The Complete Poems of Sappho

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The Complete Poems of Sappho Page 14

by Willis Barnstone


  THYONI (Thyone), also known as Semili (Semele). Thyoni was the daughter of Kadmos and Zeus, and the mother of Dionysos. 17.

  TITHONOS. Brother of Priamos and lover of Eos (Dawn), who left him each morning. Through the prayers of Eos, he became immortal, but he did not retain his youth and so became synonymous with a decrepit old man. 58.

  TROS. The mythical founder of Troy.

  TYNDAREUS. A king of Sparta and Lida’s husband; he fathered Helen, Klytemnestra, and the Dioskouroi, though most legends see him as a cuckold, with Zeus being the actual father of Helen and also of Polydeukis (Pollux).

  ZEUS or DIAS. Son of Kronos and Rhea, brother of Poseidon, Hades, Hestia, Dimitir, and Hera, who was also his wife, Zeus was the supreme Olympic god. He determined good and evil as judge, and he carried the thunderbolt as his weapon of choice, though he had many powers of life, death, and transformation at his disposal. He was the archetypal Greek deity. At the same time, he was almost helplessly or whimsically human, resorting to all manner of disguises and metamorphoses to deceive his sister-wife Hera and conceal romances with other goddesses and mortals. 1, 17, 53, 96, 102.

  1. Willis Barnstone, trans., Sappho and the Greek Lyric Poets (New York: Schocken Books, 1987, p. 110).

  BIBLIOGRAPHY

  Editions, Studies, and Translations

  Abbott, Sidney, and Barbara Love. Sappho Was a Right-On Woman: A Liberated View of Lesbianism. 1972. Reprint, New York: Stein and Day, 1985.

  Balmer, Josephine. Sappho: Poems and Fragments. New York: Meadowland Books, 1993.

  Barnard, Mary, trans. Sappho. Berkeley: University of California Press, 1958.

  Barnstone, Willis. The Poetics of Ecstasy: From Sappho to Borges. New York: Holmes and Meier, 1983.

  ______. The Poetics of Translation: History, Theory, Practice. New Haven: Yale University Press, 1993.

  ______, trans. Sappho and the Greek Lyric Poets. Introduction by William E. McCulloh. New York: Schocken Books, 1987.

  ______. Sappho: Lyrics in the Original Greek with Translations. Preface by A. R. Burn. New York: New York University Press, 1965. First published 1965 by Doubleday Anchor Books.

  ______. Sappho, Poems: A New Version. Los Angeles: Sun and Moon Press, 1998.

  Beaumont, Edith de, trans. Poèmes de Sappho. Illustrations by Marie Laurencin. One copy in the Kinsey Institute, Indiana University, Bloomington.

  Bergk, T. Poetae Lyrici Graeci. 3 vols. Leipzig: B. G. Teubner, 1882.

  Boardman, John, and E. La Rocca. Eros in Greece. London: Phaidon, 1978.

  Bonnard, Andre, ed. and trans. Poésies de Sappho. Illustrations by Rodin. Lausanne: Mermod, 1948.

  Bowie, A. M. The Poetic Dialect of Sappho and Alcaeus. New York: Arno Press, 1981.

  Bowra, Cecil Maurice. Greek Lyric Poetry: From Alman to Simonides. 2nd rev. ed. Oxford: Oxford University Press, 1961.

  Bremmer, Jan., ed. From Sappho to de Sade: Moments in the History of Sexuality. London: Routledge, 1989.

  Burn, A. R. The Lyric Age of Greece. London: Edward Arnold, 1978.

  Burnett, Anne Pippin. Three Archaic Poets: Archilochus, Alcaeus, Sappho. Cambridge, Mass.: Harvard University Press, 1983.

  Campbell, David A. The Golden Lyre: The Themes of the Greek Lyric Poets. London: Duckworth, 1983.

  ______, ed. Greek Lyric Poetry: A Selection. London: Macmillan, 1967.

  ______, ed. and trans. Sappho and Alcaeus. Vol. 1 of Greek Lyric. Loeb Classical Library. Cambridge, Mass.: Harvard University Press, 1988.

  Carson, Anne. Eros the Bittersweet. Princeton, N.J.: Princeton University Press, 1986.

  ______, trans. If Not, Winter: Fragments of Sappho. New York: Vintage Books, 2002.

  Chandler, Robert, ed. and trans. Sappho. Introduction by Richard Jenkyns. London: J. M. Dent, 1998.

  Davenport, Guy, trans. Archilochos, Sappho, Alkman: Three Lyric Poets of the Late Greek Bronze Age. Berkeley: University of California Press, 1980.

  ______, trans. Poems and Fragments. Ann Arbor: University of Michigan Press, 1965.

  ______, trans. Seven Greeks. New York: New Directions, 1995.

  Davison, J. A. From Archilochus to Pindar. London: Macmillan, 1968.

  Diehl, Ernest. Anthologia Lyrica Graeca. Vol. 1. Leipzig: B. G. Teubner, 1964.

  Dover, K. J. Greek Homosexuality. London: Duckworth, 1978.

  Duban, Jeffrey M. Ancient and Modern Images of Sappho: Translations and Studies in Archaic Greek Love Lyric. Lanham, Md.: University Press of America, 1983.

  DuBois, Page. Sappho Is Burning. Chicago: University of Chicago Press, 1995.

  Edmonds, J. M., ed. and trans. Lyra Graeca. Vol. 1. 2nd printing. London: William Heinemann, 1928.

  Fränkel, Hermann. Early Greek Poetry and Philosophy. Translated by Moses Hadas and James Willis. New York: Harcourt Brace Jovanovich, 1962.

  Freedman, Nancy Mars. Sappho: The Tenth Muse. New York: St. Martin’s Press, 1998.

  Gentili, Bruno. Poetry and Its Public in Ancient Greece. Translated by A. Thomas Cole. Baltimore: Johns Hopkins University Press, 1988.

  Gerber, D. E. Euterpe: An Anthology of Early Greek Lyric, Elegiac and Iambic Poetry. Amsterdam: Hakkert, 1970.

  Grahn, Judy. The Highest Apple: Sappho and the Lesbian Poetic Tradition. San Francisco: Spinsters Ink, 1985.

  Greek Anthology. Edited by W. R. Paton. 5 vols. Cambridge, Mass.: Harvard University Press, 1916–1918.

  Green, Ellen, Ellen, ed. Reading Sappho: Reception and Transmission. Berkeley: University of California Press, 1996.

  ______, ed. Re-Reading Sappho: Reception and Transmission. Berkeley: University of California Press, 1996.

  H.D. (Hilda Doolittle). Notes on Thought and Vision, and The Wise Sappho. London: Peter Owen, 1988.

  Hutchinson, G. O. Greek Lyric Poetry: A Commentary on Selected Larger Pieces: Alcman, Stesichorus, Sappho, Alceaus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides. Oxford: Oxford University Press, 2001.

  Jay, Peter and Caroline Lewis, eds. Sappho through English Poetry. London: Anvil Press Poetry, 1996.

  Jenkyns, R. Three Classical Poets: Sappho, Catullus, Juvenal. Cambridge, Mass.: Harvard University Press, 1982.

  Kirkwood, Gordon M. Early Greek Monody. Cornell Studies in Classical Philology 37. Ithaca, N.Y.: Cornell University Press, 1974.

  Lattimore, Richmond, trans. “Sappho: Selections.” In Greek Lyrics. 2nd ed. Chicago: University of Chicago Press, 1960.

  Ledwidge, Bernard. Sappho: La première voix d'une femme. Paris: Mercure de France, 1987.

  Lefkowitz, Mary R. Heroines and Hysterics. London: Duckworth, 1981.

  Lobel, Edgar, and Denys Page, eds. Poetarum Lesbiorum Fragmenta. Oxford: Oxford University Press, 1955.

  Lombardo, Stanley. Poems and Fragments. Edited by Susan Warden; introduction by Pamela GordonIndianapolis: Hackett, 2002.

  Longinus. Longinus on Sublimity. Translated by D. A. Russell. Oxford: Oxford University Press, 1966.

  ______. On the Sublime. Edited by D. A. Russell. Oxford: Oxford University Press, 1964.

  Marx, Olga, and Ernst Morwitz, trans. Poems of Alcman, Sappho,

  Ibycus. New York: Alfred A. Knopf, 1945.

  Nims, John Frederick. Sappho to Valéry: Poems in Translation. New Brunswick, N.J.: Rutgers University Press, 1971.

  Page, Denys. Epigrammata Graeca. Oxford: Oxford University Press, 1975.

  ______. Poetae Melici Graeci. Oxford: Oxford University Press, 1962.

  ______. Sappho and Alcaeus: An Introduction to the Study of Ancient Lesbian Poetry. Oxford: Clarendon Press, 1979.

  ______. Sappho and Alcaeus. Oxford: Oxford University Press, 1959.

  Picasso, Pablo. Grâce et mouvement: 14 compositions originales, gravées sur cuivre. Edited by Louis Grosclaude. Issued in portfolio. “Sappho, 14 poèmes,” pp. 17–32. Zurich: Presses des Conzett and Huber, 1943.

  Pomeroy, Sarah. Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity. New York: Schocken Books, 1975.

  Pope, Alexand
er. The Works of Alexander Pope Esq. Vol. 3, Consisting of Fables, Translations, and Imitations. London: printed for H. Lintot, 1736.

  Powell, Jim, trans. Sappho, a Garland: The Poems and Fragments. New York: Farrar, Straus, Giroux, 1993.

  Prins, Yopie. Victorian Sappho. Princeton, N.J.: Princeton University Press, 1999.

  Quasimodo, Salvatore. Lirici greci. Translated by Luciano Anceschi. Milan: A. Mondadori, 1960.

  Rabinowitz, Nancy Sorkin. Among Women: From the Homosocial to the Homoerotic in the Ancient World. Austin: University of Texas Press, 2002.

  Rayor, Diane J., trans. Sappho Poems. With illustrations by Janet Steinmetz. Colorado Springs: Press at Colorado College, 1980.

  Reynolds, Margaret. History of Sappho. New York: Vintage Books, 1999.

  ______. The Sappho History. New York: Palgrave Macmillan, 2003.

  Rissman, Leah. Love as War: Homeric Allusion in the Poetry of Sappho. Konigstein, Germany: Hain, 1983.

  Robinson, David Moore. Sappho and Her Influence. New York: Cooper Square Publishers, 1963.

  Roche, Paul, trans. The Love Songs of Sappho. Introduction by Page Dubois. New York: Signet Classic, 1991.

  Rosenmeyer, Thomas G., James W. Halporn, and Martin Ostwald. The Meters of Greek and Latin Poetry. New York: Bobbs-Merrill, 1963.

  Segal, Charles. Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna. Lanham, Md.: Rowman & Littlefield, 1998.

  Snyder, Jane McIntosh. Lesbian Desire in the Lyrics of Sappho. New York: Columbia University Press, 1997.

  Treu, Max, ed. and trans. Sappho. Munich: Ernst Heimeran Verlag, 1963.

  Voigt, Eva-Maria, ed. Sappho et Alcaeus: Fragmenta. Amsterdam: Athenaeum, 1971.

  West, M. L. Greek Metre. New York: Oxford University Press, 1982.

  Wilamowitz-Moellendorff, Ulrich von. Sappho und Simonides. Berlin: Weidmann, 1966.

  Wilhelm, James J. Gay and Lesbian Poetry: An Anthology from Sappho to Michelangelo. New York: Garland, 1995.

  Wilson, Lyn Hatherly. Sappho’s Sweetbitter Songs: Configurations of Female and Male in Ancient Greek Lyric. New York: Routledge, 1996.

  INDEX OF POEMS AND FRAGMENTS BY NUMBER

  Note: The poem and fragment numbers in this index reflect the numbering system used in this edition. For more information on the ordering of the texts with respect to other editions, see the Introduction.

  POEM/FRAGMENT

  1

  2

  3

  4

  5

  5a, b, c INCERT.

  6 (LINES 7, 8, 10, 11, 14)

  7

  9

  15

  16

  16 INCERT.

  17

  18

  18b, c INCERT.

  19

  20

  21

  22

  23

  24a, b, c

  25 INCERT.

  26 (LINES 1–5, 9–12)

  27

  27 INCERT. (1)

  30

  31

  32

  33

  34

  36

  37

  38

  39

  40 INCERT. (13)

  41

  42

  43 (LINES 3–9)

  44

  44a

  45

  46

  47

  48

  49

  50

  51

  52

  53

  54

  55

  56

  57

  58b

  58c (LINES 25–26)

  60

  62

  63

  65

  67a

  68a

  70 (LINES 3, 7, 9–11, 13)

  71

  73a

  74a, b, c

  76

  78

  81

  82a

  84

  85

  86

  87e, f

  88a, b

  91

  92

  94

  95

  96 (LINES 1–20)

  96 (LINES 21–37)

  98a

  98b

  100

  101

  101a

  102

  103

  103b

  103C, a, b

  104a

  104b

  105a, c

  106

  107

  108

  110

  111

  112

  113

  114

  115

  118

  120

  121

  122

  123

  125

  126

  127

  128

  129a, b

  130

  131

  132

  133a, b

  134

  135

  136

  137

  138

  139

  140

  141a, b

  142

  143

  144

  146

  147

  148

  149

  150

  151

  152

  153

  154

  155

  156

  157

  158

  158 DIEHL

  159

  159 DIEHL

  160

  161

  166

  167

  168

  168b

  168c

  178

  201

  204

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