It was not that Albert was a verbose and aggressive bore; he did not buttonhole you with interminable stories or pester you with pointless jokes; he did not crucify you on a platitude or hamstring you with a commonplace; he was just dull. A cipher. Clifford Boyleston, for whom the French Romantics had no secrets and who was himself a writer of merit, had said that when you looked into a room into which Albert had just gone there was nobody there. This was thought very clever by Mrs Albert Forrester’s friends, and Rose Waterford, the well-known novelist and the most fearless of women, had ventured to repeat it to Mrs Albert Forrester. Though she pretended to be annoyed, she had not been able to prevent the smile that rose to her lips. Her behaviour towards Albert could not but increase the respect in which her friends held her. She insisted that whatever in their secret hearts they thought of him, they should treat him with the decorum that was due to her husband. Her own demeanour was admirable. If he chanced to make an observation she listened to him with a pleasant expression and when he fetched her a book that she wanted or gave her his pencil to make a note of an idea that had occurred to her, she always thanked him. Nor would she allow her friends pointedly to neglect him, and though, being a woman of tact, she saw that it would be asking too much of the world if she took him about with her always, and she went out much alone, yet her friends knew that she expected them to ask him to dinner at least once a year. He always accompanied her to public banquets when she was going to make a speech, and if she delivered a lecture she took care that he should have a seat on the platform.
Albert was, I believe, of average height, but perhaps because you never thought of him except in connexion with his wife (of imposing dimensions) you only thought of him as a little man. He was spare and frail and looked older than his age. This was the same as his wife’s. His hair, which he kept very short, was white and meagre, and he wore a stubby white moustache; his was a face, thin and lined, without a noticeable feature; and his blue eyes, which once might have been attractive, were now pale and tired. He was always very neatly dressed in pepper-and-salt trousers, which he chose always of the same pattern, a black coat, and a grey tie with a small pearl pin in it. He was perfectly unobtrusive, and when he stood in Mrs Albert Forrester’s drawing-room to receive the guests whom she had asked to luncheon you noticed him as little as you noticed the quiet and gentlemanly furniture. He was well mannered and it was with a pleasant, courteous smile that he shook hands with them.
“How do you do? I’m very glad to see you,” he said if they were friends of some standing. “Keeping well, I hope?”
But if they were strangers of distinction coming for the first time to the house, he went to the door as they entered the drawing-room, and said:
“I am Mrs Albert Forrester’s husband. I will introduce you to my wife.”
Then he led the visitor to where Mrs Albert Forrester stood with her back to the light, and she with a glad and eager gesture advanced to make the stranger welcome.
It was agreeable to see the demure pride he took in his wife’s literary reputation and the self-effacement with which he furthered her interests. He was always there when he was wanted and never when he wasn’t. His tact, if not deliberate, was instinctive. Mrs Albert Forrester was the first to acknowledge his merits.
“I really don’t know what I should do without him,” she said. “He’s invaluable to me. I read him everything I write and his criticisms are often very useful.”
“Moliere and his cook,” said Miss Waterford.
“Is that funny, dear Rose?” asked Mrs Forrester, somewhat acidly.
When Mrs Albert Forrester did not approve of a remark, she had a way that put many persons to confusion of asking you whether it was a joke which she was too dense to see. But it was impossible to embarrass Miss Waterford. She was a lady who in the course of a long life had had many affairs, but only one passion, and this was for printer’s ink. Mrs Albert Forrester tolerated rather than approved her.
“Come, come, my dear,” she replied, “you know very well that he wouldn’t exist without you. He wouldn’t know us. It must be wonderful to him to come in contact with all the best brains and the most distinguished people of our day.”
“It may be that the bee would perish without the hive which shelters it, but the bee nevertheless has a significance of its own.”
And since Mrs Albert Forrester’s friends, though they knew all about art and literature, knew little about natural history, they had no reply to this observation. She went on:
“He doesn’t interfere with me. He knows subconsciously when I don’t want to be disturbed and, indeed, when I am following out a train of thought I find his presence in the room a comfort rather than a hindrance to me.”
“Like a Persian cat,” said Miss Waterford.
“But like a very well-trained, well-bred, and well-mannered Persian cat,” answered Mrs Forrester severely, thus putting Miss Waterford in her place.
But Mrs Albert Forrester had not finished with her husband.
“We who belong to the intelligentsia,” she said, “are apt to live in a world too exclusively our own. We are interested in the abstract rather than in the concrete, and sometimes I think that we survey the bustling world of human affairs in too detached a manner and from too serene a height. Do you not think that we stand in danger of becoming a little inhuman? I shall always be grateful to Albert because he keeps me in contact with the man in the street.”
It was on account of this remark, to which none of her friends could deny the rare insight and subtlety that characterized so many of her utterances, that for some time Albert was known in her immediate circle as The Man in the Street. But this was only for a while, and it was forgotten. He then became known as The Philatelist. It was Clifford Boyleston, with his wicked wit, who invented the name. One day, his poor brain exhausted by the effort to sustain a conversation with Albert, he had asked in desperation:
“Do you collect stamps?”
“No,” answered Albert mildly. “I’m afraid I don’t.”
But Clifford Boyleston had no sooner asked the question than he saw its possibilities. He had written a book on Baudelaire’s aunt by marriage, which had attracted the attention of all who were interested in French literature, and was well known in his exhaustive studies of the French spirit to have absorbed a goodly share of the Gallic quickness and the Gallic brilliancy. He paid no attention to Albert’s disclaimer, but at the first opportunity informed Mrs Albert Forrester’s friends that he had at last discovered Albert’s secret. He collected stamps. He never met him afterwards without asking him:
“Well, Mr Forrester, how is the stamp collection?” Or: “Have you been buying any stamps since I saw you last?”
It mattered little that Albert continued to deny that he collected stamps, the invention was too apt not to be made the most of; Mrs Albert Forrester’s friends insisted that he did, and they seldom spoke to him without asking him how he was getting on. Even Mrs Albert Forrester, when she was in a specially gay humour, would sometimes speak of her husband as The Philatelist. The name really did seem to fit Albert like a glove. Sometimes they spoke of him thus to his face and they could not but appreciate the good nature with which he took it; he smiled unresentfully and presently did not even protest that they were mistaken.
Of course Mrs Albert Forrester had too keen a social sense to jeopardize the success of her luncheons by allowing her more distinguished guests to sit on either side of Albert. She took care that only her older and more intimate friends should do this, and when the appointed victims came in she would say to them:
“I know you won’t mind sitting by Albert, will you?”
They could only say that they would be delighted, but if their faces too plainly expressed their dismay she would pat their hands playfully and add:
“Next time you shall sit by me. Albert is so shy with strangers and you know so well how to deal with him.”
They did: they simply ignored him. So far as they were conc
erned the chair in which he sat might as well have been empty. There was no sign that it annoyed him to be taken no notice of by persons who after all were eating food he paid for, since the earnings of Mrs Forrester could certainly not have provided her guests with spring salmon and forced asparagus. He sat quiet and silent, and if he opened his mouth it was only to give a direction to one of the maids. If a guest were new to him he would let his eyes rest on him in a stare that would have been embarrassing if it had not been so childlike. He seemed to be asking himself what this strange creature was; but what answer his mild scrutiny gave him he never revealed. When the conversation grew animated he would look from one speaker to the other, but again you could not tell from his thin, lined face what he thought of the fantastic notions that were bandied across the table.
Clifford Boyleston said that all the wit and wisdom he heard passed over his head like water over a duck’s back. He had given up trying to understand and now only made a semblance of listening. But Harry Oakland, the versatile critic, said that Albert was taking it all in; he found it all too, too marvellous, and with his poor, muddled brain he was trying desperately to make head or tail of the wonderful things he heard. Of course in the City he must boast of the distinguished persons he knew, perhaps there he was a light of learning and letters, an authority on the ideal; it would be perfectly divine to hear what he made of it all. Harry Oakland was one of Mrs Albert Forrester’s staunchest admirers, and had written a brilliant and subtle essay on her style. With his refined and even beautiful features he looked like a San Sebastian who had had an accident with a hair-restorer; for he was uncommonly hirsute. He was a very young man, not thirty, but he had been in turn a dramatic critic, and a critic of fiction, a musical critic, and a critic of painting. But he was getting a little tired of art and threatened to devote his talents in future to the criticism of sport.
Albert, I should explain, was in the city and it was a misfortune that Mrs Forrester’s friends thought she bore with meritorious fortitude that he was not even rich. There would have been something romantic in it if he had been a merchant prince who held the fate of nations in his hand or sent argosies, laden with rare spices, to those ports of the Levant the names of which have provided many a poet with so rich and rare a rhyme. But Albert was only a currant merchant and was supposed to make no more than just enabled Mrs
Albert Forrester to conduct her life with distinction and even with liberality. Since his occupation kept him in his office till six o’clock he never managed to get to Mrs Albert Forrester’s Tuesdays till the most important visitors were gone. By the time he arrived, there were seldom more than three or four of her more intimate friends in the drawing-room, discussing with freedom and humour the guests who had departed, and when they heard Albert’s key in the front door they realized with one accord that it was late. In a moment he opened the door in his hesitating way and looked mildly in. Mrs Albert Forrester greeted him with a bright smile.
“Come in, Albert, come in. I think you know everybody here.”
Albert entered and shook hands with his wife’s friends.
“Have you just come from the City?” she asked eagerly, though she knew there was nowhere else he could have come from. “Would you like a cup of tea?”
“No, thank you, my dear. I had tea in my office.”
Mrs Albert Forrester smiled still more brightly and the rest of the company thought she was perfectly wonderful with him.
“Ah, but I know you like a second cup. I will pour it out for you myself.”
She went to the tea-table and, forgetting that the tea had been stewing for an hour and a half and was stone cold, poured him out a cup and added milk and sugar. Albert took it with a word of thanks, and meekly stirred it, but when Mrs Forrester resumed the conversation which his appearance had interrupted, without tasting it put it quietly down. His arrival was the signal for the party finally to break up, and one by one the remaining guests took their departure. On one occasion, however, the conversation was so absorbing and the point at issue so important that Mrs Albert Forrester would not hear of their going.
“It must be settled once for all. And after all,” she remarked in a manner that for her was almost arch, “this is a matter on which Albert may have something to say. Let us have the benefit of his opinion.”
It was when women were beginning to cut their hair and the subject of discussion was whether Mrs Albert Forrester should or should not shingle. Mrs Albert Forrester was a woman of authoritative presence. She was large-boned and her bones were well covered; had she not been so tall and strong it might have suggested itself to you that she was corpulent. But she carried her weight gallantly. Her features were a little larger than life-size and it was this that gave her face doubtless the look of virile intellectuality that it certainly possessed. Her skin was dark and you might have thought that she had in her veins some trace of Levantine blood: she admitted that she could not but think there was in her a gypsy strain and that would account, she felt, for the wild and lawless passion that sometimes characterized her poetry. Her eyes were large and black and bright, her nose like the great Duke of Wellington’s, but more fleshy, and her chin square and determined. She had a big mouth, with full red lips, which owed nothing to cosmetics, for of these Mrs Albert Forrester had never deigned to make use; and her hair, thick, solid, and grey, was piled on top of her head in such a manner as to increase her already commanding height. She was in appearance an imposing, not to say an alarming, female.
She was always very suitably dressed in rich materials of sombre hue and she looked every inch a woman of letters; but in her discreet way (being after all human and susceptible to vanity) she followed the fashions and the cut of her gowns was modish. I think for some time she had hankered to shingle her hair, but she thought it more becoming to do it at the solicitation of her friends than on her own initiative.
“Oh, you must, you must,” said Harry Oakland, in his eager, boyish way. “You’d look too, too wonderful.”
Clifford Boyleston, who was now writing a book on Madame de Maintenon, was doubtful. He thought it a dangerous experiment.
“I think,” he said, wiping his eye-glasses with a cambric handkerchief, “I think when one has made a type one should stick to it. What would Louis XIV have been without his wig?”
“I’m hesitating,” said Mrs Forrester. “After all, we must move with the times. I am of my day and I do not wish to lag behind. America, as Wilhelm Meister said, is here and now.” She turned brightly to Albert. “What does my lord and master say about it? What is your opinion, Albert? To shingle or not to shingle, that is the question.”
“I’m afraid my opinion is not of great importance, my dear,” he answered mildly.
“To me it is of the greatest importance,” answered Mrs Albert Forrester, flatteringly.
She could not but see how beautifully her friends thought she treated The Philatelist.
“I insist,” she proceeded, “I insist. No one knows me a you do, Albert. Will it suit me?”
“It might,” he answered. “My only fear is that with your-statuesque appearance short hair would perhaps suggest-well, shall we say, the Isle of Greece where burning Sappho loved and sung.”
There was a moment’s embarrassed pause. Rose Waterford smothered a giggle, but the others preserved a stony silence. Mrs Forrester’s smile froze on her lips. Albert had dropped a brick.
“I always thought Byron a very mediocre poet,” said Mrs Albert Forrester at last.
The company broke up. Mrs Albert Forrester did not shingle, nor indeed was the matter ever again referred to.
It was towards the end of another of Mrs Albert Forrester’s Tuesdays that the event occurred that had so great an influence on her literary career.
It had been one of her most successful parties. The leader of the Labour Party had been there and Mrs Albert Forrester had gone as far as she could without definitely committing herself to intimate to him that she was prepared to throw in her lot w
ith Labour. The time was ripe and if she was ever to adopt a political career she must come to a decision. A member of the French Academy had been brought by Clifford Boyleston and, though she knew he was wholly unacquainted with English, it had gratified her to receive his affable compliment on her ornate and yet pellucid style. The American Ambassador had been there and a young Russian prince whose authentic Romanoff blood alone prevented him from looking a gigolo. A duchess who had recently divorced her duke and married a jockey had been very gracious; and her strawberry leaves, albeit sere and yellow, undoubtedly added tone to the assembly. There had been quite a galaxy of literary lights. But now all, all were gone but Clifford Boyleston, Harry Oakland, Rose Waterford, Oscar Charles, and Simmons. Oscar Charles was a little, gnome-like creature, young but with the wizened face of a cunning monkey, with gold spectacles, who earned his living in a government office but spent his leisure in the pursuit of literature.
He wrote little articles for the sixpenny weeklies and had a spirited contempt for the world in general. Mrs Albert Forrester liked him, thinking he had talent, but though he always expressed the keenest admiration for her style (it was indeed he who had named her the mistress of the semi-colon), his acerbity was so general that she also somewhat feared him. Simmons was her agent; a round-faced man who wore glasses so strong that his eyes behind them looked strange and misshapen. They reminded you of the eyes of some uncouth crustacean that you had seen in an aquarium. He came regularly to Mrs Albert Forrester’s parties, partly because he had the greatest admiration for her genius and partly because it was convenient for him to meet prospective clients in her drawing-room.
The Complete Short Stories of W. Somerset Maugham: East and West (Vol. 1 of 2)) Page 52