by John Verdon
As the cruiser pulled away, the video switched to a new scene—a fire engine in front of a smoldering brick building, two firemen in protective gear holding a hose and directing its powerful stream through a shattered ground-floor store window. A worn sign above the window identified the burned-out remains as Betty Bee’s BBQ.
The camera’s elevated point of view was similar to that of the first camera, indicating that its source was a similar high-end drone. It would seem, Gurney noted with interest, that RAM was applying significant resources to its coverage of White River.
The next video segment was a street interview between a mic-wielding female reporter and a large fireman whose black helmet displayed in gold letters the word CAPTAIN. The reporter was a slim dark-haired woman whose expression and voice projected great concern. “I’m Marilyn Maze, and I’m talking to Fire Captain James Pelt, the man in charge of the chaotic scene here on Bardle Boulevard.” She turned toward the big man, and the camera zoomed in on his jowly, ruddy-skinned face. “Tell me, Captain, have you ever seen anything like this before?”
He shook his head. “We’ve had worse fires, Marilyn, worse in terms of the heat and the combustion of toxic materials, but never in conditions like this, never this wantonness of destruction. That’s the difference here, the wantonness of it.”
She nodded with professional concern. “It sounds like you’ve concluded that these fires are the intentional work of arsonists.”
“That’s my preliminary conclusion, Marilyn—subject to analysis by our arson investigator. But that’s what I would say the conclusion would be.”
She looked appropriately appalled. “So what you’re telling us, Captain, is that these people—some of these people, I should make that clear right now, that we’re talking about just a percentage, the law-breaking percentage of the population—some of these people are burning down their own neighborhood, their own stores, their own homes?”
“Doesn’t make a darn bit of sense, does it? Maybe the whole idea of sense isn’t part of the thinking here. It is a tragedy. Sad day for White River.”
“All right, Captain, we thank you for taking the time to talk to us.” She turned to the camera. “Interesting comments from Captain James Pelt on the insanity and tragedy of what’s happening in the streets of this city. I’m Marilyn Maze, reporting live for Battleground Tonight.”
The scene shifted back to the earlier talking-heads format. As before, the video was partitioned into three sections. A female newsperson now occupied the center position. She reminded Gurney of a certain kind of girl on a cheerleading squad—blond hair, straight nose, wide mouth, and calculating eyes—every word and gesture a tactic for success.
She spoke with a cool smile. “Thank you, Marilyn, for that thought-provoking exchange with Captain Pelt. I’m Stacey Kilbrick in the RAM News Analysis Center, with two high-powered guests with colliding points of view. But first, these important messages.”
The video went black. With key words flashing in bold red type against the dark background, an ominous voice intoned over the rumble of distant explosions, “We live in dangerous times . . . with ruthless enemies at home and abroad. As we speak, conspirators are plotting to strip us of our God-given right to defend ourselves from those out to destroy our way of life.” The voice went on to offer a free booklet revealing imminent dangers to American lives, values, and the Second Amendment.
A second commercial promoted the unique importance of gold bullion—as the most secure medium of exchange “as our debt-ridden financial system approaches collapse.” An ancient anonymous authority was quoted: “Wisest of all is the man whose treasure is in gold.” A free booklet would explain it all.
The commercial faded out and the video cut back to Stacey Kilbrick, in the center section of the screen. On one side was a thirtysomething, strong-featured black woman with a short Afro. On the other side was a slightly wall-eyed, middle-aged white man with short sandy hair. Kilbrick’s voice projected an artful balance of confidence and concern. “Our subject tonight is the growing crisis in the small city of White River, New York. There are conflicting points of view on what it’s all about.” A bold line of type moved across the bottom of the screen:
WHITE RIVER CRISIS—PERSPECTIVES IN COLLISION
She continued, “On my right is Blaze Lovely Jackson—the woman who was in the car with Laxton Jones one year ago when he was killed in a confrontation with a White River police officer. She’s also a founding member of the Black Defense Alliance and a forceful spokesperson for the BDA point of view. On my left is Garson Pike, founder of ASP, Abolish Special Privileges. ASP is a political action group promoting the repeal of special legal protections for minority groups. My first question is for Ms. Jackson. You’re a founding member of the Black Defense Alliance and an organizer of the demonstrations in White River—demonstrations that have now led to the death of a police officer. My question: Do you have any regrets?”
Since they were evidently in different studios and responding to each other via monitors, each participant was addressing the camera head-on. Gurney studied Blaze Lovely Jackson’s face. Something inside her was radiating an almost frightening determination and implacability.
She bared her teeth in a hostile smile. “No surprise that you have that a little back to front. Nothing new in that, with young black men getting killed all the time. Streets are full of black men’s blood, going back forever. Poison water, rats biting babies, rotten houses full of their blood. Right here in our own little city, there’s the big nasty prison, full of black men’s blood, even back to the blood of slaves. Now one white cop is shot, and that’s the question you have? You ask how much regret I have? You don’t see how you have that all back to front? You don’t think to ask which came first? Was it black men shooting white cops? Or was it white cops shooting black men? Seems to me you have a little sequence problem. See, my question is, where’s the regret for Laxton Jones? Where’s the regret for all them black men shot in the head, shot in the back, beat to death, year after year, forever and ever, hundreds of years, for no good reason on God’s earth? Hundreds of years and no end in sight. Where’s the regret for that?”
“That may be a subject for a larger discussion,” said Kilbrick with a patronizing frown. “Right now, Ms. Jackson, I’m asking a reasonable question raised by the senseless assassination of a community servant trying to maintain public safety at the BDA rally you organized. I’d like to know how you feel about the murder of that man.”
“That one man? You want me push aside hundreds, thousands, of young black men murdered by white men? You want me push them aside so I can fill up with regret about this one white boy? And then tell you all about that regret? And maybe how much I regret being responsible for a shooting I didn’t have nothing to do with? If that’s what you want, lady, I’ll tell you something—you have no idea what world we’re living in. And there’s something else I’ll tell you right here to your pretty face—you have no damn idea how damn crazy you are.”
Along with Stacey Kilbrick’s ongoing frown there was satisfaction in her eyes—perhaps the satisfaction of achieving the RAM goal of maximizing the controversy in every situation. She moved on with a brief smile. “Now, for a different perspective, Mr. Garson Pike. Sir, your viewpoint on the current events in White River?”
Pike responded with a shake of his head and a long-suffering smile. “P-perfectly predictable tragedy. Cause and effect. Chickens coming home to roost. It’s the p-price we all p-pay for years of liberal permissiveness. P-price for political correctness.” His accent was vaguely country. His gray-blue eyes blinked with each small stutter. “These jungle attacks on law and order are the p-price of cowardice.”
Kilbrick urged him on. “Could you elaborate on that?”
“Our nation has been on a p-path of reckless accommodation. Giving in again and again to the demands of every minority race—black, brown, yellow, red, you name it. Lying down like doormats for invading armies o
f mongrel freeloaders and terrorists. Giving in to the demands of the cultural saboteurs—the atheists, the abortionists, the sodomites. It’s the terrible truth, Stacey, that we live in a country where every vile p-perversion and every worthless segment of society has its champions in high places, its special legal protections. The more detestable the subject, the more protection we give it. The natural result of this surrender is chaos. A society turned upside down. The maintainers of order are attacked in the street, and their attackers pretend to be victims. The inmates, Stacey, have taken over the asylum. We’re supposed to be politically correct while all they do is complain about their minority disadvantages. Hell, like what? Like being p-put front of the line for jobs, promotions, special minority protections? And now they complain that they’re disproportionately represented in p-prisons. Simple reason is that they’re disproportionately committing the crimes that put them there. Eliminate black crime, and we’d have pretty much no crime in America at all.”
He concluded with an emphatic little nod and fell silent. The emotional momentum that had been increasing through his speech left little tics tugging at the corners of his mouth.
Kilbrick limited her reaction to a thoughtful pursing of her lips. “Ms. Jackson? We have about a minute left, if you’d care to offer a brief response.”
Blaze Lovely Jackson’s gaze had hardened. “Yeah, I’ll be brief. That Pike babble’s the same fascist crap you RAM folks been feeding all these years to your trailer-trash fans. I’ll tell you what it really is—what you’re doing is disrespectful. The white man is always making the black man feel small, feel like he’s got no power at all, feel like he’s no kind of man. You don’t give him any decent job, then you tell him he’s worthless cause he ain’t got a decent job. I tell you what that is. That’s the sin of disrespect. Hear me now, even if you don’t hear another thing. Disrespect is the mother of rage, and rage is the fire that’s going to burn this country down. Laxton Jones had no drug, no gun, no warrant. Hadn’t broken any law. Hadn’t done any crime. The man hadn’t done nothing to nobody. But he got shot anyway. Got shot dead in the face. How often do police do that to a white face? How often do they kill a white man who hasn’t done a crime? You want to understand the true place we’re at, you want to understand what BDA is all about, you think on that.”
Kilbrick’s eyes were alive with excitement. “Well, there you have it! Two sides of the White River crisis. In head-on collision. On Battleground Tonight. We move now to our cameras on location—your eyes on the tense streets of White River. I’m Stacey Kilbrick, on the watch for breaking news. Stay with us.”
The studio scene was replaced by an aerial shot of the city. Gurney could see smoke pouring from the roofs of three buildings. Orange flames shot up from one of them. On the main boulevard he noted a procession of police cars, a fire engine, and an ambulance. The aerial camera was picking up the sounds of sirens and bullhorns.
Gurney eased his chair back from the table, as if to distance himself from what he was seeing on his computer screen. The cynical conversion of misery, anger, and destruction into a kind of reality TV show sickened him. And it wasn’t just RAM. Media enterprises everywhere were engaged in the continual promotion and exaggeration of conflict, a business model based on a poisonous insight: dissension sells. Especially dissension along the fault line of race. It was an insight with an equally poisonous corollary: nothing builds loyalty like shared hatreds. It was clear RAM and its host of vile imitators had no qualms about nurturing those hatreds to build loyal audiences.
He realized, however, that it was time to put aside grievances about which he could do nothing and focus on questions that might have answers. For example, might Blaze Lovely Jackson’s rage at the police have been sufficient to involve her in actions beyond staging protests? Actions such as planning, abetting, or executing the sniper attack? And why hadn’t Kline gotten back to him? Had the query he’d left on the man’s voicemail concerning the missing ingredient in their conversation scared him off? Or was the potential answer sensitive enough to demand long consideration or perhaps even discussion with another player in the game?
That thought led by a crooked route to another question that had been in the back of his mind ever since Marv Gelter had abandoned his party to take a call from Dell Beckert. What sort of relationship did the racist billionaire have with the White River police chief?
“Do you know if the upstairs windows are closed?”
Madeleine’s voice startled him. He turned and saw her standing in her pajamas in the hallway that led to the bedroom.
“The windows?”
“It’s raining.”
“I’ll take a look.”
As he was about to shut down his computer, an announcement appeared on the screen in bold type:
CRISIS UPDATE
LIVE-STREAMING PRESS CONFERENCE—9:00 AM TOMORROW
WITH CHIEF BECKERT, MAYOR SHUCKER, DISTRICT ATTORNEY KLINE
He made a mental note of the time, hoping the event would be concluded before he had to leave for his meeting with Hardwick.
Upstairs he found only one window open, but it was enough to fill the room with the flowery aroma of the spring night. He stood there for a while breathing in the soft, sweet air.
His racing thoughts were replaced by a primitive sense of peace. A phrase came to mind, something he’d once read—just the phrase, emerging from an unrecalled context and attaching itself to the moment: a healing tranquility.
Once again, as so often in the past, a pleasant and totally unanticipated consequence had followed from his doing a simple thing Madeleine had asked him to do. He was sufficiently logic-driven to avoid attributing any mystical significance to these experiences. But their occurrence was a fact he couldn’t ignore.
When the wind shifted and the rain began to spatter lightly on the sill, he closed the window and went downstairs to bed.
8
Tranquility, unfortunately, was not his natural state of mind. During several hours of fitful sleep his innate brain chemistry reasserted itself, bringing with it the low-level anxiety and uneasy dreams to which he was accustomed.
At some point during those hours he awoke briefly, discovering that the rain had stopped, a full moon had appeared behind the thinning clouds, and the coyotes had begun to howl. He went back to sleep.
Another round of howling, closer to the house, woke him once more—from a dream in which Trish Gelter was ambling around a white cube in a field of daffodils. Each time she circled the cube she announced, “I’m the fun one.” A blood-covered man was following her.
Gurney tried to clear the image from his mind and doze off again, but the persistent howling and the need to go to the bathroom finally got him out of bed. He showered, shaved, put on his jeans and an old NYPD tee shirt, and went to the kitchen to make himself some breakfast.
By the time he’d finished his eggs, toast, and two cups of coffee, the sun was rising above the pine-topped eastern ridge. When he opened the French doors to let in the morning air, he could hear the chickens making their morning clucking noises out in the coop by the apple tree. He stepped onto the patio and for a while watched the goldfinches and chickadees visiting the feeders that Madeleine had set up next to the asparagus patch. His gaze moved across the low pasture to the barn, the pond, and the site of his exploratory dig.
When he’d discovered the buried foundation—accidentally, while clearing large rocks from the trail above the pond—and had exposed enough of it to get a sense of its antiquity, it had occurred to him that he might invite Dr. Walter Thrasher to have a look. In addition to being county medical examiner, Thrasher was an avid historian and collector of Colonial artifacts. At the time, Gurney had wavered on whether to involve him, but now he was inclined to do so. The man’s insights into the remains of the old house could be interesting, and having a personal avenue of access to him might prove useful if Gurney decided to accept Kline’s invitation to step into the White River
investigation.
He went back into the house, got his phone, and returned to the patio. He scrolled through his list of numbers, found Thrasher’s, and tapped on it. The call went to voicemail. The recorded announcement was nearly as short as Hardwick’s. Rather than gruff, though, the tone was refined. It invited the caller to simply leave a name and number, but Gurney decided to include some details.
“Dr. Thrasher, this is Dave Gurney. We met when you were the medical examiner on the Mellery homicide. Someone mentioned then that you were an expert on the Colonial history and archaeology of upstate New York. I’m calling because I’ve uncovered a site on my property that may date back to the eighteenth century. There are a variety of artifacts—a flesher tool, ebony-handled knife, iron chain links. Plus possible human remains—a child’s teeth, if I’m not mistaken. If you’d like to know more about this, you can reach me on my cell anytime.” Gurney added his number and ended the call.
“Are you talking to someone out there?”
He turned and saw Madeleine at the French doors. Her slacks-and-blazer outfit reminded him it was one of her workdays at the mental health clinic.
“I was on the phone.”
“I thought maybe Gerry had arrived. She’s picking me up today.”
She stepped out onto the patio, raising her face into the slanting morning sunlight. “I hate the idea of being cooped up in an office on a day like this.”
“You don’t have to be cooped up anywhere. We have enough money to—”
She cut him off. “I don’t mean it that way. I just wish we could see our clients outdoors in weather like this. It would be better for them, too. Fresh air. Green grass. Blue sky. Good for the soul.” She cocked her head. “I think I hear Gerry coming up the hill.”
A few moments later, as a yellow VW Beetle made its way up the weedy lane through the low pasture, she added, “You’re going to let the chickens out, right?”
“I’ll get to it.”