you’re stuck in here, no use to Jamie, no use to Marie, no use to anyone. Just a stupid, useless old man in a cell under the ground.
Tears began to flood down his cheeks, and patter softly on to the narrow mattress, but he made no effort to brush them away; his gaze remained fixed on the only two things in the world he still cared about.
Eventually, long hours later, he fell asleep, and dreamt of his family.
85 DAYS TILL ZERO HOUR
ACKNOWLEDGEMENTS
My endless thanks and gratitude go, first and foremost, to my agent Charlie Campbell and my editor Nick Lake. The Rising is a long novel, and was a long process from first draft to finished book, and their support, creativity and endless patience helped get me through it.
My friend Katherine Wheatley saved my skin by introducing me to Dr Lewis Dartnell of University College London when I was fast approaching the point of scientific despair. Lewis is the reason that the genetic explanation for vampirism makes as much sense as it hopefully does; he answered my (extremely basic) questions about DNA and gene therapy with admirable patience, and very kindly managed not to laugh while doing so. Where the science is accurate it’s thanks to him; where it isn’t it’s unsurprisingly down to me.
My friend Matt Powell and I spent five weeks driving seven thousand miles across the USA, in which time much of the climax of The Rising was researched and plotted. For the endless coffees and racks of ribs, for his truly expert map reading and patient willingness to discuss the finer points of how someone would attempt to sneak into Area 51, and above all for Mysterons, my love and thanks go to him.
My girlfriend Sarah coped admirably with the mood swings and bouts of manic hyperactivity that characterised the final months of the writing of The Rising, my petulant sulking whenever she refused to immediately put down what she was doing and read a new, slightly altered version of a chapter, and my turning our living room into an Armageddon of printouts, spider diagrams and post-it notes. Thanks for always being on my side.
Love and thanks, as always, go to my friends and family – Mum, Peter, Sue, Ken, Joe, Mick, Adam, Paul, Iso, Rich, Clemmie – and the fabulous teams at HarperCollins and Razorbill – Laura, Tom, Alison, Ben, Rebecca, Rosi, Lily, Tom, Sarah, Rachel, Tom, Kate, Geraldine, Mary, Tiffany, Sam, JP, James.
Lastly, my heartfelt thanks to everyone who read Department 19. As a debut author, my fingers were crossed that a few people might read the book, and hopefully like it – as a result I’ve been completely overwhelmed by the number of people who have taken the time to send me tweets, Facebook messages, letters, drawings and emails telling me they enjoyed Department 19 and expressing their excitement about The Rising. I hope it lived up to your expectations.
Will Hill
London, January 2012
COPYRIGHT
First published in hardback in Great Britain by
HarperCollins Children’s Books 2012
HarperCollins Children’s Books is a division of HarperCollinsPublishers Ltd
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Text copyright © Will Hill 2012
HB ISBN 978-0-00-735448-1
TPB ISBN 978-0-00-745540-9
Will Hill reserves the right to be identified as the author of the work.
DEPARTMENT 19 THE RISING. Copyright © Will Hill 2012. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
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© JANUARY 2012 ISBN: 978-0-00-735449-8
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Table of Contents
TITLE PAGE
CONTENTS
DEDICATION
EPIGRAPH
MEMORANDUM
12 WEEKS AFTER LINDISFARNE
91 DAYS TILL ZERO HOUR
1. ON PATROL
2. TRIANGLES HAVE SHARP EDGES
3. THE ART OF COMING CLEAN
4. GROWING PAINS
5. REBIRTH
6. CARPENTER AND SON
7. VALENTIN RECEIVES A VISITOR
90 DAYS TILL ZERO HOUR
8. THE BIG LEAGUES