The Writers: A History of American Screenwriters and Their Guild

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by Miranda J. Banks


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  Kemper, Tom. Hidden Talent: The Emergence of Hollywood Agents. Berkeley: University of California Press, 2009.

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  Kotsilibas-Davis, James. The Barrymores: The Royal Family in Hollywood. New York: Crown, 1981.

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  Levine, Elana. “Toward a Paradigm for Media Production Research: Behind the Scenes at General Hospital.” Critical Studies in Media Communication 18, no. 1 (2001): 66–82.

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  Levy, Emanuel. Cinema of Outsiders: The Rise of American Independent Film. New York: NYU Press, 2001.

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  Maas, Frederica Sagor. The Shocking Miss Pilgrim: A Writer in Early Hollywood. Lexington: University Press of Kentucky, 1999.

  Manchester, William. The Glory and the Dream: A Narrative History of America 1932–1972. Vol. 1. Boston: Little, Brown & Co., 1974.

  Mann, Denise. “It’s Not TV, It’s Brand Management TV: The Collective Author(s) of the Lost Franchise.” In Production Studies: Cultural Studies of Media Industries, edited by Vicki Mayer, Miranda J. Banks, and John T. Caldwell, 99–114. London: Routledge, 2009.

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  Marshall, J. D. Blueprint on Babylon. Tempe, AZ: Phoenix House, 1978.

  Marx, Samuel. Mayer and Thalberg: The Make-Believe Saints. New York: Random House, 1975.

  Mayer, Vicki, Miranda J. Banks, and John Thornton Caldwell, eds. Production Studies: Cultural Studies of Media Industries. London: Routledge, 2009.

  McGilligan, Patrick. Backstory 3: Interviews with Screenwriters of the 60s. Berkeley: University of California Press, 1997.

  . Backstory 4: Interviews with Screenwriters of the 1970s and 1980s. Berkeley: University of California Press, 2006.

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  Mitchell, Greg. “How Hollywood Fixed an Election.” American Film (November 1988): 30.

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&nbs
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  INDEX

  Page references in boldface refer to illustrations

  AAA, see American Authors Authority Aaron Spelling Productions, 177

  ABC network, 170, 174, 180, 189, 212, 214

  above-the-line workers: accounting difficulties, 91; contractual difficulties, 31, 58, 120. See also screenwriters

  Academy Awards: 1936, 50, 276n83; 1957, 112–113; 1958, 114–115

  Academy of Motion Picture Arts and Sciences (AMPAS), 32, 42–43, 47–50, 121

  Action in the North Pacific, 76

  Adaptation, 4, 235

  adaptations, 33, 91, 165, 237

  Adelstein, Jonathan S., 217

  Adventures of Sam Spade, The, 139

  advertising and sponsorship, 35, 75, 124, 162, 212, 225

  Affiliated Committee for Television, 124

  AFL-CIO, 210

  AFTRA, see American Federation of Television and Radio Artists

  ageism, 169

  agency, personal, 165, 233

  Akil, Mara Brock, 236, 244

  ALA, see Authors League of America

  Alert, 108

  Alfred Hitchcock Presents (aka The Alfred Hitchcock Hour), 42, 97

  Algiers, 91

  Alice in Wonderland, 26

  All About Eve, 25

  Allen, Fred, 136

  Allen, Jay Presson, 151, 244

  Allen, Woody, 136, 157, 165, 244

  Alley, Robert, 266

  Alliance of Motion Picture and Television Producers (AMPTP), 11, 115, 152, 161–163, 170, 187, 189–190, 196, 209, 213; and 2007–2008 strike, 218–220, 222–227

  Alliance of TV Film Producers, 143, 145–146

  All in the Family, 2, 127, 141, 156, 175, 179, 181

  All the President’s Men, 6, 156

  Ally McBeal, 6

  Amazon.com, 235

  Ambassador Hotel, Los Angeles, 97

  American Authors Authority (AAA), 90–94, 96, 101, 237

  American Federation of Musicians, 187

  American Federation of Television and Radio Artists (AFTRA), 10, 18, 115, 187, 215–216, 228

  American Graffiti, 157

  American Idol, 205

  American Legion, 98

  American Society of Cinematographers, 43–44, 274n25, 277n123

  American Society of Composers, Authors, and Publishers (ASCAP), 91

  American Writers Association, see American Authors Authority

  American Writers Congress, 79

  America’s Most Wanted, 205

  America’s Next Top Model, 213–214

  Amos & Andy, 286n5

  AMPAS, see Academy of Motion Picture Arts and Sciences

  Amy, 180

  ancillary markets, 155, 187, 191, 199, 207

  Anderson, Christopher, 139

  Anderson, Paul Thomas, 202, 244

  Anderson, Wes, 202, 244

  Animal Crackers, 54

  animation: film, 80, 88; television, 23, 198, 199, 204–205, 226. See also cartoonists

  Annie Hall, 157

  anticommunism. See communist allegations and Red Scare

  anti-Semitism, 70, 100

  Apartment, The, 42, 101

  Apocalypse Now, 157

  Armstrong Circle Theater, 138

  Arnaz, Desi, 120

  Arnold, Thurman, 102

  Arrested Development, 6, 229

  Article XII, Guild bylaws, 51–54

  asset management, 238

  Association of Motion Picture Producers, 71

  A-Team, The, 214

  Atkins, Dante, 223

  audiences: attendance trends, 103, 120, 185, 206; boycott threat, 100; changing tastes and opinions, 153, 177, 231; fragmentation in 1990s, 201–202, 204, 208; Internet preference of, 212; live, 125, 127

  Auerbach, John, 195, 244

  August, John, 239, 244

  auteur theory, 16, 160, 161, 165, 166, 192, 208, 239

  authorship issues, 12–16, 33, 42, 44, 64, 112, 115, 140, 146–147, 149, 160, 162, 165, 237–239, 273n21; television and, 88, 119, 125–126, 130–131, 141; TSW and, 88, 90–92. See also creative control; pseudonyms

  Authors Guild, 91

  Authors League of America (ALA), 33, 51, 54, 57, 94, 117–118, 130–132, 134

  Avatar, 240

  Avedon, Barbara, 181–182, 244

  awards, 243

  Axelrod, George, 3, 191, 244

  Babbitt, Art, 80

  Bacall, Lauren, 100

  Balaban, Barney, 144

  Ball, Lucille, 120

  Barbash, Bob, 8, 244

  Barnouw, Erik, 12, 244

  Barrymore, Lionel, 29

  Bartholomew, Freddie, 29

  Barton Fink, 157, 234–235

  Basic Instinct, 156, 192

  Bass, Ronald, 22–23, 192, 219, 240, 244

  Batman: The Animated Series, 298n26

  Beavis and Butthead, 204

  Beery, Wallace, 29

  Behind the Rising Sun, 96

  Being John Malkovich, 4

  Being Mary Jane, 236

  Belkin, Gary, 5, 244

  below-the-line workers, 31, 61, 80–82, 84–85

  Ben-Hur (1925), 42

  Ben-Hur (1959), 126, 138

  Benson, 178, 184

  Berg, Gertrude, 122, 140, 244

  Berlin Express, 78

  Bernie Mac Show, The, 219

  Bernstein, Walter, 1, 107, 111, 230, 244

  Bessie, Alvah, 36, 69, 76, 98, 112, 244

  Best Years of Our Lives, The, 161

  Betamax, 141

  Beverly Hills Cop, 210

  Beverly Wilshire Hotel, Beverly Hills, 59

  Bewitched, 179

  Biberman, Herbert, 69, 244

  Bielby, Denise, 182, 265

  Bielby, William, 182, 265

  Big Brother, 205

  Big Fish, 239

  Big Parade, The, 36

  Biltmore Hotel, Los Angeles, 42

  Bioff, William (“Willie”), 80

  Birth of a Nation, The, 160

  blacklisting, 2, 18, 49, 50, 51, 71, 73, 84, 92, 99–102, 106–115, 118–119, 129, 130, 133, 235; economics of, 110. See also graylists; Hollywood Ten

  Black Writers’ Caucus (WGA), 184

  Blair Witch Project, The, 203
r />   Blankfort, Michael, 112, 244

  Blinn, William, 174–175, 244

  Blockade, 91

  blockbusters, 171, 172, 185, 203, 240

  Blue Dahlia, 90

  Blue Velvet, 157

  Blu-Ray, 141

  Bob Newhart Show, The, 175

  Boddy, William, 127, 136–137

  Body and Soul, 85, 88

  Bogart, Humphrey, 100, 103

  Bonanza, 125, 140

  Bonnie and Clyde, 17

  Boogie Nights, 202, 203

  Bordwell, David, 89

  Boren, Charles, 148, 161–162

  Born Innocent, 174

  Boulle, Pierre, 114, 115

  Boulware, Bill, 184, 245

  Bourbon Street Beat, 145

  Bourne Identity, The, 230

  Bowman, John, 219, 245

  Boys Town, 42

  Boyz n the Hood, 202

  Brackett, Charles, 42, 52, 102, 121, 234, 245

  brands and branding, 165, 197, 202, 207–208

  Breakfast at Tiffany’s, 3

  Breaking Bad, 232, 238–239

  Brecher, Irving, 60, 245

  Brecht, Bertolt, 69–70, 245

  Breen, Richard L., 132–133

  Brewer, Roy, 82, 85, 96, 129

  Brady Bunch, The, 157

  Brave One, The, 112

  Brian’s Song, 174

  Bridesmaids, 238

  Bridge on the River Kwai, The, 104, 114–115

  Bright, John, 36, 64, 82, 83–84, 147, 245, 276n90

  Bringing Up Baby, 36

  British Broadcasting Company (BBC), 141

  Broidy, Steve, 144

  Brooks, Adam, 220, 245

  Brooks, James L., 176, 245

  Brooks, Mel, 3, 5, 141, 164–165, 245

  Browne, George, 80

  Bucatinsky, Dan, 229, 245

  Buchman, Sidney, 108, 245

  Buck, Pearl, 75

  Burning Bed, The, 174

  Burns, Allan, 159, 176, 178, 245

  Butch Cassidy and the Sundance Kid, 6, 156

  Butler, Hugo, 24, 245

  Butler, Jean Rouveral, 180, 245–246

  Cabaret, 151

  Cable Act (1992), 201

  cable television, 141, 155, 185, 188, 200, 201–202, 211, 237

  Caesar, Sid, 141

  Caesar’s Hour, 5, 141, 188

  Caged, 129

  Cagney & Lacey, 10, 181

  Cain, James M., 72, 91–92, 94, 147, 246

  Caldwell, John, 177, 192, 265

  California Quarterly (journal), 102

  Camille, 35

  Candid Camera, 4

  Cannell, Stephen J., 177, 214–215, 246

 

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