“Why did he drug you, then?”
“I don’t know. He was afraid I would refuse to play along, that I’d make fun of him. He wanted everything to happen exactly as he had dreamed, so he made me drink his potion, but he overdid it, he’s a bad poisoner. There are limits to my curiosity, after all, do you think I’d have agreed to go along with his ridiculous game without his potion? There was a letter with the banknotes. He said that he was sorry he had to make me drink his potion, and for not trusting me, but he had no choice: there was no room for failure. He hopes I’ll understand and that I’ll still come back and see him. I’m the only one who can play goddess. He’s invited me to stay at his place during the long vacation. He’ll pay my fees, even for me to go to Europe. He’s prepared to spend a lot of money on this …”
“And you believe his promises?”
“Can you imagine if they were true?”
“You’re as crazy as he is. You’ll end up believing you’re the goddess. You know what happened to us Tutsi when some agreed to play the role the whites assigned to us. My grandmother told me how when the whites arrived, they thought we were dressed like savages. They sold glass beads, loads of pearls, and tons of white cloth to the women, the chiefs’ wives. They showed them how to wear it all and how to fix their hair. They turned them into the Ethiopians, the Egyptians they’d come all this way to seek. Now they had their proof. They dressed them to fit their own delusions.”
The Blood of Shame
Once again she was woken up by that same bad dream. Her schoolmates were furious; they made fun of her, for she let out a cry loud enough to wake them, too. It happened much too often. They were going to complain to the dorm monitor.
Modesta was no longer sure whether it had really been a nightmare. She looked at the sheets. Then, still in bed, she lifted her nightdress and felt between her thighs. No, there was nothing. It was just a bad dream that had plagued her ever since she became a woman. Perhaps it was a curse or an evil spell that someone had cast on her, someone she didn’t know, a hidden enemy, maybe a person very close to her, one of her schoolmates. Or else it came from farther away, from back home, a jealous neighbor; she had no idea, perhaps she never would.
In the dream, she was sometimes in her own bed, but more often in class. She began to bleed, a huge red patch soaking into her blue dress, sticky blood between her thighs, and down her legs, a long stream flowing under her seat and beneath the other desks. The pupils started screaming: “It’s her again, she’s bleeding, she’s bleeding … It’ll never end!” And the teacher shouted: “We must take her to Sister Gerda. She knows what to do with girls who bleed anywhere and everywhere.” And suddenly she found herself in Sister Gerda’s office, with an angry Sister Gerda shouting at her: “Look at that! It’s what I’ve always said: that’s what it means to be a woman. And you all want to become women. It’s your own fault! And now there’s all that blood. It’s never ending!”
Modesta didn’t like to remember. And yet the same memory kept flooding back. It was no longer a dream, more a memory she kept reliving, like a sin she’d never be able to atone for. It began the year she started middle school. She had passed the national exam and was therefore able to join the core curriculum. She felt proud. Her parents felt proud. The neighbors felt proud, and jealous. She felt proud that her neighbors felt jealous because of her. They went to the tailor’s to have her uniform made; they purchased exercise books and pens from the Saint-Michel Économat; from a Pakistani shop in Muhima, they bought material to make two sheets. The list also specified two meters of white fabric, the type known as americani. She had no idea what that could be for. Neither did her father. She didn’t ask her mother, who knew nothing about school stuff. She hadn’t dared ask the parish priest. They put everything into the suitcase they’d bought specially for her, since her big sister’s case was too battered. She needed a new case to make a good impression, for the sake of her family’s honor. When they got to school, the sister monitor checked the contents. It was all there, including the americani material, which the sister appeared to consider especially important: “You’re to bring it along to the first sewing lesson,” she told her.
The sixth-grade class soon split into two cliques: those with breasts, and those without. Those with breasts began to scorn those without. They chatted a lot with the older girls, all of whom had breasts. It was as if they had secrets to share. Modesta was one of those without breasts. Yet she had two little nipples, budding breasts, that gave some contour to her chest. But for reasons Modesta couldn’t fathom, the older girls hadn’t wanted her to join their faction.
In the first sewing class, two days after the start of the school year, the teacher checked they all had their americani. Modesta showed her length of fabric, along with the other girls. “We’re going to make strips,” she said, “that’s our very first task. Everyone must have finished by the end of class.” The teacher handed out scissors and patterns, and the pupils cut the material into long strips, and then each strip into twenty sections. “Now, fold the twenty pieces in four, then sew the edges. Each piece should look like a little mattress.” Next, she had them make a string-drawn bag, into which they put the twenty strips. “Those who don’t need them yet, pack them carefully in your suitcase for now.”
But there were many more mysteries. In the garden, behind a bamboo grove, stood a small brick house surrounded by a low wall. “That’s the purdah house,” said the older ones, laughing, “and you breastless young girls have no business there; don’t you even come close.” But for the Sisters, it was no laughing matter. There was always one of them keeping watch on the forbidden house, chasing away any servants or gardeners who approached it, and handing out severe punishments to the younger girls who hung around nearby out of curiosity. This sentry duty was mostly performed by Sister Gerda, the Keeper of the Mystery. She became quite fierce if she caught any of the little ones trying to follow any Initiates of the Mysteries as they walked toward the forbidden place carrying a bucket. But deep down, the girls without breasts knew very well that all these mysteries – the americani strips, the “dirty den,” the bucket – would soon be revealed to them. They knew their turn would come.
Initiation: the fear, the shame. For Modesta, it happened in class. During English. She felt a warm liquid running down her legs, and when she stood up, her classmates in the row behind saw a large red stain spreading across her dress, and blood dripping onto the cement floor. “Madame!” cried the girl sitting next to Modesta, as she pointed at her. The teacher saw the puddle of blood. “Quick,” she said, “Immaculée, take her to Sister Gerda.” Modesta followed Immaculée, weeping floods of tears. “Don’t cry,” said Immaculée, “it happens to every girl. Surely you didn’t expect to escape it. You’re a real woman now. You’ll have children.” Immaculée knocked at the door of Sister Gerda’s office. “Well, well,” said Sister Gerda, “here’s Modesta, I wasn’t expecting it so soon. So, we’re a young woman now. You’ll see how much you have to suffer for that: it’s God’s will, payment for Eve’s sin; Eve, who opened the door to the devil; Eve, the mother of us all. Women are made to suffer. Modesta, what a beautiful name for a woman, for a Christian woman. From now on, every month, this blood will remind you that you’re only a woman, and if ever you float off thinking you’re beautiful, it will be there to remind you of what you are: just a woman.”
After Modesta took a shower, Sister Gerda initiated her into the Mysteries of a woman’s cycles. She showed her how to use the strips she now called “sanitary pads.” She told her to go to the school shop and buy a little bucket with a lid in which to put the used pads, as well as a slab of household soap. There’d be no need to explain why to Sister Bernadette behind the counter.
Sister Gerda asked for the key to the dormitory, which remained shut all day, opened the doors wide so that Modesta could get a pad from the bag, and then took Modesta to the little brick house. As soon as she opened the door, the acrid, fetid stench made Modesta step bac
k. “Go on in,” said Sister Gerda, “You can’t go back now, it’s too late to pretend you’re still a girl.” Inside the shadowy room, lit only by a narrow wire-mesh window, Modesta saw washing lines stretched from one wall to another, from which dangled sanitary pads in shades of pink, gray, purplish-blue, and dirty white, that the boarders had hung out to dry. “At the back,” said Sister Gerda, “there’s a tub for you to wash your dirty pads. You’ll scrub and you’ll scrub, but you’ll never scrub hard enough to erase the sin of being a woman. And believe me, I could tell you the owner of each and every pad, those who scrub and those who don’t. You can spot the lazy ones immediately: their pads remain steeped in their menstrual secretions. Shame on them! So make sure you scrub, Modesta, to avoid piling shame upon shame.”
Modesta liked to confide in Virginia, sharing her secrets in private, well away from prying eyes, especially those of Gloriosa. Yes, a Hutu girl could be friends with a Tutsi girl. It didn’t impose any future obligations upon them. Whenever it would finally prove necessary for the majority people to become the majority for good, Hutu girls would know full well which race they belonged to. Because there were two races in Rwanda. Or three. The whites had said so; they were the ones who had discovered it. They’d written about it in their books. Experts came from miles around and measured all the skulls. Their conclusions were irrefutable. Two races: Hutu and Tutsi, also known as Bantu and Hamite. The third race wasn’t even worth mentioning. But Modesta wasn’t fully Hutu. Of course she was considered Hutu because her father was. And it’s the father who matters. But because of her mother, you could say that she was only half Hutu – and indeed many did say that. It was dangerous for her to be seen hanging around with a Tutsi girl. People would immediately ask her: “So, which side are you on? Do you really know who you are? You must be a traitor, a spy for those inyenzi – cockroaches. You pass yourself off as a Hutu, but really you gravitate toward the Tutsi whenever you can, because you consider them your real family.’
But there was worse. The suspicions surrounding Modesta were not only because of her mother. After all, many Hutu leaders had taken Tutsi wives. Trophies of their victory. Wasn’t the President’s wife Tutsi? No, what made Modesta’s situation even worse was her father, Rutetereza, the Hutu who had wanted to become a Tutsi – kwihutura they called it, to “de-Hutufy” oneself. He did indeed have some of the physical attributes associated with Tutsi, he was very tall, with a short nose and a wide forehead, but he was actually one of those many Rwandans referred to as ikijakazi – “neither one nor the other.” He came from a good Hutu family, and spent a few years as a seminary student before becoming secretary, accountant, and steward to a Tutsi chief, of whom he became fond, emulating him and his ways. He grew rich from discreetly, yet diligently, siphoning off some of the taxes he collected on behalf of his boss. He bought cattle. And to show off his new wealth, he gave a cow to a Tutsi neighbor who had lost his own herd. He wanted to hear him exclaim the customary appreciation: “Rutetereza! You who gave me a cow! Yampaye inka Rutetereza!” To complete his metamorphosis, he decided to marry a Tutsi. A poor Tutsi family gave him one of their daughters. One beautiful daughter, in exchange for a cow. His boss had become one of the most conservative leaders of the Tutsi party, and he wanted to follow suit. “Rutetereza,” said his boss, “you’ve done all you can, but you’re still not Tutsi. Stay with your own people.” So he campaigned for a Hutu party that wanted the King to remain in power. But the Parmehutu Party won and the Republic was proclaimed. Nobody gave him any trouble, since he came from a good Hutu family, and had enjoyed the protection of some of his brothers who had fought for the winning Party. But he couldn’t secure any of the important positions, he’d always be a minor civil servant, and there would always be someone to remind him how he’d wanted to turn Tutsi, kwihutura. He would never be free of the jokes, or threats (there was little difference), from those who liked to remind him of his treachery. So he stuffed them with grilled goat and beans, and sloshed them with banana beer and Primus, for that was the price of kwitutsura, of “de-Tutsifying” himself, becoming Hutu again. The same cloud of suspicion hung over Modesta. She had to keep reminding the others that she was a real Hutu, especially Gloriosa, whose name resounded like a slogan: Nyiramasuka, “She of the Hoe.” Modesta had to be Gloriosa’s best friend.
Nevertheless, and for reasons she didn’t grasp, something pushed her to divulge her secrets to Virginia, her deepest secrets, the ones she couldn’t reveal to anyone else. She eventually told her about her nightmares, about the menstrual blood that haunted her dreams. Virginia said nothing at first. She didn’t know what to say. There are many things that are never discussed in Rwanda, and that is one of them. But she was touched by Modesta’s willingness to confide in her. Could she really be her friend? Today, she was. But tomorrow? She, too, began to tell Modesta about her periods. It felt a bit scary to talk about something that was never supposed to be mentioned, but this flow of forbidden words was like a release for her. Yes, in that moment, Modesta was truly her friend.
“You know quite well we’re not to talk about that. Little girls don’t have a clue what’s happening to them. They think they’re cursed. I don’t know if it was like that before the Europeans came, but the missionaries only made matters worse. Our mothers stay silent, it’s taboo, as the teachers would say. It’s always got to be your big sister or a friend who explains it, and reassures you as best she can. That’s what it was like, up on my hill; perhaps it was different in town. My best friend was Speciosa. She didn’t pass the national exam, so she remained in the village. Throughout primary school, we were inseparable. We had so much fun, as much as the boys did. Sure, we helped our mothers in the fields and carried our baby brothers on our backs, we were already little moms. But what we liked best was going to the lake to do laundry. Not like the huge lake you can see from up here every now and then. No, a small lake at the foot of my hill.
“During the long vacation, in the dry season, off we go, all the girls who live on the hill, older girls on one side, younger ones on the other. There’s just two or three brainy girls who don’t feel like joining us; they say they’ve got a meeting with some other students, or that they’ve got choir practice at the mission. We just ignore and tease them. The shore of the lake bristles with reeds and papyrus sedge, except where we draw water and do the laundry. Still, you’ve got to be careful: if a fallen tree trunk lying on the sand starts to shift, that’s a crocodile. We spend the whole afternoon washing and beating the laundry, then we spread it on the grass, which is always green, even during the dry season. Once that’s done, we undress and rush into the water, splashing each other, and rubbing each other’s backs. It’s quite unlike the lycée showers – they’re so sad. Then we go into the papyrus sedge to dry off. We stay there, naked, hidden in the papyrus, watching passersby. We make fun of them …
“But one day, during the long vacation (I was in the sixth grade), I went to fetch Speciosa just like I did every morning. She wasn’t waiting for me at the entrance to the enclosure. I saw her mother running toward me, her arms in the air. ‘Don’t come in,’ she said. ‘You can’t see Speciosa, no one can see Speciosa at the moment.’ I didn’t understand. What contagious disease could Speciosa have caught? I insisted. I asked her, again and again: ‘Speciosa’s my friend, why can’t I see her?’ Finally, she gave in, saying that in any case what was happening to Speciosa would soon happen to me. I stepped inside the house. Speciosa lay on her bed. Under her was a fresh layer of straw. When she saw me, she started to cry. Then she sat up. I saw the grass all soaked with blood. ‘Look,’ she said. ‘That’s my blood. It’s how you become a woman. Every month I’ll be shut up in my room. Mommy told me that’s how it is for women. She takes the straw I’ve soiled, and at night she burns it, secretly. Then she buries the ashes in a deep hole. She’s scared a witch doctor might steal it for his evil spells, and our fields will wither, and my sisters and I will become infertile because of my first menstrual blood th
at could put the whole family at risk. We won’t be able to play like before. Now I’m a woman, with a woman’s wraparound, and I feel really miserable.’ We never played together after that.”
“It was just like that for me, too. My first period came when I was at school. But before that, at home, I didn’t understand why my mother kept an eye on my chest. You know, out in the countryside, all we wear is a small piece of fabric as a skirt. It’s the only garment that little girls wear. We’re like boys. We all play together. When I turned ten, my mother and her neighbors started to spy on me. Their gaze was focused on my chest when I danced. And as soon as my mother noticed there were these little buds sprouting, she told me to cover them up, and not to show them to any men, not even my father. She gave me one of my brother’s old shirts, showed me how to sit, and especially how to lower my eyes when people spoke to me. ‘It’s only girls with no shame, and the broad-minded women of Kigali, who look a man in the face,’ she used to tell me. It must’ve been the same for you. But now we should be delighted at the sight of blood every month. It means we’re women, real women who’ll have children. You know very well that we must bear children in order to become real women. When they marry you off, that’s what they expect of you. You’re nothing to your new family, or to your husband, if you don’t have children. You must have children, boys, above all boys. It’s when you bear sons that you become a real woman, a mother, worthy of respect.”
“Of course I want children like everyone else. But I want my children to be neither Hutu nor Tutsi. Neither half-Hutu nor half-Tutsi. I just want them to be mine, that’s all. Sometimes, I tell myself it would be better if I didn’t have children. I’m thinking of becoming a nun like Sister Lydwine. With their veils and long dresses, I get the feeling that the Sisters are no longer women like us. Have you noticed they don’t have breasts? I imagine that when you’re a nun, you don’t have periods either. What would be the point?”
Our Lady of the Nile Page 7