by Susan Bordo
on Anne’s last letter to Henry, [>]
on Elizabeth’s birth, [>]
on Henry’s correspondence with Anne, [>]
on Henry’s politics, [>]
The Life and Death of Anne Boleyn, [>], [>], [>], [>], [>]
Jannings, Emil, [>], [>], [>]
JFK (film), [>]
Johansson, Scarlett, [>], [>], [>]–[>]
Jonas, Justus, [>]
Jordan, Constance, [>]
Julius II (pope), [>], [>]
Kael, Pauline, [>]
Katherine of Aragon (queen), [>]–[>], [>]
Anne allegedly plots murder of, [>]–[>], [>], [>]
appearance, [>]
Chapuys’ friendly portrait of, [>]–[>], [>]–[>], [>]–[>], [>]
character & personality of, [>]–[>], [>], [>], [>], [>], [>], [>], [>]
death, [>], [>]–[>], [>], [>], [>], [>]
Falieri on, [>]
Henry divorces, [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>]
Henry on, [>]
Henry’s treatment of, [>]–[>], [>], [>], [>], [>], [>], [>], [>]
Herbert on, [>]
Loades on, [>]–[>]
miscarriages, [>], [>], [>]–[>]
political role, [>]–[>]
popularity of, [>]–[>], [>], [>]
religious beliefs, [>], [>]
Shakespeare on, [>]
unable to produce male heir, [>]
Kennedy, Maria Doyle, [>]
King’s Reformation, The (Bernard), [>], [>], [>]
Kingston, William, [>]–[>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>], [>]–[>]
Kirk, Brian, [>]
Knecht, Robert, [>]
Knox, John: The First Blast of the Trumpet Against the Monstrous Regiment of Women, [>]–[>]
as misogynist, [>]
Korda, Alexander, [>], [>], [>]–[>]
Krutch, Joseph Wood, [>]
Lady in the Tower, The (Plaidy), [>], [>]
Lady in the Tower, The (Weir), [>], [>]
Latymer, William, [>]–[>]
Laughton, Charles, [>], [>], [>], [>], [>], [>]
Lawson, Mark, [>]
Lefèvre d’Étaples, Jacques, [>], [>]
Lessons for My Daughter (Anne of France), [>]–[>]
Leti, Gregorio: Life of Elizabeth I, [>]–[>], [>]
Letters and Papers, Foreign and Domestic, of the Reign of Henry VIII, [>], [>], [>]
Life and Death of Anne Boleyn, The (Ives), [>], [>], [>], [>], [>]
Life and Death of Cardinal Wolsey, The (Cavendish), [>], [>], [>]–[>], [>], [>], [>], [>]–[>]
Life of Elizabeth I (Leti), [>]–[>], [>]
Lipscomb, Suzannah, [>]
on Anne’s arrest & trial, [>], [>]–[>]
on Henry’s character, [>]–[>]
Little Arthur’s England (Callcott), [>]
Lives of the Queens of England (Strickland), [>], [>], [>]–[>], [>]–[>], [>], [>], [>]
Loades, David, [>], [>]
on Anne, [>]–[>], [>], [>]
on Katherine, [>]–[>]
Lofts, Norah, [>]
The Concubine, [>]–[>], [>], [>]
love and marriage: Plato on, [>], [>], [>], [>]
in Tudor period, [>], [>], [>]
love, courtly: Malory on, [>]
in Tudor period, [>]–[>], [>]–[>], [>]–[>]
Lubitsch, Ernst, [>], [>], [>]–[>], [>]
Luther, Martin, [>]
Macaulay, Thomas: and social history, [>]
Malory, Sir Thomas: on courtly love, [>]
Le Morte d’Arthur, [>], [>]–[>]
Man for All Seasons, A (film), [>], [>]–[>], [>], [>], [>], [>]
Mantel, Hilary, [>]
Bring Up the Bodies, [>], [>], [>]
and distinction between history and fiction, [>], [>]–[>], [>]–[>], [>]
on The Other Boleyn Girl, [>]–[>], [>]
Wolf Hall, [>], [>]–[>], [>], [>], [>]–[>], [>]–[>]
Marcel, Gabriel, [>]
Margaret of Austria, [>], [>], [>], [>]
Marguerite de Navarre, [>], [>]
dramatic portrayal of, [>]
and gender issues, [>]–[>]
and humanism, [>]–[>], [>]–[>], [>]
“Mirror of the Sinful Soul,” [>]–[>]
Marshall, Peter, [>]
Mary Boleyn (Weir), [>], [>]
Mary (princess): Anne allegedly plots murder of, [>]–[>], [>], [>], [>], [>]
Anne’s treatment of, [>]
Chapuys supports, [>]–[>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>]–[>]
education of, [>]
excluded from succession, [>]–[>], [>]–[>], [>]
hatred of Anne, [>]–[>]
as heir, [>]–[>]
Henry’s treatment of, [>], [>], [>], [>], [>], [>]
Jane and, [>], [>]
portrayal of, [>]–[>], [>], [>]–[>]
as queen, [>], [>], [>]
refuses to acknowledge Anne, [>], [>]
Masterpiece Theatre, [>]–[>]
Maxwell, Robin: on The Other Boleyn Girl, [>]–[>], [>]
The Secret Diary of Anne Boleyn, [>], [>]
May, Jodhi, [>]–[>]
Medici, Giuliano de’, [>]
Melancthon, Philipp, [>]
Memoirs of Henry VIII of England (Herbert), [>]–[>], [>], [>]–[>]
Memoirs of the Life of Anne Boleyn (Benger), [>], [>], [>]–[>], [>]
Memoirs of the Queens of France (Bush), [>]
Meyer, Carolyn: Doomed Queen Anne, [>]
Michell, Keith, [>], [>]
Milherve, Crispin de, [>]
on Anne’s trial, [>], [>]
Miller-Tomlinson, Tracey: on gender issues, [>]
“Mirror of the Sinful Soul” (Marguerite de Navarre), [>]–[>]
misogyny: religious reform and, [>], [>]
monasteries, dissolution of, [>]–[>], [>], [>], [>], [>]
Monroe, Marilyn, [>]
Montaigne, Michel de: on death, [>]
Montand, Yves, [>]
More, Sir Thomas, [>], [>], [>], [>], [>], [>]
fall & execution of, [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>]
film portrayal of, [>]–[>], [>]
on Henry, [>], [>]–[>]
and humanism, [>]
relationship with Anne, [>]
relationship with Henry, [>]
Morgan, Peter, [>], [>]
Morning After, The (Roiphe), [>]
Morte d’Arthur, Le (Malory), [>], [>]–[>]
Munn, Michael: Richard Burton: Prince of Players, [>]
My Friend Anne (Armstrong), [>]
Neill, Sam, [>]
Nichols, Mike, [>]
Norris, Henry, [>]
arrest & trial, [>]–[>], [>]
executed, [>], [>]
Novels of Elizabeth, Queen of England, The (D’Aulnoy), [>], [>]–[>]
Obama, Michelle, [>]
Obedience of a Christian Man, The (Tyndale), [>]–[>], [>]–[>], [>]
Oberon, Merle, [>], [>], [>], [>]
“Of the Courtier’s Life” (Wyatt), [>]–[>]
Of the Nobilitie and Excellencye of Womankynde (Agrippa), [>]
Oliphant, Margaret, [>]
On the Tudor Trail (website), [>]–[>]
opera: Anne in, [>], [>]
Other Boleyn Girl, The (film), [>], [>]–[>], [>], [>], [>], [>]
Carbone on, [>]
George on, [>]
historical inaccuracies in, [>]–[>], [>], [>]
marketing of, [>]
Other Boleyn Girl, The (Gregory), [>], [>]–[>], [>], [>]
critical reception of, [>]–[>]
Hirst on, [>]
historical inaccuracies in, [>], [>]–[>], [>]–[>]
Mantel on, [>]
Maxwell on, [>]–[>], [>]
popularity of, [>], [>]–[>]
Other Boleyn Girl, The (TV movie), [>]–[>]
O’Toole, Peter, [>]
&n
bsp; Page, Sir Richard, [>]
Paglia, Camille: Sexual Personae, [>], [>]
Palgrave, Francis, [>]
Papas, Irene, [>]
Parker, Jane: gives evidence against Anne, [>]–[>]
Parker, Matthew, [>]
Parr, Katherine, [>], [>], [>], [>]–[>]
Parrault, Charles, [>]
Pate, Richard, [>]
Percy, Henry: alleged romance with Anne, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
Perrenot de Granvelle, Antoine, [>]
Philip II (king), [>]
Phillips, Lynn: Flirting with Danger, [>]
Pickford, Mary, [>], [>]
Pizan, Christine de: The Book of the City of Ladies, [>], [>]
Plaidy, Jean: The Lady in the Tower, [>], [>]
Plato: on love and marriage, [>], [>], [>], [>]
and women, [>]
Pole, Reginald, [>]
Pollard, Albert: Henry VIII, [>], [>], [>], [>], [>]
Porten, Henny, [>]
Portman, Natalie, [>], [>], [>], [>], [>]–[>]
portraiture: in Tudor period, [>]–[>]
Praise of Folly, The (Erasmus), [>]
Prestes, Jessica, [>]
Prime of Miss Jean Brodie, The (film), [>]
Private Life of Henry VIII, The (film), [>], [>], [>], [>], [>]
Private Lives of Elizabeth and Essex, The (film), [>], [>]
Protestantism. See religious reform
prudishness: and gender issues, [>]–[>]
Queen Anne Boleyn (Hackett), [>], [>]–[>], [>], [>]
Raison, Miranda, [>], [>]
Raleigh, Sir Walter: on Henry, [>]–[>]
Rampling, Charlotte, [>]
Real Housewives of Orange County, The (TV series), [>]–[>], [>]
reality: and the “convincing lie,” [>]
Redman, Joyce, [>]
Reed, Rex, [>]
religious reform. See also English Reformation; humanism
Anne and, [>]–[>], [>], [>], [>], [>]
Cromwell and, [>]
Jane and, [>]
and misogyny, [>], [>]
Resnais, Alain, [>]
Rhys Meyers, Jonathan, [>], [>], [>], [>], [>], [>]
dramatic interpretation of Henry, [>]–[>], [>]
Richard Burton: Prince of Players (Munn), [>]
Ridgway, Claire, [>]–[>], [>], [>]
Rise and Growth of the Anglican Schism, The (Sander), [>], [>], [>], [>]–[>], [>], [>]
Rival, Paul: The Six Wives of Henry VIII, [>], [>]–[>]
Rochford, Jane, [>], [>]
Rochford, Lord, [>]
Roiphe, Katie: The Morning After, [>]
Roper, William, [>]
Rude Democracy (Herbst), [>]
Ruiz, Juan, [>]
Sadler, Ralph, [>]
Sander, Nicholas, [>]
hostile portrait of Anne, [>]–[>], [>], [>]
The Rise and Growth of the Anglican Schism, [>], [>], [>], [>]–[>], [>], [>]
Sanuto, Francesco: on Anne, [>], [>], [>]–[>], [>]–[>]
Savage, Elizabeth, [>]
Schism in England, The (Calderón), [>]
Scofield, Paul, [>]
Secret Diary of Anne Boleyn, The (Maxwell), [>], [>]
self, inner: sense of, [>]–[>]
Sexual Personae (Paglia), [>], [>]
sexuality: in Tudor period, [>]–[>]
Seymour, Edward, [>], [>]
Seymour family: Henry and, [>], [>]
Seymour, Jane, [>], [>], [>], [>], [>], [>], [>], [>]
appearance, [>]
betrothed to Henry, [>], [>]
character & personality of, [>], [>]
compared to Anne, [>], [>]
and conspiracy to replace Anne, [>]–[>], [>]
fictional treatments of, [>]–[>]
Henry courts, [>], [>], [>]–[>], [>], [>]
Henry warns her not to meddle, [>]
and Mary, [>], [>]
and religious reform, [>]
seduces Henry, [>], [>]
Shakespeare, William: de Vere as, [>]
Henry VIII, [>]–[>], [>], [>]
on Katherine, [>]
Shaw, Robert, [>]
Silverman, Ben, [>]
Simon, John, [>]
Simpson, O. J., [>], [>]
Singer, S. W.: on Anne, [>], [>]
Sisson, Rosemary, [>]
Six Wives of Henry VIII, The (Rival), [>], [>]–[>]
Six Wives of Henry VIII, The (TV miniseries), [>], [>], [>]–[>], [>], [>]
Six Wives of Henry VIII, The (Weir), [>]–[>], [>], [>]–[>]
Six Wives (Starkey), [>]–[>], [>], [>], [>]–[>], [>]
Skip, John, [>], [>]
Smeaton, Mark, [>]–[>], [>], [>], [>], [>]
arrest & trial, [>]–[>], [>], [>], [>], [>]
executed, [>], [>]
Smith, Lacey Baldwin, [>]
on Henry’s character, [>]
on sense of inner self, [>]
Smith, Maggie, [>]
Somerset, Elizabeth Browne: gives evidence against Anne, [>]
Spain: Anne’s reputation in, [>]–[>], [>]
relations with England, [>]–[>], [>], [>], [>]–[>], [>], [>], [>]
Spanish Chronicle, [>], [>], [>]
stage: Anne portrayed on, [>], [>]–[>], [>]–[>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>]
Stanley, Alessandra, [>]
Starkey, David: on Elizabeth, [>]–[>]
and gender issues, [>], [>], [>], [>], [>]
on Henry’s character, [>], [>], [>]–[>]
on Henry’s correspondence with Anne, [>]–[>], [>]–[>]
Six Wives, [>]–[>], [>], [>], [>]–[>], [>]
on The Tudors, [>], [>]
on Wolsey’s fall, [>], [>]
Starmaker (Wallis), [>]–[>]
Steel Magnolias (film), [>]
Stepp, Laura, [>]
Stevens, Hampton, [>], [>]
Stokesley, John (bishop), [>]
Stone, Oliver: JFK, [>]
Streisand, Barbra, [>]
Strickland, Agnes & Elizabeth: historians’ reactions to, [>]–[>], [>]
Lives of the Queens of England, [>], [>], [>]–[>], [>]–[>], [>], [>], [>]
Supplication for the Beggars (Fish), [>], [>], [>]
Sweet, Natalie, [>], [>]
Swift, Jonathan: on Henry, [>]
Taylor, Don, [>]
Taylor, Elizabeth, [>], [>]–[>], [>], [>]–[>]
Taylor, Tom: Anne Boleyn, [>]
teenage culture: invention of, [>]–[>]
television miniseries. See films and television
Thelma & Louise (film), [>], [>]
Thomas, Lewis: on death, [>], [>]
Threads (Gavin), [>]
Torrent, Ana, [>]
Toulmin, Stephen: on sense of inner self, [>]
Tracy, Spencer, [>]
Travis, Clay, [>]
treason: Cromwell and redefinition of, [>], [>]–[>]
Tudor period: beauty in, [>]–[>], [>], [>]
courtly love in, [>]–[>], [>]–[>], [>]–[>]
ideals of femininity in, [>]–[>]
love and marriage in, [>], [>], [>]
portraiture in, [>]–[>]
sense of inner self in, [>]–[>]
sexuality in, [>]–[>], [>]–[>]
Tudor Tutor, The (website), [>], [>]
Tudorhistory.org (website), [>], [>]
“Tudorphilia,” [>]–[>]
Tudors, The (TV series), [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]
Borman on, [>]–[>]
critical reception of, [>]–[>], [>]–[>], [>], [>], [>]–[>]
de Lisle on, [>]
as exploitative, [>]–[>]
Gerard on, [>]
Guy on, [>]
Hirst films, [>]–[>], [>], [>], [>], [>]–[>]
historical inaccuracies in, [>]–[>], [>]–[>], [>], [>], [
>], [>]
marketing of, [>]–[>], [>], [>]
popular reaction to, [>]–[>], [>], [>]–[>], [>]–[>], [>], [>], [>]–[>]
portrait of Henry in, [>]
sexuality in, [>]–[>], [>]–[>], [>]–[>]
Starkey on, [>], [>]
Warnicke on, [>]
Weir on, [>]
Tudors Wiki, The (website), [>]–[>]
Tutin, Dorothy, [>], [>], [>], [>], [>]
Tyndale, William, [>]
The Obedience of a Christian Man, [>]–[>], [>]–[>], [>]
publishes Bible, [>], [>], [>], [>]–[>], [>]
Vertue Betray’d: or, Anna Bullen (Banks), [>]–[>], [>]–[>], [>]
Victorian period: attitudes toward Anne, [>]–[>]
beauty in, [>]
and role of history, [>]–[>]