Nothing's out there. Except Miss New Year and Mr.
Christmas."
THE San Bernadino Freeway propelled me, like a pea through a shooter, past an exurban blur of industrial parks, ticky tack housing developments and auto lots wider than some small towns. Just beyond Pomona and the County Fairgrounds, the scenery shifted to ranches, egg farms, warehouses, and freight yards. Running parallel to the south side of the freeway were railroad tracks. Cotton Bowl and Southern Pacific boxcars sat stagnant on the rails. The rear third of the train was meshed compartments crammed with gleaming little Japanese sedans. A brief burst of architectural fervor past Clare-mont and then everything got quiet.
I drove through empty, sun-scorched hills, past smaller farms and ranches, sloping fields of alfalfa, horses grazing sluggishly in the heat. The Yucaipa exit narrowed to a single lane that ran alongside a tractor graveyard. I slowed and cruised past a string of aluminium-sided trailers billed as "The Big Mall," an untended taco shack, and a boarded-up shop advertising "Very Rare Antiques."
Willow Glen shared billing on a road sign with a Bible college twenty miles south and a state agricultural depot. The directional arrow aimed me over a covered bridge and onto a razor-straight road that cut through more farmland—citrus and avocado plantings, ramshackle stables, and untended fields. Broad slabs of blank brown space were broken by trailer parks, tin-roofed juke joints, and cinder-block churches, and surrounded by the granite drapery of the San Bernadino Mountains.
The mountains faded from rawhide to lavender-gray in the distance, the upper peaks merging with a pearly mist of sky. Heat percolated up from the lowlands, softening the contours of the pines that clung to the mountainsides, creating fringed silhouettes that recalled ink bleeding into blotting paper.
Willow Glen Road materialized as the left arm of a boulevard stop in the middle of nowhere, a sharp hook past a splintered sign advertising fresh produce and a "Jumbo Turkey Ranch," long vacated. The blacktop twisted and climbed toward the mountains, then up into them. The air got cooler, cleaner.
Ten miles in, a few apple orchards appeared: freshly tilled small plots backed by frame houses and surrounded by barbed wire and windbreak willows, the trees cut low with wide crotches, for handpicking. Cherry-sized orbs peeked out from under sage canopies of leaf. Harvest looked to be a good two months away. Homemade signs on stakes driven into the road shoulder welcomed the U-pick crowd but there didn't seem enough fruit to provide more than a day's desultory picking. As the road climbed higher, neglected orchards began to dominate the landscape—larger, dusty stretches filled with dead trees, some felled, others whittled to limbless, gray-white spikes.
The asphalt ended at twin telephone-pole-sized posts banded with Chamber of Commerce and service club badges. A chain dangling from between the posts supported a sign that read WILLOW GLEN VILLAGE. POP. 432.
I stopped, looked past the sign. The village seemed to be nothing more than a tiny rustic shopping mall shaded
by willows and pines and fronted by an empty parking lot. The trees parted at the far end of the lot, and the road continued as compressed dirt. I drove in, parked, and stepped out into clean, dry heat.
The first thing that caught my eye was a large black-and-white llama nibbling hay in a small corral. Behind the corral was a narrow frame house painted barn-red and trimmed in white. The sign over the doorway read WILLOW GLEN FUN CENTER AND PETTING ZOO. I searched for human habitation, saw none. Waved at the llama and got a ruminant stare in return.
A handful of other buildings, all small, all wooden, shingle-roofed and unpainted and connected to one another by planked walkways. HUGH'S WOODCARVER'S PARADISE. THE ENCHANTED FOREST ANTIQUE SHOPPE. GRANNY'S TREASURE TROVE, GIFTS AND SOUVENIRS. Every one shuttered tight.
The ground was cushioned by pine needles and willow leaves. I walked through it, still searching for company, spotted a flash of white and a jet of smoke rising from behind the woodcarver's shop. Low-hanging branches blocked the view. I walked past them, saw a series of weathered wood booths bolted together under a single, brand-new red roof. As I got closer, the air got sweet—the heavy sweetness of honey mixed with the tang of apples. The trees receded and I was standing in a bright clearing.
One of the booths was labeled APPLE PRESS & CIDERY, another CLOVER HONEY. But the sweet smoke was coming from next door, a green-shuttered section designated GOLDEN DELICIOUS CAFE. DEEP DISH PIE. COBBLER. The cafe's facade was whitewashed planks and stained-glass windows—windows decorated with black boughs, pink-white blossoms, green, red, and yellow apples. The door was open. I went in.
Inside everything was spotless and whitewashed— picnic tables and benches, a white ceiling fan recirculating hot, honeyed air, a Formica-topped counter and three white Naugahyde stools, hanging plants, an old brass cash register, and a mimeographed poster advertising a
Yucaipa astrologer. A young woman sat behind the counter drinking coffee and reading a biology textbook. Behind her a pass-through window provided a view of a stainless-steel kitchen.
I sat down. She looked up. Nineteen or twenty, with a sharply upturned nose, clipped curly blond hair, and wide dark eyes. She wore a white shirt and black jeans, was slim but hippy. A green-apple badge on her shirt said WENDY.
She smiled. Maura Bannon's age. Less sophisticated, no doubt, but somehow older than the reporter.
"Hi. What can I get you?"
I pointed to her coffee cup. "How about some of that, for starts."
"Sure. Cream and sugar?"
"Black."
"Would you like a menu?"
"Thanks."
She handed me a plasticized rectangle. The selection surprised me. I'd expected burgers and fries, but a dozen entrees were listed, some of them complex, with a nod toward nouvelle, each tagged with letters indicating the proper wine: C for Chardonnay, JR for Johannisberg Riesling. On the back of the menu was a full wine list— good-quality French and California vintages as well as a locally produced apple wine described as "light and fruity, similar in nose and flavor to Sauvignon blanc."
She brought the coffee. "Something to eat?"
"How about an apple picker's lunch?"
"Sure." She turned her back on me, opened a refrigerator and various drawers and cabinets, tinkered for a while, put cutlery and a linen napkin on the counter, and served up a platter of perfectly sliced apples and thick wedges of cheese, garnished with mint.
"Here you go," she said, adding a whole-wheat roll and butter molded into flowers. "The goat cheese is. really good, made by a family of Basques out near Loma Linda. Organically fed animals."
She waited.
Olivia's eggs still sat in my stomach. I took a small bite. "Terrific."
"Thanks. I'm. studying food presentation in college, want to run my own place some day. I get to use working here as part of my independent studies."
I pointed at the textbook. "Summer school?"
She grimaced. "Finals. Tests aren't my specialty. More coffee?"
"Sure." I sipped. "Kind of quiet today."
"Every day. During picking season, September through January, we get a handful of tourists on weekends. But it's not like it used to be. People know about cherry picking in Beaumont but we haven't gotten much publicity. It didn't used to be that way—the village was built in 1867; people used to go home with bushel baskets of Spartans and Jonathans. But city people came and bought up some of the land. Didn't take care of it."
"I saw dead orchards on the way up."
"Isn't it sad? Apples need care—just like children. All those doctors and lawyers from L.A. and San Diego bought the orchards for taxes, then just let them die. We've been trying—my family and me—to get the place going again. The Orange County Register might run a piece on us—that would sure help. Meanwhile we're getting the jam and honey going, starting to do real good with mail order. Plus, I cook for the rangers and Aggie commissioners passing through, get my independent study taken care of. You with the state?"
"No," I
said. "What's with the llama?"
"Cedric? He's ours—my family's. That's our house behind his pen—our village house. Mom and my brothers are in there, right now, planning out the zoo. We're going to have a full-fledged petting zoo by next summer. Keep the little kids busy so the parents can shop. Cedric's a doll. Dad got him in trade—he's a doctor, has a chiropractic practice down in Yucaipa. That's where we live most of the time. There was this circus coming through—gypsies or something like that, in these painted wagons, with accordions and tape machines. They set up in one of the
fields, passed the hat. One of the men sprained his back doing acrobatics. Dad fixed him up but the guy couldn't pay, so Dad took Cedric in trade. He loves animals. Then we got the idea for the petting zoo. My sister's studying animal husbandry at Cal Poly. She's going to run it."
"Sounds great. Does your family own the whole village?"
She laughed. "I wish. No, just the house and Cedric's pen and these back shops. The front shops are owned by other people but they're not around much. Granny—from the gift shop—died last summer and her family hasn't decided what they want to do. No one believes the Terrys are going to turn Willow Glen around, but we're sure going to try."
"The population sign said four thirty-two. Where's everyone else?"
"I think that number's high, but there are other families—a few growers; the rest work down in Yucaipa. Everyone's on the other side of the village. You have to drive through."
"Past the trees?"
Another laugh. "Yeah. It's hard to see, isn't it? Set up kind of to trap people." She looked at my plate. I gobbled in response, pushed it away half-finished. She was undeterred. "How about some deep-dish? I baked some just twenty minutes ago."
She looked so eager that I said, "Sure."
She set a big square of pastry along with a spoon, and said, "It's so thick, this is better than a fork." Then she refilled my coffee cup and waited again.
I put a spoonful of pie in my mouth. If I'd been hungry, it would have been great: thin, sugary crust, crisp chunks of apple in light syrup, tinged with cinnamon and sherry, still warm. "This is terrific, Wendy. You have a bright future as a chef."
She beamed. "Well, thank you much, mister. If you want another piece, I'll give it to you on the house. Got so much, my hog brothers are only going to snarf it down without thanking me, anyway."
I patted my stomach. "Let's see how I do with this."
When I'd struggled through several more mouthfuls, she said, "If you're not the state, what brings you up here about?"
"Looking for someone."
"Who?"
"Shirlee and Jasper Ransom."
"What would you want with them?"
"They're related to a friend of mine."
"Related how?"
"I'm not sure. Maybe parents."
"Can't be a very close friend."
I put down my spoon. "It's complicated, Wendy. Do you know where I can find them?"
She hesitated. When her eyes met mine they were hard with suspicion.
"What's the matter?" I asked.
"Nothing. I just like folks to be truthful."
"What makes you think I haven't been?"
"Coming up here talking about Shirlee and Jasper maybe being someone's parents, driving all the way up here just to send regards."
"It's true."
"If you had any idea who—" She stopped herself, said, "I'm not going to be uncharitable. Let's just say I never knew them to have any relatives—not in the five years I've lived here. No visitors either."
She looked at her watch and tapped her fingers on the countertop. "You finished, mister ?' Cause I have to close up, do more studying."
I pushed my plate away. "Where's Rural Route Four?"
She shrugged, moved down the counter and picked up her book.
I stood up. "Check, please."
"Five dollars even."
I gave her a five. She took it by the corner, avoiding my touch.
"What is it, Wendy? Why're you upset?"
"I know what you are."
"What am I?"
"Bank man. Looking to foreclose on the rest of the village, just like you did with Hugh and Granny. Trying to sweet-talk all the other deed holders, buy up everything cheap so you can turn it into some condo project or something."
"You're a terrific cook, Wendy, but not too hot as a detective. I have nothing to do with any banks. I'm a psychologist from L.A. My name is Alex Delaware." I pulled ID out of my wallet: driver's license, psychology license, med school faculty card. "Here, see for yourself.'
She pretended to be bored, but studied the papers. "Okay. So what? Even if you're who you say you are, what's your business here?"
"An old friend of mine, another psychologist named Sharon Ransom, died recently. She left no next of kin. There's some indication she's related to Shirlee and Jasper Ransom. I found their address, thought they might want to talk."
"How'd this Sharon die?"
"Suicide."
That drained the color from her face. "How old was she?"
"Thirty-four."
She looked away, busied herself with cutlery.
"Sharon Ransom," I said. "Heard of her?"
"Never. Never heard of Jasper and Shirlee having kids, period. You're mistaken, mister."
"Maybe," I said. "Thanks for lunch."
She called after me: "All of Willow Glen is Rural Route Four. Go past the schoolhouse about a mile. There's an old abandoned press. Turn right and keep going. But you're wasting your time."
I exited the village, endured fifty yards of potholes before the dirt smoothed and the RURAL ROUTE 4 sign appeared. I drove past more orchards and several homesteads graced by sprawling wood houses and fenced with low split rails, then a flag on a pole marking a two-story stone schoolhouse shaped like a milk carton and set in the
middle of an oak-shaded, leaf-carpeted playground. The playground bled into forest, the forest into mountain. Name-tagged mailboxes lined the road: RILEY'S U-PICK AND PUMPKINS (CLOSED.) LEIDECKER. BROWARD. SUT-CLIFFE...
I drove past the abandoned apple press before realizing it, backed up, and pulled to the side of the road. From that distance it looked like scrap: corrugated steel sides ulcered with rust and caving inward, mere fringes of tar-paper roof remaining, exposing age-blackened rafters, neck-high weeds scrambling for the light. Surrounding the building was sunken land littered with spare parts, deadwood, and weeds that had reached the sun, been baked to summer straw.
Turn right and keep going. I saw no road, no entry, remembered Wendy's distrust and wondered if she'd led me wrong.
I kept the engine running and got out. Four o'clock, but sun was still pouring it on and within moments I was sweating. The road was silent. My nose picked up a skunk scent. I shaded my eyes with my hand, looked around, and finally saw a bald spot in the weeds—the barest outline of a pathway running alongside the press. A shiny depression in the straw where rubber tires had finally vanquished the tangle.
I thought of walking, didn't know how far in I had to go. Returning to the car, I backed up until I found a dip in the shoulder and nosed down into the sunken field.
The Seville didn't take well to rural travel; it skidded and slid on the slick straw. Finally I got some traction and was able to negotiate my way onto the path. I nudged the car forward, past the press, into an ocean of weeds. The depression turned into a dirt path and I picked up speed, crossed a broad field. At the far end was a copse of weeping willows. Between the lacy leaves of the trees, hints of metal—more corrugated buildings.
Shirlee and Jasper Ransom didn't seem like hospitable sorts.
Wendy had thought it unlikely they'd ever been
parents, had stopped herself before explaining why.
Not wanting to be "uncharitable."
Or had she been afraid?
Perhaps Sharon had escaped them—escaped this place—for good reason, constructing fantasies of a pure and perfect childhood in order to block out
a reality too terrible to confront.
I wondered what I was getting myself into. Let a Jasper/Shirlee fantasy of my own float by: mammoth rural mutants, toothless and walleyed in filthy overalls, surrounded by a pack of slavering, fanged mutts, and greeting my arrival with buckshot.
I stopped, listened for dogs. Silence. Telling myself to keep the old imagination in check, I gave the Seville gas.
When I reached the willows, there was no place for the car to enter. I turned off the ignition, stepped out, walked under the drooping boughs and through the copse. Heard the trickle of water. A voice humming tunelessly. Then came to the habitat of Jasper and Shirlee Ransom.
Jonathan Kellerman - Alex 04 - Silent Partner Page 35