by Ed Gorman
The old man still had his hands in the sink. He seemed to be washing the silverware under the faucet for an interminable length of time, and Arnaud, thinking the sound of the water might have prevented him from hearing, repeated more loudly: “You know her, by any chance?”
The old man kept his head down, hut stretched out his hand and shut off the water. Finally, still without turning around, he said: “Yes, sir, I knew her. I knew her very well. I loved her like a daughter.”
Arnaud remained silent for a moment. He cursed Legendre for having put him in this situation; he had no more idea how to console a man than he knew how to grill him or judge his guilt, and he remained silent until the old man finally turned around and leaned against the sink, drying his eyes with the hack of his hand. Then he spoke again, clumsily: “She probably didn’t suffer, you know, she must have passed out when she couldn’t breathe anymore. And the police are there, they’re going to find the bastard who did it. Don’t worry, they’re animals but they always get caught in the end.”
The old man raised his head and stared at Arnaud without answering. He picked up the coffeepot, brought it to the table, and filled the two cups. He sat down in front of Arnaud, right next to the dog; he scratched the animal behind the ear for a long time. Then, as if he’d just made a decision, he sat up, put his two hands down on the table, and said: “I’m going to tell you a story.”
2.
You see, sir, in two or three months this building’s going to be torn down. I think about it every time I see it. Every time I turn the corner, I’m glad to see its old walls still standing, and then the potted geraniums of the old lady on the third floor, they’re old as the building. She takes cuttings from them and puts them in glasses of water, they’re all over her kitchen. During the summer, with the flowers and the wash drying outside the neighbors’ windows, you’d think it’s a street in Italy. That’s what I tell myself, you see, even though I’ve never been to Italy. Every time I see the building from the street I’m happy, and relieved. As if the demolition crew might come in with their bulldozers and jackhammers before the date they’ve set, and there’ll be nothing left of my house but a pile of rubble. They’re going to build what they call a “residence,” you know, one of those high-class buildings they sell to young people for a fortune because you can see the trees in the park, as if you couldn’t go live in the country when you feel like seeing trees. Twenty years ago it was a hotel — you can still see the sign painted on the front — then they knocked down some inside walls and turned the rooms into apartments to rent to people who didn’t mind sharing a bathroom with four other apartments and a toilet out on the landing. Yes, people like me and Layla’s mother.
But I’m always afraid they’ll knock down the building without any warning, and every time I go out I take a bag with my most important things in it: my papers, the money I’ve saved up, my watch — I don’t like to wear it on my wrist — my social security card, some letters from my mother, and … these photos. That’s Layla. Take a look. She got these snapshots done in the Photomaton at the supermarket; she gave them to me on her fifteenth birthday. You can see how beautiful she is. Nobody ever knew who her father was; her mother got married and had three other kids but Layla was the oldest, from the years when her mom was going out and having a good time. The kid was conceived who knows where and she was born who knows where, in the street, she was in a hurry to see the world, the neighbors didn’t have the time to call an ambulance.
For a long time she was ashamed of it, being born in the street. The other kids in the neighborhood knew — kids always know everything — and you can bet they made fun of her. Then one day I took her by the hand — her mother asked me to watch her a lot when she was a little girl and the kid was used to coming over my place — and I took her to rue de Belleville to show her the marble plaque on number 72, where Piaf was born, you know, five minutes away from here. And then I took her to the library to show her what a great lady Piaf was, I showed her books and I made her listen to recordings too, she looked like a little mouse with those earphones — she was … oh, not more than five or six. I never had a record player and neither did her mother.
That story of Piaf: who was born in the street like her … it was a good thing for her — and a bad thing too. Because she decided right away she’d be a singer, and she did have a nice little voice. She started singing all the time. Since they couldn’t handle her anymore at her place, with the three other kids squealing, she’d come to mine. She used to give me sheets of paper with the words of the songs and I had to check if she was making any mistakes, and me, I hardly know how to read, sir. When it was nice out we’d go down to the park, right next door, I’d spread out a sheet or a blanket under a tree and I’d give her what I’d made to eat, sandwiches usuallv, cheese or chicken sandwiches, and sometimes she’d run off to get Cokes at the nearby Franprix. Those days, when I listened to her sing, with the smell of the flowers all around, stretched out on the blanket with a piece of grass between my teeth — sometimes she sang so softly I’d fall asleep — yes, sir, no doubt about it, those were the best days of my life.
They should have given her singing lessons, of course, and taught her to play an instrument too, but they didn’t have any money for that either. For a while she thought she’d pay for them herself and she sang in the street, especially in summer at the sidewalk cafes around Menilmontant, and there too, I’d go with her to make sure nothing happened to her; I used to take along a folding chair and I’d roll myself cigarettes until I decided it was time to go home. Yes, you see, I never had a kid, so naturally it was like she was mine, almost, what with her mother always busy with the three little ones. But she was never able to collect enough money to pay for lessons or a musical instrument.
When she grew up things got difficult. At fourteen she started changing her name all the time, saying she was looking for a stage name. She used to go to the library a lot, first with me and then alone, that’s where she learned all those, names of singers and opera heroines, Cornelia, Aïda, Dorahella. Plus, you had to watch out: You couldn’t make a mistake, confuse her most recent name with the old one, or she’d get mad; it was like mentioning somebody she’d had a fight with. One day, just kidding around, I told her she was like an onion, adding skins instead of taking them off, but after that she wouldn’t talk to me for a week. Maybe what the girl really missed was bearing the name of a man who was a real father to her.
She hung onto the idea of becoming a singer. Her parents wouldn’t hear of it, of course, they wanted her to get a real job, with a good salary. But she stuck to her guns. Then it began to go to her head, and it’s my fault too, because I always encouraged her. Those years, when she was fourteen or fifteen — they were the worst. Layla wasn’t going to school anymore — we learned this by pure chance because she’d steal the notes from school and imitate her mother’s signature. Her stepfather gave her a beating and she went back, but not for long, she never stopped cutting classes, she’d leave in the morning with her school bag but she’d hang out in the street all day.
Things were so bad at home that she got used to sleeping here from time to time, then more and more; her parents felt secure knowing where she was. I wanted to give her my room but she said no, she made her bed on the living room sofa, over there, she’d sleep with Milou at her feet. She said she didn’t want to bother me but mainly I think she wanted to be able to go in and out without my hearing her; I’ve gotten hard of hearing in my old age and it wasn’t so easy to watch her, she wasn’t a little girl anymore. And then, I didn’t have the guts to bawl her out, I was afraid she’d leave, that’s the way it is when you’re not really the parent, you don’t dare to be too strict. And then she started disappearing for days on end. We didn’t know where she went. I had a feeling she was traveling with a bad crowd — when she came back her breath smelled of cigarettes and even liquor, but you see, sir, she still loved to sing. So I used to tell myself that would save her, I always thought that in the end it would
save her from the worst, that’s how naïve I was!
A year ago, she started telling me about people she’d met who worked in television. She told me there were shows that helped young people like her become singers or actors and she was going to try her luck, and for the first time she asked me for a little money to buy herself a dress and shoes. For the audition, she said — she’s the one who taught me the word: audition. She told me it was going to be in a suburb of Paris and she’d sleep over at a girlfriend’s place, a girl who dreamed of going on stage too. She told me all that sitting right where you are, with Milou’s head on her lap, pulling his ears the way she liked to do when she was a little girl. At the time we already knew the building was going to be torn down and she told me that when she was famous she’d buy a big house with a garden and there’d be a room for me and a basket for the dog. Yes, that’s what she said. Then she asked if she could sleep on the couch and of course I said yes. When I went to bed, she kissed me. She told me she’d keep in touch, because she’d probably have to stay a few months there in the TV studios, after the audition. She was laughing. I hadn’t heard her laugh like that for a long time. The next morning when I woke up, she was gone.
Right away I knew she’d left for a long time. She’d been to her place very early and took some money from her mother’s purse. Everybody was still sleeping. They thought one of the kids had left the door open and someone had snuck in. I didn’t say a thing, but I was sure it was her, even if she never stole before. I was hurt, less because of what she did than because it meant she wouldn’t be coming back for a long time. And also because I told myself that if I’d only given her more she wouldn’t have had to steal.
I began to spend my evenings at Samir’s, the grocer on the corner of rue Piat. He had a TV set in the back room and when he had customers he let me watch whatever channel I wanted. I watched all the shows Layla told me about, those shows for young people. I never thought there were so many kids who wanted to be famous, and that made me afraid for her. It’s true she had a nice voice and she was very good-looking, but there were lots of other kids with nice voices too, just as good-looking. I just hoped it wouldn’t ruin her life, hoped she wouldn’t be afraid to come back. I got five postcards from her over the next year, look, you can see them over there on the wall. She wrote the same thing on every one of them, or just about: I’m fine, Grandpa. Love you.
One evening I really thought I saw her on a show. I’m almost sure of it. By that time I’d lost hope, I kept going to Samir’s mainly because 1 wasn’t used to staying home alone anymore, especially without much chance of Layla dropping by. The girl I saw only stayed on stage for a few minutes, they didn’t even give her time to finish her song. She said her name was Olympia but that doesn’t mean a thing, you know. She had heavy makeup on, with silver on her eyelids and red lips, done up in a way she never would have dared here, a shiny dress, very short. I remember thinking, So much money for such a short dress. But her voice sounded like Layla’s and she sang a Piaf song, which is funny because the others chose much more modern music, the kind you hear blasting on young people’s car radios when they’re stopped at a light with their windows rolled down, or when they don’t shut their bedroom windows. I couldn’t get a good look at her face, it went so fast, I yelled for Samir, hoping he could help me figure out if it really was her, but by the time he got there — he was helping another customer — it was already over.
The weeks after that I kept watching the show, but the girl — Layla — she never came back. I kept hoping for months, I told myself maybe it was just the first round and we were going to see her again at some point. But I never did.
A few months later there were the rumors. Somebody claimed they saw her in a bar, a nightclub really, then somebody else, and then somebody else again. They swore it really was Layla, said she was dancing every Saturday over there, near Pigalle, then they said the words peep show. I didn’t know what that meant either, before. Around that time, her family moved out; they didn’t even leave an address — I don’t know if it was the shame of the neighborhood hearing that their daughter was dancing naked in front of men. Her mother just left a box in front of my door with the girl’s things. They’re still there, in my bedroom.
There isn’t much left to my story. One day I went there. I don’t know why, I think I was sure it wasn’t Layla, just as I had been sure that I’d seen her on TV at the gates of fame with Piaf’s song on her lips, but I needed to see her in person The rumor had become more and more persistent and I basically knew where to look for her. I waited a few weeks, the time to get up my courage, and then I took the bus to Pigalle one evening around midnight. I didn’t have to look far. There were photos of her at the entrance to one of the clubs. I looked at them for a long time, so long the guy watching the door got impatient and said, “Hey, Gramps, you coming in or you growing roots there.” In some pictures she was wearing dresses with slits at her thighs and between her breasts and in others she was almost naked. I had washed her when she was a baby and when she was a little girl; it didn’t bother me to see her naked. But there wasn’t one single photo where she was smiling. The lipstick was like a gash across her face, she’d lost her nice round cheeks, and her black eyes looked very big. When the guy at the entrance spoke to me I was caught unprepared, I couldn’t stop looking at her face after not having seen her for months, and when he said, “Well, Gramps?” I asked, “How much is it?” and I fumbled around in my wallet to pay the admission.
Inside the peep show, as they call it, it was dark and it smelled of sweat, the music was too loud, you’d think you were in one of the worst bars in our neighborhood. I stayed standing near the door of the room they pointed me to, men kept corning in, pushing each other, I was hot, and then I realized I still had my cap on and I took it off. The first girl was a blonde in a shiny pink slip, she couldn’t dance but the men were whistling and yelling, some of them tried to touch her but there was a strongman watching the edges of the stage. After that I didn’t have to wait long, because the next one was Layla.
I won’t tell you about how she was dancing under the eyes of those men, my poor ruined little girl. I didn’t stay very long, just enough to see her pace back and forth on the stage two or three times on her high heels, with a swaying walk I’d never seen from her, and then just when I was putting my cap on to leave — maybe it was my motion that attracted her attention — she saw me. She didn’t stop dancing hut she dropped her arms, she’d been holding them over her head till then, and she twisted her ankle. I saw her mouth tighten in pain but nothing more because I’d already turned around, and I left without looking back.
I didn’t tell anyone about what I saw. Nobody asked me anything but I think a lot of people understood, because I never went back to watch TV at Samir’s. I just went out to walk the clog and shop for food. The rest of the time I stayed here sitting in the kitchen, and I tried not to think. I didn’t even wonder anymore where I’d go when the building was torn clown.
I didn’t think she’d come. I didn’t guess it in her look when she spotted me at the peep show, all I saw was boredom and that new toughness, and the jab of pain when she twisted her foot, but I didn’t see joy or sorrow at the idea of what she’d lost, and I told myself she’d put all that behind her. Still, when there was a knock on the door one evening, very late, I knew right away it was her. I’d fallen asleep on the couch; since she left that’s where I usually slept, as if giving myself the illusion she was in the room next door. I went to splash some water on my face before I opened the door.
She was pale, and I realized right away she’d knocked on the door across the hall first, the door of the apartment where her family used to live. It hadn’t been rented again because of the plan to demolish the building, but two guys set up house there, with candles for light and a coal stove for heat. They drank all day and begged in front of the Monoprix supermarket on rue des Pyrenees, a little further up. She must have woken them up because the younger one, a guy wi
th a beard, was standing in the half-open doorway looking at us. When she came in, I didn’t hear him close the door and I’m sure he stayed there waiting for her to come out again.
Oh yes, I know what you’re thinking. You’re thinking he waited for her, followed her to the park, and then what happened, happened. But you’re wrong.
She didn’t cross the threshold until I told her to come in, and it was strange, that mix of humility and provocation in her face, like she was defying me to criticize her for anything. I found her taller, maybe it was her high heels, maybe her thinness, she was wearing a jacket I recognized and she floated in it like a little bird. She sat down on the couch and looked at me with a funny smile on her face. I could see immediately she’d taken something, something stronger than a couple of drinks, and that was new too: She looked at me and then seemed to look through me, she had to make an effort for her eyes to focus on my face again. She rubbed her nose with her forefinger and then she said: “So, they left.”
Her voice was like her face, just as tough, like, grated — I know I should say grating, but it was something else, it was like they’d both been dragged over a hard surface and they’d lost all their softness. “Two months ago, yes,” I said. “But your mother left your things, they’re in my room, I can go get them if you like.”
She shrugged indifferently, as if none of it had any importance. She stayed slumped on the couch with that half-smile on her lips and that floating look, twisting a strand of hair around her finger.
“Layla,” I said, “come back. You can stay in the bedroom, you’ll be fine there, I almost always sleep in the living room now. I can help you bring over your things, if you like. We can even go there right now.”
She laughed, a joyless laugh, and I thought of the night before she left, that happy laugh I’d kept inside my ear like a good luck charm while she wasn’t here. “And to do what, huh?” she answered.