Complete Sherlock Holmes, Volume II (Barnes & Noble Classics Series)

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Complete Sherlock Holmes, Volume II (Barnes & Noble Classics Series) Page 101

by SIR ARTHUR CONAN DOYLE


  I could not help smiling at the extreme simplicity of his explanation.

  “Of course, it was as easy as possible,” said I.

  My remark appeared to nettle him.

  “I may add,” said he, “that the particular help which you have been asked to give was that you should write in their album, and that you have already made up your mind that the present incident will be the subject of your article.”

  “But how—!” I cried.

  “It is as easy as possible,” said he, “and I leave its solution to your own ingenuity. In the meantime,” he added, raising his paper, “you will excuse me if I return to this very interesting article upon the trees of Cremona,fy and the exact reasons for their pre-eminence in the manufacture of violins. It is one of those small outlying problems to which I am sometimes tempted to direct my attention.”

  HOW WATSON LEARNED THE TRICK

  Watson had been watching his companion intently ever since he had sat down to the breakfast table. Holmes happened to look up and catch his eye.

  “Well, Watson, what are you thinking about?” he asked.

  “About you.”

  “Me?”

  “Yes, Holmes, I was thinking how superficial are these tricks of yours, and how wonderful it is that the public should continue to show interest in them.”

  “I quite agree,” said Holmes. “In fact, I have a recollection that I have myself made a similar remark.”

  “Your methods,” said Watson severely, “are really easily acquired.”

  “No doubt,” Holmes answered with a smile. “Perhaps you will yourself give an example of this method of reasoning.”

  “With pleasure,” said Watson. “I am able to say that you were greatly preoccupied when you got up this morning.”

  “Excellent!” said Holmes. “How could you possibly know that?”

  “Because you are usually a very tidy man and yet you have forgotten to shave.”

  “Dear me! How very clever!” said Holmes, “I had no idea, Watson, that you were so apt a pupil. Has your eagle eye detected anything more?”

  “Yes, Holmes. You have a client named Barlow, and you have not been successful in his case.”

  “Dear me, how could you know that?”

  “I saw the name outside his envelope. When you opened it you gave a groan and thrust it into your pocket with a frown on your face.”

  “Admirable! You are indeed observant. Any other points?”

  “I fear, Holmes, that you have taken to financial speculation.”

  “How could you tell that, Watson?”

  “You opened the paper, turned to the financial page, and gave a loud exclamation of interest.”

  “Well, that is very clever of you Watson. Any more?”

  “Yes, Holmes, you have put on your black coat, instead of your dressing gown, which proves that you are expecting some important visitor at once.”

  “Anything more?”

  “I have no doubt that I could find other points, Holmes, but I only give you these few, in order to show you that there are other people in the world who can be as clever as you.”

  “And some not so clever,” said Holmes. “I admit that they are few, but I am afraid, my dear Watson, that I must count you among them.”

  “What do you mean, Holmes?”

  “Well, my dear fellow, I fear your deductions have not been so happy as I should have wished.”

  “You mean that I was mistaken.”

  “Just a little that way, I fear. Let us take the points in their order: I did not shave because I have sent my razor to be sharpened. I put on my coat because I have, worse luck, an early meeting with my dentist. His name is Barlow, and the letter was to confirm the appointment. The cricket page is beside the financial one, and I turned to it to find if Surrey was holding its own against Kent. But go on, Watson, go on! It’s a very superficial trick, and no doubt you will soon acquire it.”

  TWO ESSAYS BY SIR ARTHUR CONAN DOYLE

  THE TRUTH ABOUT SHERLOCK HOLMES

  When Sir Arthur Conan Doyle deliberately killed Sherlock Holmes the

  vehement protests which came from all quarters made him realise, to

  his amazement, how completely the great detective had captured the

  world’s imagination. In this essay Sir Arthur answers all our questions

  about Holmes—how he was born and developed and why it became

  necessary to kill him. It is amusing to read here that Dr. Bell, Holmes‘s

  prototype, was never able to help Doyle in contriving the stories. And

  he tells the story of that disastrous flyer in comic opera with Sir James

  Barrie, out of which came one good thing—Barrie’s delightful parody

  on Sherlock Holmes which he wrote to console Doyle and which is also

  included here.

  COLLIER’S The National Weekly 29 DECEMBER 1923

  It was in October, 1876 that I began my medical course at the University of Edinburgh. The most notable of the characters whom I met was one Joseph Bell, surgeon at the Edinburgh Infirmary. Bell was a very remarkable man in body and mind. He was thin, wiry, dark with a high-nosed, acute face, penetrating grey eyes, angular shoulders, and a jerky way of walking. His voice was high and discordant. He was a very skilful surgeon, but his strong point was diagnosis, not only of disease, but of occupation and character. For some reason which I have never understood he singled me out from the drove of students who frequented his wards and made me his out-patient clerk, which meant that I had to array his out-patients, make simple notes of their cases, and then show them in, one by one, to the large room in which Bell sat in state surrounded by his dressersfz and students. Then I had ample chance of studying his methods and in noticing that he often learned more of the patient by a few quick glances than I had done by my questions. Occasionally the results were very dramatic, though there were times when he blundered. In one of his best cases he said to a civilian patient:

  “Well, my man, you’ve served in the army?”

  “Aye, sir.”

  “Not long discharged?”

  “No sir.”

  “A Highland regiment?”

  “Aye, sir.”

  “A noncom officer?”

  “Aye, sir.”

  “Stationed at Barbados?”

  “Aye, sir.”

  “You see, gentlemen,” he would explain, “the man was a respectful man, but did not remove his hat. They do not in the army, but he would have learned civilian ways had he been long discharged. He has an air of authority and he is obviously Scottish. As to Barbados, his complaint is elephantiasis, which is West Indian and not British.” To his audience of Watsons it all seemed most miraculous until it was explained, and then it became simple enough. It is no wonder that after the study of such a character I used and amplified his methods when in later life I tried to build up a scientific detective who solved cases on his own merits and not through the folly of the criminal. Bell took a keen interest in these detective tales and made suggestions, which were not, I am bound to say, very practical.

  The Twopenny Box

  I endeavoured almost from the first to compress the classes for a year into half a year, so as to have some months in which to earn a little money. It was at this time that I first learned that shillings might be earned in other ways than by filling phials. Some friend remarked to me that my letters were very vivid, and surely I could write some things to sell. I may say that the general aspiration toward literature was tremendously strong upon me, and that my mind was reaching out in what seemed an aimless way in all sorts of directions. I used to be allowed twopence for my lunch, that being the price of a mutton pie, but near the pie shop was a second-hand bookshop with a barrel full of old books and the legend, “Your choice for 2d,”ga stuck above it. Often the price of my luncheon used to be spent on some sample out of this barrel, and I have within reach of my arm, as I write these lines, copies of Gordon’s Tacitus, Temple’s works, Pop
e’s Homer, Addison’s Spectator and Swift’s works,gbwhich all came out of the twopenny box.

  Anyone observing my actions and tastes would have said that so strong a spring would certainly overflow, but for my own part I never dreamed I could myself produce decent prose, and the remark of my friend, who was by no means given to flattery, took me greatly by sur prise. I sat down, however, and I wrote a little adventure story which I called “The Mystery of the Sasassa Valley.” To my great joy and surprise, it was accepted by Chambers’s Journal, and I received three guineas. It mattered not that other attempts failed. I had done it once and I cheered myself by the thought that I could do it again.

  Upon emerging from Edinburgh as a bachelor of medicine in 1881, my plans were all exceedingly fluid and I was ready to join army, navy, Indian service,gc or anything which offered an opening. But after taking a trip in a cargo vessel along the west coast of Africa, I finally settled down to practice in Plymouth.

  I had at this time contributed several stories to London Society, a magazine now defunct, but then flourishing under the editorship of a Mr. Hogg. It had never entered my head yet that literature might give me a career, or anything beyond a little casual pocket money, but already it was a deciding factor in my life, for I could not have held on, and must have either starved or given in but for the few pounds which Mr. Hogg sent me.

  During the years before my marriage I had from time to time written short stories which were good enough to be marketable at very small prices—five pounds on average—but not good enough to reproduce. They are scattered about amid the pages of London Society, of All the Year Round, of Temple Bar, the Boys’ Own Paper and other journals. There let them lie. They served their purpose in relieving me of a little of that financial burden which always pressed upon me. I can hardly have earned more than ten or fifteen pounds a year from this source, so that the idea of making a living by it never occurred to me. But though I was not putting out, I was taking in. I still have notebooks full of all sorts of knowledge which I acquired during that time. It is a great mistake to start putting out cargo when you have hardly stowed any on board.

  Enter Holmes and Watson

  I had for some time from 1884 onward been engaged upon a sensational book of adventure which I had called The Firm of Girdlestone, which represented my first attempt at a connected narrative. Save for occasional patches, it is a worthless book. I felt now that I was capable of something cleaner and crisper and more workmanlike. Gaboriau had rather attracted me by the neat dovetailing of his plots, and Poe’s masterful detective, M. Dupin, had from boyhood been one of my heroes. But could I bring an addition of my own? I thought of my old teacher Joe Bell, of his eagle face, of his curious ways, of his eerie trick of spotting details. If he were a detective he would surely reduce this fascinating but unorganized business to something nearer to an exact science. I would try if I could get this effect. It was surely possible in real life, so why should I not make it plausible in fiction? It is all very well to say that a man is clever, but the reader wants to see examples of it—such examples as Bell gave us every day in the wards.

  The idea amused me. What should I call the fellow? I still possess the leaf of a notebook with various alternative names. One rebelled against the elementary art which gives some inkling of character in the name, and creates Mr. Sharps or Mr. Ferrets. First it was Sherringford Holmes; then it was Sherlock Holmes. He could not tell his own exploits, so he must have a commonplace comrade as a foil—an educated man of action who could both join in the exploits and narrate them. A drab, quiet name for this unostentatious man. Watson would do. And so I had my purpose and wrote my Study in Scarlet.

  I knew that the book was as good as I could make it and I had high hopes. When Girdlestone used to come circling backgd with the precision of a homing pigeon I was grieved but not surprised, for I acquiesced in the decision. But when my little Holmes book began also to do the circular tour I was hurt, for I knew that it deserved a better fate. James Payn applauded, but found it both too short and too long, which was true enough. Arrowsmith received it in May 1886, and returned it unread in July. Two or three others sniffed and turned away. Finally, as Ward, Lock & Co. made a specialty of cheap and often sensational literature, I sent it to them. They said:

  DEAR SIR—We have read your story and are pleased with it. We could not publish it this year, as the market is flooded at present with cheap fiction, but if you do not object to its being held over till next year, we will give you twenty-five pounds for the copyright.

  Yours faithfully,

  WARD, LOCK & CO.

  Oct. 30, 1886.

  It was not a very tempting offer, and even I, poor as I was, hesitated to accept it. It was not merely the small sum offered, but it was the long delay, for this book might open a road for me. I was heartsick, however, at repeated disappointments, and I felt that perhaps it was true wisdom to make sure of publicity, however late. Therefore I accepted, and the book became Beeton’s Christmas Annual of 1887.

  It was in consequence of a publishers’ dinner, at which I was a guest, that I wrote The Sign of the Four, in which Holmes made his second appearance. But thereafter for a time he was laid on the shelf, for, encouraged by the kind reception which “Micah Clarke” had received from the critics, I now determined upon an even bolder and more ambitious flight.

  Hence came my two books. The White Company, written in 1889, and Sir Nigel, written fourteen years later. Of the two I consider the latter the better book, but I have no hesitation in saying that the two of them taken together did thoroughly achieve my purpose, that they made an accurate picture of that great age, and that, as a single piece of work, they form the most complete, satisfying, and ambitious thing that I have ever done. All things find their level, but I believe that if I had never touched Holmes, who has tended to obscure my higher work, my position in literature would at the present moment be a more commanding one. *The work needed much research and I have still got my notebooks full of all sorts of lore. I cultivate a simple style and avoid long words so far as possible, and it may be that this surface of ease has sometimes caused the reader to underrate the amount of real research which lies in all my historical novels. It is not a matter which troubles me, however, for I have always felt that justice is done in the end, and that the real merit of any work is never permanently lost.

  I remember that as I wrote the last words of The White Company I felt a wave of exultation and, with a cry of “That’s done it!” I hurled my inky pen across the room, where it left a black smudge upon the duck‘s-egg wall paper. I knew in my heart that the book would live and that it would illuminate our national traditions. Now that it has passed through fifty editions I suppose I may say with all modesty that my forecast has proved to be correct. This was the last book which I wrote in my days of doctoring at Southsea, and marks an epoch in my life, so I can now hark back to some other phases of my last years at Bush Villagf before I broke away into a new existence.

  A number of monthly magazines were coming out at that time, notable among which was the Strand then, as now, under the very able editorship of Greenhough Smith. Considering these various journals with their disconnected stories, it had struck me that a single character running through a series, if only it engaged the attention of the reader, would bind that reader to that particular magazine.

  Looking round for my central character, I felt that Sherlock Holmes, whom I had already handled in two little books, would easily lend himself to a succession of short stories. These I began in the long hours of waiting in my consulting room. Smith liked them from the first, and encouraged me to go ahead with themge.

  It was at this time that I definitely saw how foolish I was to waste my literary earnings in keeping up an oculist’s room in Wimpole Street, and I determined with a wild rush of joy to cut the paintergg and to trust forever to my power of writing. So I settled down with a stout heart to do some literary work worthy of the name. The difficulty of the Holmes work was that every s
tory really needed as clear-cut and original a plot as a longish book would do. One cannot without effort spin plots at such a rate. They are apt to become thin or to break. I was determined, now that I had no longer the excuse of absolute pecuniary pressure, never again to write anything which was not as good as I could possibly make it, and therefore I would not write a Holmes story without a worthy plot and without a problem which interested my own mind, for that is the first requisite before you can interest anyone else. If I have been able to sustain this character for a long time, and if the public find, as they will find, that the last story is as good as the first, it is entirely due to the fact that I never, or hardly ever, forced a story. Some have thought there was a falling off in the stories, and the criticism was neatly expressed by a Cornish boatman who said to me, “I think, sir, when Holmes fell over that cliff, he may not have killed himself, but all the same he was never quite the same man afterwards.”

  I was weary, however, of inventing plots and I set myself now to do some work which would certainly be less renumerative but would be more ambitious from a literary point of view. I had long been attracted by the epoch of Louis XIV and by those Huguenots who were the French equivalents of our Puritans. I had a good knowledge of the memoirs of that date, and many notes already prepared, so that it did not take me long to write The Refugees.

  Yet it was still the Sherlock Holmes stories for which the public clamoured, and these from time to time I endeavoured to supply. At last, after I had done two series of them, I saw that I was in danger of having my hand forced, and of being entirely identified with what I regarded as a lower stratum of literary achievement. Therefore, as a sign of my resolution, I determined to end the life of my hero. The idea was in my mind when I went with my wife for a short holiday in Switzerland, in the course of which we walked down the Lauterbrunnen Valley. I saw there the wonderful falls of Reichenbach, a terrible place, and that, I thought, would make a worthy tomb for poor Sherlock, even if I buried my banking account along with him. So there I laid him, fully determined that he should stay there—as indeed for some twenty years he did.

 

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