by J. D. Robb
“Then we're getting close.”
“They'll likely signal in his apartment but could very well alert him if he's down here. Give me a minute to jam them.”
“You're handy.”
“We do what we can.” He took out what looked like an innocent PPC, keyed in various codes. “It's rudimentary,” he told her. “Just a precaution to let him know if anyone's down this way.”
“Or if his current ballerina managed to get out. Are we clear?”
“We are.”
“Peabody, we hit sensors. Watch for them. We're moving.”
Another turn, another twenty feet, and they spotted the door. “Secured door,” she said into her mic. “Accessing now.”
She rolled her shoulders as Roarke got to work. She was ready, she thought. She was herself.
When he nodded, they went through the door together, swept it.
She supposed it would be called a sitting room — windowless, but with a softly faded carpet, a sofa, a lamp. And a small monitoring station.
He could sit here and watch her before he went in, she thought, studying the blank monitor, then the second secured door, the one painted bright bloodred.
“The red door,” she murmured. “Locked behind the red door.”
Without a word Roarke went to the door, checked the security. She had to breathe deeply, slowly, fighting the voice inside her begging her to hurry, hurry, hurry.
“Got his lair,” she said to Peabody. “Key in on me. Secondary door and inner security being bypassed. Feeney, I've got a monitoring station here. Send McNab in. We're clear,” she said at Roarke's nod. “We're going in.”
She looked at him, trusted him to keep her centered. She held up three fingers, closed to a fist, then held up one, two. On three they were through the door.
Ten
He'd set his prison with a stage with filmy white curtains on either side and lights to enhance the mood of the music that soared. Roses, their petals glowing silver in the light, scented the air. Eve spotted all this, and another door, in an instant, but her focus centered on the stage and the dancers.
Beata, her face pale with exhaustion, her eyes empty of hope, wore a white, filmy skirt, topped by a bodice glittering with gold like the ring that crowned her.
The same costume as all the others. All the pretty dancers.
Beata rose, fluid as water, en pointe and into an arabesque before turning into the arms of the devil.
He gripped her waist, lifted her high, while his eyes shone through the holes in his mask. His cape flowed from his shoulders as he dipped her head toward the floor.
Eve's weapon seemed to burn in her hand. She longed to fire it, craved it as her heart raged in her chest. And the words, the thoughts that roared through her head were in Romany.
Roarke touched a hand to the small of her back, just a bare brush of fingers. “Your move, Lieutenant,” he murmured beneath the swell of music.
Her move, she thought, and took it when the dancers leaped apart.
“Nice jump,” she called out, training her weapon on Sasha. “Now freeze, or I'll drop you off your twinkle toes.”
She heard Beata's cry, swore she felt it rip through her soul, but kept her eyes on Sasha.
“You're interrupting the performance.” He spoke with some heat — as a man would when bumped violently on the street by a stranger.
“Show's canceled.”
“Don't be ridiculous.” He dismissed her with a wave of the hand, then reached it out for his partner. Roarke had already moved in and put himself between them.
Sasha pulled the dagger from his belt. “I'll kill you for touching her.”
“You can certainly try, and I admit I'd enjoy beating you to hell and back again, but I believe the lieutenant will indeed drop you if you take a step toward this girl.”
“She's mine.” He whirled back to Eve. “No one takes her from me. She is my Angel, and here she lives forever.”
“I am Beata Varga.” Beata yanked the crown from her head, heaved it. “I'm not your Angel, and you go to hell.”
Sasha lunged for her, and even as Roarke braced to counter the attack, Eve kept her word. She dropped him, stunned and shuddering, to center stage.
As he fell, Beata covered her face with her hands and slid to the floor at the edge of those glittering lights. “I knew someone would come. I knew someone would come.”
Eve moved forward, went to her knees, and wrapped her arms around Beata as Peabody's team rushed in.
Once again Roarke stepped between. “I think you might want to restrain your suspect before he recovers, and take him out. Give Beata a moment.” He gave the dagger a light kick across the stage. “And there's your murder weapon.”
“Yeah.” If Peabody thought it strange to see her partner rocking the weeping girl, she said nothing of it. “We'll clear him out, and I'll tell Father Lopez and Dr. Mira to stand by.”
“Crazy fucker.” Baxter looked around the room as he locked restraints on Sasha. “All his world's a freaking stage. Trueheart tagged the MTs. For her,” he added, and with Trueheart's help, hauled Sasha to his feet.
Eve let the police routine play out behind her — under control, she thought and concentrated on Beata. “Are you hurt? Did he hurt you?”
“Not really, not much. How long? How long have I been here? Sometimes he gave me something that made me sleep, and I lost track.”
“You're all right now. That's what counts.”
“He locked me in. In there.” Though she continued to shake, she lifted her chin toward the inner door. “This horrible, beautiful room. He brought me flowers and chocolates, and all these beautiful clothes. He's out of his mind, out of his mind.” She dropped her head back on Eve's shoulder.
“Did he touch you? Beata.” She drew the girl back.
“No, no, no. Not that way. I thought he would rape me, kill me, but it wasn't what he wanted.”
She continued to tremble under Eve's hands, but even as they streamed with tears, her eyes held fury.
“He said we would be together forever, and I would do what I was born to do: dance. Always dance. And night after night he would come and put on the costume. If I wouldn't wear mine, he'd give me the drug, and when I woke I'd be in it. So I put it on rather than have him touch me. And I danced, because if I refused or if I fought, he'd tie me and leave me in the dark.”
“You did what you had to do,” Eve told her. “You did exactly right.”
“I called, but no one heard, and I tried to break the door, but I couldn't. I couldn't. I couldn't.”
“Okay. It's okay.”
“Every day I'd try to find a way out, but there wasn't one. I don't know where I am. How did you find me?”
“You're in the basement of the school where you took classes. We'll get into all the details later. We're going to get you out of here now.”
“My family.”
“You can contact them.” Eve laid a hand on Beata's cheek. “Your family is always with you, wherever you are, wherever you go.”
Beata closed a hand around Eve's wrist, let her head rest in Eve's hand. “That's what my grandmother would say to me whenever I was sad or scared.”
I know, Eve thought, and helped Beata to her feet. “I want you to go with these officers now. They'll take you out.”
“Aren't you coming with me?”
“I'll be there soon. There are things I have to do. Beata, did they know, were they part of this? Natalya, Alexi.”
“No. He said it was only us, our secret — that they wanted him to be calm, to accept, to live without me. Her, Arial, the one whose name he called me. But that he never would. He wouldn't share me with them or the world. He wouldn't lose me this time. He told me often.”
“Okay, go ahead now. Go outside. Go breathe the air.”
Eve knew what it was to be locked up, to be trapped and helpless. And to want to breathe free.
Eve shut off her recorder, looked at Roarke. “It's not done. I hoped, wh
en we found her . . . I have to find the others. I know where they are,” she said before Roarke answered. “They're pressing on me. The dead. I know where they are, and I think — hope — I know what to do.”
“Then we'll go find them.”
She turned her recorder back on, reengaged her mic. “I need a unit down here with tools. We need to take down a wall. And I'll need Morris. I'm on the move. Key in on my location when I get there, and send a team down to process this goddamn prison.
“Let's go,” she said to Roarke.
She didn't have to ask him to hold her hand, to keep her close as they walked those dim corridors, or to talk to her quietly, soothingly.
“He must've built that place years ago,” she said. “And updated it, maintained it — down here in the bowels of the building. There were tools in that utility room we went through. A sledgehammer and — ”
“I'll get something.” She was pale again, he thought, feverish again. It had to end. “Are you all right alone?”
“I'm not exactly alone, but yeah.”
While Roarke doubled back, she walked straight to the void, the empty room Peabody had reported, stared — her eyes burning dry — at the far wall. Old wood, old brick, so it looked patched and repaired and nondescript. But she felt the misery, the horror, and had to force herself not to attack it with her bare hands.
Morris came in behind her. “I passed Roarke. He told me to bring this.”
She grabbed the pry bar out of his hands, began to drag at the boards, the spikes and nails.
“Dallas — ”
“They're back there. Trapped in there.”
“Who?”
“The others. All the others. They can't get out, can't get to the other side. They need to be seen, need to be shown.” Her muscles trembled with the effort as boards splintered. “They need help.”
“Step back,” Roarke snapped as he strode in. “Eve, step back.”
He slammed the sledgehammer he carried at the brick, exploding dust and shards. As he pounded again, again, she moved in, away from the arc of his swing to rip and pry.
The stench seeped in, one she knew too well. Death entered the room.
“I see her.” Eve grabbed for the flashlight on her belt. “Her — them. Three, I think. Wrapped in plastic.”
As she spoke, Roarke slammed the hammer again. Through the gap he created a skeletal hand reached out, palm up, as if in supplication.
“Careful now.” Morris laid a hand on Eve's shoulder. “We need to go carefully now. This is for my team and forensics.”
“Let me see your light.” Roarke took it from Eve, shone it in the gap. “Christ Jesus. He's stacked them, like berths in a bloody train.”
“And when bricks were too much trouble or he just ran out of them, he switched to boards. Can you see how many?” Eve asked him.
“Five, I think. I can't be sure.”
“Hold off now. It's enough.” She took out her communicator. “Peabody, we've got bodies. Eight, maybe more. I need a recovery team, the sweepers. Morris is calling his people in.”
“Acknowledged. Jesus, Dallas, eight?”
“Maybe more. They're found now. And Peabody, send down the priest.”
She clicked off, said nothing as Roarke picked up the bar and continued to carefully knock away loose bricks. Instead she reached in, laid a hand on the plastic covering the ruined shell of Vanessa Warwich.
You're found now, she thought. You're free now.
She stepped out of the room, just leaned against a wall as she struggled against waves of grief.
And the old woman stepped to her, spoke.
“You found our Beata.”
“I'd have found her my own way. I'd have stopped this my own way.”
“I think perhaps you would. But the child is so precious to me, how could I risk it? I was guided to you, or you to me, when I was between. Who can say?”
“I'd think you could at this point. Death ought to come with a few answers.”
Now Gizi smiled. “Perhaps it will. You didn't kill him.”
“It's not how I work.”
“I would have,” she said simply, “but your way will be enough. You are the warrior. I can leave the gift with you.”
“No. Seriously.”
“Then it goes with me. I had a good, long life, but he didn't have the right to end it. You'll see there is balance.”
“He'll pay, for all of it.” She hesitated, then asked what she had asked Lopez, asked herself. “Is it enough?”
“This time. For others?” Gizi lifted her shoulders, let them fall. “Who can say?”
“This time then. I have to finish. I have to finish my way.”
“Yes. As do I. You've freed them. Now I'll guide them to the other side where there will be light and peace. Until we're called again. Pa chiv tuka, Eve Dallas.”
“Ni eve tuka.” Eve shook her head. “You're welcome,” she corrected.
She saw the light again, not blinding now, but warm. She simply closed her eyes as the heat flowed through her, then out again. When she opened them, there was nothing but the dim corridor and the sound of approaching footsteps.
She pushed away from the wall, moved forward to direct cops and techs. To do her job. “They're in there,” she said to Lopez. “Maybe you can do . . . what you do.”
“Yes. The girl, Beata, she's waiting for you. She won't leave until she speaks to you.”
“I'll go up.”
“A very hard day,” he said. “And yet . . . ”
“Yeah.” She reached over as Roarke came out, brushed mortar and brick dust off his shirt. “Let's go up.”
“Tell me how you are.”
“I'll show you.” She stopped, yanked up her pants leg. Her clutch piece rode on her unmarked ankle. “No more tattoo. It's a lot less crowded in here.” She tapped her head. “Say something in Russian.”
“I only have a few phrases, but this one seems appropriate. Ya liubliu tebia.”
She grinned at him, felt a lightness she hadn't felt in hours. “I have no idea what you said. Thank God.”
He grabbed her, held tight. Then he drew her face up, crushed his mouth with hers.
“On an op,” she murmured but kissed him back before drawing away.
Linking hands, they continued down the corridor. “I said I love you — and it's true in every language.”
“Nice. Let's just keep it all in English for a while. God, I'm starving again.” She pressed her hand to her belly. “Anyway, thanks for the assist. In there and all around.”
“No problem. But next time we have a barbecue, Lieutenant, we both stay the bloody hell home.”
“That's a deal.”
Upstairs she paused, walked over to where Natalya and Alexi sat on the steps, nodded at the cop standing by them. Natalya looked up, eyes flooded with tears.
“They said — we heard — there are bodies.”
“Yes.”
“My brother.” Her voice broke as she pressed her face to her son's chest. “He was broken, but he took his medication. We went on — we both went on. What has he done? In the mercy of God, what has he done?”
“She didn't know.” Alexi held her close while she sobbed. “We didn't know, I swear it. My uncle, he's such a quiet man. Such a quiet man. Beata? She's all right?”
“She'll be all right. We're going to have to take you and your mother down to Central. We need to talk.”
He only nodded and stroked his mother's hair. “We didn't know.”
“I believe you.”
“A nightmare for them,” Roarke commented as they stepped outside into the warm night.
“One that won't end anytime soon.”
Gawkers pressed behind the barricades. Cops swarmed, lights flared, and the air was busy with voices and communicators. Reporters, alerted to the scene, shouted questions.
Eve ignored them all as Beata broke away from Mira and ran to her.
“They said Mamoka is dead. Sasha killed her —
my great-grandmother.”
“Yes. I'm very sorry.”
The sound she made was deep, dark grief. “Mamoka. She came for me, to find me. And he killed her.”
“He'll pay for that, for all of it.” And this time, Eve reminded herself, it was enough. “She did find you, and that's what mattered most to her. She told me your name. She . . . showed me the way.”
“She spoke to you?”
“She did. And I know she's okay, because you are. You can see her tomorrow. I'll arrange it. But now, you need to go to the health center, get checked out. You need to listen to Dr. Mira. We'll talk again.”
“There were others.” Her face stark, Beata stared at the old building with its glittering windows. “I heard — ”
“We'll talk again,” Eve said.
Beata pressed her fingers to her eyes, nodded, then dropped them. “I'm sorry. I never asked your name.”
“I'm Dallas.” Through and through, she thought, in and out and all the way. “Lieutenant Eve Dallas.”
“Thank you, Lieutenant Dallas.” Beata held out a hand. “For every day of the rest of my life.”
“Make good use of them.” Eve shook her hand, then sent her back to Mira.
Eve took a breath, then tuned in to the lights, the noise, the movement. Her world, she thought, and walked back to Roarke.
“Things to wrap up,” she told him. “Reports to file, killers to question.”
“You look pretty pleased about it.”
“All in all, I am. But tomorrow? Why don't we stay home, watch old vids and eat junk food, maybe drink a whole bunch of wine and have half-drunk sex?”
“A master plan. I'm in.”
“Excellent. I have to go back down there. You could wait here or go on home.”
“Lieutenant.” He took her hand again. “I'm with you.”
“Well, you're handy,” she said, grinned again.
She walked back toward the building with him to do the job. She felt tired, violently hungry, and completely herself.
FB2 document info
Document ID: ef735353-ed6b-4d96-8d5d-5f8930a13335
Document version: 1
Document creation date: 22 December 2010
Created using: FictionBook Editor Release 2.6 software