by Robin Paige
Bradford picked up his glass again. However reckless his action, at least he had not closed his eyes to the need to ensure the reliable survival of the Marsden landed fortunes into an unreliable future. He had been looking out for the family. For his sisters, whose dowries had to be provided; for his mother, to whom the opinion of society was the inspiration of a frivolous life; for his father, and his damned bloody horses.
The candle in front of him guttered and went out. Even the assurance that he had done it for family seemed flabby, and Bradford felt suddenly chilled to the bone. If only Landers didn't require so much money to stay in the game. If only he'd been somewhere else when the man came along, dangling his damned patents like diamonds. He wished him dead. He wished him in hell!
"As to the corpse, Sir Charles," the vicar was saying. "What will you do with the photographs?"
Startled, Bradford brought his attention back to his guests. Charles and the vicar were talking about the wretched murder. Had they no other topic of conversation?
"I shall develop the prints and take them to the police," Charles replied, stoking his pipe. "The sergeant did not seem
keen on them, however," he added. "I rather fancy he agreed to receive them only because he feared to offend."
"P'rhaps," the vicar said, thoughtful. "Juries do prefer rhetoric to scientific proof. Witness the Lamson trial in '82."
"Ah, yes," Charles said, accepting a light for his pipe from the butler. "A friend of mine, Dr. Thomas Stevenson, gave evidence. His testimony was based on his investigation of plant alkaloids-very fine research, too, very solid."
"Well and good," the vicar reminded him, "but Lamson was convicted upon his confession, not by the expert testimony of a scientist. Juries are confused by science."
Bradford stirred uneasily. All this talk about trials and juries made him apprehensive. He changed the subject. "Speaking of investigations, Vicar, how are yours progressing?'' He turned to Charles with a wry humor. "The vicar has a compelling curiosity about the afterworld. He is bent upon proving the physical existence of the soul."
The vicar inclined his head. "Some persons-they shall be nameless, of course-take pleasure in deriding my investigations." He waved a benign hand in Bradford's direction. "But my treatises on the nature of Spirit have been quite well received by the London Spiritualist Alliance." He lowered his voice. "This is a subject that is spoken of, you understand, only among friends."
"Of course," Charles said gravely. "I myself have an academic interest in such dealings. My camera and I have been invited to several seances to photograph ectoplasmic manifestations."
Bradford grinned and pulled on his cigar. "And what did you observe? Did your camera capture the soul, or did you find the ectoplasm to be merely flimflam?''
Charles was about to reply when the vicar interrupted spiritedly. "It does not matter what was observed! What matters is the commitment to unbiased observation, carried out in the service of Truth." His voice grew louder and his white mustache, impassioned, quivered violently. "What is important is the application of scientific method of the study of the Soul." He leaned forward, blue eyes fierce, leathery face intent. "If this inquiry is your aim, Sir Charles, you are in luck. There
is within our very neighborhood, in nearby Colchester, an association of persons dedicated to this pursuit. It is called the Order of the Golden Dawn, and I am a member."
"In Colchester?" Charles asked with surprise.
"Indeed," the vicar said tartly. "Why should inquiry into spiritual matters be confined to the metropolitan centers?"
"Why indeed?" Bradford asked. He gestured to the butler. "Hawkins, wake his lordship." He stood and pushed back his chair. "Shall we join the ladies, gentlemen? Better their nonsense, I think, than our own."
13
"By me 1890's, me Spiritualist movement had spread to England, where mediums set up stop in every city and even royalty attended seances. Spiritualist journals abounded, and kabhalism, Rosicrucianism, Theosophy, and Freemasonry flourished. Out or this rich occult mix was crystalized, by a Rind or social alchemy, the Order oi the Golden Dawn. It became the most ra-mous oi all occult societies."
— LENORE PENMORE, Spiritualism in England, 1870-1920
On her first morning at Bishop's Keep, Kate stepped out of the breakfast room into the hall. "Pardon me," she said tentatively to the parlor maid, "can you show me the way to the library? I am to meet Miss Ardleigh there." Amelia dropped her eyes, but not before Kate had caught
the fearfully sullen glance. It was the same look she'd seen on the face of the young chambermaid, a girl of fourteen or so, who had opened her draperies this morning and brought her tea. Mudd, of course, had been too well trained to display any overt emotion as he directed her to the breakfast sideboard. But she could see it in the tense line of his jaw, the half-furtive look of the eye. The orderly, placid surface of life at Bishop's Keep concealed a black undertow. The tension made Kate shiver.
"This way, 'f ye please, miss," Amelia said without inflection, and started off down the dark hallway.
As she followed Amelia's modestly beribboned cap, it suddenly occurred to Kate that if Beryl Bardwell planned to include a servant as a character in "Amber's Amulet," she needed to know a great deal more than she already knew about the servants' lives. Perhaps she should set aside her apprehension and make an effort to befriend Amelia.
"It is such a very large house, there must be a great amount of work to do," Kate said, catching up to the maid, who seemed to have wings on her feet. "Is there a large staff?"
"Sev'ral, miss," Amelia said, quickening her already fast pace.
Kate lengthened her stride. "Have you been here long?" she inquired.
"Only since winter, miss."
"Well, I suppose with a large staff, people are bound to come and go." Kate smiled and made a friendly gesture. "I am sure you have already discovered a great deal about life at Bishop's Keep, while I am a newcomer. I have quite a few questions."
Amelia's reaction was not quite what Kate had expected. She stopped short, blanching. Her chin began to tremble. "Don't be askin' me, I beg ye, miss, please," she pleaded shrilly. " 'Tis not my place t' say wot happened to Jenny."
Kate stared at her, startled. Who was Jenny? What had happened to her? What fear had the power to turn Amelia pale?
"I don't mean to frighten you, Amelia." Kate reached out
to touch the girl's white-cuffed sleeve. "I would only like to-"
"That'll do, Amelia," Mudd said severely, materializing out of the darkness. The parlor maid dropped a stricken curtsy and fled down the hall as if dragons flew at her heels. Mudd turned to Kate, his smooth face tightening.
"You were seekin' the library, I believe?" He pointed stiffly. "It's that door. And if yer don't mind, miss, please direct any questions about the workin's of the ouse to me or to Cook." His restrained Cockney was strongly flavored by menace.
Kate dropped her eyes. "Thank you," she said. "I will." Wondering what nest of secrets she had stepped into, she went to the door. She was conscious that Mudd stood watching until she opened it and went inside.
The library was long and narrow, with oak-paneled walls, shelves of leather-bound books, a desk untidily littered with papers, and a fireplace with a fire burning against the morning chill. The bright morning sun fell through a stained glass window done in the style of Edward Burne-Jones, and a Morris chair stood near the fire. On one wall Kate recognized a copy of Millais's pre-Raphaelite painting of Ophelia, and copies of Oscar Wilde's The Picture of Dorian Gray and his play Salome lay on an ebony table, in the edition that also contained Aubrey Beardsley's erotic drawings, Kate was a little startled when she saw it. Her aunt's tastes were interestingly modern.
Aunt Sabrina was seated at the desk. "You rested well, I trust?" she inquired. She was wearing an unbelted peacock blue morning gown, and her gray hair, streaked with silver, was knotted loosely at the back of her neck. Kate noticed that she was not wearing the gold scarab pend
ant. ' 'Your room is satisfactory?"
"Yes, thank you," Kate said. She seated herself in the leather chair beside the desk. "But my curiosity has caught fire," she added with a smile. "Your remarks yesterday about my work only fueled it, I fear."
Aunt Sabrina aligned a stack of papers. "I must be… circumspect when your aunt Jaggers is present. She does not
fully appreciate my interests, which she views as eccentric and not altogether respectable, perhaps even… dangerous."
"I see," Kate murmured. "And those views are-?"
Aunt Sabrina picked up a gold letter opener in the curious shape of a heron, turning it in her fingers. "I have had for many years an interest in spiritualism and the occult. Some time ago, Vicar Talbot, whom you met last night, solicited me to membership in the Order of the Golden Dawn. The vicar is an antiquarian and an occultist of unblemished reputation." She hesitated slightly. "The Order is an esoteric society organized for the study and practice of ritual magic."
Kate-or rather, Beryl Bardwell-could not help herself. "How interesting!" she burst out.
Aunt Sabrina smiled slightly, then continued. "The authority for the Order of the Golden Dawn is ancient, having been handed'down from Christian Rosenkreuz, the fifteenth-century father of Rosicrucianism. Our chief is Dr. William Westcott, who obtained this authority through an accidentally discovered cipher manuscript. Dr. Westcott founded the first temple several years ago in London, and authorized others, such as Mr. MacGregor Mathers's temple in Paris. Florence Farnsworth has just established the Temple of Horus in Colchester."
"That is the temple of which you are a member?" Kate asked.
Aunt Sabrina nodded. "Recently, I was asked to serve as the Order's Cancellarius, or secretary-historian." She gestured at the stacks of papers on the desk and the large box that stood in the corner. "I have been entrusted with many valuable papers, letters, relics, documents, and so on-all of which must be sorted through, cataloged, and described before a history of the Order can be begun. As well, there is the continuing work of correspondence, membership lists, and so on-a very great deal of writing to be done." She paused and looked directly at Kate. "That is why I need you, Kath-ryn. To make the work easier, I have ordered an American typewriter for you, a Remington, I believe it is called."
"Oh," Kate breathed. Beryl Bardwell had longed so much for a typewriter-and to think it would be hers!
' 'We have not yet spoken of remuneration,'' Aunt Sabrina said. ' 'I propose a salary of fifteen hundred pounds a year. I hope this is acceptable."
Kate did a rapid calculation in her head. It was more than acceptable. "Thank you," she said.
Aunt Sabrina nodded. ' 'But the question your aunt Jaggers raises is a pertinent one," she continued. "While I am assured of the propriety, even the significance of this work, it may seem to you like so much"-the corners of her mouth twitched-" 'taradiddle and deviltry,' as my sister calls it."
Kate thought of "Amber's Amulet," whose chief characters were the mysterious medium, Mrs. Bartlett, and her lover, the Egyptian gentleman. ' 'The occult is of very great interest to me," she said, speaking with greater truthfulness than Aunt Sabrina could appreciate. "I should be pleased to consider myself your employee, even"-she paused, and looked Aunt Sabrina straight in the eye, so there could be no mistake- "your apprentice."
Aunt Sabrina gave her an equally direct look. ' 'That is your wish?"
"It is indeed," Kate said firmly. The more she could learn of magical ritual, the more realistic Beryl Bardwell's story would be. "The typewriter. Will it be available for my personal use-during my free time, of course? I have some work of my own to pursue. Nothing very important," she added hastily. "It is just something that-"
"By all means, leave ample time for your own work," Aunt Sabrina said. "But there is something else I must ask," she added, her voice darkening. "The unfortunate gentleman whose body was found in the excavation at Colchester-" She paused and shifted uncomfortably.
Kate looked at her, remembering the odd coincidence of the golden scarab. "Yes?"
"I wish to know more about him," she said, "but I cannot myself make inquiries. Would you mind going to… could you…?"
' 'You would like to find out the identity of the dead man?'' Kate asked.
Aunt Sabrina looked relieved at Kate's matter-of-fact response. "I would," she said. "I regret that I cannot give you my reasons just now, and I also regret that I must ask you to undertake such an unseemly inquiry. But I-"
Impulsively, Kate leaned forward. "Dear Aunt," she said, "I have no objections at all to looking into this matter for you." Kate's face was serene and her voice calm, but deep within her, Beryl Bardwell was jumping up and down, clapping her hands. A murder to investigate! An opportunity to learn the methods of criminal detection firsthand!
Aunt Sabrina looked pleased. "Well, then," she said, "I propose that Pocket drive you to Colchester immediately after luncheon. The purpose of your trip, of course," she added, "must be private, between us."
"Of course," Kate murmured.
Aunt Sabrina straightened. "In the meanwhile," she said, "I believe that your aunt Jaggers wishes you to speak with her."
"Yes," Kate said with a noticeable lack of enthusiasm, and stood.
Aunt Sabrina put her hand on Kate's arm. "Kathryn, one more word, please."
Kate sat back down, regretting that she had not concealed her feelings. She and Aunt Jaggers had not gotten off to a good beginning. But Aunt Jaggers was as she was, and there was nothing to be done about her unpleasantness. It was not fair to Aunt Sabrina to so openly reveal her feelings that discomfort was created between them.
Aunt Sabrina's mouth tensed, then relaxed, as if she were forcing herself to speak calmly. "Your aunt-I speak in confidence, of course-is a deeply unhappy woman. She married very young, against your grandfather's wishes. He was a man with a great concern for the appearance of things, and denied her any share in his estate. She was widowed some years ago, and left with nothing, a situation that she quite naturally resents. At… ah, my suggestion, she returned here, to our family home. At her wish, she manages this household." Aunt Sabrina shifted uncomfortably, as if she were speaking of something that gave her pain. "My sister relieves me of domestic responsibilities I do not relish. In gratitude for her
willingness to undertake these chores, I have given her a free rein belowstairs." She hesitated. "Too free a rein, perhaps. I daresay I bear some guilt in that unpleasant business last spring."
Kate said nothing, but the situation was coming clear. With Aunt Sabrina deeply engaged with her own interests and disinclined to involve herself in belowstairs matters, Aunt Jag-gers was free to do as she liked. But what was the business about last spring?
Aunt Sabrina turned the letter opener in her fingers, continuing with evident discomfort. "I trust, Kathryn, that your aunt will not seek to impose a strict discipline on you, as she does on the servants. If this occurs, please discuss the matter with me."
"Thank you, Aunt Sabrina," Kate said, quite sincerely. She sensed again, as she had yesterday, the complexity of the relationship between the sisters. If Aunt Jaggers was so profoundly disliked, perhaps even feared, why was she permitted to stay at Bishop's Keep?
"Do remember, Kathryn," her aunt said, and the words were clearly a warning. "Come to me, first."
"I shall," Kate murmured. But as she rose to leave the room, she told herself sternly that she would not trouble Aunt Sabrina to intervene. Whatever difficulties Aunt Jaggers posed, she would deal with them herself.
14
"Remember, that whatever your situation be, housemaid, or through-servant, or nursemaid, your mistress will expect you to obey her orders. The first and chief or your duties is, to do what you are desired to do."
— TEACHER, SERVANTS' TRAINING-HOUSE, TOWNSEND STREET, LONDON, 1887
Aunt Jaggers's suite of rooms lay in the west wing of the house. When Kate answered the summons to enter, she stepped into a dim and crowded twilight. Aunt Jagger
s obviously adhered to the principle that a room was not quite furnished unless it was full. This one held no fewer than nine chairs, a Chesterfield settee and a chaise, four occasional tables, a red lacquered Japanese cabinet and a mahogany cupboard, a large burnished gong, and a tall green vase filled with dyed pampas plumes and peacock feathers. The fireplace mantel was elaborately draped in wine-colored velvet, and not another vase or bowl could have found a place on the mirrored mantelshelf. In the corner, a red-and-green parrot clacked and complained in a tall bamboo cage half-hidden behind ferny fronds.
"Mind that dog." Aunt Jaggers spoke sharply from her chair beside a fire that made the room unbearably hot. She was knitting what appeared to be a black wool muffler.
Kate lifted her skirt and looked down. At her feet stood a
small terrier, plump as a piglet. It bared yellow teeth and growled.
"Nice doggie," Kate said nervously. She had never gotten on with dogs.
The parrot gave a malicious squawk. "Step to it, men!"
"The dog bites," snapped Aunt Jaggers. Her knitting needles clicked ferociously. "Don't provoke him."
"I'll try not," Kate said, moving to the red velvet settee. The terrier flopped on the hearth, chin on paws, and regarded Kate with red-eyed suspicion. She sat, feeling very much like Alice with the Red Queen, wondering when Aunt Jaggers would cry out, "Off with her head!"
Aunt Jaggers did not look up from her knitting. On the wall behind her hung a large multisectioned picture of the Plagues of Egypt. "I have asked you here to ensure that you understand the rules of the household. If you are staying, that is," she added waspishly. "Perhaps you have reconsidered your rash decision to accept employment from my sister."