"It's him!" Radio cried. "Just like I told you."
"It . . . sounds like him. But he can't be the one who gave the orders you overheard. Can you be absolutely sure?" Amelia asked her unlikely sidekick for the umpteenth time. "Are you really and truly certain?"
Radio rolled her eyes. "Lady, I heard him with my own two ears. You don't think I know the voice of the single greatest pilot . . . " Her voice trailed off under Amelia's glare. "Well, don't hit the messenger! I read Obey the Brain! every week. His stats are just plain better'n yours."
"They have been," Amelia said grimly. "But that's about to change." She unsnapped the holster of her pistol.
Then the bell pinged. They'd reached the top floor.
The elevator doors opened.
Rudy was conferring with progressive elements in the city police force about the possibility of a counter-coup (they argued persuasively that, since it was impossible to determine their fellow officers' loyalties without embroiling the force in internecine conflict, any strike would have to be small and fast) when his liaison with the Working Committee for Human Resources popped up in his consciousness and said, "We've located the bodies, boss. As you predicted, they were all carefully preserved and are being maintained in the best of health."
"That is good news, Comrade Mariozzi. Congratulations. But none of that 'boss' business, do you understand? It could easy go from careless language to a common assumption."
Meanwhile, they'd hooked into televideon cameras throughout the city, and though the views were grim, it heartened everybody to no longer be blind. It was a visible—there was no way around the word—sign that they were making progress.
Red Rudy had just wrapped up the meeting with the loyalist police officers when Comrade Mariozzi popped into his consciousness again. "Hey, boss!" he said excitedly. "You gotta see this!"
The guards were waiting at the top of the elevator with guns drawn. To Radio Jones's shock and amazement, Amelia Spindizzy handed over her pistol without a murmur of protest. Which was more than could be said for Radio herself when one of the goons wrested the Universal Receiver out of her hands. Amelia had to seize her by the shoulders and haul her back before she could attack the nearest of their captors.
They were taken onto the Imperator and through the Hall of the Naked Brains. The great glass jars were empty and the giant floating Brains were gone who-knows-where. Radio hoped they'd been flung in an alley somewhere to be eaten by dogs. But hundreds of new, smaller jars containing brains of merely human proportions had been brought in and jury-rigged to oxygen feeds and electrical input-output units. Radio noticed that they all had cut-out switches. If one of the New Brains acted up it could be instantly put into solitary confinement. But there was nobody monitoring them, which seemed to defeat the purpose.
"Keep close to the earth!" a voice boomed. Radio jumped. Amelia, she noticed, did not. Then she saw that there were radios set in brackets to either end of the room. "Such was the advice of the preeminent international airman, Alberto Santos-Dumont, and they were good enough words for their time." The familiar voice chuckled and half-snorted, and the radio crackled loudly as his breath struck the sensitive electro-acoustic transducer that had captured his voice. "But his time is not my time." He paused briefly; one could almost hear him shrug his shoulders. "One is never truly tested close to the earth. It is in the huge arching parabola of an aeroplane finding its height and seeking a swift descent from it that a man's courage is found. It is there, in acts outside of the quotidian, that his mettle is tested."
A televideon camera ratcheted about, tracking their progress. Were the New Brains watching them, Radio wondered? The thought gave her the creeps.
Then they were put in an elevator (only two guards could fit in with them and Radio thought sure that Amelia would make her play now; but the aviatrix stared expressionlessly forward and did nothing) and taken down to the flight deck. There, the exterior walls had been removed, as would be done under wartime conditions when the 'planes and wargyros had to be gotten into the air as soon as possible. Cold winds buffeted and blustered about the vast and empty space.
"A young man dreams of war and glory," the voice said from a dozen radios. "He toughens his spirit and hardens his body with physical activity and discomfort. In time, he's ready to join the civil militia, where he is trained in the arts of killing and destruction. At last, his ground training done, he is given an aeroplane and catapulted into the sky, where he discovers . . . " The voice caught and then, when it resumed, was filled with wonder. " . . . not hatred, not destruction, not war, but peace."
To the far side of the flight deck, unconcerned by his precarious location, a tall figure in a flyer's uniform bent over a body in greasy coveralls, which he had dragged right to the edge. Then he flipped it over. It was Grimy Huey, and he was dead.
The tall man stood and turned. "Leave," he told the guards.
They clicked their heels and obeyed.
"He almost got me, you know," the man remarked conversationally. "He came at me from behind with a wrench. Who would have thought that a mere mechanic had that much gumption in him?"
For a long moment, Amelia Spindizzy stood ramrod-straight and unmoving. Radio Jones sank to the deck, crouching by her side. She couldn't help herself. The cold and windy openness of the flight deck scared her spitless. She couldn't even stand. But, terrified though she was, she didn't look away. Someday all this would be in the history books; whatever happened, she knew, was going to determine her view of the world and its powers for the rest of her natural life, however short a time that might be.
Then Amelia strolled forward, toward Eszterhazy and said, "Let me help you with that." She stooped and took the mechanic's legs. Eszterhazy took the arms. They straightened, swung the body—one! two! three!—and flung it over the side.
Slapping her hands together, Amelia said, "Why'd you do it?"
Eszterhazy shrugged in a self-deprecating way. "It had to be done. So I stepped up to the plate and took a swing at the ball. That's all." Then he grinned boyishly. "It's good to know that you're on my team."
"That's you on the radios," Amelia said. They were still booming away, even though the buffeting winds drowned out half the words that came from them.
"Wire recording." Eszterhazy strode to a support strut and slapped a switch. The radios all died. "A little talk I prepared, being broadcast to the masses. Radio has been scandalously underutilized as a tool of governance."
Amelia's response was casual—even, Radio thought, a bit dunderheaded technologically. "But radio's everywhere," she said. "There are dozens of public sets scattered through the city. Why, people can hear news bulletins before the newspapers can even set type and roll the presses!"
Eszterhazy smiled a thin, tight, condescending smile. "But they only tell people what's happened, and not what to think about it. That's going to change. My people are distributing sets to every bar, school, church, and library in the city. In the future, my future, everyone will have a bank of radios in their home—the government radio, of course, but also one for musical events, another for free lectures, and perhaps even one for business news."
Radio felt the urge to speak up and say that fixed-frequency radios were a thing of the past. But she suppressed it. She sure wasn't about to hand over her invention to a bum the likes of which Eszterhazy was turning out to be. But what the heck was the matter with Amelia?
Amelia Spindizzy put her hands behind her, and turned her back on her longtime arch-rival. Head down, deep in thought, she trod the edge of the abyss. "Hah." The word might have meant anything. "You've clearly put a lot of thought into this . . . this . . . new world order of yours."
"I've been planning this all my life," Eszterhazy said with absolute seriousness. "New and more efficient forms of government, a society that not only promotes the best of its own but actively weeds out the criminals and the morally sick. Were you aware that before Lycurgus became king, the Spartans were a licentious and ungovernable peo
ple? He made them the fiercest warriors the world has ever known in the space of a single lifetime." He stopped, and then with a twinkle in his eye said, "There I go again, talking about the Greeks! As I started to say, I thought I would not be ready to make my move for many years. But then I got wind of certain experiments performed by Anna Pavlova which proved that not only were the Naked Brains functionally mad, but that I had it in my power to offer them the one thing for which they would give me their unquestioning cooperation—death.
"In their corruption were the seeds of our salvation. And thus fell our oppressors."
"I worked with them, and I saw no oppressors." Amelia rounded her course strolling back toward Eszterhazy, brow furrowed with thought. "Only nets of neurological fiber who, as it turned out, were overcome by the existential terror of their condition."
"Their condition is called 'life,' Millie. And, yes, life makes us all insane." Eszterhazy could have been talking over the radio, his voice was so reassuring and convincing. "Some of us respond to that terror with useless heroics. Others seek death." He cocked a knowing smile at Amelia. "Others respond by attacking the absurdity at its source. Ruled by Naked Brains, humanity could not reach its full potential. Now, once again, we will rule ourselves."
"It does all make sense. It all fits." Amelia Spindizzy came to a full stop and stood shaking her head in puzzlement. "If only I could understand—"
"What is there to understand?" An impatient edge came into Eszterhazy's voice. "What have I left unexplained? We can perfect our society in our lifetimes! You're so damnably cold and analytic, Millie. Don't you see that the future lies right at your feet? All you have to do is let go of your doubts and analyses and intellectual hesitations and take that leap of faith into a better world."
Radio trembled with impotent alarm. She knew that, small and ignored as she was, it might be possible for her to be the wild card, the unexpected element, the unforeseeable distraction that saves the day. That it was, in fact, her duty to do so. She'd seen enough Saturday afternoon kinescope serials to understand that.
If only she could bring herself to stand up. Though it almost made her throw up to do so, Radio brought herself to her feet. The wind whipped the deck, and Eszterhazy quickly looked over at her. As though noticing her for the first time. And then, as Radio fought to overcome her paralyzing fear, Amelia acted.
She smiled that big, easy Amelia grin that had captured the hearts of proles and aristos alike. It was a heartfelt smile and a wickedly hoydenish leer at one and the same time, and it bespoke aggression and an inner shyness in equal parts. A disarming grin, many people called it.
Smiling her disarming grin, Amelia looked Eszterhazy right in the eye. She looked as if she had just found a brilliant solution to a particularly knotty problem. Despite the reflexive decisiveness for which he was known, Eszterhazy stood transfixed.
"You know," she said, "I had always figured that, when all the stats were totted up and the final games were flown, you and I would find a shared understanding in our common enthusiasm for human-controlled—"
All in an instant, she pushed forward, wrapped her arms around her opponent, and let their shared momentum carry them over the edge.
Radio instantly fell to the deck again and found herself scrambling across it to the edge on all fours. Gripping the rim of the flight decking with spasmodic strength, she forced herself to look over. Far below, two conjoined specks tumbled in a final flight to the earth.
She heard a distant scream—no, she heard laughter.
Radio managed to hold herself together through the endless ceremonies of a military funeral. To tell the truth, the pomp and ceremony of it—the horse-drawn hearse, the autogyro fly-by, the lines of dignitaries and endlessly droning eulogies in the Cathedral—simply bored her to distraction. There were a couple of times when Mack had to nudge her because she was falling asleep. Also, she had to wear a dress and, sure as shooting, any of her friends who saw her in it were going to give her a royal ribbing about it when next they met.
But then came the burial. As soon as the first shovel of dirt rattled down on the coffin, Radio began blubbering like a punk. Fat Edna passed her a lace hanky—who'd even known she had such a thing?—and she mopped at her eyes and wailed.
When the last of the earth had been tamped down on the grave, and the priest turned away, and the mourners began to break up, Radio felt a hand on her shoulder. It was, of all people, Rudy the Red. He looked none the worse for his weeklong vacation from the flesh.
"Rudy," she said, "is that a suit you're wearing?"
"It is not the uniform of the oppressor anymore. A new age has begun, Radio, an age not of hierarchic rule by an oligarchy of detached, unfeeling intellects, but of horizontally-structured human cooperation. No longer will workers and managers be kept apart and treated differently from one another. Thanks to the selfless sacrifice of—"
"Yeah, I heard the speech you gave in the Cathedral."
"You did?" Rudy looked strangely pleased.
"Well, mostly. I mighta slept through some of it. Listen, Rudy, I don't want to rain on your parade, but people are still gonna be people, you know. You're all wound up to create this Big Rock Candy Mountain of a society, and good for you. Only—you gotta be prepared for the possibility that it won't work. I mean, ask any engineer, that's just the way things are. They don't always work the way they're supposed to."
"Then I guess we'll just have to wing it, huh?" Rudy flashed a wry grin. Then, abruptly, his expression turned serious, and he said the very last thing in the world she would have expected to come out of his mouth: "How are you doing?"
"Not so good. I feel like a ton of bricks was dropped on me." She felt around for Edna's hanky, but she'd lost it somewhere. So she wiped her eyes on her sleeve. "You want to know what's the real kicker? I hardly knew Amelia. So I don't even know why I should feel so bad."
Rudy took her arm. "Come with me a minute. Let me show you something."
He led her to a gravestone that was laid down to one side of the grave, to be erected when everyone was gone. It took a second for Radio to read the inscription. "Hey! It's just a quotation. Amelia's name ain't even on it. That's crazy."
"She left instructions for what it would say, quite some time ago. I gather that's not uncommon for flyers. But I can't help feeling it's a message."
Radio stared at the words on the stone for very long time. Then she said, "Yeah, I see what you mean. But, ya know, I think it's a different message than what she thought it would be."
The rain, which had been drizzling off and on during the burial, began in earnest. Rudy shook out his umbrella and opened it over them both. They joined the other mourners, who were scurrying away in streams and rivulets, pouring from the cemetery exits and into the slidewalk stations and the vacuum trains, going back home to their lives and families, to boiled cabbage and schooners of pilsner, to their jobs, and their hopes, and their heartbreaks, to the vast, unknowable, and perfectly ordinary continent of the future.
"It followed that the victory would belong to him who was calmest, who shot best, and who had the cleverest brain in a moment of danger."
– Baron Manfred von Richthofen (1892-1918)
DRAGON'S TEETH
Alex Irvine
Alex Irvine published his first story in The Magazine of Fantasy & Science Fiction in 2000. It was quickly followed by debut fantasy novel, A Scattering of Jades, which won him considerable acclaim. The winner of the Locus, International Horror Guild, and Crawford awards, Irvine has published two further fantasy novels, One King, One Soldier, and The Narrows, and two collections of short fiction. His most recent novel is Buyout. A versatile writer, Irvine has also written a number of comic and media-related works, including Daredevil Noir and The Vertigo Encyclopedia.
I: The Tomb
They brought the singer to the obsidian gate and waited. A sandstorm began to boil in the valley that split the mountains to their west. Across the miles of desert, they watched it rear and
approach. Still the singer did not sing. She was blind, and had the way of blind singers. They were as much at the mercy of the song as anyone else.
All of them were going to die in the sandstorm. At least the guard captain, Paulus, hoped so. If the sandstorm did not kill them, whatever was in the tomb would. Of the two deaths, he much preferred the storm. Two fingers of his right hand touched his throat and he hummed the creed of his god, learned from the Book at the feet of a mother he had not seen since his eighth year. The reflex was all that mattered. The first moon, still low over the mountains, vanished in the storm a moment after the mountains themselves.
The singer began to sing. Paulus hated her for it, but with the song begun, even killing her would not stop it. In one of the libraries hung the severed head of a singer, in a cage made of her bones. No one living could remember who she was, or understand the language of the song. The scholars of the court believed that whoever deciphered the song would know immortality.
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