by John Dryden
EPILOGUE TO THE UNHAPPY FAVOURITE, OR THE EARL OF ESSEX
PROLOGUE TO HIS ROYAL HIGHNESS UPON HIS FIRST APPEARANCE AT THE DUKE’S THEATRE SINCE HIS RETURN FROM SCOTLAND
PROLOGUE TO THE DUCHESS ON HER RETURN FROM SCOTLAND
PROLOGUE AND EPILOGUES TO THE LOYAL BROTHER, OR THE PERSIAN PRINCE
PROLOGUE AND EPILOGUE TO THE KING AND QUEEN
PROLOGUE AND EPILOGUE TO THE DUKE OF GUISE
EPILOGUE TO CONSTANTINE THE GREAT
PROLOGUE TO DISAPPOINTMENT, OR THE MOTHER IN FASHION
PROLOGUE AND EPILOGUE TO ALBION AND ALBANIUS
PROLOGUE AND EPILOGUE TO DON SEBASTIAN
PROLOGUE TO THE PROPHETESS
PROLOGUE AND EPILOGUE TO AMPHITRYON, OR THE TWO SOSIAS
PROLOGUE TO MISTAKES, OR THE FALSE REPORT
PROLOGUE AND EPILOGUE TO KING ARTHUR, OR THE BRITISH WORTHY
PROLOGUE AND EPILOGUE TO CLEOMENES, THE SPARTAN HEROE
EPILOGUE TO HENRY II, KING OF ENGLAND, WITH THE DEATH OF ROSAMOND
PROLOGUE AND EPILOGUE TO LOVE TRIUMPHANT, OR NATURE WILL PREVAIL
EPILOGUE TO THE HUSBAND HIS OWN CUCKOLD
PROLOGUE AND EPILOGUE ON THE OCCASION OF A REPRESENTATION FOR DRYDEN’S BENEFIT, MARCH 25, 1700
SONG OF AERIAL SPIRITS, FROM THE INDIAN QUEEN
HYMN TO THE SUN, FROM THE INDIAN QUEEN
I LOOK’D AND SAW WITHIN THE BOOK OF FATE, FROM THE INDIAN EMPEROR
AH FADING JOY, HOW QUICKLY ART THOU PAST!, FROM THE INDIAN EMPEROR
I FEED A FLAME WITHIN WHICH SO TORMENTS ME, FROM THE MAIDEN QUEEN
MAKE READY FAIR LADY TO NIGHT, FROM SIR MARTIN MARR-ALL
BLIND LOVE, TO THIS HOUR, FROM SIR MARTIN MARR-ALL (AFTER VOITURE)
YOU CHARM’D ME NOT WITH THAT FAIR FACE, FROM AN EVENING’S LOVE
AFTER THE PANGS OF A DESPERATE LOVER, FROM AN EVENING’S LOVE
CALM WAS THE EVEN, AND CLEAR WAS THE SKY, FROM AN EVENING’S LOVE
CELIMENA, OF MY HEART, FROM AN EVENING’S LOVE
YOU PLEASING DREAMS OF LOVE AND SWEET DELIGHT, FROM TYRANNICK LOVE
AH HOW SWEET IT IS TO LOVE, FROM TYRANNICK LOVE
WHEREVER I AM, AND WHATEVER I DOE, FROM THE CONQUEST OF GRANADA
SONG OF THE ZAMBRA DANCE, FROM THE CONQUEST OF GRANADA
HOW UNHAPPY A LOVER AM I, FROM THE CONQUEST OF GRANADA, PART II
WHY SHOULD A FOOLISH MARRIAGE VOW, FROM MARRIAGE-À-LA-MODE
WHILST ALEXIS LAY PREST, FROM MARRIAGE-À-LA-MODE
LONG BETWIXT LOVE AND FEAR PHILLIS TORMENTED, FROM THE ASSIGNATION
EPITHALAMIUM, FROM AMBOYNA
SONG OF THE SEA FIGHT, FROM AMBOYNA
SONG FROM THE ITALIAN, FROM THE KIND KEEPER
SONG TO APOLLO, FROM ŒDIPUS
CAN LIFE BE A BLESSING, FROM TROILUS AND CRESSIDA
FARWELL UNGRATEFULL TRAYTOR, FROM THE SPANISH FRYAR
SONG BETWIXT A SHEPHERD AND A SHEPHERDESS, FROM THE DUKE OF GUISE
CELIA, THAT I ONCE WAS BLEST, FROM AMPHITRYON
FAIR IRIS I LOVE AND HOURLY I DYE, FROM AMPHITRYON
PASTORAL DIALOGUE, FROM AMPHITRYON
OH SIGHT, THE MOTHER OF DESIRES, FROM KING ARTHUR
HOW HAPPY THE LOVER, FROM KING ARTHUR
SONG OF ÆOLUS, FROM KING ARTHUR
SONG OF PAN AND NEREIDE, FROM KING ARTHUR
YOUR HAY IT IS MOW’D, AND YOUR CORN IS REAP’D, FROM KING ARTHUR
SONG OF VENUS, FROM KING ARTHUR
NO, NO, POOR SUFF’RING HEART, NO CHANGE ENDEAVOUR, FROM CLEOMENES
SONG OF JEALOUSIE, FROM LOVE TRIUMPHANT
SONG FOR A GIRL, FROM LOVE TRIUMPHANT
AMARYLLIS; OR, THE THIRD IDYLLIUM OF THEOCRITUS, PARAPHRAS’D
THE EPITHALAMIUM OF HELEN AND MENELAUS, FROM THE EIGHTEENTH IDYLLIUM OF THEOCRITUS
THE DESPAIRING LOVER, FROM THE TWENTY-THIRD IDYLLIUM OF THEOCRITUS
THE BEGINNING OF THE FIRST BOOK OF LUCRETIUS
THE BEGINNING OF THE SECOND BOOK OF LUCRETIUS
THE LATTER PART OF THE THIRD BOOK OF LUCRETIUS; AGAINST THE FEAR OF DEATH
FROM BOOK THE FIFTH OF LUCRETIUS
THE THIRD ODE OF THE FIRST BOOK OF HORACE; INSCRIBED TO THE EARL OF ROSCOMMON, ON HIS INTENDED VOYAGE TO IRELAND
THE NINTH ODE OF THE FIRST BOOK OF HORACE
THE TWENTY-NINTH ODE OF THE THIRD BOOK OF HORACE
THE SECOND EPODE OF HORACE
THE FIRST BOOK OF HOMER’S ILIAS
THE LAST PARTING OF HECTOR AND ANDROMACHE. FROM THE SIXTH BOOK OF HOMER’S ILIAD
THE DEDICATION TO EXAMEN POETICUM, 1693
THE FIRST BOOK OF OVID’S METAMORPHOSES
MELEAGER AND ATALANTA, OUT OF THE EIGHTH BOOK OF OVID’S METAMORPHOSES
BAUCIS AND PHILEMON, OUT OF THE EIGHTH BOOK OF OVID’S METAMORPHOSES
THE FABLE OF IPHIS AND IANTHE, FROM THE NINTH BOOK OF OVID’S METAMORPHOSES
PYGMALION AND THE STATUE, OUT OF THE TENTH BOOK OF OVID’S METAMORPHOSES
CINYRAS AND MYRRHA, OUT OF THE TENTH BOOK OF OVID’S METAMORPHOSES
CEYX AND ALCYONE, OUT OF THE ELEVENTH BOOK OF OVID’S METAMORPHOSES
ÆSACUS TRANSFORMED INTO A CORMORANT. FROM THE ELEVENTH BOOK OF OVID’S METAMORPHOSES
THE TWELFTH BOOK OF THE METAMORPHOSES, WHOLLY TRANSLATED
THE SPEECHES OF AJAX AND ULYSSES; FROM OVID’S METAMORPHOSES, BOOK XIII
THE FABLE OF ACIS, POLYPHEMUS, AND GALATEA. FROM THE THIRTEENTH BOOK OF THE METAMORPHOSES
OF THE PYTHAGOREAN PHILOSOPHY; FROM THE FIFTEENTH BOOK OF OVID’S METAMORPHOSES
PREFACE CONCERNING OVID’S EPISTLES
VENI, CREATOR SPIRITUS
TE DEUM
HYMN FOR THE NATIVITY OF ST. JOHN BAPTIST
LINES IN A LETTER TO HIS LADY COUSIN, HONOR DRIDEN
LINES PRINTED UNDER THE ENGRAVED PORTRAIT OF MILTON, IN TONSON’S FOLIO EDITION OF THE PARADISE LOST, 1688
IMPROMPTU LINES ADDRESSED TO HIS COUSIN, MRS. CREED
FRAGMENT OF A CHARACTER OF JACOB TONSON
OVID’S EPISTLES: CANACE TO MACAREUS
OVID’S EPISTLES: HELEN TO PARIS
OVID’S EPISTLES: DIDO TO ÆNEAS
THE FIRST BOOK OF OVID’S ART OF LOVE
OVID’S AMOURS. BOOK I. ELEG. I.
OVID’S AMOURS. BOOK I. ELEG. IV.
OVID’S AMOURS. BOOK II. ELEG. XIX.
FROM JUVENAL
JUVENAL: THE FIRST SATYR
JUVENAL: THE THIRD SATYR
JUVENAL: THE SIXTH SATYR
JUVENAL: THE TENTH SATYR
JUVENAL: THE SIXTEENTH SATYR
AULUS PERSIUS FLACCUS: PROLOGUE TO THE FIRST SATYR
AULUS PERSIUS FLACCUS: THE FIRST SATYR.
IN DIALOGUE BETWIXT THE POET AND HIS FRIEND OR MONITOR
AULUS PERSIUS FLACCUS: THE SECOND SATYR.
DEDICATED TO HIS FRIEND PLOTIUS MACRINUS, ON HIS BIRTH-DAY
AULUS PERSIUS FLACCUS: THE THIRD SATYR
AULUS PERSIUS FLACCUS: THE FOURTH SATYR
AULUS PERSIUS FLACCUS: THE FIFTH SATYR
AULUS PERSIUS FLACCUS: THE SIXTH SATYR
LIST OF POEMS IN ALPHABETICAL ORDER
A-D E-H I-L M-O P-S T-V W-Z
A LETTER TO SIR GEORGE ETHEREGE
A PROLOGUE (“GALLANTS, A BASHFUL POET BIDS ME SAY”)
A SONG (“FAIR, SWEET AND YOUNG, RECEIVE A PRIZE”)
A SONG (“GO TELL AMYNTA, GENTLE SWAIN”)
A SONG (“HIGH STATE AND HONOURS TO OTHERS IMPART”)
A SONG FOR ST. CECILIA’S DAY, NOVEMBER 22, 1687
A SONG TO A FAIR YOUNG LADY GOING OUT OF TOWN IN THE SPRING
ABSALOM AND ACHITOPHEL: THE FIRST PART
ABSALOM AND ACHITOPHEL: THE SECOND PART
ÆSACUS TRANSFORMED INTO A CORMORANT. FROM THE ELEVENTH BOOK OF OVID’S METAMORPHOSES
AFTER THE PANGS OF A DESPERATE LOVER, FROM AN EVENING’S LOVE
AH FADING JOY, HOW QUICKLY ART THOU PAST!, FROM THE INDIAN EMPEROR
AH HOW SWEET IT I
S TO LOVE, FROM TYRANNICK LOVE
ALEXANDER’S FEAST; OR, THE POWER OF MUSIQUE.
AMARYLLIS; OR, THE THIRD IDYLLIUM OF THEOCRITUS, PARAPHRAS’D
ANNUS MIRABILIS
ASTRÆA REDUX.
AULUS PERSIUS FLACCUS: PROLOGUE TO THE FIRST SATYR
AULUS PERSIUS FLACCUS: THE FIFTH SATYR
AULUS PERSIUS FLACCUS: THE FIRST SATYR.
AULUS PERSIUS FLACCUS: THE FOURTH SATYR
AULUS PERSIUS FLACCUS: THE SECOND SATYR.
AULUS PERSIUS FLACCUS: THE SIXTH SATYR
AULUS PERSIUS FLACCUS: THE THIRD SATYR
BAUCIS AND PHILEMON, OUT OF THE EIGHTH BOOK OF OVID’S METAMORPHOSES
BLIND LOVE, TO THIS HOUR, FROM SIR MARTIN MARR-ALL (AFTER VOITURE)
CALM WAS THE EVEN, AND CLEAR WAS THE SKY, FROM AN EVENING’S LOVE
CAN LIFE BE A BLESSING, FROM TROILUS AND CRESSIDA
CELIA, THAT I ONCE WAS BLEST, FROM AMPHITRYON
CELIMENA, OF MY HEART, FROM AN EVENING’S LOVE
CEYX AND ALCYONE, OUT OF THE ELEVENTH BOOK OF OVID’S METAMORPHOSES
CINYRAS AND MYRRHA, OUT OF THE TENTH BOOK OF OVID’S METAMORPHOSES
CYMON AND IPHIGENIA
DEDICATED TO HIS FRIEND PLOTIUS MACRINUS, ON HIS BIRTH-DAY
EARLIER VERSION OF PROLOGUE TO CIRCE
ELEONORA: A PANEGYRICAL POEM
EPILOGUE TO CALISTO, OR THE CHASTE NYMPH
EPILOGUE TO CONSTANTINE THE GREAT
EPILOGUE TO HENRY II, KING OF ENGLAND, WITH THE DEATH OF ROSAMOND
EPILOGUE TO MITHRIDATES, KING OF PONTUS
EPILOGUE TO TAMERLANE THE GREAT
EPILOGUE TO THE HUSBAND HIS OWN CUCKOLD
EPILOGUE TO THE MAN OF MODE, OR SIR FOPLING FLUTTER
EPILOGUE TO THE UNHAPPY FAVOURITE, OR THE EARL OF ESSEX
EPITAPH ON A NEPHEW IN CATWORTH CHURCH, HUNTINGDONSHIRE
EPITAPH ON SIR PALMES FAIRBORNE’S TOMB, IN WESTMINSTER ABBEY
EPITAPH ON THE LADY WHITMORE
EPITHALAMIUM, FROM AMBOYNA
FABLES ANCIENT AND MODERN: PREFACE
FAIR IRIS I LOVE AND HOURLY I DYE, FROM AMPHITRYON
FARWELL UNGRATEFULL TRAYTOR, FROM THE SPANISH FRYAR
FIRST PROLOGUE TO THE UNIVERSITY OF OXFORD
FRAGMENT OF A CHARACTER OF JACOB TONSON
FROM BOOK THE FIFTH OF LUCRETIUS
FROM JUVENAL
HEROICK STANZA’S: A POEM UPON THE DEATH OF HIS LATE HIGHNESS, OLIVER, LORD PROTECTOR OF ENGLAND, SCOTLAND, AND IRELAND IN HEROICK STANZA’S
HOW HAPPY THE LOVER, FROM KING ARTHUR
HOW UNHAPPY A LOVER AM I, FROM THE CONQUEST OF GRANADA, PART II
HYMN FOR THE NATIVITY OF ST. JOHN BAPTIST
HYMN TO THE SUN, FROM THE INDIAN QUEEN
I FEED A FLAME WITHIN WHICH SO TORMENTS ME, FROM THE MAIDEN QUEEN
I LOOK’D AND SAW WITHIN THE BOOK OF FATE, FROM THE INDIAN EMPEROR
IMPROMPTU LINES ADDRESSED TO HIS COUSIN, MRS. CREED
IN DIALOGUE BETWIXT THE POET AND HIS FRIEND OR MONITOR
JUVENAL: THE FIRST SATYR
JUVENAL: THE SIXTEENTH SATYR
JUVENAL: THE SIXTH SATYR
JUVENAL: THE TENTH SATYR
JUVENAL: THE THIRD SATYR
LINES IN A LETTER TO HIS LADY COUSIN, HONOR DRIDEN
LINES PRINTED UNDER THE ENGRAVED PORTRAIT OF MILTON, IN TONSON’S FOLIO EDITION OF THE PARADISE LOST, 1688
LONG BETWIXT LOVE AND FEAR PHILLIS TORMENTED, FROM THE ASSIGNATION
MAC FLECKNOE
MAKE READY FAIR LADY TO NIGHT, FROM SIR MARTIN MARR-ALL
MELEAGER AND ATALANTA, OUT OF THE EIGHTH BOOK OF OVID’S METAMORPHOSES
NO, NO, POOR SUFF’RING HEART, NO CHANGE ENDEAVOUR, FROM CLEOMENES
OF THE PYTHAGOREAN PHILOSOPHY; FROM THE FIFTEENTH BOOK OF OVID’S METAMORPHOSES
OH SIGHT, THE MOTHER OF DESIRES, FROM KING ARTHUR
ON MRS. MARGARET PASTON, OF BARNINGHAM, IN NORFOLK
ON THE DEATH OF A VERY YOUNG GENTLEMAN
ON THE DEATH OF AMYNTAS. A PASTORAL ELEGY
ON THE DEATH OF MR. PURCELL
ON THE MONUMENT OF THE MARQUIS OF WINCHESTER
OVID’S AMOURS. BOOK I. ELEG. I.
OVID’S AMOURS. BOOK I. ELEG. IV.
OVID’S AMOURS. BOOK II. ELEG. XIX.
OVID’S EPISTLES: CANACE TO MACAREUS
OVID’S EPISTLES: DIDO TO ÆNEAS
OVID’S EPISTLES: HELEN TO PARIS
PALAMON AND ARCITE: OR THE KNIGHT’S TALE. BOOK I
PALAMON AND ARCITE: OR THE KNIGHT’S TALE. BOOK II
PALAMON AND ARCITE: OR THE KNIGHT’S TALE. BOOK III
PASTORAL DIALOGUE, FROM AMPHITRYON
PREFACE CONCERNING OVID’S EPISTLES
PROLOGUE AND EPILOGUE ON THE OCCASION OF A REPRESENTATION FOR DRYDEN’S BENEFIT, MARCH 25, 1700
PROLOGUE AND EPILOGUE TO ALBION AND ALBANIUS
PROLOGUE AND EPILOGUE TO ALL FOR LOVE, OR THE WORLD WELL LOST
PROLOGUE AND EPILOGUE TO AMBOYNA, OR THE CRUELTIES OF THE DUTCH TO THE ENGLISH MERCHANTS
PROLOGUE AND EPILOGUE TO AMPHITRYON, OR THE TWO SOSIAS
PROLOGUE AND EPILOGUE TO AN EVENING’S LOVE, OR THE MOCK ASTROLOGER
PROLOGUE AND EPILOGUE TO AURENG-ZEBE
PROLOGUE AND EPILOGUE TO CLEOMENES, THE SPARTAN HEROE
PROLOGUE AND EPILOGUE TO DON SEBASTIAN
PROLOGUE AND EPILOGUE TO KING ARTHUR, OR THE BRITISH WORTHY
PROLOGUE AND EPILOGUE TO LOVE TRIUMPHANT, OR NATURE WILL PREVAIL
PROLOGUE AND EPILOGUE TO MARRIAGE-À-LA-MODE
PROLOGUE AND EPILOGUE TO ŒDIPUS
PROLOGUE AND EPILOGUE TO SIR MARTIN MAR-ALL, OR THE FEIGNED INNOCENCE
PROLOGUE AND EPILOGUE TO THE ASSIGNATION, OR LOVE IN A NUNNERY
PROLOGUE AND EPILOGUE TO THE CONQUEST OF GRANADA BY THE SPANIARDS
PROLOGUE AND EPILOGUE TO THE DUKE OF GUISE
PROLOGUE AND EPILOGUE TO THE INDIAN EMPEROR
PROLOGUE AND EPILOGUE TO THE KIND KEEPER, OR MR. LIMBERHAM
PROLOGUE AND EPILOGUE TO THE KING AND QUEEN
PROLOGUE AND EPILOGUE TO THE MAIDEN QUEEN, OR SECRET LOVE, WHEN ACTED BY THE WOMEN ONLY
PROLOGUE AND EPILOGUE TO THE PRINCESS OF CLEVES
PROLOGUE AND EPILOGUE TO THE SECOND PART OF THE CONQUEST OF GRANADA BY THE SPANIARDS
PROLOGUE AND EPILOGUE TO THE TEMPEST
PROLOGUE AND EPILOGUE TO THE UNIVERSITY OF OXFORD
PROLOGUE AND EPILOGUE TO THE UNIVERSITY OF OXFORD
PROLOGUE AND EPILOGUE TO THE WILD GALLANT
PROLOGUE AND EPILOGUE TO THE WILD GALLANT, REVIVED
PROLOGUE AND EPILOGUE TO TROILUS AND CRESSIDA, OR TRUTH FOUND TOO LATE
PROLOGUE AND EPILOGUE TO TYRANNICK LOVE, OR THE ROYAL MARTYR
PROLOGUE AND EPILOGUE. SPOKEN AT THE OPENING OF THE NEW HOUSE, MARCH 26, 1674
PROLOGUE AND EPILOGUES TO THE LOYAL BROTHER, OR THE PERSIAN PRINCE
PROLOGUE SPOKEN ON THE FIRST DAY OF THE KINGS HOUSE ACTING AFTER THE FIRE
PROLOGUE TO ALBUMAZAR
PROLOGUE TO ARVIRAGUS AND PHILICIA, REVIVED
PROLOGUE TO CÆSAR BORGIA, SON OF POPE ALEXANDER THE SIXTH
PROLOGUE TO CIRCE
PROLOGUE TO DISAPPOINTMENT, OR THE MOTHER IN FASHION
PROLOGUE TO HIS ROYAL HIGHNESS UPON HIS FIRST APPEARANCE AT THE DUKE’S THEATRE SINCE HIS RETURN FROM SCOTLAND
PROLOGUE TO MISTAKES, OR THE FALSE REPORT
PROLOGUE TO SECRET LOVE, OR THE MAIDEN QUEEN
PROLOGUE TO THE DUCHESS ON HER RETURN FROM SCOTLAND
PROLOGUE TO THE LOYAL GENERAL
PROLOGUE TO THE PROPHETESS
PROLOGUE TO THE RIVAL LADIES
PROLOGUE TO THE SPANISH FRYAR, OR THE DOUBLE DISCOVERY
PROLOGUE TO THE TRUE WIDOW
PROLOGUE TO THE UNHAPPY FAVOURITE
PROLOGUE, FOR THE WOMEN, WHEN THEY ACTED AT THE OLD THEATRE IN LINCOLN’S INN FIELDS
PYGMALION AND THE STATUE, OUT OF T
HE TENTH BOOK OF OVID’S METAMORPHOSES
RELIGIO LAICI
RONDELAY
SECOND PROLOGUE TO THE UNIVERSITY OF OXFORD
SIGISMONDA AND GUISCARDO
SONG (“SYLVIA THE FAIR, IN THE BLOOM OF FIFTEEN”)
SONG BETWIXT A SHEPHERD AND A SHEPHERDESS, FROM THE DUKE OF GUISE
SONG FOR A GIRL, FROM LOVE TRIUMPHANT
SONG FROM THE ITALIAN, FROM THE KIND KEEPER
SONG OF A SCHOLAR AND HIS MISTRESS
SONG OF ÆOLUS, FROM KING ARTHUR
SONG OF AERIAL SPIRITS, FROM THE INDIAN QUEEN
SONG OF JEALOUSIE, FROM LOVE TRIUMPHANT
SONG OF PAN AND NEREIDE, FROM KING ARTHUR
SONG OF THE SEA FIGHT, FROM AMBOYNA
SONG OF THE ZAMBRA DANCE, FROM THE CONQUEST OF GRANADA
SONG OF VENUS, FROM KING ARTHUR
SONG TO APOLLO, FROM ŒDIPUS
TE DEUM
THE BEGINNING OF THE FIRST BOOK OF LUCRETIUS
THE BEGINNING OF THE SECOND BOOK OF LUCRETIUS
THE CHARACTER OF A GOOD PARSON
THE COCK AND THE FOX, OR THE TALE OF THE NUN’S PRIEST
THE DEDICATION TO EXAMEN POETICUM, 1693
THE DESPAIRING LOVER, FROM THE TWENTY-THIRD IDYLLIUM OF THEOCRITUS
THE EPITHALAMIUM OF HELEN AND MENELAUS, FROM THE EIGHTEENTH IDYLLIUM OF THEOCRITUS
THE FABLE OF ACIS, POLYPHEMUS, AND GALATEA. FROM THE THIRTEENTH BOOK OF THE METAMORPHOSES
THE FABLE OF IPHIS AND IANTHE, FROM THE NINTH BOOK OF OVID’S METAMORPHOSES
THE FAIR STRANGER
THE FIRST BOOK OF HOMER’S ILIAS
THE FIRST BOOK OF OVID’S ART OF LOVE
THE FIRST BOOK OF OVID’S METAMORPHOSES
THE FLOWER AND THE LEAF; OR, THE LADY IN THE ARBOUR
THE HIND AND THE PANTHER. THE FIRST PART
THE HIND AND THE PANTHER. THE SECOND PART
THE HIND AND THE PANTHER. THE THIRD PART
THE LADY’S SONG
THE LAST PARTING OF HECTOR AND ANDROMACHE. FROM THE SIXTH BOOK OF HOMER’S ILIAD
THE LATTER PART OF THE THIRD BOOK OF LUCRETIUS; AGAINST THE FEAR OF DEATH
THE MEDALL
THE MONUMENT OF A FAIR MAIDEN LADY, WHO DY’D AT BATH, AND IS THERE INTERR’D
THE NINTH ODE OF THE FIRST BOOK OF HORACE
THE PROLOGUE AT OXFORD, 1680
THE SECOND EPODE OF HORACE
THE SECULAR MASQUE
THE SPEECHES OF AJAX AND ULYSSES; FROM OVID’S METAMORPHOSES, BOOK XIII
THE TEARS OF AMYNTA FOR THE DEATH OF DAMON
THE THIRD ODE OF THE FIRST BOOK OF HORACE; INSCRIBED TO THE EARL OF ROSCOMMON, ON HIS INTENDED VOYAGE TO IRELAND
THE TWELFTH BOOK OF THE METAMORPHOSES, WHOLLY TRANSLATED
THE TWENTY-NINTH ODE OF THE THIRD BOOK OF HORACE