Ashenden slightly raised his eyebrows at this statement, somewhat unexpected in the mouth of Sir Herbert Witherspoon, but did not say anything.
“He was one of my fellow-clerks. He was a brilliant creature, I don’t think anyone ever denied that, and everyone prophesied from the beginning that he would go far. I venture to say that he had pretty well all the qualifications necessary for a diplomatic career. He was of a family of soldiers and sailors, nothing very grand, but eminently respectable, and he knew how to behave in the great world without bumptiousness or timidity. He was well-read. He took an interest in painting. I dare say he made himself a trifle ridiculous; he wanted to be in the movement, he was very anxious to be modern, and at a time when little was known of Gauguin and Cezanne he raved over their pictures. There was perhaps a certain snobbishness in his attitude, a desire to shock and astonish the conventional, but at heart his admiration of the arts was genuine and sincere. He adored Paris and whenever he had the chance ran over and put up at a little hotel in the Latin Quarter, where he could rub shoulders with painters and writers. As is the habit with gentry of that sort they patronized him a little because he was nothing but a diplomat and laughed at him a little because he was evidently a gentleman. But they liked him because he was always ready to listen to their speeches, and when he praised their works they were even willing to admit that, although a philistine, he had a certain instinct for the Right Stuff.”
Ashenden noted the sarcasm and smiled at the fling at his own profession. He wondered what this long description was leading to. The ambassador seemed to linger over it partly because he liked it, but also because for some reason he hesitated to come to the point.
“But my friend was modest. He enjoyed himself enormously and he listened open-mouthed when these young painters and unknown scribblers tore to pieces established reputations and talked with enthusiasm of persons of whom the sober but cultured secretaries in Downing Street had never even heard. At the back of his mind he knew that they were rather a common, second-rate lot, and when he went back to his work in London it was with no regret, but with the feeling that he had been witnessing an odd and diverting play; now the curtain had fallen he was quite ready to go home. I haven’t told you that he was ambitious. He knew that his friends expected him to do considerable things and he had no notion of disappointing them. He was perfectly conscious of his abilities. He meant to succeed. Unfortunately he was not rich, he had only a few hundreds a year, but his father and mother were dead and he had neither brother nor sister. He was aware that this freedom from close ties was an asset. His opportunity to make connexions that would be of use to him was unrestricted. Do you think he sounds a very disagreeable young man?”
“No,” said Ashenden in answer to the sudden question. “Most clever young men are aware of their cleverness, and there is generally a certain cynicism in their calculations with regard to the future. Surely young men should be ambitious.”
“Well, on one of these little trips to Paris my friend became acquainted with a talented young Irish painter called O’Malley. He’s an R.A. now and paints highly-paid portraits of Lord Chancellors and Cabinet Ministers. I wonder if you remember one he did of my wife, which was exhibited a couple of years ago.”
“No, I don’t. But I know his name.”
“My wife was delighted with it. His art always seems to me very refined and agreeable. He’s able to put on canvas the distinction of his sitters in a very remarkable way. When he paints a woman of breeding, you know that it is a woman of breeding and not a trollop.”
“It is a charming gift,” said Ashenden. “Can he also paint a slut and make her look like one?”
“He could. Now doubtless he would scarcely wish to. He was living then in a small and dirty studio in the rue du Cherche Midi with a little Frenchwoman of the character you describe and he painted several portraits of her which were extremely like.”
It seemed to Ashenden that Sir Herbert was going into somewhat excessive detail, and he asked himself whether the friend of whom he was telling a story that till now seemed to lead no-whither was in point of fact himself. He began to give it more of his attention.
“My friend liked O’Malley. He was good company, the type of the agreeable rattle, and he had a truly Irish gift of the gab. He talked incessantly and in my friend’s opinion brilliantly. He found it very amusing to go and sit in the studio while O’Malley was painting and listen to him chattering away about the technique of his art. O’Malley was always saying that he would paint a portrait of him and his vanity was tickled. O’Malley thought him far from plain and said it would do him good to exhibit the portrait of someone who at least looked like a gentleman.”
“By the way, when was all this?” asked Ashenden.
“Oh, thirty years ago… . They used to talk of their future and when O’Malley said the portrait he was going to paint of my friend would look very well in the National Portrait Gallery, my friend had small doubt in the back of his mind, whatever he modestly said, that it would eventually find its way there. One evening when my friend-shall we call him Brown?-was sitting in the studio and O’Malley, desperately taking advantage of the last light of day, was trying to get finished for the Salon that portrait of his mistress which is now in the Tate Gallery, O’Malley asked him if he would like to come and dine with them. He was expecting a friend of hers, she was called Yvonne by the way, and he would be glad if Brown would make a fourth. This friend of Yvonne’s was an acrobat and O’Malley was anxious to get her to pose for him in the nude. Yvonne said she had a marvellous figure. She had seen O’Malley’s work and was willing enough to sit and dinner was to be devoted to settling the matter. She was not performing then, but was about to open at the Gaietes Montparnasses and with her days free was not disinclined to oblige a friend and earn a little money. The notion amused Brown, who had never met an acrobat, and he accepted. Yvonne suggested that he might find her to his taste and if he did she could promise him that he would not find her very difficult to persuade. With his grand air and English clothes she would take him for a milord anglais. My friend laughed. He did not take the suggestion very seriously. ‘On ne sait jamais,’ he said. Yvonne looked at him with mischievous eyes. He sat on. It was Easter time and cold, but the studio was comfortably warm, and though it was small and everything was higgledy-piggledy and the dust lay heavy on the rim of the window, it was most friendly and cosy. Brown had a tiny flat in Waverton Street, in London, with very good mezzotints on the walls and several pieces of early Chinese pottery here and there, and he wondered to himself why his tasteful sitting-room had none of the comforts of home nor the romance that he found in that disorderly studio.
“Presently there was a ring at the door and Yvonne ushered in her friend. Her name, it appeared, was Alix, and she shook hands with Brown, uttering a stereotyped phrase, with the mincing politeness of a fat woman in a bureau de tabac. She wore a long cloak in imitation mink and an enormous scarlet hat. She looked incredibly vulgar. She was not even pretty. She had a broad flat face, a wide mouth and an upturned nose. She had a great deal of hair, golden, but obviously dyed, and large china-blue eyes. She was heavily made-up.”
Ashenden began to have no doubt that Witherspoon was narrating an experience of his own, for otherwise he could never have remembered after thirty years what hat the young woman wore and what coat, and he was amused at the ambassador’s simplicity in thinking that so thin a subterfuge could disguise the truth. Ashenden could not but guess how the story would end and it tickled him to think that this cold, distinguished, and exquisite person should ever have had anything like an adventure.
“She began to talk away to Yvonne, and my friend noticed that she had one feature that oddly enough he found very attractive: she had a deep and husky voice as though she were just recovering from a bad cold and, he didn’t know why, it seemed to him exceedingly pleasant to listen to. He asked O’Malley if that was her natural voice and O’Malley said she had had it as long as ever he had k
nown her. He called it a whisky voice. He told her what Brown said about it and she gave him a smile of her wide mouth and said it wasn’t due to drink, it was due to standing so much on her head. That was one of the inconveniences of her profession. Then the four of them went to a beastly little restaurant off the boulevard St Michel where for two francs fifty including wine my friend ate a dinner that seemed to him more delicious than any he had ever eaten at the Savoy or Claridge’s. Alix was a very chatty young person and Brown listened with amusement, with amazement even, while in her rich, throaty voice she talked of the varied incidents of the day. She had a great command of slang, and, though he could not understand half of it, he was immensely tickled with its picturesque vulgarity. It was pungent of the heated asphalt, the zinc bars of cheap taverns, and racy of the crowded squares in the poorer districts of Paris. There was an energy in those apt and vivid metaphors that went like champagne to his anaemic head. She was a guttersnipe, yes, that’s what she was, but she had a vitality that warmed you like a blazing fire. He was conscious that Yvonne had told her that he was an unattached Englishman, with plenty of money; he saw the appraising glance she gave him and then, pretending that he had noticed nothing, he caught the phrase, il n’est pas mal. It faintly amused him: he had a notion himself that he was not so bad. There were places, indeed, where they went farther than that. She did not pay much attention to him, in point of fact they were talking of things of which he was ignorant and he could do little more than show an intelligent interest, but now and again she gave him a long look, passing her tongue quickly round her lips, that suggested to him that he only had to ask for her to give. He shrugged a mental shoulder. She looked healthy and young, she had an agreeable vivacity, but beyond her husky voice there was nothing particularly attractive in her. But the notion of having a little affair in Paris did not displease him, it was life, and the thought that she was a music-hall artiste was mildly diverting: in middle age it would doubtless amuse him to remember that he had enjoyed the favours of an acrobat. Was it la Rochefoucauld or Oscar Wilde who said that you should commit errors in youth in order to have something to regret in old age? At the end of dinner (and they sat over their coffee and brandy till late), they went out into the street and Yvonne proposed that he should take Alix home. He said he would be delighted. Alix said it was not far and they walked. She told him that she had a little apartment, of course mostly she was on tour, but she liked to have a place of her own, a woman, you know, had to be in her furniture, without that she received no consideration; and presently they reached a shabby house in a bedraggled street. She rang the bell for the concierge to open the door. She did not press him to enter. He did not know if she looked upon it as a matter of course. He was seized with timidity. He racked his brains, but could not think of a single thing to say. Silence fell upon them. It was absurd. With a little click the door opened; she looked at him expectantly; she was puzzled; a wave of shyness swept over him. Then she held out her hand, thanked him for bringing her to the door, and bade him good night. His heart beat nervously. If she had asked him to come in he would have gone. He wanted some sign that she would like him to. He shook her hand, said good night, raised his hat and walked away. He felt a perfect fool. He could not sleep; he tossed from side to side of his bed, thinking what a noodle she must take him for, and he could hardly wait for the day that would permit him to take steps to efface the contemptible impression he must have made on her. His pride was lacerated. Wanting to lose no time he went round to her house at eleven to ask her to lunch with him, but she was out; he sent round some flowers and later in the day called again. She had been in, but was gone out once more. He went to see O’Malley on the chance of finding her, but she was not there, and O’Malley facetiously asked him how he had fared. To save his face he told him that he had come to the conclusion that she did not mean very much to him and so like a perfect gentleman he had left her. But he had an uneasy feeling that O’Malley saw through his story. He sent her a pneumatique asking her to dine with him next day. She did not answer. He could not understand it, he asked the porter of his hotel a dozen times if there was nothing for him, and at last, almost in desperation, just before dinner went to her house. The concierge told him she was in and he went up. He was very nervous, inclined to be angry because she had treated his invitation so cavalierly, but at the same time anxious to appear at his ease. He climbed the four flights of stairs, dark and smelly, and rang at the door to which he had been directed. There was a pause, he heard sounds within and rang again. Presently she opened. He had an absolute certitude that she did not in the least know who he was. He was taken aback, it was a blow to his vanity; but he assumed a cheerful smile.
“‘I came to find out if you were going to dine with me tonight. I sent you a pneumatique.’
“Then she recognized him. But she stood at the door and did not ask him in.
“‘Oh, no, I can’t dine with you tonight. I have a terrible megrim and I am going to bed. I couldn’t answer your pneumatique, I mislaid it, and I’d forgotten your name. Thank you for the flowers. It was nice of you to send them.’
“‘Then won’t you come and dine with me tomorrow night?’
“‘Justement, I have an engagement tomorrow night. I’m sorry.’
“There was nothing more to say. He had not the nerve to ask her anything else and so bade her good night and went. He had the impression that she was not vexed with him, but that she had entirely forgotten him. It was humiliating. When he went back to London without having seen her again, it was with a curious sense of dissatisfaction. He was not in the least in love with her, he was annoyed with her, but he could not get her quite out of his mind. He was honest enough to realize that he was suffering from nothing more than a wounded vanity.
“During that dinner at the little restaurant off the Boul’ Mich’ she had mentioned that her troupe was going to London in the spring, and in one of his letters to O’Malley he slipped in casually a phrase to the effect that if his young friend Alix happened to be coming to town he (O’Malley) might let him know and he would look her up. He would like to hear from her own ingenuous lips what she thought of the nude O’Malley had painted of her. When the painter some time afterwards wrote and told him that she was appearing a week later at the Metropolitan in the Edgware Road, he felt a sudden rush of blood to his head. He went to see her play. If he had not taken the precaution to go earlier in the day and look at the programme he would have missed her, for her turn was the first on the list. There were two men, a stout one and a thin one, with large black moustaches, and Alix. They were dressed in ill-fitting pink tights with green satin trunks. The men did various exercises on twin trapezes while Alix tripped about the stage, giving them handkerchiefs to wipe their hands on, and occasionally turned a somersault. When the fat man raised the thin one on his shoulders she climbed up and stood on the shoulders of the second, kissing her hand to the audience. They did tricks with safety bicycles. There is often grace, and even beauty, in the performance of clever acrobats, but this one was so crude, so vulgar that my friend felt positively embarrassed. There is something shameful in seeing grown men publicly make fools of themselves. Poor Alix, with a fixed and artificial smile on her lips, in her pink tights and green satin trunks, was so grotesque that he wondered how he could have let himself feel a moment’s annoyance because when he went to her apartment she had not recognized him. It was with a shrug of the shoulders, condescendingly, that he went round to the stage door afterwards and gave the doorkeeper a shilling to take her his card. In a few minutes she came out. She seemed delighted to see him.
“‘Oh, how good it is to see the face of someone you know in this sad city,’ she said. ‘Ah, now you can give me that dinner you asked me to in Paris. I’m dying of hunger. I never eat before the show. Imagine that they should have given us such a bad place on the programme. It’s an insult. But we shall see the agent tomorrow. If they think they can put upon us like that they are mistaken. Ah, non, non et non! An
d what an audience! No enthusiasm, no applause, nothing.’
“My friend was staggered. Was it possible that she took her performance seriously? He almost burst out laughing. But she still spoke with that throaty voice that had such a queer effect on his nerves. She was dressed all in red and wore the same red hat in which he had first seen her. She looked so flashy that he did not fancy the notion of asking her to a place where he might be seen, and so suggested Soho. There were hansoms still in those days, and the hansom was more conducive to love-making, I imagine, than is the taxi of the present time. My friend put his arm round Alix’s waist and kissed her. It left her calm, but on the other hand did not wildly excite him. While they ate a late dinner he made himself very gallant and she played up to him agreeably; but when they got up to go and he proposed that she should come round to his rooms in Waverton Street she told him that a friend had come over from Paris with her and that she had to meet him at eleven: she had only been able to dine with Brown because her companion had a business engagement. Brown was exasperated, but did not want to show it, and when, as they walked down Wardour Street (for she said she wanted to go to the Cafe Monico), pausing in front of a pawnbroker’s to look at the jewellery in the window, she went into ecstasies over a bracelet of sapphires and diamonds that Brown thought incredibly vulgar, he asked her if she would like it.
“‘But it’s marked fifteen pounds,’ she said.
“He went in and bought it for her. She was delighted. She made him leave her just before they came to Piccadilly Circus.
“‘Now listen, mon petit,’ she said, ‘I cannot see you in London because of my friend, he is jealous as a wolf, that is why I think it is more prudent for you to go now, but I am playing at Boulogne next week, why do you not come over? I shall be alone there. My friend has to go back to Holland, where he lives.’
The Complete Short Stories of W. Somerset Maugham: East and West (Vol. 1 of 2)) Page 73