by S. J. Rozan
“The thing is”—Keegan turned his clear green eyes back to his visitor, giving up his search of the horizon for absent friends—“I reconstructed it. Over and over, in my head. Uncle Jimmy was already up in the tower when we got to the location. Thirty, forty flights up. That's where he was when it fell—on forty-four. He was nowhere near where I was. Nowhere near.”
Today in Pleasant Hills a breeze ruffled the bunting above the doors of Engine 168, and the carved salamanders, legendary lizards that cannot be destroyed by fire, seemed to wink. And Probationary Firefighter Kevin Keegan walked, slowly, on crutches, but unaided, back into the firehouse where he grew up.
“Jimmy saved him.” Keegan's mother, Sally, has no doubt in her mind about that. “Jimmy's been taking care of us all our lives. Since we were all kids. Kevin's dad . . .” Sally Keegan smiled. It was a day for smiling. “You had to know Markie. My husband was the sweetest man who ever lived. But he got into trouble all the time. Jimmy was always getting him out. One of the worst things for Jimmy, I think, was when he couldn't help Markie that one last time. But he's been doing things for Kevin and me ever since. And look what he did for us now.”
You don't have to believe in ghostly voices to see the ways in which Captain McCaffery is still taking care of his friend's son. Kevin Keegan's FDNY health insurance paid for his stay at Burke. Jimmy McCaffery's FDNY life insurance named Keegan as beneficiary and has paid for the extras: the private room, the private nurse, the hours of physical therapy demanded by a young man eager to push himself, anxious to get back on the Job.
But even before that, years before, Jimmy McCaffery always did what he could.
Mark Keegan, Kevin Keegan's father, died in prison, according to Marian Gallagher, director of the More Art, New York! Foundation and Kevin Keegan's godmother. “Markie killed a man in self-defense. He was never charged in the killing. But his gun was unlicensed, and he went to prison for that. It was a short sentence, but he got into a fight there and was killed.” Marian Gallagher's face saddened. “We were all so young. . . .”
After Mark Keegan died in prison, Jimmy McCaffery looked after Keegan's young family. “Uncle Jimmy said we should sue the State,” Kevin Keegan tells the visitor. He leans on his crutches, the center of the happy chaos echoing down Main Street. “Mom and Aunt Marian thought he was nuts. Even Uncle Phil did.” Keegan grins. He pokes the ribs of a tall man standing beside him. This is Phillip Constantine, Mark Keegan's court-appointed attorney. Over many years he has remained a friend of the Keegan family. He grins also and tells the visitor, “Once in my life I was wrong, and he can't forget it.”
“But Uncle Jimmy insisted,” said Keegan. “So we sued. And the State settled.”
All of that, of course, is family lore: Kevin Keegan was too young to remember. His mother remembers, though. “Yes, it was Jimmy's idea. No one thought it would work, but it did. That was Jimmy—just going ahead with something he believed in, no matter what anyone said. It wasn't a huge amount of money, but it came every month. I didn't have to work when Kevin was little. That made all the difference.”
Sally Keegan's eyes, clear and green like her son's, broke off from her visitor's and gazed down the street, as though someone had called her name.
And Main Street suddenly seemed crowded. Not just with Kevin Keegan's friends and well-wishers, people giddy with good news in a season bleak with tragedy. Ghosts were also shimmering in the morning air. Jimmy McCaffery. Markie Keegan. Bill Small. David Schwartz. The four others that Pleasant Hills lost on a day which changed us all forever. All were there, to welcome Firefighter Kevin Keegan home.
LAURA'S STORY
Chapter 1
The Man Who Sat by the Door
October 30, 2001
Harry Randall's death broke over Laura Stone like a thunderstorm out of a clear blue sky. That was even one of her stupid thoughts, one of the notions that floated by as Georgie, who'd brought her the news, hovered, ready to catch her if she fainted or to fetch water, a sweater, whatever she wanted. Georgie who'd always loved her. I should have known, Laura thought, rubbing her arms with her newly cold hands, seeing not Georgie but the Hudson flowing splendidly through the glorious afternoon in the window behind him: It's such a perfect, beautiful day.
In New York now, beautiful days were suspect, clear blue skies tainted with an invisible acid etch. “Lovely weather,” neighbors greeted one another, smiling under the generous golden sunlight of an Indian summer still unrolling into late October. Then their smiles would falter. They'd nod and walk hastily on, to avoid acknowledging the likeness, to escape seeing, in each other's eyes, how stunningly beautiful that day in mid-September had been, too.
The next equally meaningless thought that passed through Laura's mind as she stood staring down at the river: How long had Georgie known? Had he stood watching, waiting for her to leave her desk to go stand by the conference room window—a thing she could be counted on to do half a dozen times a day, to come here to watch the Hudson flowing to the sea while a sentence composed itself in her head—so he could be the only one near, the one to comfort her?
No, she told herself impatiently, as you might scold a child for making a claim he knows is false: “I can fly,” or “My dog ate a car.” No, not Georgie. I'd do that. I'd deliver bad news to Harry that way. But kind, lovesick Georgie wouldn't do that to me.
Bad news, or good news. It was Laura who'd pinned yesterday's front, the front that carried the third Jimmy McCaffery story, to Harry's corkboard. Not where everyone could see it (though of course they'd all seen it when the paper came out, all seen Harry Randall on the front again after a five-year drought, not just the front, above the fold). She'd tucked it in the corner, folded small, just the head and subhead left to shout privately to Harry how proud of him she was. It was still there, still shouting:
FUND REJECTS CONTRIBUTION
Questions Surround Hero Firefighter's
Dealings with Crime Figures
by Harry Randall
Surprising her, Harry had left it up all day yesterday. But he was sure to take it down today. No, but—twisting stomach, ice on her skin—according to Georgie, Harry wouldn't be here today, wouldn't be here again, wasn't here, was gone.
But—swept away suddenly, losing her footing to a rogue wave of hope—Georgie must be wrong! It wasn't Harry. Someone else took Harry's car. Who? What's the difference? It was someone else's body. She'd go, she'd go now over to the morgue, past the tent and the refrigerated trucks where all the unidentified bodies were, and this would be just another one, just someone else no one knew. She'd tell them it wasn't Harry, and later, back at home, she and Harry—
Georgie was shaking his head, reaching for her. Laura heard, horrified, her own voice, high and shrill, speaking these thoughts aloud. Shivering, she spun away from Georgie, turned to the river, willing Georgie to stay back: if he touched her, she would splinter and crack, like ice in warm water.
The river blurred, her face felt steamy: oh God, she was crying, with Georgie there. Her knees wobbled. Despising herself, she dropped onto a chair. It was the one with the coffee stain on the arm, from the morning meeting, soon after Laura had come to the Tribune, when Leo had complained about something—toothlessness, Leo's word—in a story of Harry's. Harry, to the mortal eye unperturbed, offered an insolent reply. Leo tossed the pile of copy and a disgusted snort in Harry's direction. The gods clashing on Olympus: Laura had been thrilled. The papers had upended someone's coffee, not Harry's, she remembered, but someone else's.
“Who has the story?” Confused, Laura heard an imitation of her own voice demand this of Georgie. Oh, she thought: Reporter-Laura, that's who's speaking. She who went to a hospital groundbreaking to give the donor a chance to comment on the rumor that the multimillion-dollar windfall was profit from his Mexican drug operation. She who pushed herself into the face of a mother to ask how she felt now that a fire had killed her children.
Georgie, weakly and after a moment: “What?”
<
br /> “Who?”
“Laura, what's the difference?” Georgie had damp brown eyes and a mouth eternally open, eager to speak the right words, of comfort, of explanation, if only he could find them. He preferred to be called George or, better, to be abruptly summoned by his last name—“Holzer!” the way you'd hear “Randall!” or “Stone!” echo through the newsroom—but no one ever did that. His beat was technology, science. Half the Tribune staff held he was a virgin; the rest, that he visited a Korean whorehouse on 38th Street twice a week.
Laura, who never gazed long upon Georgie, looked angrily past him now, through the blue sky's reflection in the conference room glass, into the newsroom.
It was chaos there, the regular thing. The attacks had not forced the Tribune's offices closed, but the rhythm, the urgent fast and steady beat of newsgathering, had been smashed and jangled. Throw a rock in water, orderly rings pulse in all directions; throw many, and the world is anarchy, confusion. It took time for the Tribune's tempo to reassert, but finally it had. Keyboards clicked. Men with their polished shoes on their desks leaned dangerously back in chairs asking pointed questions into phones. Women with sharp elbows leaned forward over theirs, desks and phones, listening darkly. Someone came, someone went.
Laura turned to Georgie. “They don't know yet.” It was an accusation.
“Leo's about to call us together. I asked him if I could tell you first.” It was an admission of guilt.
“First? So you could—? I have to—?”
On top of her words: “Laura, you know—”
But Laura was refusing to know. A wave of fury threw her out of her chair, fury at Georgie for the news he'd brought and the way he'd brought it, at the river for flowing and the sun for shining and the leaves for falling from the trees.
Before she could scream and tear Georgie apart—he would have permitted this—a change in the tenor of the newsroom froze her. A ripple in the force field: Leo was stepping from his office. He planted himself just over his threshold, and when he stood there and roared, “People!” everything stopped.
Square-headed, white-haired, rough-faced, and bulky, Leo waited for phone calls to end and documents to be saved-as. Laura and Georgie, after a motionless moment, stumbled unthinking through the conference room door: rage, shock, and sorrow could not, even combined, begin to overcome the autoresponse triggered in a reporter by Leo's bellow from the doorway.
So Leo delivered the news, and Laura had to hear it again.
This time it was ornamented with details. If she'd been listening as a reporter, these would have been important to her. Fascinating even, as they clearly were to the colleagues around her. Unable any longer to be impressed by death, they could still be surprised by the personal nature of one like this; but not enough to keep them from scribbling notes on pads, in case Leo assigned them the story, or from stealing glances away from Leo to send them Laura's way when they thought she wasn't looking.
But she was looking, though she was determined to have nothing but scorn for their glances, and she didn't hear the news as a reporter, though she was one. She heard it as a student, as an acolyte, apologist, and lover, and the word Georgie hadn't used but Leo did, the dam-break that swept her into stunned disbelief and powerless fury, was suicide.
MARIAN'S STORY
Chapter 1
The Man Who Sat by the Door
October 30, 2001
The catastrophic force of the earthquake that would be summoned up by Harry Randall's death was not at first apparent to Marian Gallagher. All the news brought her was a disquietude such as she might have felt at faint tremblings of the ground: vibrations so weak they could be dismissed as the inventions of an anxious imagination, except by those who had passed through such times before.
The breathless last to join a cheery group of friends around a bistro table—Marian had many groups of friends—she was kissed and greeted, her wine was poured, the olives and the bread were passed her way. How are you, honey, Clark asked, and Sue, always knowing what meant the most, asked how that young firefighter was, her godson, the one who was hurt, the one the story in the paper was about? Kevin, replied Marian; he's doing very well, we're very grateful. Tomiko asked how her day had gone, how many forms she'd filled out for people (in, Sam said, you fill forms in), was it still as hard as in the beginning, working with the victims?
Marian smiled and said, Oh no, but she wasn't working with the families, those were the volunteers with the really hard jobs, she didn't know how they did it. She tasted the wine, a dry chardonnay, and nodded approvingly. Her clients were the businesses, she told them, the stores, the offices, the take-outs, and the delis. Some of them had given so much, you know that one locksmith opened his shop and told the rescue workers, Just take what you need. And now everything was gone. Everything! And the restaurants had been feeding the rescue workers, and people had donated water, breathing masks, whatever they had, people had given whatever they had. It was wonderful, now, to be able to really do something for them.
Sam reached around the table and topped off people's wineglasses. Katie asked Tomiko how the baby was. Ulrich, as usual serious about the menu, recommended that people try the mussels, they were exceptional the last time he was here, although of course that was before, but that shouldn't make a difference, should it, now that they'd reopened? Sue picked up a story she'd been telling Jeana; Marian overheard something about cell phones, being connected into some stranger's call because the lines were all still so weird downtown.
“Everything all right back at the office?” Sam asked quietly, just making sure; he'd left for meetings of his own long before Marian had gone to hers. Marian smiled and nodded. “I wish we had more phones, though.” Sam shrugged agreement, brought the wine back to her. Everyone in Lower Manhattan wished they had phones. The MANY Foundation's office was luckier than most: two weeks ago, one of their six lines had been restored.
They nibbled on bread and olives; they sipped their wine. Around the table people's faces were glowing, as they leaned forward to hear one another better, as they nodded and laughed. This was not the wine, Marian thought, not the candles. This glow—she could feel it in her own smile as she watched her friends—was the light of what used to be a simple pleasure: ending a day of hard work with good food and good friends.
By the time the waiter came to take their orders—Marian had decided on the rigatoni with goat cheese and three varieties of mushrooms—no one had yet mentioned the Fund. No one had asked Marian if there were new developments, what would happen to the money if the allegations in yesterday's Tribune article turned out to be true.
Eventually someone would bring it up. This was the sort of juicy story that would have been irresistible when gossip was fun. No one had the heart for gossip now. But Marian was entwined in this story—much more than they knew—so someone was bound to bring it up. When they did, she would answer as honestly as she could, because these were her friends.
Marian listened to the talk around her and told herself she was glad that, for the time being, no one was asking. She told herself that their silence on this subject betokened nothing other than courtesy, an unwillingness to bring up what was sure to be a difficult subject, for her, their friend. She buttered bread with quick impatient strokes as she scolded herself for imagining that Ulrich, the most morally strident of them, had avoided her eyes since she'd sat down.
And she hoped that, when finally the topic came up, Sam would remain calm. It would only serve to make everyone uncomfortable if he exploded here the way he had in the office yesterday when the third Tribune article ran. Sipping her wine, Marian watched him. He and Clark were leaning toward each other, both talking at once, Clark shaking his head and laughing, Sam's hands in constant motion as he sketched out his points in the air. Sam caught Marian's eye, gave her a quick, private smile, said something in answer to Clark, and sliced at the air again.
For some time now Marian had been seeing younger men. She had been surprised to find he
rself drawn to the first one: Frank, a field director for Human Rights Watch. The difference in their ages was not so very great, but enough: Marian by then had roots, commitments, the quiet consolation of expected rhythms. Frank was like a dancing flame. He sought, incessantly, new things to illuminate and to feed on. When he was transferred to Prague, she had been relieved. And then two months later she found herself sitting over martinis with a Japanese video artist even younger than Frank.
The young men suited her in many ways. They had passion, they were tireless, in bed and in the world. Not yet weary, they saw the good in people, as Marian did, and also still had hopes (as Marian wished to have, but some days it was difficult) of helping it to blossom. Because they valued Marian's experience and fulsomeness, they were flattered by her attention, which flattered her in return.
And they were willing to move on. No matter their protests, their broken hearts, and their promises, Marian knew they would begin to forget her as soon as the door had closed. Their need to be lightly connected suited her. It eased the burden of guilt she would otherwise feel as her joy in and desire for each new lover bloomed, flowered, and faded. It always did; it always would. She had come to accept that. No new love was able to last through the seasons in a heart like hers; none could become established where the roots of her first love ran so deep and its branches spread so wide.
What had been between Marian and Sam had ended long ago, but the friendship that had started before and continued after seemed to Marian stronger, like a rosebush once the extraneous growth has been pruned away. She'd approached the start of their affair tentatively: Sam worked for MANY, and it had been new for Marian, poaching on her own preserve. But she'd judged Sam capable of handling the situation—its beginning, its middle, and its inevitable end—and she'd been correct. About character, Marian was rarely wrong. While others marveled at her unerring intuition, Marian understood her skill to be that of an overcompensating athlete injured when young, now running marathons even though—or because—she'd thought she'd never walk again.