04
   I heard her laugh. Her humor was wicked. It still had the power to
   05
   shock me, even when my mind was filled with her thoughts, her wit,
   06
   her traumas.
   07
   I pulled on my dressing gown and secured the belt around my waist.
   08
   It was dark purple and worn, the fibers clumping together along the
   09
   sleeves where something had once been spilled. It had belonged to Jon-
   10
   athan and was far too big for me. The shoulder seams sat inches down
   11
   my upper arms and the hem hung below my knees, almost touching my
   12
   feet. He’d worn it whenever he’d woken early on weekends to prepare
   13
   a cooked breakfast.
   14
   I opened the front door. She was wearing a thick navy jumper and
   15
   loose jeans cropped above her ankles. Her white socks looked like those
   16
   we’d worn in primary school, thick with elasticated bands at the top
   17
   and fabric bobbles along the fringes of white trainers. Her hair had been 18
   trimmed, cut short to mirror her jawline, sliding into a pointed chin.
   19
   “About bloody time,” Emma said. “You look like shit.”
   20
   I turned to look at myself in the small round mirror that hung from
   21
   a nail on the wall in the hallway. I hadn’t removed my makeup the night
   22
   before. My eyes were surrounded by smudges of black and my lipstick
   23
   had bled into the folds around my mouth.
   24
   I shrugged. “It was a good night.”
   25
   “Good?” she asked. “Your best friend’s wedding and all you can say
   26
   is good? Is that it?”
   27
   She handed me a brown paper bag filled with pastries. I peered in-
   28
   side: a plain butter croissant, a pain au chocolat.
   29
   “For you,” she said.
   30
   She headed toward the sofa and curled herself into the cushions, her
   31S
   feet coiled beneath her, sinking into my furniture, very much at home
   32N
   here. I poured myself a glass of orange juice from the fridge.
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   S E V E N L I E S
   83
   “It was great,” I said instead. “A really great night. That better?”
   01
   “Urgh, that’s even worse,” she groaned. “You’re rubbish at this. Tell
   02
   me something interesting. Were there any arguments? Any fights? Who
   03
   got to sleep with the maid of honor?”
   04
   “No one got to sleep with the maid of honor,” I replied. “And no
   05
   fights, as far as I’m aware.”
   06
   “Charles on his best behavior, then?” she asked. “Not too much of
   07
   a cunt?”
   08
   “Not too bad,” I said. “Although there was this one thing right at the
   09
   end of the evening.”
   10
   My flat is surrounded by other flats on all sides but one and is always
   11
   that little bit too warm. So whenever I have guests— which, frankly, isn’t 12
   very often— I watch them gradually undress throughout the course of
   13
   their visit. At first, it’s just their coats and sweaters, then it’s their shoes 14
   and cardigans, and eventually they are sitting sockless in strap vests.
   15
   Emma was no different. But I was frightened by what I saw that day.
   16
   She lifted her jumper over her head. Her shoulder bones were sit-
   17
   ting high above the flesh of her shoulders. Her collarbones protruded,
   18
   pressing against her skin and stretching it, so that it looked too thin,
   19
   almost translucent. Her upper arms were scrawny, like the wings of a
   20
   bird, all skin and bone and no fat at all.
   21
   I took a sharp breath, a sigh in reverse, and Emma looked up with
   22
   her eyes wide and wary.
   23
   “Don’t,” she said, reading the concern written in the crease at the
   24
   center of my forehead and between my eyebrows. “I’m not interested.”
   25
   “ Em . . .” I said, but then she looked at me, fierce and unblinking,
   26
   and I knew that there was nothing more to say.
   27
   Emma was twelve when she first fell between the gaps in our con-
   28
   centration. I don’t remember the early days of her illness. I was so busy 29
   revising, so focused on things that would never matter to me— quadratic
   30
   equations, the formula for respiration, river landscapes— that I failed to S31
   recognize the deterioration of the thing that mattered most of all.
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   84
   E L I Z A B E T H K AY
   01
   It was July, I think. Emma and I had both finished school for the
   02
   summer— if I remember rightly Marnie was in the South of France—
   03
   and our parents were busy, as ever, hacking away at their marriage with
   04
   pickaxes disguised in insults and eye rolls. It was hot, too hot for En-
   05
   gland, the temperature over eighty- five degrees. We went to the open-
   06
   air pool and I squeezed our towels in between the hundreds of others,
   07
   the families with five children dipping and diving and running dripping
   08
   across the grass, the women with their curves, the older couples sitting
   09
   with their newspapers on folding chairs. I was wearing a swimsuit and
   10
   I was sweating in the sun, moisture trickling between my breasts, drop-
   11
   lets simmering on my top lip. Emma was wearing knee- length shorts
   12
   and a woolen jumper, and she was shivering. I wanted her to go in the
   13
   pool with me, but she wouldn’t: she said something about valuables,
   14
   but we had none, just towels and clothing and one book each. I nagged,
   15
   of course, because I’m an older sister and that is my right, and eventu-
   16
   ally she relented. I remember her easing her jumper over her head, and
   17
   her shoulders and collarbones were so much worse then, desperate to
   18
   escape her body, pushing at her thin, fair skin. She slipped her shorts
   19
   over her thighs and her legs were shapeless, straight lines of bone with
   20
   so little flesh, so little depth. She stared at me, challenging me to re-
   21
   spond to her frail, frightful body, and I said nothing.
   22
   Over the next few months I forced food onto her pla
te and some-
   23
   times she ate it and sometimes she didn’t. And then she was better,
   24
   briefly. And then she was worse again. And the next couple of years
   25
   continued in this pattern, never in the best of health, never in the worst, 26
   until I left for university when she was just fourteen. And then there
   27
   were very few peaks and so many troughs. Until eventually even my
   28
   parents could no longer deny the situation sitting there at their dining
   29
   table and she was hospitalized and then released and then eventually
   30
   hospitalized again.
   31S
   I know that this casts her as a very particular character in a very
   32N
   particular story. But, if you’d met Emma— I wish that you had; you’d
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   S E V E N L I E S
   85
   have liked her, I think— you’d know that she wasn’t that person at all.
   01
   Emma was never a victim. She was sick, yes, and for a very long time,
   02
   but that was such a small part of her narrative.
   03
   Her sickness existed somewhere within her, a strange plague that
   04
   she couldn’t control, there in her mind and in her bones and in the very
   05
   tissue of her being. It was a significant part of her life, but think of it as 06
   a path that she didn’t choose, didn’t want, but that she learned to travel 07
   in her own way. She eventually chose not to be treated anymore and I
   08
   did my very best to respect that decision.
   09
   “Stop looking at me like that,” she said, curling up on my sofa,
   10
   shielding herself, hiding behind her jumper. “Like you’ve seen a ghost.”
   11
   I raised an eyebrow; I couldn’t help it.
   12
   For years— for almost my entire time at university— I had night-
   13
   mares about Emma’s corpse. I would be dreaming of something else
   14
   when, in the middle of whatever I was envisaging— holidays, lecture
   15
   halls, Marnie— I would discover Emma’s dead body, her limbs stiff and
   16
   blue, eyes clouded and open wide. I would wake gasping for air, sweat-
   17
   ing and shaking in cold, damp sheets.
   18
   “Fuck’s sake,” she said eventually, pulling her jumper back over her
   19
   head. “It’s fine. I’m fine.”
   20
   And I had no choice but to let it go. There was nothing to be gained
   21
   in an argument and everything to be lost.
   22
   “Charles,” she said, patting the space beside her on the sofa. “You
   23
   were saying.”
   24
   I sat down and recalled the events of the previous evening. I told her
   25
   about his slurring, the endless bottles of champagne, the relentless top-26
   ups. I talked about his arm draped over my shoulder, the coarse fabric
   27
   of his starchy white shirt at the back of my neck. I closed my eyes; I
   28
   knew that I was blushing as I described his palm falling over my breast,
   29
   his fingertips over my nipple. I explained the space that expanded be-
   30
   tween us, the bright white of Marnie’s dress as she approached and her
   S31
   beside us and that sense of something being sucked back into its box.
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   E L I Z A B E T H K AY
   01
   Emma was wide- eyed, openmouthed. “And what did she say?” Emma
   02
   whispered.
   03
   “Nothing,” I replied. “She didn’t say anything. She didn’t see any-04
   thing.”
   05
   “She didn’t see anything at all?” Emma looked down at the cushion
   06
   clutched to her chest.
   07
   “Are you quite sure?” she asked. “Definitely sure? This definitely
   08
   happened exactly like that? He wasn’t just drunk and loose- limbed and
   09
   a little bit handsy without really meaning to be?”
   10
   I shrugged. “Maybe,” I replied.
   11
   “Although it’s not very Charles to be anything other than exactly
   12
   what he means to be really, is it? That’s not really him at all.”
   13
   I smiled. Emma had never met Charles. So the only version of him
   14
   that she knew was mine.
   15
   Here, then, is something that I’ve thought about regularly over the
   16
   last few months. Emma didn’t know Charles. She had no reason to
   17
   doubt my experience, no reason not to believe that he really was a de-
   18
   praved pervert who would grope the maid of honor at his own wedding
   19
   and in front of his beautiful wife. And yet Emma’s instinctive response
   20
   was to question not Charles’s character but my version of events. What
   21
   does that say about me? About my capacity for truth? About my ability
   22
   to accurately read a situation?
   23
   Does it, in fact, suggest that Charles was innocent of all wrongdoing
   24
   that evening? That the error of judgment was mine and mine alone? I
   25
   don’t think so, but it’s worth your consideration. This is my truth, after 26
   all. And that is not the same as the truth.
   27
   “Are you going to tell Marnie?” she asked. “That her new husband
   28
   groped you? Because I really think that would be a bad idea.”
   29
   I shook my head.
   30
   “Still creepy, though,” she continued. “Definitely odd.” She rotated
   31S
   the cushion in front of her chest, pinching it at the corners, spinning it 32N
   like a wheel. “Were you scared?” she asked.
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   S E V E N L I E S
   87
   “Of Charles?”
   01
   “Yeah,” she said. “Like, did it frighten you?”
   02
   “No,” I said, instinctively. “No. Not really.”
   03
   And as soon as I’d said the words, I realized that they weren’t true.
   04
   I had been scared. Not terrified. It wasn’t like that. But unnerved and
   05
   uneasy and suddenly very aware of myself as something much smaller
   06
   stuck in the presence of something much bigger. And it was more than
   07
   the small fear that I often feel in situations that I cannot predict. It was 08
   more than the walk home from the tube station late at night and a
   09
   man’s footsteps behind me,
 and more than someone standing too close
   10
   at a pedestrian crossing, and more than a group huddled up ahead in
   11
   the tunnel beneath the railway tracks. Because this was calculated. It
   12
   had purpose, an objective— and if it was to make me feel frightened,
   13
   then it had succeeded.
   14
   “How was Mum?” I asked.
   15
   Emma looked down at the floor and fiddled with a strand of wool
   16
   hanging loose from her jumper. “I didn’t go,” she replied. “I just . . . I 17
   couldn’t.”
   18
   I exhaled slowly, trying very hard not to sigh. I had explained sev-
   19
   eral times to my mother— I’d even written it on her calendar— that I
   20
   wouldn’t be coming that Saturday, because of the wedding, but that
   21
   Emma would be there instead.
   22
   “Don’t tell me off,” said Emma. “Please don’t. I called. I told the re-
   23
   ceptionist. I just couldn’t do it. Okay? I just couldn’t.”
   24
   When we were younger, still children, my mother and my sister
   25
   were incredibly close. It looked quite disgusting to me, to be fused so
   26
   snugly to somebody else. And yet while Emma sometimes struggled
   27
   with feeling so stifled— and would briefly escape to spend time with
   28
   me elsewhere in the house— she needed my mother in a myriad of
   29
   ways: emotionally, practically, for comfort and company. She was a
   30
   worrier, like my mother, even then, and was uncomfortable and uneasy
   S31
   around new people. She hid behind my mother’s legs in strange places,
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   E L I Z A B E T H K AY
   01
   peering between her thighs. At home, she followed my mother between
   02
   rooms, wanting to help in the kitchen, with the cleaning, with what-
   03
   ever it was that our mother was doing. In the evenings, she liked to be
   04
   cuddled and read to and bathed. Emma needed my mother and my
   05
   mother needed to be needed.
   06
   But when Emma really needed my mother— when she really needed
   07
   support and love and strength— she received nothing. Her anchor
   08
   slipped away, embarrassed at the very nature of the need. I look back
   09
   now, and I know that my mother was simply frightened. She was never
   10
   idealistic, and she must have known what was happening and how
   11
   
 
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